The Miracle Man | |
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![]() Film poster | |
Directed by | Norman Z. McLeod |
Written by | George M. Cohan (1914 play) [1] Robert Hobart Davis Samuel Hoffenstein Frank L. Packard Waldemar Young |
Starring | Sylvia Sidney Chester Morris |
Cinematography | David Abel |
Distributed by | Paramount Pictures |
Release date |
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Running time | 85 minutes |
Country | United States |
Language | English |
The Miracle Man is a 1932 American pre-Code drama film directed by Norman Z. McLeod, [2] starring Sylvia Sidney and Chester Morris, and featuring Boris Karloff. It is a remake of the 1919 film of the same name starring Lon Chaney. The film was originally supposed to star Tyrone Power Sr., as the Preacher/Patriarch, but he died before major filming got underway. His part was then completed by Hobart Bosworth.
Doc, a crook in Chinatown, must flee when Nikko, a local bazaar owner, gets fresh with Doc's accomplice, Helen Smith, and Doc nearly kills him. Using the name John Madison, Doc hides out in Meadville, California, where he meets the Patriarch, a faith healer. Hoping to capitalize on the Patriarch's reputation, Doc sends for Helen to pose as the Patriarch's grand niece, Helen Vail, and she is joined by fellow crooks Frog, a contortionist, and Harry Evans, a pickpocket.
Doc stages a mock miracle in which Frog is "transformed" from a crippled state to perfect health. At the same time, however, the Patriarch heals real cripples Bobbie Holmes and Margaret Thornton, who has come to Meadville with her millionaire brother Robert for the Patriarch's miracle cure. The miracles cause a great fervor, and Doc collects money in Helen's name from scores of believers, ostensibly to build a chapel. Robert falls in love with Helen, and one night, they get stranded on his yacht and Doc flies into a jealous rage, planning to kill Robert. Later, the Patriarch is nearing death, and Helen, Frog and Harry refuse to support Doc's extortion efforts. Doc is about to abscond with the chapel money, when Robert tells him he proposed to Helen, but was turned down because she loves Doc. Suddenly sorry for his greed, Doc returns the money and swears his love to Helen as the Patriarch dies.
William Henry Pratt, known professionally as Boris Karloff and occasionally billed as Karloff the Uncanny, was a British actor. His portrayal of Frankenstein's monster in the horror film Frankenstein (1931), his 82nd film, established him as a horror icon, and he reprised the role for the sequels Bride of Frankenstein (1935) and Son of Frankenstein (1939). He also appeared as Imhotep in The Mummy (1932), and voiced the Grinch in, as well as narrating, the animated television special of Dr. Seuss' How the Grinch Stole Christmas! (1966), which won him a Grammy Award.
The following is an overview of 1936 in film, including significant events, a list of films released and notable births and deaths.
The following is an overview of 1931 in film, including significant events, a list of films released and notable births and deaths.
The Devil's Holiday is a 1930 American Pre-Code film starring Nancy Carroll, Phillips Holmes, ZaSu Pitts, James Kirkwood, Sr., Hobart Bosworth, and Ned Sparks. The movie was adapted by Edmund Goulding from his story, directed by Goulding, and released by Paramount Pictures. The film was nominated for Academy Award for Best Actress.
Targets is a 1968 American crime thriller film directed by Peter Bogdanovich in his theatrical directorial debut, and starring Tim O'Kelly, Boris Karloff, Nancy Hsueh, Bogdanovich, James Brown, Arthur Peterson and Sandy Baron. The film depicts two parallel narratives which converge during the climax: one follows Bobby Thompson, a seemingly ordinary and wholesome young man who embarks on an unprovoked killing spree; the other depicts Byron Orlok, an iconic horror film actor who, disillusioned by real-life violence, is contemplating retirement.
General Spanky is a 1936 American comedy film produced by Hal Roach. A spin-off of Roach's popular Our Gang short subjects, the film stars George McFarland, Phillips Holmes, Rosina Lawrence, Billie Thomas and Carl Switzer. Directed by Fred Newmeyer and Gordon Douglas, it was originally released to theaters on December 11, 1936, by Metro-Goldwyn-Mayer (MGM).
Hazel Court was an English actress. She is known for her roles in British and American horror films during the 1950s and early 1960s, including Terence Fisher's The Curse of Frankenstein (1957) and The Man Who Could Cheat Death (1959) for Hammer Film Productions, and three of Roger Corman's adaptations of Edgar Allan Poe stories for American International Pictures: The Premature Burial (1962), The Raven (1963) and The Masque of the Red Death (1964).
Mae Clarke was an American actress. She is widely remembered for playing Henry Frankenstein's bride Elizabeth, who is chased by Boris Karloff in Frankenstein, and for being on the receiving end of James Cagney's halved grapefruit in The Public Enemy. Both films were released in 1931.
Hobart Van Zandt Bosworth was an American film actor, director, writer, and producer. Bosworth began his career in theater, eventually transitioning to the emerging film industry. Despite a battle with tuberculosis, he found success in silent films, establishing himself as a lead actor and pioneering the industry in California. Bosworth started his own production company, Hobart Bosworth Productions, in 1913, focusing on Jack London melodramas. After the company closed, Bosworth continued to act in supporting roles, surviving the transition to sound films. He is known as the "Dean of Hollywood" for his role in shaping the California film industry. In 1960, Bosworth was awarded a star on the Hollywood Walk of Fame for his contributions to the film industry.
Garrett Elsden Fort was an American short story writer, playwright, and Hollywood screenwriter. He is mostly known for his connections with 1930s horror films, with film historian Gary Don Rhodes describing him as "one of, if not the pre-eminent horror film screenwriters of the classic era." He was a close follower of Meher Baba, and travelled to India while developing a screenplay based on Baba's philosophy.
The Miracle Man is a 1919 American silent drama film starring Lon Chaney and based on a 1914 play by George M. Cohan, which in turn is based on the novel of the same title by Frank L. Packard. The film was released by Paramount Pictures, directed, produced, and written by George Loane Tucker, and also stars Thomas Meighan and Betty Compson. The film made overnight successes of the three stars, most notably putting Chaney on the map as a character actor.
The Deadly Bees is a 1967 British horror film based on H. F. Heard's 1941 novel A Taste for Honey. It was directed by Freddie Francis, and stars Suzanna Leigh, Guy Doleman, and Frank Finlay. The original screenplay was by Robert Bloch but was rewritten by Anthony Marriott. The film was released theatrically in the United States in 1967 and was featured in a 1998 episode of Mystery Science Theater 3000.
You and Me is a 1938 American crime drama/comedy/romance film directed by Fritz Lang. It stars Sylvia Sidney and George Raft as a pair of ex-convicts on parole, working in a department store whose owner, played by Harry Carey, routinely hires former criminals to give them a second chance. It was written by Norman Krasna and Virginia Van Upp.
Night World is a 1932 American pre-Code drama film featuring Lew Ayres, Mae Clarke, and Boris Karloff. The supporting cast includes George Raft and Hedda Hopper.
The Criminal Code is a 1931 American pre-Code romantic crime drama film directed by Howard Hawks and starring Walter Huston and Phillips Holmes. The screenplay, based on a 1929 play of the same name by Martin Flavin, was written by Fred Niblo Jr. and Seton I. Miller, who were nominated for Best Adaptation at the 4th Academy Awards but the award went to Howard Estabrook for Cimarron.
West of Shanghai is a 1937 American adventure film directed by John Farrow and starring Boris Karloff as a Chinese warlord. It is based on the 1920 Porter Emerson Browne play The Bad Man. Three other films, all titled The Bad Man, are also based on the same play:
The Healer is a 1935 American film directed by Reginald Barker. The film is also known as Little Pal.
Her Private Life is a surviving 1929 American pre-Code drama film directed by Alexander Korda and starring Billie Dove, Walter Pidgeon and Holmes Herbert. The plot concerns an English aristocrat who causes a scandal when she divorces her husband and runs off with a young American. The film had been considered a lost film. However, in July 2016, according to the Library of Congress, the film was found in an Italian archive.
Mothers Cry is a 1930 American pre-Code drama film released by First National Pictures, a subsidiary of Warner Bros., and directed by Hobart Henley. The movie stars Dorothy Peterson, Helen Chandler, David Manners, Evalyn Knapp and Sidney Blackmer. The film is based on the popular novel of the same name written by Helen Grace Carlisle.
Scott Allen Nollen is an American author known for writing about the history of film, music, literature and African American studies. He was born on April 2, 1963, in Harlan, Iowa. His father, Harold N. Nollen, served in the United States Coast Guard prior to running a successful petroleum distribution business, to which his mother, Shirley A. (Stoltz) Nollen, also contributed. Nollen was educated at the University of Iowa (1984-1989), where he received Bachelor's Degrees in Broadcasting and Film and Honors History, Phi Beta Kappa, and a Master's Degree in U.S., Modern European and African-American History. From 1991 to 2001, he served as an archivist and historian for the National Archives and Records Administration.