Connie Smith is an American country music singer and songwriter. Her contralto vocals have been described by music writers as significant and influential to the women of country music. A similarity has been noted between her vocal style and the stylings of country vocalist Patsy Cline. Other performers have cited Smith as influence on their own singing styles, which has been reflected in quotes and interviews over the years.
Cute 'n' Country is the second studio album by American country music artist Connie Smith. It was released in October 1965 via RCA Victor Records and contained 12 tracks. Cute 'n' Country contained a mixture of original songs and cover versions by other country artists. Featured on the album was the top ten single "I Can't Remember". Cute 'n' Country was Smith's second album to top the Billboard country LP's chart.
Miss Smith Goes to Nashville is the third studio album by American country singer Connie Smith. It was released in March 1966 via RCA Victor Records and contained 12 tracks. The album contained original material including several tracks penned by Smith's mentor Bill Anderson. Miss Smith Goes to Nashville reached number two on the country LP's chart in 1966 and included the top five singles "Nobody But a Fool " and "If I Talk to Him".
Born to Sing is the fifth studio album by American country singer Connie Smith. It was released in September 1966 via RCA Victor Records and contained 12 tracks. The album was her first to include string instrumentation. It reached the top five of the Billboard Country LP's chart and included the single "Ain't Had No Lovin'".
Downtown Country is the sixth studio album by American country singer Connie Smith. It was released in January 1967 via RCA Victor Records. Downtown Country was the second of Smith's albums to include string instrumentation to help create a pop-influenced sound. The album also featured the single "The Hurtin's All Over", which reached the top five of the Billboard country chart. The album itself reached the top five of Country LP's chart following its initial release.
Connie in the Country is the seventh studio album by American country singer Connie Smith. It was released in February 1967 via the RCA Camden label and contained ten of tracks of material. It was her first to be released on RCA's budget Camden label. Unlike other RCA Camden albums, the project consisted of new recordings for Smith's catalog. This included the single, "Cry, Cry, Cry", which was a top 20 hit on the American country songs chart in 1968.
Connie Smith Sings Bill Anderson is the eighth studio album by American country singer Connie Smith. It was released in May 1967 via RCA Victor and featured 12 tracks. The album was dedicated to her mentor, Bill Anderson. It contained several songs made popular by Anderson himself, along with several tracks made popular by other performers. It also included the newly-recorded "Cincinnati, Ohio". Smith released her version as a single, which climbed into the top five of the American country songs charts. The album received favorable reviews following its release.
The Best of Connie Smith is a compilation album by American country singer Connie Smith. It was released in September 1967 via RCA Victor and featured 12 tracks. The disc was Smith's first compilation project released in her career and featured her most popular singles made commercially successful between 1964 and 1967. It also featured one new recording titled "I'll Come Runnin'". Penned by Smith herself and released as a single, the song became a top ten hit on the American country songs chart in 1967.
Soul of Country Music is the ninth studio album by American country singer Connie Smith. It was released in December 1967 via RCA Victor and contained 12 tracks. The album included mostly covers of previously-recorded songs. It received mixed reviews from critics following its release and reached the top ten of the American country albums chart.
I Love Charley Brown is the tenth studio album by American country singer Connie Smith. It was released in April 1968 via RCA Victor and featured 12 tracks. The album reached the top 20 of the American country albums chart. It was described as a collection of pop-inspired country songs. Included were four cuts written by Smith's longtime songwriting collaborator, Dallas Frazier. Among his cuts was one of the album's three singles, "Run Away Little Tears". Along with Frazier's cut, the two additional singles included reached the top ten of the American country songs chart. The album was met with favorable reviews from critics.
Back in Baby's Arms is the thirteenth solo studio album by American country singer Connie Smith. It was released in October 1969 via RCA Victor and contained 11 tracks. The disc contained a mixture of both new recordings and cover versions of previously-recorded material. Back in Baby's Arms reached the top 20 of the American country albums chart in 1969 and received a four-star rating from AllMusic.
Sunday Morning with Nat Stuckey and Connie Smith is the second collaborative studio album by American country artists Nat Stuckey and Connie Smith. It was released in January 1970 via RCA Victor and contained 11 tracks. The disc was a collection of country gospel songs performed as duets by both artists. It was the pair's first album of religious music. Among the album's recording was the song "If God Is Dead ". Released as a single, the song charted in the top 60 of the American country chart in 1970. The album received a positive review from Billboard magazine following its release. In 2002, the album was re-released under the title God Will and included a twelfth track.
I Never Once Stopped Loving You is the fourteenth solo studio album by American country singer Connie Smith. It was released in September 1970 on RCA Victor and contained ten tracks. The collection mixed original material with covers of previously-recorded songs. Three singles were included on the album: "You and Your Sweet Love", the title track and "Louisiana Man". Both "You and Your Sweet Love" and the title track reached the top ten on the American country songs chart in 1970. The album itself charted in the top 20 of the American country LP's survey. Billboard magazine gave the LP a positive response following its original release.
Where Is My Castle is the fifteenth solo studio album by American country singer Connie Smith. It was released in January 1971 via RCA Victor and contained ten tracks. The album was described as a set of a traditional country songs and were considered to be autobiographical of Smith's life at the time. The disc's title track was released as a single in 1970 and reached the top 20 of the North American country charts. The album itself would chart in the top 40 of the American country LP's chart. Following its release, Billboard magazine gave it a positive review.
Just One Time is the sixteenth solo studio album by American country singer Connie Smith. It was released in June 1971 via RCA Victor and contained ten tracks. The album was named for the lead single of the same name, which reached the top five of the North American country charts in 1971. The album itself would chart in the top 20 of the American country LP's chart following its release. Additionally, Billboard magazine gave the project a positive reception when reviewing it in 1971.
Come Along and Walk with Me is seventeenth solo studio album by American country singer Connie Smith. It was released in October 1971 via RCA Victor and consisted of ten tracks. The album was Smith’s third collection of gospel songs. The disc included original songs and covers of songs first cut by other artists. Among the song included on the project were three by gospel performer Dottie Rambo. Following its release, Billboard gave the album a positive review.
"If It Ain't Love" and Other Great Dallas Frazier Songs is nineteenth solo studio album by American country singer Connie Smith. It was released in July 1972 via RCA Victor and contained ten tracks. The album is a collection of songs composed by songwriter Dallas Frazier. Three of these songs were duets between Smith and Frazier himself. The album's title track was spawned as a single in 1972 and reached the top ten of the American country chart. The album itself reached the top 20 of the American country LP's chart and it received a positive review from Billboard magazine.
Connie Smith Sings Hank Williams Gospel is the twenty-fifth solo studio album by American country singer Connie Smith. It was released in May 1975 via Columbia Records and contained 11 tracks. The project was a tribute to Hank Williams and was considered the first tribute gospel album of his material. Smith had found over half of the album's material through previously-unreleased recordings. The album would make a brief chart appearance on the American Country LP's survey in 1975.
The albums discography of Connie Smith, an American country artist, consists of 39 studio albums, one live album, 14 compilation albums, three box sets, and 26 other appearances. After the success of her 1964 single "Once a Day", Smith's self-titled debut album was released in March 1965 on RCA Victor Records. The album reached number one on the Billboard Top Country Albums, spending thirty weeks on the chart, while also becoming her only album to reach the Billboard 200 list (#105). Smith's next two secular albums, Cute 'n' Country and Miss Smith Goes to Nashville went to number one and number two respectively between 1965 and 1966. In September 1966 Smith released her fifth studio album, Born to Sing, which was her third album to reach the top spot on the Billboard country albums chart. Due to Smith's popularity, RCA Victor issued five albums between 1967 and 1968 including Downtown Country (1967), Connie Smith Sings Bill Anderson (1967), and I Love Charley Brown (1968). In 1969, Smith collaborated with country artist Nat Stuckey on the album Young Love.
"Tiny Blue Transistor Radio" is a song written by Bill Anderson that was originally recorded by American country music singer Connie Smith. It was released as the B-side to her 1965 single, "Then and Only Then". "Tiny Blue Transistor Radio" also became a charting country single, peaking within the top 40 of the national country survey in 1965.
