| I Stand Alone | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | February 1969 | |||
| Recorded | 1968 | |||
| Genre | Rock | |||
| Length | 41:24 | |||
| Label | Columbia | |||
| Producer | Al Kooper | |||
| Al Kooper chronology | ||||
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| Singles from I Stand Alone | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Encyclopedia of Popular Music |  [2] |
I Stand Alone is the 1969 debut album of American singer-songwriter Al Kooper, issued on Columbia Records. [1] It was recorded after his collaboration with Michael Bloomfield and Stephen Stills on the 1968 album Super Session .
After ten years of session playing, collaborations and playing in other bands, Kooper released his first solo album in February, 1969. It is an eclectic mix of country, soul, blues, and rock with a dose of psychedelia mixed throughout. [1] It is a continuation of Super Session in its mix of disparate covers from the likes of Bill Monroe, Harry Nilsson and Traffic, and with originals running the gamut of feelings.
Unlike the Super Session album, however, the spotlight is on Kooper alone and Kooper's alternate utilization of orchestras and professional Nashville studio musicians; the tracks are far more focused, all within two and five minutes. "Camille" is lifted from "Overture to Le Domino Noire" by French composer Daniel Auber.
Most tracks are bridged with sound effects taken from albums issued by Elektra Records. The Overture begins with a collage of sound effects also taken from those albums. [1] [3] The album was on the Billboard 200 chart for 13 weeks, peaking at number 54 on March 15, 1969. [4]
All tracks composed by Al Kooper; except where indicated
Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know ". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.
Michael Bernard Bloomfield was an American blues guitarist and composer. Born in Chicago, he became one of the first popular music stars of the 1960s to earn his reputation almost entirely on his instrumental prowess, as he rarely sang before 1969. Respected for his guitar playing, Bloomfield knew and played with many of Chicago's blues musicians before achieving his own fame and was instrumental in popularizing blues music in the mid-1960s. In 1965, he played on Bob Dylan's Highway 61 Revisited, including the single "Like a Rolling Stone", and performed with Dylan at that year's Newport Folk Festival.
Let It Bleed is a studio album by the English rock band the Rolling Stones, released on 28 November 1969 by London Records in the United States and on 5 December 1969 by Decca Records in the United Kingdom. Released during the band's 1969 American Tour, it is the follow-up to Beggars Banquet (1968), and like that album is a return to the group's more blues-oriented approach that was prominent in the pre-Aftermath (1966) period of their career. Additional sounds on the album draw influence from gospel, country blues and country rock.
Al Kooper is a retired American songwriter, record producer, and musician, known for joining and naming Blood, Sweat & Tears, although he did not stay with the group long enough to share its popularity. Throughout much of the 1960s and 1970s he was a prolific studio musician, including playing organ on the Bob Dylan song "Like a Rolling Stone", French horn and piano on the Rolling Stones song "You Can't Always Get What You Want", and lead guitar on Rita Coolidge's "The Lady's Not for Sale". Kooper produced a number of one-off collaboration albums, such as the Super Session album that saw him work separately with guitarists Mike Bloomfield and Stephen Stills. In the 1970s Kooper was a successful manager and producer, recording Lynyrd Skynyrd's first three albums. He has had a successful solo career, writing music for film soundtracks, and has lectured in musical composition. Kooper was selected for induction for the Rock and Roll Hall of Fame in 2023.
Harry is the fourth studio album by Harry Nilsson, released August 1969 on RCA. It was his first album to get onto Billboard Magazine's Billboard 200 chart, remaining there for 15 weeks and reaching #120.
Charlie McCoy, is an American harmonica virtuoso and multi-instrumentalist in country music. He is best known for his harmonica solos on iconic recordings such as Candy Man, He Stopped Loving Her Today, I Was Country When Country Wasn't Cool, and others. He was a member of the progressive country rock bands Area Code 615 and Barefoot Jerry. After recording with Bob Dylan in New York, McCoy is credited for unknowingly influencing Dylan to decide to come to Nashville to record the critically acclaimed 1966 album "Blonde on Blonde".
"Blue Moon of Kentucky" is a waltz written in 1945 by bluegrass musician Bill Monroe and recorded by his band, the Blue Grass Boys. Some think the origins may trace back to "Roll Along, Kentucky Moon", a similar waltz recorded 20 years prior by Jimmie Rodgers. The song has since been recorded by many artists, including Elvis Presley, Paul McCartney. The song is the official bluegrass song of Kentucky.
Super Session is an album by singer and multi-instrumentalist Al Kooper, with guitarists Mike Bloomfield on the first half and Stephen Stills on the second half. Released by Columbia Records in 1968, it peaked at No. 12 on the Billboard 200 during a 37-week chart stay and was certified gold by RIAA.
Al's Big Deal – Unclaimed Freight is a compilation album by American musician Al Kooper. It was released as a double-LP in 1975.
You Never Know Who Your Friends Are is the second solo album by American multi-instrumentalist Al Kooper, issued in 1969 on Columbia Records.
Kooper Session is the second-in-line of the Super Session albums featuring singer-songwriter Al Kooper. Joining Kooper in the guitar slot is 15-year-old phenomenon Shuggie Otis, son of rhythm and blues pioneer Johnny Otis.
Easy Does It is the third solo album by American singer-songwriter Al Kooper, recorded and released in 1970 for Columbia Records.
Naked Songs is the sixth album by American singer-songwriter Al Kooper for Columbia Records, released in 1973. Two singles were released in the fall of 1972, preceding the album.
New York City (You're a Woman) is the fourth album by American singer-songwriter Al Kooper for Columbia Records, recorded and released in 1971.
Wow/Grape Jam is the second album by the rock band Moby Grape. It was first released in April 1968. It is different from most double album releases in that it was released as two different albums in separate covers, but packaged together and sold for only one dollar more than price of a single LP.
Live & Well is a live and studio album by B. B. King, released in 1969. The side A contains five tracks recorded "live" at the Village Gate, in New York City, and the side B five titles recorded in 'The Hit Factory' also in New York.
"You Don't Love Me" is a rhythm and blues-influenced blues song recorded by American musician Willie Cobbs in 1960. Adapted from Bo Diddley's 1955 song "She's Fine She's Mine", it is Cobbs' best-known song and features a guitar figure and melody that has appealed to musicians in several genres.
Edward Hoh was an American rock drummer who was active in the 1960s. Although primarily a studio session and touring drummer, Hoh exhibited a degree of originality and showmanship that set him apart and several of his contributions have been singled out for acknowledgment by music critics.
Ronald Dean Cornelius was a session musician and producer who has played on albums by Leonard Cohen, Bob Dylan, Al Kooper and Loudon Wainwright III. He was also the president of Gateway Entertainment which was established in 1986. As a producer he has produced Miko Marks's Freeway Bound album in 2007. He is also the co-writer of "Chelsea Hotel No. 2", which has been covered by many artists including Rufus Wainwright.
Good Times! is the twelfth studio album by American pop rock band the Monkees. Produced primarily by Adam Schlesinger, the album was recorded to commemorate the band's 50th anniversary. It is the first Monkees studio album since Justus (1996), marking the longest gap between releases to date, and the first since the death of Davy Jones. The album features surviving Monkees Micky Dolenz, Michael Nesmith, and Peter Tork, as well as a posthumous contribution from Jones.
