"Quiet Village" | |
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Song by Les Baxter | |
from the album Ritual of the Savage (Le Sacre du Sauvage) | |
Released | 1951 |
Recorded | May 17, 1951 |
Genre | Exotica |
Length | 3:19 |
Label | Capitol |
Composer(s) | Les Baxter |
"Quiet Village" is an orchestral pop instrumental that was written and originally performed by Les Baxter in 1951 and an instrumental album from 1959 by Martin Denny. In the liner notes to his album, Ritual of the Savage (Le sacre du sauvage), Baxter described the themes he was conveying in the work: [1]
[t]he jungle grows more dense as the river boat slowly makes its way into the deep interior. A snake slithers into the water, flushing a brilliantly plumaged bird who soars into the clearing above a quiet village. Here is a musical portrait of a tropical village deserted in the mid-day heat.
In the mid-1950s, Martin Denny and his band performed at a restaurant in Oahu, The Shell Bar, and frequently would play Baxter cover songs. [2] One night, while his group was performing, Denny realized bullfrogs were croaking along to the music. As a joke, the band began incorporating frog sounds and birdcalls into the performance. Soon after, people began requesting "the song with the frogs." "They really enjoyed the frogs!" Denny observed. "And they thought we were making those croaking noises. So I understood that this was the way to go." [3]
If you just hear [Quiet Village] on record, it sounds like a whole jungle—you don't know how or where any of those sounds originated. But if you hear it "live," then you can see how it's all done, with the percussion instruments. Quiet Village has a compulsive jungle rhythm to it; the bass has a hypnotic effect almost like Ravel's Boléro. On top of that are layers of exotic percussion, plus the sounds of the vibes, the piano, and (of course) the bird calls. It all adds up to a modern sound that evokes some very primitive feelings. [3]
The squawks and jungle sounds in the Martin Denny version of "Quiet Village" were performed by A. Purves Pullen, also known as Dr. Horatio Q. Birdbath. [4]
In 1957, Denny and his group released a cover of the song featuring exotic instruments and sounds that made it to number four on the pop singles chart on June 1, 1959 and number eleven on the R&B chart. [5] Denny also recorded a stereo version of the song in 1959, a bossa nova version in 1964, and a version performed on a Moog synthesizer in 1969. He released an album with a similar title (Quiet Village, the Exotic Sounds of Martin Denny) in 1959.
"Quiet Village" | ||||
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Single by Martin Denny | ||||
from the album Exotica | ||||
B-side | "Llama Serenade" | |||
Released | 1958 | |||
Recorded | 1956 | |||
Studio | Hollywood, California | |||
Genre | Exotica | |||
Length | 2:42 [6] | |||
Label | Liberty | |||
Songwriter(s) | Les Baxter | |||
Martin Denny singles chronology | ||||
|
"Quiet Village" | ||||
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Single by The Ritchie Family | ||||
from the album African Queens [9] | ||||
B-side | "Voodoo" | |||
Released | 1977 | |||
Genre | Disco | |||
Length |
| |||
Label | Marlin | |||
Songwriter(s) | Les Baxter | |||
Producer(s) | Jacques Morali | |||
The Ritchie Family singles chronology | ||||
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Leslie Thompson Baxter was an American musician, composer and conductor. After working as an arranger and composer for swing bands, he developed his own style of easy listening music, known as exotica and scored over 250 radio, television and motion pictures numbers.
Martin Denny was an American pianist, composer, and arranger. Known as the "father of exotica," he was a multi-instrumentalist and could play a number of percussion instruments. In a long career that saw him performing up to 3 weeks prior to his death, he toured the world popularizing his brand of lounge music which included exotic percussion, imaginative rearrangements of popular songs, and original songs that celebrated Tiki culture.
Arthur Hunt Lyman was a Hawaiian jazz vibraphone and marimba player. His group popularized a style of faux-Polynesian music during the 1950s and 1960s which later became known as exotica. His albums became favorite stereo-effect demonstration discs during the early days of the stereophonic LP album for their elaborate and colorful percussion, deep bass and 3-dimensional recording soundstage. Lyman was known as "the King of Lounge music."
Exotica is a musical genre, named after the 1957 Martin Denny album of the same name that was popular during the 1950s to mid-1960s with Americans who came of age during World War II. The term was coined by Simon "Si" Waronker, Liberty Records co-founder and board chairman. The musical colloquialism exotica means tropical ersatz, the non-native, pseudo experience of insular Oceania, Southeast Asia, Hawaii, the Amazon basin, the Andes, the Caribbean and tribal Africa. Denny described the musical style as "a combination of the South Pacific and the Orient...what a lot of people imagined the islands to be like...it's pure fantasy though." While the South Seas forms the core region, exotica reflects the "musical impressions" of every place from standard travel destinations to the mythical "shangri-las" dreamt of by armchair safari-ers.
Lounge music is a type of easy listening music popular in the 1950s and 1960s. It may be meant to evoke in the listeners the feeling of being in a place, usually with a tranquil theme, such as a jungle, an island paradise or outer space. The range of lounge music encompasses beautiful music–influenced instrumentals, modern electronica, while remaining thematically focused on its retro–space age cultural elements. The earliest type of lounge music appeared during the 1920s and 1930s, and was known as light music.
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"Pet Sounds" is an instrumental by American rock band the Beach Boys from their 1966 album Pet Sounds. Composed by Brian Wilson, it was originally called "Run James Run", as Wilson intended it to be used as the theme of a James Bond film. It was then titled "Pet Sounds", the title of the album on which it appears. It is the second instrumental to feature on Pet Sounds, the other being "Let's Go Away for Awhile".
Exotica is the first album by Martin Denny, released in 1957. It contained Les Baxter's most famous piece, "Quiet Village", and spawned an entire genre bearing its name. It was recorded December 1956 in Webley Edwards' studio in Waikiki. The album topped Billboard's charts in 1959.
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Quiet Village: The Exotic Sounds of Martin Denny was the eighth album by Martin Denny. Released in the summer of 1959, the monophonic version of the album reached No. 21 on the Billboard monophonic album chart in November 1959, and the stereophonic version reached No. 12 on the magazine's stereophonic album chart in January 1960.
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