| The Very Best of The Blues Brothers | ||||
|---|---|---|---|---|
 | ||||
| Greatest hits album by | ||||
| Released | 1995 | |||
| Recorded | 1978–1980 | |||
| Genre | Blues, blues-rock, blue-eyed soul | |||
| Length | 75:49 | |||
| Label | Atlantic | |||
| The Blues Brothers chronology | ||||
| ||||
The Very Best of The Blues Brothers is a 1995 greatest hits album by The Blues Brothers. It is one of several compilations of the band's recordings, following Best of The Blues Brothers (1981) and Dancin' wid da Blues Brothers (1983).
| Region | Certification | Certified units/sales |
|---|---|---|
| France (SNEP) [1] | Gold | 100,000* |
| Spain (PROMUSICAE) [2] | Gold | 50,000^ |
* Sales figures based on certification alone. | ||
Great Guitars is an album by blues guitarist Joe Louis Walker. It was released in 1997 on the Polygram label as catalogue number 537141.
Briefcase Full of Blues is the debut album by the Blues Brothers, released on November 28, 1978, by Atlantic Records. It was recorded live on September 9, 1978, at the Universal Amphitheatre in Los Angeles, when the band opened for comedian Steve Martin. The album consists of covers of blues and soul songs from the 1950s to 1970s.
Made in America is the third album by The Blues Brothers. The second live album by the band, it was released in December 1980 as a followup to their hit film released that year, The Blues Brothers. To support the film, the band embarked on a 22 dates tour in North America, culminating with seven dates at the Universal Amphitheater in Los Angeles. Keyboardist and musical director Paul Shaffer, sax player Tom Scott and drummer Steve Jordan, who were absent in the film and the soundtrack due to scheduling conflicts, reprised their roles as full-fledged band members. Drummer Willie Hall was let go but the band decided to retain Murphy Dunne, who had replaced Shaffer in the film, as additional keyboards player. Session man Jeff Mironov was brought in to provide additional guitar for the record.
Best of the Blues Brothers is the fourth and final Blues Brothers album released before John Belushi's death in 1982. It is the first compilation album by the band and it was released by Atlantic Records on November 30, 1981. Along with tracks from the first three albums, Briefcase Full of Blues, The Blues Brothers: Music from the Soundtrack and Made in America, it includes unreleased live versions of "Everybody Needs Somebody to Love", "Rubber Biscuit", and a new song, "Expressway to Your Heart". The album was remixed by Steve Jordan and Donald “Duck” Dunn. Belushi’s wife, Judith Jacklin, designed the sleeve.
The Blues Brothers Band Live in Montreux is an album by The Blues Brothers band. It was released in 1990 on the heels of the band's reunion tour and it's the first album recorded by the band after the death of founding member John Belushi and the only one that doesn't feature Dan Aykroyd. Drummer Steve Jordan and keyboardist Paul Shaffer weren't available to play, and were replaced respectively by Danny Gottlieb and Leon Pendarvis. Vocals duties were assigned to Eddie Floyd and Larry Thurston, who had been previously recruited by Matt Murphy for his short-lived solo outfit Matt "Guitar" Murphy Band. As with most other records by the band, the album was recorded live. Along with regular numbers from the Blues Brothers repertoire, it features material never performed before by the band like "Hold On, I'm Comin'",, "In the Midnight Hour", "The Thrill Is Gone", and two Eddie Floyd signature tunes, "Knock on Wood" and "Raise Your Hand". The album was produced by Tom Malone.
Red, White & Blues is the eighth album by The Blues Brothers, released in 1992. It is their first studio album, other than the soundtracks from the movies The Blues Brothers (1980) and Blues Brothers 2000 (1999). It is also the only album that contains original material, such as "Red, White & Blues", "Take You and Show You" and "Can't Play the Blues ". The album was recorded at the Power Station studio in New York. Original band member Tom Malone had left the band the year before to join the Gil Evans orchestra and was replaced by Birch Johnson.
S.O.S.: Save Our Soul is the third studio album by Marc Broussard on Vanguard Records. The album features just one original song, "Come In From The Cold," with cover songs making up the rest of the album. It debuted and peaked at #96 on the Billboard 200 albums chart, making it his first album to reach the top 100.
Dancin' wid da Blues Brothers is the fifth album by The Blues Brothers. It is a rare official Atlantic mini LP compiling seven tracks from previous albums, including four tracks taken from The Blues Brothers: Music from the Soundtrack album, two tracks from the Briefcase Full of Blues album, and one track from the Made in America album.
New Day Dawning is the fifth solo studio album by American country music artist Wynonna, released in 2000. It produced only two chart singles on the Billboard Hot Country Singles and Tracks charts: "Can't Nobody Love You " at #31, and "Going Nowhere" at #43. Also included are cover versions of Joni Mitchell's "Help Me" and the Fabulous Thunderbirds' "Tuff Enuff".
Off the Beaten Path is the third studio album by saxophone player Dave Koz. It was released by Capitol Records on August 20, 1996. Koz himself provides vocals on "That's the Way I Feel About You."
Hello Tomorrow is the ninth studio album by saxophone player Dave Koz. It was his first album released by Concord Records on October 19, 2010. Koz himself provided vocals on "This Guy's in Love with You". The album peaked at number 1 on Billboard Jazz Albums chart. On November 30, 2011, the album received a Nomination in the 54th Grammy Awards for Best Pop Instrumental Album.
Victory is the fifth full-length studio release from noted R&B/soul/pop singer/songwriter/drummer/producer Narada Michael Walden. Released in 1980 on Atlantic, it featured him once again teaming up with producer Bob Clearmountain.
Snowfall on the Sahara is a studio album by American singer Natalie Cole. It was released by Elektra Records on June 22, 1999, in the United States.
Summer Horns is a collaboration album by Dave Koz, Gerald Albright, Mindi Abair and Richard Elliot. It was released on May 7, 2013 via Concord Records. The album was nominated for Grammy Award for Best Pop Instrumental Album at the 56th Annual Grammy Awards losing to Steppin' Out by Herb Alpert.
Chicago XXXVI: Now, sometimes stylized as "NOW" Chicago XXXVI or Now: Chicago XXXVI, is the twenty-fourth studio album, and thirty-sixth overall by Chicago. It was written and recorded in 2013–2014, and was released on July 4, 2014. Aside from the occasional few new tracks found in the band's many compilation and cover albums, Now is the band's first full album of new compositions since 2006's Chicago XXX,. This album has the first original Chicago credits for veteran musicians Walfredo Reyes, Jr. and Lou Pardini, since joining the band. It entered the US Billboard 200 at number 82.
Don't Stop the Music is the third album by the American jazz fusion group, the Brecker Brothers. It was released by Arista Records in 1977.
Blink of an Eye is the fourth solo studio album by American singer-songwriter Michael McDonald, released on August 3, 1993, by Reprise Records, three years after his previous studio album, Take It to Heart (1990).
Songs of Cinema is the 23rd studio album by American singer Michael Bolton. The album was released on February 10, 2017 by Frontiers Records. The album contains a ballad version of Bolton's song with The Lonely Island, "Jack Sparrow". Bolton promoted the album in a guest appearance on Screen Junkies' series Honest Trailers, in a trailer for the film Willy Wonka and the Chocolate Factory.
Wide Open is the tenth studio album by American musician Michael McDonald, released on September 15, 2017 by Chonin Records and BMG. Shannon Forrest and McDonald produced the album. Wide Open is McDonald's first album of original material in 16 years since In the Spirit: A Christmas Album (2001).
A Fool To Care is the eighteenth studio album by American singer-songwriter Boz Scaggs. It was released in the US on March 31, 2015, and in the UK on March 30, 2015, on 429 Records. The album was the second in a three-album series celebrating American roots music. The front cover was by Danny Clinch who photographed Scaggs in Conzelman Road, Sausalito, California.
