Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.
Louis Thomas Jordan was an American saxophonist, multi-instrumentalist, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as "the King of the Jukebox", he earned his highest profile towards the end of the swing era. He was inducted into the Rock and Roll Hall of Fame as an "early influence" in 1987.
Jump blues is an up-tempo style of blues, jazz, and boogie woogie usually played by small groups and featuring horn instruments. It was popular in the 1940s and was a precursor of rhythm and blues and rock and roll. Appreciation of jump blues was renewed in the 1990s as part of the swing revival.
"Saturday Night Fish Fry" is a jump blues song written by Louis Jordan and Ellis Lawrence Walsh, best known through the version recorded by Louis Jordan and His Tympany Five. The recording is considered to be one of the "excellent and commercially successful" examples of the jump blues genre.
"Is You Is or Is You Ain't My Baby" is a song written by Louis Jordan and Billy Austin. The song's first recording, by Jordan, was made on October 4, 1943. It was released as the B-side of a single with "G.I. Jive" with the title "Is You Is or Is You Ain't ". The song reached No. 1 on the US folk/country charts, number two for three weeks on the pop chart, and number three on the R&B chart.
"Caldonia" is a jump blues song, first recorded in 1945 by Louis Jordan and his Tympany Five. Although credited to Fleecie Moore, his wife at the time, Jordan is the actual songwriter. The song was a hit for Jordan as well as several other musicians.
"Buzz Me" is a 1946 song by Louis Jordan and his Tympany Five that is credited to Fleecie Moore and Danny Baxter. Released by Decca Records as a single, it was the first song in 1946 to reach the number one spot on the R&B chart and was the first of five Louis Jordan releases to achieve the top position in 1946. "Buzz Me" also peaked at number nine on the pop chart. The single became a double-sided hit when the B-side "Don't Worry 'Bout That Mule" also hit number one on the R&B chart later in the year.
"Don't Worry 'Bout That Mule" is a song attributed to Charles Stewart, William Davis, Duke Groaner, and Fleecie Moore. It was performed by Louis Jordan and his Tympany Five, recorded in July 1945, and released on the Decca label.
"Ain't Nobody Here but Us Chickens" is a jump blues song, written by Alex Kramer and Joan Whitney. Louis Jordan and his Tympany Five recorded the song on June 26, 1946, and Decca Records released it on a 78 rpm record. It was added to the Grammy Hall of Fame in 2013.
"Texas and Pacific" is a song written by Jack Wolf Fine and Joseph E. Hirsch. It was performed by Louis Jordan and his Tympany Five, recorded in October 1946, and released on the Decca label. The song describes a rider's experience on the Texas & Pacific Railway. The "B" side of the record was "I Like 'Em Fat Like That".
"Jack, You're Dead" is a song written by Dick Miles and Walter Bishop. It was performed by Louis Jordan and his Tympany Five, recorded in October 1946, and released on the Decca label. The song describes a man's physical state if he fails to respond to romance.
"Boogie Woogie Blue Plate" is a song written by Joe Burhkin and Johnny DeVries. It was performed by Louis Jordan and his Tympany Five and released on the Decca label.
"What's the Use of Getting Sober (When You Gonna Get Drunk Again)" is a song written by Busby Meyers, performed by Louis Jordan and his Tympany Five, recorded in July 1942, and released on the Decca label (catalog no. 8645). The "B" side of the record was "The Chicks I Pick Are Slender and Tender and Tall".
"Run Joe" is a calypso song written by Joe Willoughby, Louis Jordan, and Walt Merrick. It was performed by Louis Jordan and his Tympany Five with vocal chorus by The Calypso Boys. It was recorded in April 1947 and released on the Decca label. The "B" side of the record was "All for the Love of Lil".
"Salt Pork, West Virginia" is a song attributed to Fleecie Moore and William J. Tennyson Jr., performed by Louis Jordan and his Tympany Five, and released on the Decca label. It peaked at No. 2 on Billboard's race record chart and remained on the chart for 15 weeks. It ranked No. 8 on the magazine's list of the most played race records of 1946.
"Beware" is a song attributed to Morry Lasco, Dick Adams, and Fleecie Moore. It was performed by Louis Jordan and his Tympany Five, recorded in January 1946, and released on the Decca label.
"That Chick's Too Young to Fry" is a song written by Tommy Edwards and Jimmy Hilliard. It was performed by Louis Jordan and his Tympany Five, recorded in January 1946, and released on the Decca label. The record's "B" side was "Choo Choo Ch'Boogie".
"Reconversion Blues" is a song attributed to Steve Graham and Fleecie Moore. It was performed by Louis Jordan and his Tympany Five, recorded in October 1946, and released on the Decca label. The record's "B" side was "Salt Pork, West Virginia".
"Don't Burn the Candle at Both Ends" is a song written by Benny Carter, Irving Gordon, and Louis Jordan. It was performed by Louis Jordan and his Tympany Five, recorded in December 1947 and released on the Decca label. The "B" side of the record was "We Can't Agree".
