Kooper Session: Super Session, Vol. II | ||||
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Studio album by Al Kooper with Shuggie Otis | ||||
Released | 1969 | |||
Recorded | 1968 | |||
Genre | Rock, blues, R&B | |||
Length | 40:58 | |||
Label | Columbia | |||
Producer | Al Kooper | |||
Al Kooper with Shuggie Otis chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Kooper Session is the second-in-line of the Super Session albums featuring singer-songwriter Al Kooper. Joining Kooper in the guitar slot is 15-year-old phenomenon Shuggie Otis, son of rhythm and blues pioneer Johnny Otis. [1]
Divided into two halves, "The Songs" (a quartet of arranged gospel and rhythm and blues tracks) and "The Blues" (a trio of improvised blues tracks), the album, like Super Session before it, was quickly recorded and featured short, succinct tracks ("Double or Nothing", "One Room Country Shack") and fluid, drawn out jams highlighting the talents of the artists ("12:15 Slow Goonbash Blues", "Bury My Body"). [1]
No. | Title | Writer(s) | Length |
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1. | "Bury My Body" | Al Kooper, Alan Price | 9:00 |
2. | "Double or Nothing" | Steve Cropper, Donald "Duck" Dunn, Booker T. Jones, Al Jackson, Jr. | 2:29 |
3. | "One Room Country Shack" | Mercy Dee Walton | 3:37 |
4. | "Lookin' for a Home" | Edward Forehand | 5:52 |
5. | "12:15 Goonbash Blues" | Al Kooper, Shuggie Otis | 9:29 |
6. | "Shuggie's Old Time Dee-Di-Lee-Di-Leet-Deet Slide Boogie" | Al Kooper, Shuggie Otis | 4:05 |
7. | "Shuggie's Shuffle" | Al Kooper, Shuggie Otis | 6:27 |
Total length: | 40:58 |
Chart (1970) | Peak position |
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Australia (Kent Music Report) [2] | 11 |
Johnny Otis was a first generation Greek-American singer, musician, composer, bandleader, record producer, and talent scout. He was a seminal influence on American R&B and rock and roll. He discovered numerous artists early in their careers who went on to become highly successful in their own right, including Little Esther Phillips, Etta James, Alan O'Day, Big Mama Thornton, Johnny Ace, Jackie Wilson, Little Willie John, Hank Ballard, and The Robins, among many others. Otis has been called the "Godfather of Rhythm and Blues".
Child Is Father to the Man is the debut album by Blood, Sweat & Tears, released in February 1968. It reached number 47 on the Billboard pop albums chart in the United States.
Johnny Shuggie Otis is an American singer-songwriter, recording artist, and multi-instrumentalist.
Michael Bernard Bloomfield was an American blues guitarist and composer. Born in Chicago, he became one of the first popular music stars of the 1960s to earn his reputation almost entirely on his instrumental prowess, as he rarely sang before 1969. Respected for his guitar playing, Bloomfield knew and played with many of Chicago's blues musicians before achieving his own fame and was instrumental in popularizing blues music in the mid-1960s. In 1965, he played on Bob Dylan's Highway 61 Revisited, including the single "Like a Rolling Stone", and performed with Dylan at that year's Newport Folk Festival.
Al Kooper is an American retired songwriter, record producer, and musician, known for joining and naming Blood, Sweat & Tears, although he did not stay with the group long enough to share its popularity. Throughout much of the 1960s and 1970s he was a prolific studio musician, including playing organ on the Bob Dylan song "Like a Rolling Stone", French horn and piano on the Rolling Stones song "You Can't Always Get What You Want", and lead guitar on Rita Coolidge's "The Lady's Not for Sale". Kooper produced a number of one-off collaboration albums, such as the Super Session album that saw him work separately with guitarists Mike Bloomfield and Stephen Stills. In the 1970s Kooper was a successful manager and producer, recording Lynyrd Skynyrd's first three albums. He has had a successful solo career, writing music for film soundtracks, and has lectured in musical composition. Kooper was selected for induction for the Rock and Roll Hall of Fame in 2023.
Hot Rats is the second solo album by Frank Zappa, released in October 1969. It was Zappa's first recording project after the dissolution of the original lineup of the Mothers of Invention. Five of the six songs are instrumental, while "Willie the Pimp" features vocals by Captain Beefheart. In his original sleeve notes, Zappa described the album as "a movie for your ears".
You're Only Lonely is the third album by American singer-songwriter JD Souther, released in 1979. The title song charted as a single on Billboard, reaching No.1 on the Adult Contemporary chart. "White Rhythm & Blues" was covered by Linda Ronstadt on her album Living in the USA. In 1992, George Strait covered "The Last in Love", for the soundtrack to the film Pure Country.
It's My Pleasure is the tenth studio album by Billy Preston, released in June 1975 on A&M Records. The album shows the modernisation of Preston's music, placing a heavier emphasis on synthesizers. It was also his first collaboration with the singer Syreeta Wright who sings on one track. The album is notable for featuring harmonica by Stevie Wonder on two tracks. George Harrison also appears, playing guitar on "That's Life".
Super Session is an album by singer and multi-instrumentalist Al Kooper, with guitarists Mike Bloomfield on the first half and Stephen Stills on the second half. Released by Columbia Records in 1968, it peaked at No. 12 on the Billboard 200 during a 37-week chart stay and was certified gold by RIAA.
The Blues Project was an American band formed in New York City's Greenwich Village neighborhood in 1965. The group's original iteration broke up in 1967. Their songs drew from a wide array of musical styles. They are most remembered as one of the most artful practitioners of pop music, influenced as it was by folk, blues, rhythm & blues, jazz and the pop music of the day.
Al's Big Deal – Unclaimed Freight is a compilation album by American musician Al Kooper. It was released as a double-LP in 1975.
I Stand Alone is the debut album by the American singer-songwriter Al Kooper, issued in 1969 on Columbia Records. It was recorded after his collaboration with Michael Bloomfield and Stephen Stills on the 1968 album Super Session.
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"Bury My Body" is a traditional gospel blues song. It is also known as "(Lord) I Don't Care Where Dey Bury My Body" and "My Soul Is Gonna Live with God".