Soul of Country Music | ||||
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Studio album by | ||||
Released | December 1967 | |||
Recorded | May 24–26, 1967 | |||
Studio | RCA Victor Studio | |||
Genre | Country [1] | |||
Length | 31:33 | |||
Label | RCA Victor | |||
Producer | Bob Ferguson | |||
Connie Smith chronology | ||||
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Soul of Country Music is the ninth studio album by American country singer Connie Smith. It was released in December 1967 by RCA Victor and contained 12 tracks. The album included mostly covers of previously-recorded songs. It received mixed reviews from critics following its release and reached the top ten of the American country albums chart.
Prior to the Soul of Country Music, Connie Smith had reached peak career success with a series of top ten country singles like "Then and Only Then" (1965), "If I Talk to Him" (1965), "Ain't Had No Lovin'" (1966) and "The Hurtin's All Over" (1967). These songs were fueled by the success of Smith's 1964 debut single "Once a Day", which spent eight weeks at the top of the country chart. [2] The RCA Victor and Camden labels had previously released eight studio albums and one compilation album of her material. [3] The sessions held for these projects between 1966 and 1967 were backed by string instrumentation to provide a "middle of the road" pop-inspired sound. [4] For the Soul of Country Music, RCA chose to bring Smith back to a "small group context again", according to writer Colin Escott. For the project, strings were removed and replaced by traditional country instrumentation, including the fiddle. [5]
The sessions for the Soul of Country Music were held over the course of three days: May 24, May 25, and May 26, 1967. The recording sessions took place at the RCA Victor Studio, located in Nashville, Tennessee and were overseen by producer Bob Ferguson. [6] [7] The liner notes for the album were written by George Jones. [7] [5] A total of 12 tracks comprised the project. [7] The album contained cover versions of songs first recorded by other performers. Its country covers were George Jones's "Walk Through This World with Me, Jack Greene's "There Goes My Everything", Glen Campbell's "Burning Bridges", Rex Griffin's "The Last Letter", Jean Shepard's "If Teardrops Were Silver", Warner Mack's "Surely" and Claude Gray's "Family Bible". It also included a cover of the Ames Brothers's "It Only Hurts for a Little While". [5] [7] Wynn Stewart reached the top of country chart a week after Smith cut his single "It's Such a Pretty World Today". [5]
Review scores | |
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Source | Rating |
Allmusic | [1] |
Soul of the Country Music was first released in December 1967 on the RCA Victor label. It was the ninth studio collection of Smith's music career and her eighth with RCA Victor (RCA Camden had issued one studio album of her songs). The project was originally distributed as a vinyl LP, containing six songs on both sides of the record. [7] Decades later, it was re-released to digital and streaming sites through Sony Music Entertainment. [8] Soul of Country Music spent eighteen weeks on the American Billboard Top Country Albums chart, peaking at the number seven position in April 1968. It was Smith's final LP to place on the chart in her career. [9]
The album received mixed reviews following its release. Billboard magazine criticized Smith's delivery and the album's production. "Except for one song–"It Only Hurts for a Little While"–the rest of the songs on this album sound sound as if Connie Smith wasn't too interested in them when she recorded them. Perhaps one should blame her producer for not demanding her best effort," the publication commented. [10] Dan Cooper of AllMusic gave the album three out of five stars. "More of the same unearthly sound, but this has Smith covering -- at times burying -- other singers' hits. Her version of Rex Griffin's 'The Last Letter' is almost literally to die for," he stated. [1]
No. | Title | Writer(s) | Original artist | Length |
---|---|---|---|---|
1. | "Don't Keep Me Lonely Too Long" | Melba Montgomery | Melba Montgomery | 2:29 |
2. | "Surely" | Peggy Whittington | Warner Mack | 2:19 |
3. | "The Last Letter" | Rex Griffin | Rex Griffin | 4:00 |
4. | "Burning Bridges" | Walter Scott | Jack Scott | 2:31 |
5. | "I'm Your Woman" | Jean Chapel | Jean Chapel | 2:41 |
6. | "There Goes My Everything" | Dallas Frazier | Jack Greene | 2:54 |
No. | Title | Writer(s) | Original artist | Length |
---|---|---|---|---|
1. | "It Only Hurts for a Little While" | Ames Brothers | 2:08 | |
2. | "Family Bible" |
| Claude Gray | 3:16 |
3. | "If Teardrops Were Silver" | Don Wayne | Jean Shepard | 2:09 |
4. | "Walk Through This World with Me" |
| George Jones | 2:20 |
5. | "It's Such a Pretty World Today" | Dale Noe | Wynn Stewart | 2:22 |
6. | "Touch My Heart" |
| Ray Price | 2:13 |
No. | Title | Writer(s) | Original artist | Length |
---|---|---|---|---|
1. | "Don't Keep Me Lonely Too Long" | Montgomery | Melba Montgomery | 2:32 |
2. | "Surely" | Peggy Whittington | Warner Mack | 2:23 |
3. | "The Last Letter" | Griffin | Rex Griffin | 4:04 |
4. | "Burning Bridges" | Walter Scott | Jack Scott | 2:35 |
5. | "I'm Your Woman" | Chapel | Jean Chapel | 2:45 |
6. | "There Goes My Everything" | Frazier | Jack Greene | 2:57 |
7. | "It Only Hurts for a Little While" |
| Ames Brothers | 2:12 |
8. | "Family Bible" |
| Claude Gray | 3:20 |
9. | "If Teardrops Were Silver" | Don Wayne | Jean Shepard | 2:13 |
10. | "Walk Through This World with Me" |
| George Jones | 2:23 |
11. | "It's Such a Pretty World Today" | Noe | Wynn Stewart | 2:26 |
12. | "Touch My Heart" |
| Ray Price | 2:14 |
All credits are adapted from the liner notes of Soul of Country Music [7] and the biography booklet by Colin Escott titled Born to Sing. [6]
Musical personnel
| Technical personnel
|
Chart (1967–1968) | Peak position |
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US Top Country Albums (Billboard) [11] | 7 |
Region | Date | Format | Label | Ref. |
---|---|---|---|---|
North America | December 1967 | Vinyl | RCA Victor Records | [7] |
2010s |
| Sony Music Entertainment | [8] | |
Connie Smith is an American country music singer and songwriter. Her contralto vocals have been described by music writers as significant and influential to the women of country music. A similarity has been noted between her vocal style and the stylings of country vocalist Patsy Cline. Other performers have cited Smith as influence on their own singing styles, which has been reflected in quotes and interviews over the years.
Cute 'n' Country is the second studio album by American country music artist Connie Smith. It was released in October 1965 by RCA Victor and contained 12 tracks. Cute 'n' Country contained a mixture of original songs and cover versions by other country artists. Featured on the album was the top ten single "I Can't Remember". Cute 'n' Country was Smith's second album to top the Billboard country LP's chart.
Miss Smith Goes to Nashville is the third studio album by American country singer Connie Smith. It was released in March 1966 by RCA Victor and contained 12 tracks. The album contained original material including several tracks penned by Smith's mentor Bill Anderson. Miss Smith Goes to Nashville reached number two on the country LP's chart in 1966 and included the top five singles "Nobody But a Fool " and "If I Talk to Him".
Born to Sing is the fifth studio album by American country singer Connie Smith. It was released in September 1966 by RCA Victor and contained 12 tracks. The album was her first to include string instrumentation. It reached the top five of the Billboard Country LP's chart and included the single "Ain't Had No Lovin'".
Connie Smith Sings Great Sacred Songs is the fourth studio album by American country singer Connie Smith. It was released in June 1966 by RCA Victor and contained 12 tracks. It was also her first collection of gospel songs. The project included covers of popular gospel selections including "Father Along" and "Just a Closer Walk with Thee". The disc reached the top 20 of Billboard country albums chart in 1966.
Downtown Country is the sixth studio album by American country singer Connie Smith. It was released in January 1967 by RCA Victor. Downtown Country was the second of Smith's albums to include string instrumentation to help create a pop-influenced sound. The album also featured the single "The Hurtin's All Over", which reached the top five of the Billboard country chart. The album itself reached the top five of Country LP's chart following its initial release.
Connie in the Country is the seventh studio album by American country singer Connie Smith. It was released in February 1967 on RCA Camden and contained ten tracks. It was her first to be released on RCA's budget Camden label. Unlike most RCA Camden albums which often contained previously issued material, the album consisted of new recordings for Smith's catalog. This included the single, "Cry, Cry, Cry", which was a top 20 hit on the American country songs chart in 1968.
Connie Smith Sings Bill Anderson is the eighth studio album by American country singer Connie Smith. It was released in May 1967 by RCA Victor and featured 12 tracks. The album was dedicated to her mentor, Bill Anderson. It contained several songs made popular by Anderson himself, along with several tracks made popular by other performers. It also included the newly-recorded "Cincinnati, Ohio". Smith released her version as a single, which climbed into the top five of the American country songs charts. The album received favorable reviews following its release.
The Best of Connie Smith is a compilation album by American country singer Connie Smith. It was released in September 1967 by RCA Victor and featured 12 tracks. The disc was Smith's first compilation project released in her career and featured her most popular singles made commercially successful between 1964 and 1967. It also featured one new recording titled "I'll Come Runnin'". Penned by Smith herself and released as a single, the song became a top ten hit on the American country songs chart in 1967.
I Love Charley Brown is the tenth studio album by American country singer Connie Smith, released in April 1968 by RCA Victor. The album reached the top 20 of the American country albums chart. It was described as a collection of pop-inspired country songs. Included were four cuts written by Smith's longtime songwriting collaborator, Dallas Frazier. Among his cuts was one of the album's three singles, "Run Away Little Tears". Along with Frazier's cut, the two additional singles included reached the top ten of the American country songs chart. The album was met with favorable reviews from critics.
Sunshine and Rain is the eleventh studio album by American country singer Connie Smith, released in October 1968 by RCA Victor. Sunshine and Rain featured an assortment of both new material and covers of songs by other country artists. The album reached the top 40 of the American country albums chart and received a favorable review from Billboard magazine following its release.
Connie's Country is the twelfth studio album by American country singer Connie Smith, released in April 1969 by RCA Victor. The pop-inspired project included a mixture of original and cover songs. The album 'Connie's Country' was a hit, with a cover of Gordon Lightfoot's 'Ribbon of Darkness' reaching the top 20 on the American country songs chart. The album itself was also successful, placing in the top 20 on the American country albums chart. Critics praised the album for its quality and song selection.
Sunday Morning with Nat Stuckey and Connie Smith is the second collaborative studio album by American country artists Nat Stuckey and Connie Smith, released in January 1970 by RCA Victor. The album was a collection of country gospel songs performed as duets by both artists and the pair's first album of religious music. Included was the song "If God Is Dead ". Released as a single, the song charted in the top 60 of the American country chart in 1970. The album received a positive review from Billboard magazine following its release. In 2002, the album was re-released under the title God Will and included a twelfth track.
The Best of Connie Smith Volume II is a compilation album by American country singer Connie Smith, released in March 1970 by RCA Victor, her second "Best Of" compilation. The album compiled Smith's most popular singles between 1967 and 1969. The album reached the top 30 of the American country albums chart following its release. Also included was two new recordings. Of these new recordings, one was released as a single in 1969. Titled "You and Your Sweet Love", it reached the top ten of the country singles chart.
I Never Once Stopped Loving You is the fourteenth solo studio album by American country singer Connie Smith, released in September 1970 by RCA Victor. The collection mixed original material with covers of previously-recorded songs. Three singles were included on the album: "You and Your Sweet Love", the title track and "Louisiana Man". Both "You and Your Sweet Love" and the title track reached the top ten on the American country songs chart in 1970. The album itself charted in the top 20 of the American country LP's survey. Billboard magazine gave the LP a positive response following its original release.
Where Is My Castle is the fifteenth solo studio album by American country singer Connie Smith, released in January 1971 by RCA Victor. The album was described as a set of a traditional country songs and were considered to be autobiographical of Smith's life at the time. The disc's title track was released as a single in 1970 and reached the top 20 of the North American country charts. The album itself would chart in the top 40 of the American country LP's chart. Following its release, Billboard magazine gave it a positive review.
Just One Time is the sixteenth solo studio album by American country singer Connie Smith, released in June 1971 by RCA Victor. The album was named for the lead single of the same name, which reached the top five of the North American country charts in 1971. The album itself would chart in the top 20 of the American country LP's chart following its release. Additionally, Billboard magazine gave the project a positive reception when reviewing it in 1971.
Ain't We Havin' Us a Good Time is the eighteenth solo studio album by American country singer Connie Smith, released in April 1972 by RCA Victor. The album contained ten tracks which were considered to have a "thicker seventies" sound, according to one biographer. Included on the album was Smith's single, "Just for What I Am". It became a top five single on the North American country songs chart while the album itself reached the American country LP's top 25. Ain't We Havin' Us a Good Time received a favorable review from Billboard magazine following its release.
The albums discography of Connie Smith, an American country artist, consists of 40 studio albums, one live album, 14 compilation albums, three box sets, and 26 other appearances. After the success of her 1964 single "Once a Day", Smith's self-titled debut album was released in March 1965 on RCA Victor Records. The album reached number one on the Billboard Top Country Albums, spending thirty weeks on the chart, while also becoming her only album to reach the Billboard 200 list (#105). Smith's next two secular albums, Cute 'n' Country and Miss Smith Goes to Nashville went to number one and number two respectively between 1965 and 1966. In September 1966 Smith released her fifth studio album, Born to Sing, which was her third album to reach the top spot on the Billboard country albums chart. Due to Smith's popularity, RCA Victor issued five albums between 1967 and 1968 including Downtown Country (1967), Connie Smith Sings Bill Anderson (1967), and I Love Charley Brown (1968). In 1969, Smith collaborated with country artist Nat Stuckey on the album Young Love.
"Tiny Blue Transistor Radio" is a song written by Bill Anderson that was originally recorded by American country music singer Connie Smith. It was released as the B-side to her 1965 single, "Then and Only Then". "Tiny Blue Transistor Radio" also became a charting country single, peaking within the top 40 of the national country survey in 1965.