Road to Rio | |
---|---|
Directed by | Norman McLeod |
Written by | |
Screenplay by | Barney Dean |
Produced by | Daniel Dare |
Starring | |
Cinematography | Ernest Laszlo |
Edited by | Ellsworth Hoagland |
Music by | Robert Emmett Dolan |
Color process | Black and white |
Production companies | Bing Crosby Productions Hope Enterprises |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 100 minutes |
Country | United States |
Language | English |
Budget | $2.4 million [1] |
Box office | $4.5 million (US/ Canada rentals) [2] [3] |
Road to Rio is a 1947 American semimusical comedy film directed by Norman Z. McLeod and starring Bing Crosby, Bob Hope, and Dorothy Lamour. [4] Written by Edmund Beloin and Jack Rose, the film is about two inept vaudevillians who stow away on a Brazilian-bound ocean liner and foil a plot by a sinister hypnotist to marry off her niece to a greedy fortune hunter. Road to Rio was the fifth of the " Road to ... " series.
Scat Sweeney (Crosby) and Hot Lips Barton (Hope), are two musicians, who were part of a swing quintet (the other three musicians are played by the Wiere Brothers a popular vaudeville act). Meanwhile Lucia is a glamorous nightclub singer. Scat and Hot Lips join her as her backing music: clarinet and trumpet.
They travel the United States trying to find work and stay away from girls. After running from state to state, each time running because of a girl, they try their luck in Louisiana.
They stow away on board a Rio-bound ship, after accidentally starting some fires at a circus. They then get mixed up with the distraught Lucia, who first thanks them, then unexpectedly turns them over to the ship's captain. Unbeknownst to both of them, Lucia is being hypnotized by her crooked guardian, Catherine Vail. Vail plans to marry Lucia to her brother so she can control her and a set of "papers".
After a series of misadventures, including sneaking off the boat, recruiting a few local musicians, and the boys trying to escape with Lucia, only to have Vail hypnotize her again and slap them both, Vail decides to do away with the boys permanently. She hypnotizes both of them and tries to get them to kill each other in a duel, but it fails. Scat and Hot Lips finally figure things out and the boys head for the ceremony to stop the wedding and to help catch the crooks. Upon finding the "papers", which Scat reads, when Hot Lips asks what they are about, Scat tears them up and looks into the camera, saying, "The world must never know."
Later on, Scat is dismayed to see that Lucia loves Hot Lips and not him, but upon peeking through a keyhole, he sees Hot Lips hypnotizing her.
Hope's frequent sidekick Jerry Colonna has a cameo as the leader of a cavalry charging to the rescue of Bing and Bob, as the film cuts away to the galloping horses periodically. All is resolved before he can arrive, leading Colonna to point out:
Whaddaya Know? We never quite made it. Exciting, though ... wasn't it?!
Filmed from January to March 1947, the film was financed by Crosby, Hope, and Paramount. It produced $4.5 million in rental income in its initial release period in the United States and was placed sixth in the top-grossing films of 1947. The critics liked it, with The New York Times saying in its review of February 19, 1948, inter alia: "With Bing Crosby and Bob Hope on the tramp again in Road to Rio, recklessly scattering jokes and rescuing perennial girl friend Dorothy Lamour from dangerous hypnotic trances, there's fun to be had at the Paramount. Maybe this is not the funniest picture ever made; maybe it is not even quite as rewarding as some of those earlier journeys, but there are patches in this crazy quilt that are as good and, perhaps, even better than anything the boys have done before. They are traversing more of a rollercoaster highway than usual this time and so there are some tedious uphill pulls when the huffing and puffing is excessive and the results negligible. However, when they reach the top “Road to Rio” is irresistible... All that matters really is that “Road to Rio” is fairly well loaded with laughs." [5]
Variety reviewed it at a tradeshow and liked it too. "This celluloid junket along The Road to Rio should find smooth riding to sturdy box-office. The pattern established by other Paramount Road pictures is solidly followed by Daniel Dare's production to keep the laughs spilling and the paying customers satisfied."
Later reception has been more mixed. [6] Clinical psychologist Deirdre Barrett emphasizes the hyper-(un)realistic use of verbal hypnotic induction as a central plot device in Road to Rio as part of her analysis of mid-20th-century tropes and stereotypes of hypnosis in popular culture. [7]
The film was preserved by the UCLA Film & Television Archive.
Another song, "For What?" by Burke and Van Heusen, was written for the film, but dropped from the released print.
Bing Crosby recorded four of the songs for Decca Records [8] and these were also issued on a 78 rpm album titled "Selections from Road to Rio". “But Beautiful” and "You Don't Have to Know the Language" made fleeting appearances in the Billboard charts. [9] Crosby's songs were also included in the Bing's Hollywood series.
Road to Morocco is a 1942 American comedy film starring Bing Crosby, Bob Hope and Dorothy Lamour, and featuring Anthony Quinn and Dona Drake. Written by Frank Butler and Don Hartman and directed by David Butler, it’s the third of the "Road to ..." films. It was preceded by Road to Zanzibar (1941) and followed by Road to Utopia (1946). The story is about two fast-talking guys cast away on a desert shore and sold into slavery to a princess. In 1996, Road to Morocco was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Dorothy Lamour was an American actress and singer. She is best remembered for having appeared in the Road to... movies, a series of successful comedies starring Bing Crosby and Bob Hope.
Road to Bali is a 1952 American comedy film directed by Hal Walker and starring Bing Crosby, Bob Hope, and Dorothy Lamour. Released by Paramount Pictures on November 19, 1952, the film is the sixth of the seven Road to ... movies. It was the only entry in the series filmed in Technicolor and was the first to feature surprise cameo appearances from other well-known stars of the day.
The Road to Hong Kong is a 1962 British semi-musical comedy film directed by Norman Panama and starring Bing Crosby and Bob Hope, as well as Joan Collins, with an extended cameo featuring Dorothy Lamour in the setting of Hong Kong under British Rule. This was the seventh and final installment in the Road to ... series and the only one made without the involvement of Paramount Pictures, though references to the others in the series are made in the film and shown in Maurice Binder's opening title sequence.
Road to ... is a series of seven comedy films starring Bing Crosby, Bob Hope, and Dorothy Lamour. They are also often referred to as the "Road" pictures or the "Road" series. The movies were a combination of adventure, comedy, romance, and music. The minimal plot often took a back seat to gags, which appeared improvised but were usually scripted.
Road to Singapore is a 1940 American semi-musical comedy film directed by Victor Schertzinger and starring Bing Crosby, Dorothy Lamour and Bob Hope. Based on a story by Harry Hervey, the film is about two playboys trying to avoid romances on the fictional island of Kaigoon, where they meet a beautiful woman. Distributed by Paramount Pictures, the film marked the debut of the long-running and popular "Road to ..." series of pictures spotlighting the trio, seven in all. The supporting cast features Charles Coburn, Anthony Quinn, and Jerry Colonna.
Road to Zanzibar is a 1941 American semi-musical comedy film directed by Victor Schertzinger and starring Bing Crosby, Bob Hope and Dorothy Lamour, and marked the second of seven pictures in the popular "Road to ..." series made by the trio. It takes place in the Sultanate of Zanzibar. It was produced and distributed by Paramount Pictures.
Variety Girl is a 1947 American musical comedy film directed by George Marshall and starring Mary Hatcher, Olga San Juan, DeForest Kelley, Frank Ferguson, Glenn Tryon, Nella Walker, Torben Meyer, Jack Norton, and William Demarest. It was produced by Paramount Pictures. Numerous Paramount contract players and directors make cameos or perform songs, with particularly large amounts of screen time featuring Bing Crosby and Bob Hope. Among many others, the studio contract players include Gary Cooper, Alan Ladd, Paulette Goddard, Ray Milland, William Holden, Burt Lancaster, Robert Preston, Veronica Lake, William Bendix, Barbara Stanwyck and Paula Raymond.
"But Beautiful" is a popular song with music written by Jimmy Van Heusen, the lyrics by Johnny Burke. The song was published in 1947.
Dixie is a 1943 American biographical film of composer and songwriter Daniel Decatur Emmett directed by A. Edward Sutherland and starring Bing Crosby and Dorothy Lamour. Filming in Technicolor, Dixie was only a moderate success and received mixed reviews. Contrary to rumor, it has not been withdrawn from circulation due to racial issues but is simply one of hundreds of vintage Paramount Pictures from the 1930s and 1940s now owned by Universal and not actively marketed; it was broadcast several times in the late 1980s on the American Movie Classics channel. The film produced one of Crosby's most popular songs, "Sunday, Monday, or Always".
Star Spangled Rhythm is a 1942 American all-star cast musical film made by Paramount Pictures during World War II as a morale booster. Many of the Hollywood studios produced such films during the war, with the intent of entertaining the troops overseas and civilians back home and to encourage fundraising – as well as to show the studios' patriotism. This film was also the first released by Paramount to be shown for 8 weeks.
Riding High is a 1950 American black-and-white musical racetrack film featuring Bing Crosby and directed by Frank Capra. The songs were performed live during filming instead of the customary lip-synching to studio recordings. The film is a remake of an earlier Capra film with screenwriter Robert Riskin titled Broadway Bill (1934). While the film is generally a light musical comedy, its plot contains an unexpected tragic turn.
This is a selection of films and television appearances by British-American comedian and actor Bob Hope (1903-2003). Hope, a former boxer, began his acting career in 1925 in various vaudeville acts and stage performances
"Personality" is a popular song with lyrics by Johnny Burke and music by Jimmy Van Heusen. It was written for the 1946 film Road to Utopia, and Dorothy Lamour performed it in the movie. Van Heusen said that he wrote the song with a limited vocal range to accommodate Lamour.
Duffy's Tavern is a 1945 American comedy film directed by Hal Walker and written by Melvin Frank and Norman Panama. The film stars Ed Gardner, Bing Crosby, Betty Hutton, Paulette Goddard, Alan Ladd, Dorothy Lamour, Eddie Bracken and Brian Donlevy. The film was released on September 28, 1945, by Paramount Pictures.
The Road to Hong Kong is a 1962 soundtrack album issued by Liberty Records from the film of the same name. The film starred Bing Crosby, Bob Hope, Joan Collins and Robert Morley with cameos from Frank Sinatra, Dean Martin, Dorothy Lamour, Peter Sellers and David Niven. Robert Farnon conducted the music for the film. All the songs were written by Jimmy Van Heusen (music) and Sammy Cahn (lyrics). Robert Farnon wrote four orchestral pieces for the soundtrack and these are annotated in the listing.
Selections from Road to Utopia is a studio album of phonograph records by Bing Crosby released in 1946 featuring songs that were presented in the American musical comedy film Road to Utopia. However, the song "Road to Morocco" came from the film of the same name and was not actually used in Road to Utopia. Another song - "Goodtime Charlie" - was sung by Crosby and Bob Hope in the film but was not commercially recorded. The songs "Would You?" and "Personality" were sung by Dorothy Lamour in the film, not Crosby.
"It's Always You" is a song written by Jimmy Van Heusen (music) and Johnny Burke (lyrics) for the 1941 film Road to Zanzibar. In the film it was sung by Bing Crosby to Dorothy Lamour as they paddled a canoe up a jungle river. It was also used briefly in a comedy scene in the film as a quasi-requiem for Lamour's character, who was erroneously thought to have been killed by a leopard.
Road to Bali is a Decca Records studio album by Bing Crosby, Bob Hope and Peggy Lee of songs featured in the film Road to Bali released in 1952. All of the songs were written by Jimmy Van Heusen (music) and Johnny Burke (lyrics). The songs were featured on a 10” vinyl LP numbered DL 5444 and in a 3-disc 45rpm box set numbered 9-375.
Road to Utopia is a 1946 American semi-musical comedy film directed by Hal Walker and starring Bing Crosby, Bob Hope, and Dorothy Lamour. Filmed in 1943 but not released until 1946, Road to Utopia is the fourth film of the "Road to ..." series. Written by Melvin Frank and Norman Panama, the film is about two vaudeville performers at the turn of the twentieth century who go to Alaska to make their fortune. Along the way they find a map to a secret gold mine. In 1947, Road to Utopia received an Academy Award nomination for Best Original Screenplay.