Smith performing live at the Grand Ole Opry in 2007
Constance June Meador
August 14, 1941
Elkhart, Indiana, U.S.
Connie Smith (born Constance June Meador; August 14, 1941) is an American country music singer. Her vocal style has been described by music writers as significant and influential to the women of country music. Other performers have cited Smith as influence on their own singing styles, which has been reflected in quotes and interviews over the years.
Discovered in 1963, Smith signed with RCA Victor Records the following year and remained with the label until 1973. Her debut single "Once a Day" reached number one on the Billboard Hot Country Songs chart in November 1964 and remained at the top position for eight weeks. The song became Smith's biggest hit and was nominated at the Grammy Awards for Best Female Country Vocal Performance. Smith's success continued through 1960s and mid 1970s with 19 more top-ten hits (including "Then and Only Then"; "Ain't Had No Lovin'"; "Cincinnati, Ohio"; "I Never Once Stopped Loving You"; and "Ain't Love a Good Thing") on the country songs chart.
In the early 1970s, Smith began recording Gospel music more frequently as she became more serious in her Christianity. As she focused more heavily on religion, Smith became known for her outspoken religious demeanor at concerts and music venues. At the same time, Smith spent more time raising her five children than focusing on music. She eventually went into semi-retirement in 1979. Smith would return to recording briefly in the mid 1980s with Epic Records. However, it was not until her collaboration with Marty Stuart in the 1990s that she returned permanently. Their musical friendship would turn romantic, leading to their marriage in 1997. The pairing led to Smith's first studio album in 20 years, Connie Smith . Critically acclaimed, Smith began performing again and has since recorded two more studio albums.
Smith has been nominated for 11 Grammy Awards, including eight nominations for Best Female Country Vocal Performance. She has also been nominated for 1 Academy of Country Music award and 3 Country Music Association awards. Rolling Stone included her on their list of the 100 greatest country music artists and CMT ranked her among the top ten in their list of the 40 greatest women of country music. She has been a member of the Grand Ole Opry cast since 1965. In 2012, Smith was inducted into the Country Music Hall of Fame.
Connie Smith was born Constance June Meador on August 14, 1941, to Wilma and Hobart Meador in Elkhart, Indiana. Her parents were originally from West Virginia, and when Smith was five months old, the family returned there. They would later move to Dungannon, Ohio.Her father was abusive when she was a child, which would eventually cause her to suffer a mental breakdown when she was a teenager. When she was seven, her mother divorced her father and married Tom Clark. Clark brought 8 children to the new marriage; Meador brought five, including Smith. The couple would eventually have two more children together, which in total added up to fifteen children. As a child, Smith was surrounded by music. Her stepfather played mandolin, while her brother played fiddle, and her other brother played guitar. On Saturday nights Smith would listen to the Grand Ole Opry radio broadcast. While she was a teenager, she was injured in a lawnmower accident, which nearly cut her leg off. While in the hospital recovering, she was given a guitar and learned how to play different chords. Following the recovery, she began to perform in various local talent contests. In 1959, Smith graduated from Salem-Liberty High School as the class salutatorian.
In August 1963, she entered a talent contest at the Frontier Ranch country music park near Columbus, Ohio. Performing Jean Shepard's "I Thought of You", Smith won the talent contest and five silver dollars.That day at the park, country artist Bill Anderson heard Smith perform and was impressed by her voice. In January 1964, Smith ran into Anderson again at a country music package concert, where he invited her to perform with him on Ernest Tubb's Midnite Jamboree program in Nashville, Tennessee. After performing on the program, Smith returned to Nashville that May to record demos by Anderson that he planned on pitching to other country artists. Anderson's manager Hubert Long brought the demo recording to RCA Victor Records, where producer Chet Atkins heard it. Also impressed by her vocals, Atkins offered Smith a recording contract, and she eventually signed with the label on June 24, 1964.
Because Chet Atkins found himself too busy with other artists, Bob Ferguson acted as Smith's producer on her first sessions and would continue to work as her producer until her departure from RCA. Smith's first session took place on July 16, 1964, where she recorded four songs, three of which were written by Bill Anderson. 1 on the Billboard Magazine Hot Country Singles chart on November 28 and remained at the number one position for eight weeks.One of the four songs recorded during the session entitled "Once a Day" was chosen to be Smith's debut single. The song was rush-released as a single on August 1, 1964, and became Smith's breakout single, reaching No.
"Once a Day" became the first debut single by a female country artist to reach number one. For nearly 50 years the single held the record for the most weeks spent at number one on the Billboard country chart by a female artist. 1, spending seven weeks at the top of the Billboard Top Country Albums chart, and spending 30 weeks on the chart overall. In addition, the album also peaked at No. 105 on the Billboard 200 albums chart around the same time. Dan Cooper of Allmusic called the production of the album to sound as if she was "a down-home Streisand fronting The Lennon Sisters." During this time, Anderson wrote a series of singles that would jump-start Smith's career in the country music industry. Among these songs was Smith's follow-up single to "Once a Day" released in early 1965 titled "Then and Only Then". The song peaked at No. 4 on the Billboard country chart. In addition, its B-side, "Tiny Blue Transistor Radio" (originally intended for Skeeter Davis), was also written by Anderson and peaked within the Top 25 on the same singles chart. In 1965 Smith officially became a member of the Grand Ole Opry radio show in Nashville, Tennessee. It had been a dream of Smith's to become a member since childhood, remembering saying at the age of five, "Someday I’m gonna sing on the Grand Ole Opry." In the mid-60s Smith was temporarily fired from the Grand Ole Opry for not being on the show for twenty six weeks out of the year, which was the required number of weeks to stay a member at the time. In the 1970s, Smith was nearly fired from the show for testifying about Jesus Christ.RCA Victor released Smith's self-titled debut album in March 1965 which also reached No.
Bill Anderson wrote her next single with Bette Anderson, which was released in April 1965 called "I Can't Remember". The single peaked at No. 9 on the Billboard Magazine Hot Country Singles chart and No. 30 on the Billboard Bubbling Under Hot 100 singles chart. In October 1965, Smith released her second studio album Cute 'n' Country . The album featured both cover versions of other country songs and newer songs written by Bill Anderson. It included cover versions of songs by such artists as Jim Reeves, Webb Pierce, and Ray Price. Like her first album, Cute 'n' Country reached No. 1 on the Billboard Top Country Albums chart and spent thirty weeks on the chart as well. Her next two singles, "If I Talk to Him" and "Nobody But a Fool (Would Love You)", both reached No. 4 on the Hot Country Singles chart and were issued on Smith's third album, Miss Smith Goes to Nashville (1966). The album peaked at No. 2 on the Billboard Top Country Albums chart. With her next few sessions, Smith's producer Bob Ferguson felt pressured from RCA headquarters in New York City to market Smith's sound toward more "middle-of-the-road" country pop material. This change of sound was evident on her next two studio albums Born to Sing (1966) and Downtown Country (1967). Both albums featured full orchestras in the background and cover versions of singles by pop artists of the time. Spawned from Born to Sing and Downtown Country were the singles "Ain't Had No Lovin'" and "The Hurtin's All Over", which both peaked within the Top 5 on the Hot Country Singles chart.
During this time, Smith also appeared in several country music vehicle films, where she performed many of her current hit recordings.In 1966, she appeared in the films Second Fiddle to a Steel Guitar and The Las Vegas Hillbillys , the latter of which starred Jayne Mansfield. In 1967, she appeared in The Road to Nashville and Hell on Wheels.
In February 1967, Smith released an album on RCA Camden entitled Connie in the Country , which mainly featured cover versions of country hits recorded at the time, including songs by Loretta Lynn and Buck Owens.In May 1967 Smith released an album of songs written entirely by Bill Anderson entitled Connie Smith Sings Bill Anderson . She later commented that, "...it was an honor, not a favor" to record an album of all Bill Anderson songs. Included in the album was covers of Anderson's own hits such as "City Lights" and "That's What It's Like to Be Lonesome". Also featured was Anderson's "I Love You Drops", which Smith wanted to release as a single; however Anderson wanted to release the song as his own single. Smith stated, "We begged him for that song. But I cut 33 of his songs." It would later become a top ten hit for Anderson. Between 1966 and 1968, Smith had five top ten singles in a row on the Billboard Hot Country Singles chart: "I'll Come Running" (which Smith wrote herself), "Cincinnati, Ohio", "Burning a Hole in My Mind", "Baby's Back Again", and "Run Away Little Tears". "Cincinnati, Ohio" would later inspire the city of Cincinnati, Ohio to declare their own "Connie Smith Day" in June 1967.
By 1968, Smith began to feel large amounts of pressure from the music business. The stress of touring, recording, promoting, and trying to keep a personal life reportedly led Smith to contemplate suicide but she later stated she never considered the prospect as an actual possibility.These pressures eventually led Smith to seek solace in both her family life and religion, becoming a Born Again Christian in the spring of 1968. Although she did not give up her music career completely, Smith did balance it with a lighter schedule in order to avoid stress.
In 1968-69, she began to record darker songs, including the single "Ribbon of Darkness", among others. Smith stated that it was reflection on her personal life, after recently divorcing her first husband Jerry Smith. 6 on the Billboard Magazine Hot Country Singles chart. This was followed by another top ten single in 1970, entitled "I Never Once Stopped Loving You", which reached No. 5 on the same singles chart. Between 1969 and 1970, she released two collaborative albums with American country artist Nat Stuckey called Young Love and Sunday Morning with Nat Stuckey and Connie Smith , the latter of which was a gospel album. From 1970 to 1971, both the singles "Louisiana Man" and "Where Is My Castle" became top 20 hits on the Billboard Magazine country singles chart.Despite her recent personal troubles, Smith continued to enjoy the same commercial success she had before. In 1969 her next single "You and Your Sweet Love" (written by Bill Anderson) reached No.
In 1971, Smith's cover of Don Gibson's 1960 single "Just One Time" reached No. 2 on the Hot Country Singles chart. An album of the same name was also released, which reached No. 20 on the Billboard Top Country Albums chart. By the early 1970s, Smith started to incorporate more Gospel music into her regular studio albums and touring show. Smith later stated that by incorporating more Gospel music into her secular recording career would make her leap into Christianity "count". In 1971, she released her third gospel album, Come Along and Walk with Me , which Smith later stated was her favorite gospel record out of the many she has made. In 1972, all three of Smith's singles reached the top ten on the Billboard Magazine Hot Country Singles chart: "Just for What I Am" (#5), "If It Ain't Love (Let's Leave It Alone)" (#7), and "Love Is the Look You're Looking for" (#8). In addition, three albums were also released to accommodate the success of the three singles, including a tribute to songwriter Dallas Frazier named If It Ain't Love and Other Great Dallas Frazier Songs . In November 1972, Smith announced she would depart from RCA the same week that country artist Eddy Arnold also announced his temporary departure. Smith later explained in an interview with Razor & Tie that she felt RCA showed a lack of respect for her and she felt she would have been happier recording elsewhere.
After parting ways with RCA, Smith moved to Columbia Records in 1973. With her new contract, she insisted that she would be able to record one gospel album a year. 10 on the Hot Country Singles Chart in 1974.She released her first gospel album under the label in November 1973, entitled God Is Abundant . In addition, the label also gave her the advantage of being able to incorporate more gospel songs into her regular country studio albums. Because of these factors, most of her singles remained out of the top ten, but she did manage to stay in the top 20 most of the decade. That year Smith recorded her first country album for the label entitled A Lady Named Smith with producer George Richey. Smith and Richey co-wrote the album's lead single, "You've Got Me (Right Where You Want Me)", which became a minor hit on the Billboard country chart. However Smith was dissatisfied with Richey's production strategies and replaced him with Ray Baker for her next album, That's the Way Love Goes (1974). Her next single (released on That's the Way Love Goes) was written by Dallas Frazier called "Ain't Love a Good Thing", which peaked at No.
After signing with Columbia, many music critics considered that Smith lost much of the quality that was found in her earlier records with RCA Victor. When reviewing her compilation from her years at Columbia titled Connie Smith Sings Her Hits (1997), Thom Jurek of Allmusic commented that Smith lost much of the "grain" in her voice. Jurek went on to write, "It could be said, that regardless of the material, she never made a bad record; the tunes were carefully chosen it's true, but she never tried to hide the hardcore twang in her vocal style." 13 on the Billboard Magazine Hot Country Singles chart. In 1975, she released her second gospel album with the label, entitled Connie Smith Sings Hank Williams Gospel , which was a tribute to the gospel material that Hank Williams recorded. That year, she also released a cover of Williams' secular "Why Don't You Love Me (Like You Used to Do)" as a single. In 1976, Smith released two cover versions of previously made pop hits by The Everly Brothers as singles: "(Till) I Kissed You" and "So Sad (To Watch Good Love Go Bad)".In 1974 Smith released the singles "I Never Knew (What That Song Meant Before)" and "I've Got My Baby on My Mind", which both reached No.
In 1977 Smith moved to Monument Records. With her new recording contract, she was marketed as a country pop artist and was pressured into recording softer material. While reviewing Smith's 1993 Monument compilation Greatest Hits on Monument , Allmusic 's Stephen Thomas Erlewine commented that she not only recorded country-pop material, but also "heavily produced adult contemporary ballads and big, shiny disco-influenced pop numbers." Meanwhile, both of Smith's albums under the label stiffed upon release. Her debut 1977 Monument album, Pure Connie Smith , only spawned one single, entitled "Coming Around", which peaked outside the Top 40. Only one single released on the label became a significant hit, a cover of Andy Gibb's 1977 pop hit "I Just Want to Be Your Everything", which peaked at No. 14 on the country singles chart in 1978. Her next five singles on the label continued to descend into progressively lower positions on the country singles chart and because of poor record sales, Smith decided to go into semi-retirement in 1979 to raise her five children.
Smith was encouraged to restart her mainstream career in 1985 with a new recording contract to Epic Records. The label released two singles over the course of two years. 71 on the Hot Country Singles chart. The second single did not chart and Epic failed to release any further singles or an album. In 1986, she made a cameo appearance in Stephen King's horror film Maximum Overdrive as "dead lady in car".The first single, "A Far Cry from You" (1985), was written by Alternative country artist Steve Earle and reached No.
One day in the mid-1990s, Smith was at her home talking to one of her daughters on the phone. After telling her mother what she was going to do that night, her daughter asked Smith what her plans for that night were. Because she did not have anything fun planned, Smith lied so her daughter wouldn't have to worry about her. After the conversation ended, Smith realized that she didn't need her own children worrying about her at the start of their adult lives and decided that it was time to return to her career.With country artist Marty Stuart (whom she later married in 1997), acting as the album's main producer, Smith signed a recording contract with Warner Bros. Records in 1996. Although the label preferred her to record an album of duets, Smith decided to go by her own terms and record a solo studio album. In October 1998 she released her second self-titled studio album. It consisted of ten tracks, nine of them co-written by both Smith and Stuart. Although the album attracted little attention, it was given high critical praise for its traditional and contemporary style. Kurt Wolff of the book Country Music: The Rough Guide commented that the album sounded "far gutsier than anything in the Reba and Garth mainstream". Thom Jurek of Allmusic gave the release four out of five stars, calling it "a solid effort", also commenting, "...it stands head and shoulders over most of the stuff that's come out of Nash Vegas in over a decade. Even if it doesn't sell a copy, it's a triumphant return for Smith. She hasn't lost a whit of her gift as a singer or as a writer." Also in 1998, Smith made a second cameo appearance in a film, portraying a "Singer at the Rodeo Dance" in The Hi-Lo Country starring Woody Harrelson and Billy Crudup.
In August 2003, she released a collaborative gospel album with country artists Barbara Fairchild and Sharon White called Love Never Fails on Daywind Records.In an interview with Country Stars Central, Smith said that she was ill with the stomach flu while recording the album, but, still enjoyed making the record, Produced by country and bluegrass artist Ricky Skaggs (White's husband), the album received a nomination from the Dove Awards. The website Slipcue.com reviewed the release and commented that Love Never Fails, "is probably too rowdy for most Southern Gospel fans (who really like tinkly pianos and less-twangy vocals), and while it probably won't wow many country listeners, for folks who are fans any of these three singers, this is kind of a treat.
In November of 2008, Smith joined the cast of Marty Stuart's television series The Marty Stuart Show, which airs on the RFD-TV network every Saturday night. The thirty-minute program features traditional country music performed by both Stuart and Smith, as well as radio personality Eddie Stubbs.Since 2008, Smith had been writing new songs for her next album. In August Smith released her first new solo recording in thirteen years, entitled Long Line of Heartaches via Sugar Hill Records. The record was produced by Marty Stuart and includes five songs written by the pair. Harlan Howard, Kostas, Johnny Russell, and Dallas Frazier also wrote songs that were included on the album. In 2012, Smith was inducted into the Country Music Hall of Fame.
Connie Smith's sound is defined by the Nashville Sound musical style, primarily during her breakthrough years in the 1960s. While most Nashville Sound recordings of the time mainly included full orchestras, Smith's sound remained more traditional with its use of steel guitar and her twangy vocals, while still featuring some pop-influenced instrumentation to provide urban pop appeal. Critics have largely praised Smith's use of the steel guitar, which have often been described as "sharp" and "prominent".Her steel guitar player Weldon Myrick is often credited with creating what Smith has called "The Connie Smith Sound". In an interview with Colin Escott in his book Born to Sing, Myrick recalls how Smith's producer (Bob Ferguson) wanted the guitar to sound, "He came out and said he wanted a bright sound, and he adjusted my controls. I thought it was an awfully thin sound, but it wound up being very popular."
Smith is considered by many critics and historians to be one of country music's most celebrated and respected artists.In his review of Smith's 1996 compilation The Essential Connie Smith , Jurek explained why Smith's vocals are usually compared to Cline's, "Connie Smith is perhaps the only female singer in the history of country music who can truly claim to be the heiress to Patsy Cline's throne. It's not that there aren't many amazing vocalists in the field, and plenty of legends among them. But in terms of the pure gift of interpretation of taking virtually any song and making it a country song of class and distinction, Smith is it." Many artists in the country music industry have cited Smith as a significant musical influence or one of their favorite musical artists. George Jones cited Smith as his favorite female singer in his 1995 autobiography. Elvis Presley had many of Smith's albums in his record collection at his Graceland home and intended on recording Smith's version of "The Wonders You Perform", but never got around to doing so. In a discussion with country songwriter Fred Foster, Dolly Parton famously said, "You know, there's really only three female singers in the world: Barbra Streisand, Linda Ronstadt, and Connie Smith. The rest of us are only pretending."
Smith has been married four times. In 1961, she married Jerry Smith, a ferroanalyst at the Inter-Lake Iron Corporation in Beverly, Ohio. They had one child together, born on March 9, 1963, named Darren Justin. (In the late 1970s, Darren went to Europe to become a missionary; he is currently a psychologist.)In the mid-1960s, the couple divorced and Smith married the guitarist in her touring band, Jack Watkins. They had a son, Kerry Watkins, before separating nearly a year after marrying. Shortly afterward, Smith married telephone repairman Marshall Haynes. In the early 1970s, Haynes frequently toured with Connie on her road show. The couple had three daughters: Jeanne, Julie, and Jodi Haynes.
After divorcing Haynes in the early 1990s, Smith stated that she would never marry again. : "Make the Lord the center … and commit."However, on July 8, 1997, she did get married for the fourth time, this time to her producer, country artist Marty Stuart. Stuart began producing her after writing songs for Smith's 1998 comeback album. Stuart described encountering Smith 26 years earlier, after attending her concert: "I met Connie when I was 12 years old. She came to the Indian reservation in my hometown of Philadelphia, Mississippi to work at a fair. She hasn't changed a bit. She looked great then and she looks great now." Stuart said he told his mother then that he was going to marry Connie Smith. Smith explains how they have sustained their marriage
|1966||The Las Vegas Hillbillys||Herself||Cameo appearance|
|Second Fiddle to a Steel Guitar||Herself||Cameo appearance|
|1967||The Road to Nashville||Herself||Cameo appearance|
|Hell on Wheels||Herself||Cameo appearance|
|1986||Maximum Overdrive||Dead Lady in Car|
|1998||The Hi-Lo Country||Singer at rodeo dance|
|2008–2014||The Marty Stuart Show||Herself||153 episodes|
Smith has won two awards from both Billboard Magazine and Cash Box . Besides her nominations from music magazines, she has been nominated for 11 Grammy Awards, one award from the Academy of Country Music, and three awards from the Country Music Association, as well as several nominations from the fan-voted Music City News Awards including one win.
|1964||Billboard Magazine||Most Promising Female Country Artist||Won|
|1965||Grammy Awards||Best Country and Western Single – "Once a Day"||Nominated|
|Best New Country and Western Artist||Nominated|
|Best Country & Western Vocal Performance, Female – "Once a Day"||Nominated|
|Billboard Magazine||Most Promising Female Country Artist||Won|
|Billboard Magazine||Favorite Female Country Performer||Nominated|
|Favorite Album (1964–1965) – Connie Smith||Nominated|
|Cash Box||Most Promising Female Country Vocalist||Won|
|Country Music Review||Most Promising Female Singer||Won|
|1966||Grammy Awards||Best Sacred Recording – Connie Smith Sings Great Sacred Songs||Nominated|
|Best Country and Western Vocal Performance, Female – "Ain't Had No Lovin'"||Nominated|
|Billboard Magazine||Favorite Female Country Performer||Nominated|
|Favorite Country Album – Cute 'n' Country||Nominated|
|Cash Box||Most Programmed Female Artist||Won|
|Country Music Life Award||Favorite Female Artist||Won|
|Record World||Top Female Vocalist||Won|
|Most Outstanding Female Country and Western Vocalist||Won|
|1967||Billboard Magazine||Top Country Artist, Female Vocalist||Nominated|
|Cash Box||Most Programmed Female Artist||Nominated|
|Record World||Top Female Vocalist||Nominated|
|Country Music Association Awards||Female Vocalist of the Year||Nominated|
|1968||Grammy Awards||Best Country & Western Solo Vocal Performance, Female – "Cincinnati, Ohio"||Nominated|
|1969||Academy of Country Music||Top Female Vocalist||Nominated|
|Grammy Awards||Best Country Vocal Performance, Female – "Ribbon of Darkness"||Nominated|
|1970||Country Music Association||Female Vocalist of the Year||Nominated|
|1971||Grammy Awards||Best Sacred Performance – "Whispering Hope" (with Nat Stuckey)||Nominated|
|1972||Music City News Awards||Top Female Vocalist||Nominated|
|Country Music Association||Female Vocalist of the Year||Nominated|
|1974||Grammy Awards||Best Inspirational Performance – "All the Praises"||Nominated|
|Music City News Awards||Top Female Vocalist||Nominated|
|1975||Music City News Awards||Top Female Vocalist||Nominated|
|1976||Grammy Awards||Best Gospel Performance – Connie Smith Sings Hank Williams Gospel||Nominated|
|1979||Music City News Awards||Gospel Group/Act of the Year||Won|
|2002||Country Music Television||40 Greatest Women of Country Music – Rank (#9)||Won|
|2007||Country Universe||100 Greatest Women – Rank (#24)||Won|
|2010||Grammy Awards||Best Country Collaboration with Vocals – "Run to You" (with Marty Stuart)||Nominated|
|2012||Country Music Association||Country Music Hall of Fame induction||Won|
|2017||Rolling Stone||100 Greatest Country Artists of All Time – Rank (#69)||Won|
Lynn Rene Anderson was an American country singer, songwriter and television personality. She is most remembered for her 1970 signature recording, "Rose Garden." Additionally, Anderson had four number one singles and 18 top ten hits on the Billboard country songs chart.
Woman in the Moon is the debut studio album by American country artist Chely Wright. The album was released on August 9, 1994 on Polydor Records and was produced by both Barry Beckett and Harold Shedd. The album spawned three singles and was the first of two albums Wright would release under the Polydor label.
"Once a Day" is a song written by Bill Anderson and recorded as the debut single by American country artist Connie Smith. It was produced by Bob Ferguson for her self-titled debut album. The song was released in August 1964, topping the Billboard country music chart for eight weeks between late 1964 and early 1965. It was the first debut single by a female artist to reach number one on the Billboard Hot Country Songs. This song peaked at number one for the week of November 28, 1964, and it stayed at number one for eight consecutive weeks, a record for a female solo artist for nearly 50 years, until it was surpassed by Taylor Swift's "We Are Never Ever Getting Back Together" in December 2012.
Right in the Middle of It is the second studio album by American country artist Chely Wright. The album was released January 9, 1996 on Polydor Records and was produced by Harold Shedd. It was the final album Wright released on the Polydor label.
The discography of American country artist Jan Howard contains 17 studio albums, 8 compilation albums, 51 singles, 1 box set, 2 other charted songs and 12 additional album appearances. Originally a demo singer, she signed a recording contract with Challenge Records in 1958. In 1960, Howard collaborated with Wynn Stewart on the single "Wrong Company". The same year, she had her first major hit with "The One You Slip Around With". The single reached number 13 on the Billboard Hot C&W Sides chart.
Connie Smith Sings Bill Anderson is the eighth studio album by American country artist, Connie Smith. The album was released in June 1967 on RCA Victor Records and was produced by Bob Ferguson. The album included Smith's 1967 single, "Cincinnati, Ohio," which became a Top 5 hit on Billboard Magazine's country chart.
"If It Ain't Love" and Other Great Dallas Frazier Songs is the nineteenth studio album by American country music artist, Connie Smith. The album was released in July 1972 by RCA Records and was produced by Bob Ferguson. The album spawned the album's title track, "If It Ain't Love ".
Dream Painter is the sixth compilation album by American country music artist, Connie Smith. The album was released in July 1973 by RCA Records and was produced by Bob Ferguson. The album contained the single, "Dream Painter," which was a Top 40 country hit in 1973.
A Lady Named Smith is the twenty first album by American country music artist, Connie Smith. The album was released in May 1973 on Columbia Records and was produced by George Richey. The album was Smith's first studio album for Columbia, after departing RCA Records in 1972.
God Is Abundant is the twenty second studio album by American country music artist, Connie Smith. The album was released in November 1973 on Columbia Records and was produced by George Richey. It was Smith's first album of Gospel music for the Columbia. It was her fourth Gospel album overall and her third gospel album as a solo artist.
That's the Way Love Goes is the twenty third studio album by American country music artist, Connie Smith. The album was released in March 1974 on Columbia Records and was produced by Ray Baker. It was Smith's third studio album released on the Columbia label after departing from RCA Victor in 1973 and spawned two singles.
I Got a Lot of Hurtin' Done Today/I've Got My Baby On My Mind is the twenty fifth studio album by American country music artist, Connie Smith. The album was released in January 1975 on Columbia Records and was produced by Ray Baker. The album spawned three singles between 1974 and 1975, which included two Top 20 hits.
Connie Smith Sings Hank Williams Gospel is the twenty sixth studio album by American country music artist, Connie Smith. The album was released in May 1975 on Columbia Records and was produced by Ray Baker. It was Smith's fourth Gospel album released as a solo artist and her fifth altogether including Sunday Morning with Nat Stuckey and Connie Smith.
The Song We Fell in Love To is the twenty eighth studio album by American country music artist, Connie Smith. The album was released in March 1976 on Columbia Records and was produced by Ray Baker. It was the first of two albums released in 1976 and contained Smith's Top 10 hit, "(Till) I Kissed You."
"Then and Only Then" is a song written by Bill Anderson and recorded by the American country artist, Connie Smith, on her Connie Smith. It was produced by Bob Ferguson and released in January 1965, reaching the Top 5 on the Billboard country music chart in early 1965, becoming her second major hit. It was her follow-up single to her multi-week number one hit, "Once a Day", which was released the previous year.
"If I Talk to Him" is a song written by Dolores Edgin and Priscilla Mitchell, and released as a single by American country artist Connie Smith. It was produced by Bob Ferguson and released on her 1966 studio album Miss Smith Goes to Nashville. The song was released in August 1965 and reached the Top 5 on the Billboard Magazine country music chart, becoming her fourth Top 10 single. The song was recorded under RCA Victor Records.
The albums discography of Connie Smith, an American country artist, consists of thirty four studio albums, one live album, thirteen compilation albums, two box sets, and fifteen other appearances. After the success of her 1964 single "Once a Day", Smith's self-titled debut album was released in March 1965 on RCA Victor Records. The album reached number one on the Billboard Top Country Albums, spending thirty weeks on the chart, while also becoming her only album to reach the Billboard 200 list (#105). Smith's next two secular albums, Cute 'n' Country and Miss Smith Goes to Nashville went to number one and number two respectively between 1965 and 1966. In September 1966 Smith released her fifth studio album, Born to Sing, which was her third album to reach the top spot on the Billboard country albums chart. Due to Smith's popularity, RCA Victor issued five albums between 1967 and 1968 including Downtown Country (1967), Connie Smith Sings Bill Anderson (1967), and I Love Charley Brown (1968). In 1969, Smith collaborated with country artist Nat Stuckey on the album Young Love.
The singles discography of Connie Smith, an American country artist, consists of 48 singles and two B-sides. After signing with RCA Victor Records in 1964, Smith released her debut single in August entitled "Once a Day". The song topped the Billboard Magazine Hot Country Singles chart by November and held the position for eight weeks, to date being the longest running song at number one by a female country artist. The single's success launched Smith into stardom, making Smith one of the decade's most successful female artists. The follow-up single "Then and Only Then" reached #4 on the country singles chart, while its flip side went to #25 on the same chart. All of Smith's singles released between 1965 and 1968 reached the top 10 on the Billboard country songs chart, including "If I Talk to Him", "Ain't Had No Lovin'", and "Cincinnati, Ohio". By 1969 Smith felt highly pressured from her career and cut back on promoting singles. Smith's chart success slightly declined because of this, with songs like "Ribbon of Darkness" (1969) and "Louisiana Man" (1970) only reaching the top 20. Other singles continued to peak within the top 10 including "I Never Once Stopped Loving You" (1970) and "Just One Time" (1971).
Showcase is a studio album by American country singer-songwriter Bill Anderson. It was released in November 1964 on Decca Records and was produced by Owen Bradley. The album was Anderson's third studio release as a recording artist and second to be released in 1964. It included two singles that became major hits on the Billboard country chart along with subsequent B-sides.
The singles discography of American country music artist Lynn Anderson contains 72 singles, three promotional singles, one charting B-side, two music videos and nine other song appearances. She signed her first recording contract with Chart Records in 1966. The following year, her single "Ride, Ride, Ride" debuted on the Billboard Hot Country Singles chart. Also in 1967, her single "If I Kiss You " became her first major hit when it reached number five on the country singles chart. Anderson had a series of hits that reached the top ten and 20 during the 1960s including "Promises, Promises" (1969), "No Another Time" (1968), "Big Girls Don't Cry" (1968) and "That's a No No" (1969).
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