Al Kooper | |
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Background information | |
Birth name | Alan Peter Kuperschmidt |
Also known as | Roosevelt Gook |
Born | New York City, U.S. | February 5, 1944
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Occupations |
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Instruments |
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Years active | 1958–2021 |
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Formerly of | |
Website | www |
Al Kooper (born Alan Peter Kuperschmidt; February 5, 1944) is an American retired songwriter, record producer, and musician, known for joining and naming Blood, Sweat & Tears, although he did not stay with the group long enough to share its popularity. [1] Throughout much of the 1960s and 1970s he was a prolific studio musician, including playing organ on the Bob Dylan song "Like a Rolling Stone", French horn and piano on the Rolling Stones song "You Can't Always Get What You Want", and lead guitar on Rita Coolidge's "The Lady's Not for Sale". Kooper produced a number of one-off collaboration albums, such as the Super Session album that saw him work separately with guitarists Mike Bloomfield and Stephen Stills. In the 1970s Kooper was a successful manager and producer, recording Lynyrd Skynyrd's first three albums. He has had a successful solo career, writing music for film soundtracks, and has lectured in musical composition. Kooper was selected for induction for the Rock and Roll Hall of Fame in 2023.
Al Kooper was born into a Jewish family in Brooklyn, New York City, [2] to Sam and Natalie Kuperschmidt, [3] and grew up in Hollis Hills, Queens, New York.
Kooper's first professional work was as a 14-year-old guitarist in the Royal Teens, best known for their 1958 ABC Records novelty song "Short Shorts" (although Kooper did not play on that recording). [4] In 1960, he teamed up with songwriters Bob Brass and Irwin Levine to write and record demos for Sea-Lark Music Publishing. The trio's biggest hits were "This Diamond Ring", recorded by Gary Lewis and the Playboys, and "I Must Be Seeing Things", recorded by Gene Pitney (both 1965). When he was 21, Kooper moved to Greenwich Village in Manhattan.
He first performed with Bob Dylan playing the Hammond organ riffs on "Like a Rolling Stone". [5] He had been invited to watch the recording by producer Tom Wilson. It was in those recording sessions that Kooper met and befriended Mike Bloomfield, whose guitar playing he admired. He worked with Bloomfield for several years. In 1965, Kooper played with Dylan in concert, and played Hammond organ with Dylan at the Newport Folk Festival, as well as in the recording studio in 1965 and 1966. He played organ once again with Dylan during his 1981 world tour.
Kooper joined the Blues Project as their keyboardist in 1965. He left the band shortly before their gig at the Monterey Pop Festival in 1967, although he did play a solo set, as evidenced by The Criterion Collection Blu-ray extended edition of the event. [6] He formed Blood, Sweat & Tears in 1967, leaving due to creative differences in 1968, after the release of the group's first album, Child Is Father to the Man . [7] He recorded Super Session with Bloomfield and Stephen Stills in 1968, [8] and in 1969 he collaborated with 15-year-old guitarist Shuggie Otis on the album Kooper Session . In 1972, he rejoined The Blues Project at a charity concert promoted by Bruce Blakeman at Valley Stream Central High School.
Kooper has played on hundreds of records, including ones by the Rolling Stones, B.B. King, the Who, the Jimi Hendrix Experience, Alice Cooper, and Cream. On occasion he overdubbed his own efforts, as on The Live Adventures of Mike Bloomfield and Al Kooper and other albums, under the pseudonym "Roosevelt Gook". [9]
In 1969, Kooper produced, arranged, and conducted the album Appaloosa, a "folk-baroque" style of music that combined rock and classical. Among other artists who were all arranging folk-oriented material with classical-influenced orchestration were Judy Collins, Donovan, Tim Hardin and Tom Rush. Kooper was joined by Boston musicians John Parker Compton, singer and acoustic guitarist, Robin Batteau on violin, Eugene Rosov on cello, and David Reiser on electric bass. Contributing to the album was saxophonist Fred Lipsius and Blood, Sweat & Tears drummer Bobby Colomby. [10] After moving to Atlanta in 1972, he discovered the band Lynyrd Skynyrd, and produced and performed on their first three albums, including the singles "Sweet Home Alabama" and "Free Bird". In 1975 he produced the debut album of the Tubes.
Kooper wrote the scores for the TV series Crime Story and the film The Landlord , as well as several made-for-television movies. He was the musical force behind many pop tunes, including "You're the Lovin' End", for The Banana Splits , a children's television program.
During the late 1980s, Kooper had his own dedicated keyboard studio room in the historic Sound Emporium recording studio in Nashville, next to Studio B.
Kooper's status as a published author enabled him to join (and act as musical director of) the Rock Bottom Remainders, a band made up of writers including Dave Barry, Stephen King, Amy Tan, and Matt Groening.
Kooper wrote a column called "New Music For Old People" for online publication The Morton Report from April 2014 to April 2015. This later led to a radio show by the same name, which began in October 2018, for Martha's Vineyard community radio station WVVY-LP. The first 11 editions of this can be found online.
Kooper profiled Steve Martin for Crawdaddy Magazine in 1977.
Kooper has his own podcast called "Kooperkast" which started in late 2020. Hosted by webmaster Jon Sachs, Kooper discusses his various experiences in his more than 60 years in the music industry, including his solo albums, Bob Dylan, Lynyrd Skynyrd. He answers questions which can be submitted on the Kooperkast page on his website. [11]
In May 2001, Kooper was awarded an Honorary Doctorate of Music from Berklee College of Music in Boston. [12] He taught songwriting and recording production there. He plays weekend concerts with his bands the ReKooperators and the Funky Faculty. In 2008, he participated in the production of the album Psalngs, [13] the debut release of Canadian musician John Lefebvre.
Kooper was inducted into the Musicians Hall of Fame and Museum, in Nashville, in 2008. [14]
In 2005, Martin Scorsese produced a documentary titled No Direction Home: Bob Dylan for the PBS American Masters Series, in which Kooper's contributions are recognized.
In 2023, Kooper was selected for induction into the Rock and Roll Hall of Fame in the Award for Musical Excellence category. [15]
Kooper published a memoir, Backstage Passes: Rock 'n' Roll Life in the Sixties (1977), which was revised and published as Backstage Passes and Backstabbing Bastards: Memoirs of a Rock 'n' Roll Survivor (1998). The revised edition includes indictments of "manipulators" in the music industry, including his one-time business manager, Stan Polley. An updated edition, including supplementary material, was published by Backbeat Books in 2008. [16]
Year | Artist | Album name | Role(s) |
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1965 | Bob Dylan | Highway 61 Revisited | Piano, organ |
1966 | Blonde on Blonde | Organ, guitar | |
Tom Rush | Take a Little Walk with Me | Electric guitar, celesta, liner notes | |
The Blues Project | Live at The Cafe Au Go Go | Organ, vocals | |
Projections | Keyboards, vocals | ||
1967 | The Blues Project Live at Town Hall | Keyboards | |
The Who | The Who Sell Out | Organ | |
1968 | Blood, Sweat and Tears | Child is Father to the Man | Organ, piano, vocals, ondioline |
The Jimi Hendrix Experience | Electric Ladyland | Piano | |
Don Ellis | Autumn | Producer | |
1969 | The New Don Ellis Band Goes Underground | ||
The Rolling Stones | Let It Bleed | piano, French horn and organ | |
B.B. King | Live & Well | Piano | |
1970 | Bob Dylan | Self Portrait | Guitar, horn, keyboards |
New Morning | Organ, piano, electric guitar, French horn | ||
1971 | The Who | Who's Next | Hammond organ |
Bo Diddley | Another Dimension | Keyboards, guitar | |
Rita Coolidge | Nice Feelin' | Organ | |
1972 | The Lady's Not for Sale | Lead guitar | |
1973 | Betty Wright | Hard To Stop | Arranger, composer, keyboards, main personnel |
Frankie & Johnny [a] | The Sweetheart Sampler | Producer | |
Atlanta Rhythm Section | Back Up Against the Wall | Synthesiser, ARP | |
Lynyrd Skynyrd | Pronounced Leh-Nerd Skin-Nerd | Producer, engineer, bass, Mellotron, back-up harmony, mandolin, bass drum, organ | |
1974 | Second Helping | Producer, backing vocals, piano | |
Roger McGuinn | Peace on You | Guitar, piano, clavinet, arrangements, conductor | |
1975 | Lynyrd Skynyrd | Nuthin' Fancy | Producer |
The Tubes | The Tubes | ||
1979 | Leo Sayer | Here | Organ, synthesizer, keyboards, performer |
4 on the Floor | 4 on the Floor | Producer | |
1981 | George Harrison | Somewhere in England | Keyboards, synthesisers |
Ringo Starr | Stop and Smell the Roses | Piano, electric guitar | |
1985 | Bob Dylan | Empire Burlesque | Rhythm guitar |
1986 | Knocked Out Loaded | Keyboards | |
1989 | Roy Orbison | Mystery Girl | Organ |
1990 | Bob Dylan | Under the Red Sky | Hammond organ, keyboards |
1991 | Dave Sharp | Hard Traveling | Guest artist |
Green On Red | Scapegoats | Producer | |
1996 | Neil Diamond | Tennessee Moon | Hammond organ |
1998 | Phoebe Snow | I Can't Complain | Guest artist, Hammond organ |
2000 | Dan Penn | Blue Nite Lounge | Keyboards |
2000 | Peter Parcek | Evolution | Keyboards [17] |
2003 | Chris Catena | Freak Out | Guest artist, Keyboards |
2010 | Peter Parcek | The Mathematics of Love | Keyboards [17] |
Lynyrd Skynyrd is an American rock band formed in Jacksonville, Florida in 1964. The group originally formed as My Backyard and comprised Ronnie Van Zant (vocals), Gary Rossington (guitar), Allen Collins (guitar), Larry Junstrom (bass), and Bob Burns (drums). The band spent four years touring small venues under various names and with several lineup changes before deciding on "Lynyrd Skynyrd" in 1968. The band released its first album, (Pronounced 'Lĕh-'nérd 'Skin-'nérd), in 1973. By then, they had settled on a lineup that included bassist Leon Wilkeson, keyboardist Billy Powell, and guitarist Ed King. Burns left and was replaced by Artimus Pyle in 1974. King left in 1975 and was replaced by Steve Gaines in 1976. At the height of their fame in the 1970s, the band popularized the Southern rock genre with songs such as "Sweet Home Alabama" and "Free Bird". After releasing five studio albums and one live album, the band's career was abruptly halted on October 20, 1977, when their chartered airplane crashed, killing Van Zant, Steve Gaines, and backup singer Cassie Gaines, and seriously injuring the rest of the band.
Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray argued that, in an important sense, the 1960s "started" with this album.
Blonde on Blonde is the seventh studio album by the American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know ". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.
Michael Bernard Bloomfield was an American blues guitarist and composer. Born in Chicago, he became one of the first popular music stars of the 1960s to earn his reputation almost entirely on his instrumental prowess, as he rarely sang before 1969. Respected for his guitar playing, Bloomfield knew and played with many of Chicago's blues musicians before achieving his own fame and was instrumental in popularizing blues music in the mid-1960s. In 1965, he played on Bob Dylan's Highway 61 Revisited, including the single "Like a Rolling Stone", and performed with Dylan at that year's Newport Folk Festival.
"Free Bird", also spelled "Freebird", is a song by American rock band Lynyrd Skynyrd, written by guitarist Allen Collins and lead singer Ronnie Van Zant. The song was released on their 1973 debut studio album. Released as a single in November 1974, "Free Bird" debuted on the US Billboard Hot 100 on November 23 at No. 87 and became the band's second Top 40 hit in early 1975, peaking at No. 19 on January 25. A live version of the song re-entered the charts in late 1976, eventually peaking at No. 38 in January 1977.
"Like a Rolling Stone" is a song by the American singer-songwriter Bob Dylan, released on July 20, 1965, by Columbia Records. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. Dylan distilled this draft into four verses and a chorus. "Like a Rolling Stone" was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited as its opening track.
David Clayton-Thomas is a Grammy Award-winning Canadian musician, singer, and songwriter, best known as the lead vocalist of the American band Blood, Sweat & Tears. Clayton-Thomas has been inducted into the Canadian Music Hall of Fame and in 2007 his jazz/rock composition "Spinning Wheel" was enshrined in the Canadian Songwriter's Hall of Fame. In 2010, Clayton-Thomas received his star on Canada's Walk of Fame.
(Pronounced 'Lĕh-'nérd 'Skin-'nérd) is the debut studio album by American rock band Lynyrd Skynyrd, released on August 13, 1973, by MCA Records. Recording took place in Doraville, Georgia at Studio One, following a lengthy period of rehearsals. Prior to the album's conception, many of its songs were already featured in Lynyrd Skynyrd's live repertoire. To promote it, the band released "Gimme Three Steps" and "Free Bird" as singles; these, along with "Simple Man" and "Tuesday's Gone", are among the band's best-known songs.
Second Helping is the second studio album by Lynyrd Skynyrd, released on April 15, 1974. It features the band's biggest hit single, "Sweet Home Alabama", an answer song to Neil Young's "Alabama" and "Southern Man", which reached #8 on the Billboard Hot 100 chart in August 1974.
"This Diamond Ring" is a 1965 song written by Al Kooper, Bob Brass and Irwin Levine. The original demo was sung by Jimmy Radcliffe. It was first released as a single by Sammy Ambrose on Musicor #1061, then by Gary Lewis & the Playboys on Liberty #55756. Lewis' version charted first, number 101 on the January 2, 1965, Billboard "Bubbling Under" chart. Both versions charted on January 9, Lewis still at number 101 and Ambrose at number 117. Ambrose dropped off the chart at that point, but Lewis made number 65 on the Billboard Hot 100 chart the next week and his version continued to climb until it reached number 1 on February 20, 1965.
"Ballad of a Thin Man" is a song written and recorded by Bob Dylan, and released in 1965 on his sixth studio album, Highway 61 Revisited.
Super Session is an album by singer and multi-instrumentalist Al Kooper, with guitarists Mike Bloomfield on the first half and Stephen Stills on the second half. Released by Columbia Records in 1968, it peaked at No. 12 on the Billboard 200 during a 37-week chart stay and was certified gold by RIAA.
The Blues Project was an American band formed in New York City's Greenwich Village neighborhood in 1965. The group's original iteration broke up in 1967. Their songs drew from a wide array of musical styles. They are most remembered as one of the most artful practitioners of pop music, influenced as it was by folk, blues, rhythm & blues, jazz and the pop music of the day.
Al's Big Deal – Unclaimed Freight is a compilation album by American musician Al Kooper. It was released as a double-LP in 1975.
By 1965, Bob Dylan was the leading songwriter of the American folk music revival. The response to his albums The Freewheelin' Bob Dylan and The Times They Are a-Changin' led the media to label him the "spokesman of a generation".
David Wayne Perkins is an American rock and R&B guitarist, singer, songwriter and session musician. According to a 2017 feature about him on the Alabama website AL.com, he is "arguably the greatest guitarist Alabama ever produced."
The Live Adventures of Mike Bloomfield and Al Kooper is a double album recorded at the Fillmore West venue; the album is a successor to the studio album Super Session, which included Stephen Stills in addition to Bloomfield and Kooper, and had achieved commercial and critical success earlier in 1968.
"It Takes a Lot to Laugh, It Takes a Train to Cry" is a song written by Bob Dylan, that was originally released on his album Highway 61 Revisited. It was recorded on July 29, 1965. The song was also included on an early, European Dylan compilation album entitled Bob Dylan's Greatest Hits 2.
Backstage Passes and Backstabbing Bastards: Memoirs of a Rock 'N' Roll Survivor is a 1998 autobiography by American songwriter, record producer and musician Al Kooper. The book is a revised version of Kooper's earlier 1977 book Backstage Passes: Rock 'n' Roll Life In The Sixties. The 1998 edition was initially published by Billboard Books, but went out of print until 2008, when it was re-published by the Hal Leonard Corporation with updates to the text.
Edward Hoh was an American rock drummer who was active in the 1960s. Although primarily a studio session and touring drummer, Hoh exhibited a degree of originality and showmanship that set him apart and several of his contributions have been singled out for acknowledgment by music critics.