Wattstax was a benefit concert organized by Stax Records to commemorate the seventh anniversary of the 1965 riots in the African-American community of Watts, Los Angeles. The concert took place at the Los Angeles Memorial Coliseum on August 20, 1972. The concert's performers included all of Stax's prominent artists at the time. The genres of the songs performed included soul, gospel, R&B, blues, funk, and jazz. Months after the festival, Stax released a double LP of the concert's highlights, Wattstax: The Living Word. The concert was filmed by David L. Wolper's film crew and was made into the 1973 film titled Wattstax. The film was directed by Mel Stuart and nominated for a Golden Globe award for Best Documentary Film in 1974.
James Milton Campbell Jr., better known as Little Milton, was an American blues singer and guitarist, best known for his number-one R&B single "We're Gonna Make It". His other hits include "Baby, I Love You", "Who's Cheating Who?", and "Grits Ain't Groceries ".
Born Under a Bad Sign is the second compilation album by American blues musician Albert King, released in August 1967 by Stax Records. It features eleven electric blues songs that were recorded from March 1966 to June 1967, throughout five different sessions. King played with two in-house bands: Booker T. & the M.G.'s and the Memphis Horns. Although the album failed to reach any music chart, it did receive positive reviews from music critics and is often cited as one of the greatest blues albums ever made. The guitar playing on Born Under a Bad Sign influenced many guitarists, including Eric Clapton, Mike Bloomfield, Jimi Hendrix, and Stevie Ray Vaughan. Born Under a Bad Sign has been recognized by several music institutions, and has been inducted into the Blues Foundation Hall of Fame, the Grammy Hall of Fame, and the National Recording Registry.
Live Wire/Blues Power is a blues album by Albert King. It was recorded live in 1968 at the Fillmore Auditorium. Leftovers from the recordings were released on the albums Wednesday Night in San Francisco and Thursday Night in San Francisco.
I'll Play the Blues for You is the seventh studio album by Albert King released in 1972.
I Wanna Get Funky is the eighth studio album by Albert King, covering various blues tunes with heavy funk overtones, by Albert King, recorded in 1972 and released in 1974. With a rhythm section led by the Bar-Kays and horn arrangements by the Memphis Horns, it is considered by AllMusic as a "another very solid, early-'70s outing".
Montreux Festival is a blues album by Albert King, Chico Hamilton and Little Milton, recorded live on July 1, 1973 at the Montreux Jazz Festival.
Blues at Sunrise is a blues album by Albert King, recorded live at the Montreux Jazz Festival, and released in 1988. Material recorded on the 1973 Montreux festival was also released in his albums Montreux Festival and Blues at Sunset.
The Blues Don't Change is an album by American blues musician Albert King. He recorded it at the Stax Records studio in Memphis, Tennessee, in 1973 and 1974. In 1977, Stax released the album with the same songs and running order as The Pinch.
Digital III at Montreux is a 1979 live album featuring a compilation of performances by Ella Fitzgerald, Count Basie, Niels-Henning Ørsted Pedersen, Joe Pass, and Ray Brown, recorded at the 1979 Montreux Jazz Festival. It was produced and has liner notes by Norman Granz. The cover photo is by Phil Stern.
A Perfect Match is a 1979 live album by the American jazz singer Ella Fitzgerald, accompanied by the Count Basie Orchestra, and featuring Count Basie himself on the last track.
Still Got the Blues is the eighth solo studio album by Northern Irish guitarist Gary Moore, released in 1990. It marked a substantial change in style for Moore, who had been predominantly known for rock and hard rock music with Skid Row, Thin Lizzy, G-Force, Greg Lake and during his own extensive solo career, as well as his jazz-fusion work with Colosseum II. As indicated by its title, Still Got the Blues saw him delve into an electric blues style.
Blues on the Bayou is the thirty sixth studio album by B.B. King, released in 1998.
Gary Moore & The Midnight Blues Band – Live at Montreux 1990 is a live DVD by Gary Moore. Recorded live on 7 July 1990 and 9 July 1997 (bonussongs).
In Session is a blues album by Albert King with Stevie Ray Vaughan recorded live for television on December 6, 1983, at CHCH-TV studios in Hamilton, Ontario, Canada, when Vaughan was 29 and King was 60. It was released as an album on August 17, 1999 and re-released with a supplemental video recording on DVD on September 28, 2010. It has also been released on CD and SACD.
Live at Montreux 1982 & 1985 is the fourth live album of American blues musician Stevie Ray Vaughan and his band Double Trouble, recorded at the Montreux Jazz Festival on July 17, 1982 and July 15, 1985, and released November 20, 2001 on Epic Records. Neither are complete concerts.
Blues Summit is the thirty-third studio album by B.B. King released in 1993 through the MCA label. The album reached peak positions of number 182 on the Billboard 200, and number 64 on Billboard's R&B Albums chart. The album won a Grammy Award in 1994 for Best Traditional Blues Album.
King of the Blues Guitar is a compilation album by American blues guitarist and singer Albert King, released by Atlantic Records in 1969. The album contains songs that Stax Records originally released on singles, including five that were also included on King's 1967 compilation, Born Under a Bad Sign. It reached number 194 on the Billboard 200 album chart in 1969.
To Know You Is to Love You is an electric blues album by B. B. King, released in 1973. Produced by Dave Crawford in Philadelphia, it includes the participation of Stevie Wonder, the Memphis Horns, and members of MFSB, the house band for Philadelphia International Records in the early and mid-1970s.
Live in Chicago is a live album by the American blues musician Luther Allison, recorded in Chicago in 1995 and Nebraska in 1997 and released by the Alligator label in 1999.
