\nMeu mulato inzoneiro,
\nVou cantar-te nos meus versos:
\nO Brasil, samba que dá,
\nBamboleio, que faz gingar;
\nO Brasil do meu amor,
\nTerra de Nosso Senhor.
\nBrasil!... (Brasil!) Prá mim!... (Prá mim!...)
\nÔ, abre a cortina do passado;
\nTira a mãe preta do cerrado;
\nBota o rei {{Not a typo|congo}} no congado.
\nBrasil!... (Brasil!)
\nDeixa cantar de novo o trovador,
\nÀ merencória à luz da lua,
\nToda canção do meu amor.
\nQuero ver essa Dona caminhando,
\nPelos salões, arrastando,
\nO seu vestido rendado.
\nBrasil!... (Brasil!) Prá mim ... (Prá mim!...)
\nBrasil, terra boa e gostosa,
\nDa moreninha sestrosa,
\nDe olhar {{Not a typo|indiferente}}.
\nO Brasil, verde que dá,
\nPara o mundo admirar.
\nO Brasil do meu amor,
\nTerra de Nosso Senhor.
\nBrasil!... (Brasil!) Prá mim ... (Prá mim!...)
\nEsse coqueiro que dá coco,
\nOnde eu amarro a minha rede,
\nNas noites claras de luar.
\nBrasil!... (Brasil!...)
\nÔ! Estas fontes murmurantes,
\nOnde eu mato a minha sede,
\nE onde a lua vem brincar.
\nÔ! Esse Brasil lindo e trigueiro,
\nÉ o meu Brasil Brasileiro,
\nTerra de samba e pandeiro.
\nBrasil!... (Brasil!...) Prá mim!... (Prá mim!...)
\n"}},"i":0}}]}" id="mwaA">Brasil, meu Brasil Brasileiro,
Meu mulato inzoneiro,
Vou cantar-te nos meus versos:
O Brasil, samba que dá,
Bamboleio, que faz gingar;
O Brasil do meu amor,
Terra de Nosso Senhor.
Brasil!... (Brasil!) Prá mim!... (Prá mim!...)
Ô, abre a cortina do passado;
Tira a mãe preta do cerrado;
Bota o rei congo no congado.
Brasil!... (Brasil!)
Deixa cantar de novo o trovador,
À merencória à luz da lua,
Toda canção do meu amor.
Quero ver essa Dona caminhando,
Pelos salões, arrastando,
O seu vestido rendado.
Brasil!... (Brasil!) Prá mim ... (Prá mim!...)
Brasil, terra boa e gostosa,
Da moreninha sestrosa,
De olhar indiferente.
O Brasil, verde que dá,
Para o mundo admirar.
O Brasil do meu amor,
Terra de Nosso Senhor.
Brasil!... (Brasil!) Prá mim ... (Prá mim!...)
Esse coqueiro que dá coco,
Onde eu amarro a minha rede,
Nas noites claras de luar.
Brasil!... (Brasil!...)
Ô! Estas fontes murmurantes,
Onde eu mato a minha sede,
E onde a lua vem brincar.
Ô! Esse Brasil lindo e trigueiro,
É o meu Brasil Brasileiro,
Terra de samba e pandeiro.
Brasil!... (Brasil!...) Prá mim!... (Prá mim!...)
Brazil, my Brazilian Brazil,
My intriguing mulatto,
I will sing you in my verses:
Brazil, samba that gives,
A swaying that makes you waddle;
Brazil of my love,
Land of our Lord.
Brazil! Brazil! For me! For me!
Oh, open the curtains of the past;
Take the black Mother from the cerrado;*
Put the Congo king in the congado.
Brazil! Brazil!
Let the minstrel sing again,
Under the melancholic moonlight,
All the songs of my love.
I want to see this lady walking,
Through the halls, dragging
Her garments made of lace.
Brazil! Brazil! For me! For me!
Brazil, beautiful and pleasant land,
Of the mischievous brunette little girl,
With her air of indifference.
Brazil, a greenness that is offered
For the admiration of the world.
Brazil of my love,
Land of our Lord.
Brazil! Brazil! For me! For me!
This coconut tree that gives coconuts,
Where I tie my hammock
In the bright moonlit nights.
Brazil! Brazil!
Oh! These murmuring fountains,
Where I quench my thirst,
And where the moon comes to play.
Oh! This Brazil, beautiful and swarthy,
Is my Brazilian Brazil,
Land of samba and tambourine,
Brazil! Brazil! For me! For me!
(introduction)
Brazil ...
The Brazil that I knew
Where I wandered with you
Lives in my imagination
Where the songs are passionate
And a smile has flash in it
And a kiss has art in it
For you put your heart in it
And so I dream of old ...
(Most recordings start here)
Brazil ...
Where hearts were entertaining June
We stood beneath an amber moon
And softly murmurr'd "some day soon"
We kissed and clung together
Then
Tomorrow was another day
The morning found me miles away
With still a million things to say
Now
When twilight dims the sky above
Recalling thrills of our love
There's one thing I'm certain of
Return I will
To old Brazil
The Portuguese lyrics are as sung by Francisco Alves (chorus in brackets). The S. K. Russell English version is from the sheet music by Southern Music Publishing Company. The tune of the first four lines of the introduction is the same as the first instrumental break in the Alves version.
The song has received many successful recordings through the years, being played in many different genres, ranging from its original samba genre to disco. It is one of the 20 most recorded songs of all time. [8]
In 1943, Spanish-born bandleader Xavier Cugat reached number two on the Best Sellers List and number nine on the Harlem Hit Parade with his version of "Brazil". [9] Django Reinhardt recorded "Brazil" three times between 1947 and 1953. In 1957, Frank Sinatra recorded the song in Come Fly With Me . He was followed by other successful artists of the time such as Bing Crosby, Ray Conniff, and Paul Anka.
During the Brazilian military dictatorship, MPB singer Elis Regina performed what is perhaps the darkest version ever of "Aquarela do Brasil", accompanied by a chorus of men reproducing chants of the Native Brazilians. In 1975, American band The Ritchie Family reached number-one on the Billboard Hot Dance Club Play chart for seven weeks and number eleven Pop with their disco version of the song. [10]
"Brazil" | ||||
---|---|---|---|---|
Single by The Ritchie Family | ||||
from the album Brazil | ||||
B-side | "Hot Trip" | |||
Released | 1975 | |||
Studio | Sigma Sound, Philadelphia, Pennsylvania | |||
Genre | Disco [11] | |||
Length | 3:14(7" version) 4:58(Album version) | |||
Label | 20th Century | |||
Songwriter(s) | Ary Barroso | |||
Producer(s) | Jacques Morali | |||
The Ritchie Family singles chronology | ||||
|
Other successful Brazilian singers such as Antônio Carlos Jobim, Erasmo Carlos, João Gilberto (with Caetano Veloso, Gilberto Gil, and Maria Bethânia), Gal Costa, and Simone also recorded versions of the song at the same period.
The song was featured prominently in Terry Gilliam's 1985 film Brazil , which was named after it. It was recorded by Geoff Muldaur for the soundtrack, but parts of the song were also incorporated throughout the orchestral score by Michael Kamen, including a Kate Bush version. Afterwards, in the 1990s, it was recorded by both Harry Belafonte and Dionne Warwick.
In 2007, singer-songwriter Daniela Mercury, which recorded the most recent cover of the song by a Brazilian artist, was invited to perform the song at the end of the opening ceremony of the XV Pan American Games, held in Rio de Janeiro.
In 2009, the Recording Academy added the 1942 recording of "Brazil (Aquarela do Brasil)" by Jimmy Dorsey & His Orchestra, released as Decca 18460B, to the Grammy Hall of Fame. [12] [13] Jimmy Dorsey was the first to record the song on July 14, 1942, and release it with the English lyrics by Bob Russell sung by Bob Eberly and Helen O'Connell. [14]
Also in 2009, American band Beirut performed "Brazil" for their live DVD Beirut: Live At The Music Hall Of Williamsburg.
ITV used a cover of this song by Thiago Thomé as the theme song for their coverage of the 2014 FIFA World Cup which took place in Brazil in June and July 2014. During the tournament's opening ceremony, its first verses were performed live by Brazilian singer Claudia Leitte before being joined onstage by Pitbull and Jennifer Lopez to sing "We Are One (Ole Ola)".
In 2021, the Michael Kamen (Brazil movie) arrangement was used by agency VCCP as the soundtrack for the Transport for London post-COVID advertising campaign, #LetsDoLondon. [15]
Year | Artist | Album | Source |
---|---|---|---|
1939 | Francisco Alves | Odeon 11768 (78 rpm record) | [16] [17] [18] |
1942 | Sylvio Caldas | 78 rpm record | |
1942 | Xavier Cugat | 78 rpm record | [19] |
1947 | Django Reinhardt | Quintette du Hot Club de France | |
1957 | Frank Sinatra | Come Fly With Me | |
1958 | The Coasters | The Coasters | [20] |
1958 | Bing Crosby and Rosemary Clooney | Fancy Meeting You Here | |
1958 | The Four Freshmen | Voices In Latin | |
1960 | Ray Conniff | Say It with Music (A Touch of Latin) | |
1963 | Paul Anka | Our Man Around the World | |
1965 | The Shadows | The Sound of The Shadows | |
1968 | Geoff & Maria Muldaur | Pottery Pie | |
1969 | Elis Regina | Honeysuckle Rose Aquarela Do Brasil | |
1970 | Antônio Carlos Jobim | Stone Flower | |
1970 | Erasmo Carlos | Erasmo Carlos & Os Tremendões | |
1974 | Santana | Lotus (quoted in "Samba Pa Ti") | |
1975 | Elis Regina | A Arte de Elis Regina | |
1975 | Crispy & Co. | Tonight at the Discotheque | |
1975 | The Ritchie Family | Brazil | [21] |
1976 | Chet Atkins and Les Paul | Guitar Monsters | |
1980 | Gal Costa | Aquarela do Brasil | |
1980 | Simone | Ao Vivo | |
1981 | João Gilberto, Caetano Veloso and Gilberto Gil | Brasil | |
1981 | Tav Falco's Panther Burns | Behind The Magnolia Curtain | |
1984 | Egberto Gismonti and Naná Vasconcelos | Duas Vozes | |
1987 | Ney Matogrosso | Pescador de Pérolas | |
1990 | Harry Belafonte | Around the World with the Entertainers | |
1991 | Deborah Blando | A Different Story | |
1995 | Dionne Warwick | Aquarela do Brazil | |
1995 | 8½ Souvenirs | Happy Feet | |
1997 | Gal Costa | Acústico (Mtv) | |
1997 | Pink Martini | Sympathique | |
1998 | Vengaboys | The Party Album | |
1999 | Jun Miyake | Glam Exotica! | |
2000 | Rosemary Clooney | Brazil | |
2002 | Cornelius | Point | |
2002 | Metrô | Déjà-Vu | |
2004 | Martinho da Vila | Apresenta Mané do Cavaco | |
2005 | Arcade Fire | "Cold Wind" (B-side) "Rebellion (Lies)" (B-side) | |
2005 | Daniela Mercury | Balé Mulato | |
2005 | Plácido Domingo | Lo Essencial de | |
2007 | Chick Corea & Béla Fleck | The Enchantment | |
2009 | Beirut | Beirut: Live At The Music Hall Of Williamsburg (DVD) | |
2009 | The Spinto Band | Slim and Slender | Archived 2009-10-13 at the Wayback Machine |
2012 | Tokyo Ska Paradise Orchestra | Walkin' | |
2014 | Claudia Leitte | We Are One (World Cup Opening Ceremony Version) | |
Loona | Brazil | ||
Bellini | Festival | ||
2016 | Leslie Odom, Jr. | Leslie Odom, Jr. |
Films
Television programs
Year | TV Series | Episode |
---|---|---|
1962 | The Jetsons | Las Venus – Solar Sambaramba |
1966 | The Andy Griffith Show | Season 7 – Episode 20:Andy's Old Girlfriend |
1966–1967 | Dark Shadows | Played at The Blue Whale bar |
1982 | SCTV | Series 5, Cycle 4 – Towering Inferno with Banda Brava (Words To Live By segment) |
1995 | Duckman | Season 2 – Episode 8: "Research and Destroy" |
2002 | The Simpsons | "Blame It on Lisa" |
2004 | Miss Marple | "The Body in the Library" |
2007 | Vidas Opostas | Theme song |
2008 | Eli Stone | Theme song and during episode previews |
2011 | Let's Dance | Episode 5 – Bernd Herzsprung's Samba |
2012 | My Little Pony: Friendship Is Magic | Episode 39 – Intro plays briefly when Pinkie Pie is trying to persuade the Cakes to hire her as babysitter. |
Samba is a name or prefix used for several rhythmic variants, such as samba urbano carioca, samba de roda, amongst many other forms of samba, mostly originated in the Rio de Janeiro and Bahia states. Samba is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilian communities of Bahia in the late 19th century and early 20th century, having continued its development on the communities of Rio de Janeiro in the early 20th century. Having its roots in the Afro-Brazilian Candomblé, as well as other Afro-Brazilian and Indigenous folk traditions, such as the traditional Samba de Caboclo, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song "Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", this pioneering style was much more connected from the rhythmic and instrumental point of view to maxixe than to samba itself.
The music of Brazil encompasses various regional musical styles influenced by European, American, African and Amerindian forms. Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, gaucho music, pagode, tropicália, choro, maracatu, embolada, frevo, brega, modinha and Brazilian versions of foreign musical styles, such as rock, pop music, soul, hip-hop, disco music, country music, ambient, industrial and psychedelic music, rap, classical music, fado, and gospel.
Jorge Duílio Lima Menezes is a Brazilian popular musician, performing under the stage name Jorge Ben Jor since the 1980s, though commonly known by his former stage name Jorge Ben. Performing in a samba style that also explored soul, funk, rock and bossa nova sounds, Ben has recorded such well-known songs as "Chove Chuva", "Mas, que Nada!", "Ive Brussel" and "Balança Pema". His music has been covered by artists such as Caetano Veloso, Sérgio Mendes, Miriam Makeba, Soulfly and Marisa Monte.
Ary Evangelista de Resende Barroso was a Brazilian composer, pianist, soccer commentator, and talent-show host on radio and TV. He was one of Brazil's most successful songwriters in the first half of the 20th century. Barroso also composed many songs for Carmen Miranda during her career.
Samba-canção is, in its most common acceptance or interpretation, the denomination for a kind of Brazilian popular songs with a slow-paced samba rhythm.
Rafael Baptista Rabello was a virtuoso Brazilian guitarist and composer. During the 1980s and 1990s, he was considered one of the best acoustic guitar players in the world and played with many famous artists, such as Tom Jobim, Ney Matogrosso, Paulo Moura, and Paco de Lucia.
Elza da Conceição Soares, known professionally as Elza Soares, was a Brazilian samba singer. In 1999, she was named Singer of the Millennium along with Tina Turner by BBC Radio.
"Desafinado" is a 1959 bossa nova song and jazz standard composed by Antônio Carlos Jobim with lyrics by Newton Mendonça.
"Brasil" is a pop-rock song written and performed by Cazuza, recorded as the sixth track in his third solo album Ideologia (1988). The most well-known version of this song was recorded as a samba by Gal Costa on the soundtrack album of the telenovela Vale Tudo (1988).
Zilda de Carvalho Espíndola, professionally known as Aracy Cortes, was a Brazilian singer, dancer and actress. She is best known for bringing the traditional Brazilian samba forms into theatre and for being the first artist to perform Ary Barroso's "Aquarela do Brasil" in 1939.
Acabou Chorare is the second studio album by Brazilian rock and MPB group Novos Baianos. The album was released in 1972 by Som Livre, following the group's moderately successful debut É Ferro na Boneca (1970). During the recording of the album, the group took inspiration from various contemporary artists of the time, such as Jimi Hendrix, João Gilberto, and Assis Valente. In addition, Gilberto heavily influenced the sound of the album, as he served as the group's mentor during the album's recording sessions.
Ana & Jorge is a live album recorded by Brazilian singers Ana Carolina and Seu Jorge, and released on CD and DVD on November 28, 2005 through Sony BMG. In Brazil it was awarded Triple Platinum certification, as more than 300,000 copies were sold in the country.
Mário da Silveira Meireles Reis, also known as Bacharel do Samba was a popular Brazilian samba singer, active between 1928 and 1971. He collaborated with artists such as Francisco Alves, Carmen Miranda, Aracy de Almeida and Noel Rosa and was particularly successful as a radio singer.
Wellington Eleutério Alves is a Brazilian flautist and composer.
Hello, Hello Brazil! is a 1935 Brazilian musical film directed by Wallace Downey, Alberto Ribeiro, and João de Barro. It stars Carmen Miranda and Adhemar Gonzaga; the latter also produced the film. The screenplay was written by Alberto Ribeiro and João de Barro.
"No Tabuleiro da Baiana" is a samba written in 1936 by Ary Barroso and recorded by Carmen Miranda.
Antônio Carlos Moreira Pires, better known as Moraes Moreira, was a Brazilian musician and songwriter. During the 1970s he played guitar and sang in the band Novos Baianos, after which he embarked on a solo career recording 29 albums. Moreira was involved in recording 40 full-length albums with Novos Baianos and Trio Elétrico Dodô e Osmar, and two more albums with guitarist Pepeu Gomes. Moreira was one of the most versatile composers of Brazil, mixing the genres of rock, samba, choro, frevo, baião, and classical.
Xuxa só para Baixinhos 5 or Xuxa Circo is the twenty-seventh studio album by Brazilian recording artist Xuxa, released on 26 September 2004 by Som Livre. Its the fifth album in the Só Para Baixinhos collection.
Francisco de Morais Alves, better known as Francisco Alves, Chico Alves or Chico Viola, was a Brazilian singer, one of the most popular in the first half of the 20th century, and considered by many to be the greatest in the country. The quality of his work earned him in 1933, by broadcaster César Ladeira, the nickname "Rei da Voz" . He recorded more than 500 78 rpm albums, among them the first electrical recording made in Brazil. He performed songs composed by musicians such as Cartola, Heitor dos Prazeres and Ismael Silva; and several songs became famous in his voice, like the first recording of samba "Aquarela do Brasil" by Ary Barroso.
Sílvio Antônio Narciso de Figueiredo Caldas was a Brazilian singer and composer.