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Wayne Moss | |
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| Born | February 9, 1938 |
Wayne Moss (born February 9, 1938, in South Charleston, West Virginia, United States) [1] is an American guitar player, bassist, record producer and songwriter best known for his session work in Nashville. In 1961, Moss founded Cinderella Sound recording studio. [2] In 2011 it was Nashville's oldest surviving independent studio. [3] Moss was one of the founders of Area Code 615 and Barefoot Jerry, both bands made up of Nashville session players.
Moss was born in 1938 in South Charleston, West Virginia. [2] As a teenager he played in bands in nearby Charleston before eventually moving to Nashville, Tennessee in 1959. He became friends with Kenny Buttrey and Charlie McCoy. Hargus "Pig" Robbins hired him as a session musician, [4] leading to Moss playing on recordings by artists including Patsy Cline, Waylon Jennings, Loretta Lynn, Charley Pride, Joan Baez, Steve Miller Band, and Linda Ronstadt. [1]
The first number one hit song that Moss played on was Tommy Roe's "Sheila" (1962). [4] He also played guitar on Roy Orbison's hit song "Oh, Pretty Woman" (1964), and played guitar and bass on Bob Dylan's acclaimed album Blonde On Blonde (1966). He also played on Joe Simon's 1969 album The Chokin' Kind (album) , as well as guitar on Dolly Parton's signature song "Jolene" (1973). [5]
Other artists whose recordings Moss has played on as a session musician include Charlie Daniels, Fats Domino, Everly Brothers, Lefty Frizzell, Leo Kottke, Kris Kristofferson, Dennis Linde, Charlie McCoy, Moon Mullican, Mike Nesmith, Carl Perkins, and Nancy Sinatra. He also played with Brenda Lee as a member of her touring band. [6]
When the Sack, a Nashville nightclub Moss and McCoy had been running, went out of business in 1961, they used the equipment to build a recording studio in Moss' garage in Madison. [7]
The studio, which Moss named Cinderella Sound, has hosted recording sessions by artists including Jackie DeShannon, Steve Miller Band, Linda Ronstadt, Grand Funk Railroad, James Gang, Tracy Nelson, and Mickey Newbury. [1]
Blonde on Blonde is the seventh studio album by the American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know ". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.
Fred Luther Foster was an American record producer, songwriter, and music business executive who founded Monument Records and Combine Music. As a record producer he was most closely associated with Roy Orbison, and was also involved in the early careers of Dolly Parton and Willie Nelson. Foster suggested to Kris Kristofferson the title and theme of "Me and Bobby McGee", which became a hit for Kristofferson, Roger Miller, and Janis Joplin, and for which Foster received a co-writing credit.
"4th Time Around" is a song by American singer-songwriter Bob Dylan, which was released as the 12th track on his seventh studio album Blonde on Blonde on June 20, 1966. The song was written by Dylan and produced by Bob Johnston. Commentators often interpret it as a parody of the Beatles' 1965 song "Norwegian Wood ". John Lennon composed "Norwegian Wood" after being influenced by the introspective lyrics of Dylan. Lennon later reflected on his feelings of paranoia when Dylan first played him "4th Time Around".
Charlie McCoy is an American harmonica virtuoso and multi-instrumentalist in country music. He is best known for his harmonica solos on iconic recordings such as "Candy Man", "He Stopped Loving Her Today", "I Was Country When Country Wasn't Cool", and others. He was a member of the progressive country rock bands Area Code 615 and Barefoot Jerry. After recording with Bob Dylan in New York, McCoy is credited for unknowingly influencing Dylan to decide to come to Nashville to record the critically acclaimed 1966 album "Blonde on Blonde".
"Absolutely Sweet Marie" is a song by American singer-songwriter Bob Dylan, which was released on the third side of the double album and Dylan's seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It was recorded at around 1:00 am on March 8, 1966, at Columbia Studio A, Nashville. Some commentators have interpreted the song as being about sexual frustration.
Area Code 615 was an American progressive country rock band from Nashville, active in the late 1960s and early 1970s, taking their name from the telephone area code, which at the time covered all of Central and Eastern Tennessee. The band was made up of session musicians, recording only two albums before resuming normal session work. Several of the members were backing musicians for Bob Dylan's Blonde on Blonde and Nashville Skyline albums plus recordings by Billy Swan and The Monkees. They also backed Linda Ronstadt on her Silk Purse album.
"Leopard-Skin Pill-Box Hat" is a song by the American singer-songwriter Bob Dylan, which was released on the second side of his seventh studio album Blonde on Blonde (1966). The song was written by Dylan, and produced by Bob Johnston. Dylan has denied that the song references any specific individual, although critics have speculated that it refers to Edie Sedgwick, who Dylan had spent time with in December 1965.
"Stuck Inside of Mobile with the Memphis Blues Again" is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971).
Aaron Kenneth Buttrey was an American drummer and arranger. According to CMT, he was "one of the most influential session musicians in Nashville history."
"Rainy Day Women #12 & 35" is a song written and recorded by the American singer-songwriter Bob Dylan. Columbia Records first released an edited version as a single in March 1966, which reached numbers two and seven in the US and UK charts respectively. A longer version appears as the opening track of Dylan's seventh studio album, Blonde on Blonde (1966), and has been included on several compilation albums.
"I Want You" is a song by the American singer-songwriter Bob Dylan, which was released as a single in June 1966, and, later that month, on his seventh studio album, Blonde on Blonde. The song was written by Dylan, and produced by Bob Johnston. The song has been interpreted as a straightforward expression of lust, although critics have highlighted that the symbolism of the song is complex. It was the last song recorded for Blonde on Blonde, with several takes recorded in the early hours of March 10, 1966. It was included on Bob Dylan's Greatest Hits (1967). The song has received a largely positive critical reception, with a number of commentators highlighting Dylan's use of imagery, although some of the meanings are obscure.
"Pledging My Time" is a blues song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song, written by Dylan and produced by Bob Johnston, was recorded on March 8, 1966 in Nashville, Tennessee. Dylan is featured on lead vocals, harmonica, and guitar, backed by guitarist Robbie Robertson and an ensemble of veteran Nashville session men.
"Most Likely You Go Your Way and I'll Go Mine", or "Most Likely You Go Your Way (and I'll Go Mine)", is a song by American singer-songwriter Bob Dylan. It was released as the first track on side three of his seventh studio album Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. Dylan recounted that he had probably written the song after the end of a relationship. The song's narrator criticizes the lies and weakness of a woman, and says that he finds it hard to care. The final verse establishes that the woman has been unfaithful to the narrator by having a relationship with another man, as he suspected all along.
Barefoot Jerry is an American progressive country rock band from Nashville, Tennessee. They have been described as a seminal southern rock band. The band was most active from 1971 to 1977. It was composed of area studio musicians under the tutelage of Wayne Moss and Mac Gayden. Barefoot Jerry was named after a country fiddle player who performed inside a store next to Gayden's home in the Smoky Mountains.
"I'll Keep It with Mine" is a song written by Bob Dylan in 1964, first released by folk singer Judy Collins as a single in 1965. Dylan attempted to record the song for his 1966 album Blonde on Blonde.
Hargus Melvin Robbins, known by his nickname "Pig", was an American session keyboard player, having played on records for many artists, including Patsy Cline, Dolly Parton, Connie Smith, Patti Page, Loretta Lynn, The Everly Brothers, Kenny Rogers, George Jones, Charlie Rich, Bob Dylan, Neil Young, J.J. Cale, John Hartford, John Stewart, Mark Knopfler, Alan Jackson, Merle Haggard, Roger Miller, David Allan Coe, Moe Bandy, George Hamilton IV, Sturgill Simpson, Conway Twitty, Ween, and Al Hirt.
David Paul Briggs is an American keyboardist, record producer, arranger, composer, and studio owner. Briggs is one of an elite core of Nashville studio musicians known as "the Nashville Cats" and has been featured in a major exhibition by the Country Music Hall of Fame in 2015. He played his first recording session at the age of 14 and has gone on to add keyboards to a plethora of pop, rock, and country artists, as well as recording hundreds of corporate commercials.
McGavock Dickinson "Mac" Gayden is an American rock and country singer, songwriter, musician, and record producer. He is also president of Wild Child Records, formed in 2004.
Chip Young was an American session guitarist, and later record producer who worked primarily out of Nashville, Tennessee.
"Obviously 5 Believers" is a song by American singer-songwriter Bob Dylan, which was released as the last track of side three of his double album Blonde on Blonde (1966), and was the B-side to the single release of "Just Like a Woman" for releases in America and some other countries. The song was written by Dylan and produced by Bob Johnston. It was recorded at Columbia Music Row Studios, in the early morning hours of a March 9–10, 1966 session. Four takes were recorded, although the first two were incomplete. It has been interpreted as a blues song about loneliness, with critics noting similarities in melody and structure to Memphis Minnie's "Chauffeur Blues". Dylan's vocals and the musicianship of the band on the track have both received critical acclaim, although the track has been regarded as insubstantial by some commentators.
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