I Never Knew (What That Song Meant Before) | ||||
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Studio album by | ||||
Released | August 1974 | |||
Recorded | January 29 – April 17, 1974 | |||
Studio | Columbia Studio B | |||
Genre | ||||
Label | Columbia | |||
Producer | Ray Baker | |||
Connie Smith chronology | ||||
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Singles from I Never Knew (What That Song Meant Before) | ||||
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I Never Knew (What That Song Meant Before) is the twenty-third solo studio album by American country singer Connie Smith. It was released in August 1974 on Columbia Records and contained 11 tracks. The album was a mix of original material and covers of songs by other artists. The project was described as a set of traditional songs. Its title track was a single that reached the top 20 of the American country songs chart. The album itself charted the American country LP's chart following its release. The project was met with a favorable review from Billboard magazine.
After ten years and 18 top ten Billboard country singles at RCA Victor, Connie Smith signed a new recording contract with Columbia Records in 1973. At the label she was given more creative control, including the ability to record one gospel album per year. [3] [4] Smith had recorded three albums with Columbia by 1974 and had a top ten Billboard single with "Ain't Love a Good Thing". She had also recently begun working with producer Ray Baker, whom she trusted more than her first Columbia producer, George Richey. [5] In early 1974, Baker and Smith began finding songs for Smith's fourth Columbia album which would later be titled I Never Knew (What That Song Meant Before). In a 2021 interview, Smith recalled that she was more willing to assert herself with the making of her fourth Columbia project: "As I got a little more comfortable, I went in and spoke my mind more. And Ray [Baker] was great to work with." [2]
Smith began the recording process for I Never Knew (What That Song Meant Before) in early winter of 1974. The album was cut over the course of three studio sessions: January 29, April 16 and April 17, 1974. Three overdub sessions were also recorded that featured string instrumentation. [6] The three-month break between sessions allowed for Smith and Ray Baker to find material to include on the project. [2] All sessions were produced by Ray Baker at Columbia Studio B, located in Nashville, Tennessee. [6] Biographer Barry Mazor found the album to move away from the "suburban" pop style of her previous Columbia releases and more towards "traditional country". [2]
The project contained a total of 11 tracks. [1] Many of the album's tracks were new recordings, such as the title track, which was written by Sanger D. Shafer. Two songs composed by Dallas Frazier and Arthur Leo Owens are also part of the track listing. Among these, "Did We Have to Come This Far (To Say Goodbye)" was considered by Smith to be among her "all-time favorites". As part of her religious beliefs, Smith incorporated one gospel selection on the album: "I Wish We'd All Been Ready", written by Larry Norman. [2]
Smith had previously cut several songs penned by Shafer. She also recorded the Dave Kirby-penned song, "Letting Go". Smith recalled singing at the top of her vocal register for the song's recording. "Boy; I sang high on that for some reason. It's at the top of my voice! Sometimes that's not a matter of range, it's how it lays on your voice. And that one, you can tell," she told Barry Mazor. [2] Other songs on the album were covers of previously-recorded material by other country artists. This included a cover of "The Key's in the Mailbox", which was first a top 20 country single for Freddie Hart in 1960. Also featured is a cover of "I'll Still Be Missing You", which was first a top ten single for Warner Mack in 1969. [4] "Them Old Rainy Lovesick Songs (Are Hittin' Home)" was first recorded by Ferlin Husky while "I Just Had You on My Mind" was first recorded by Sue Richards. [2]
I Never Knew (What That Song Meant Before) was released in August 1974 on Columbia Records. It was the twenty fifth studio release of Smith's career and her fourth with Columbia. The album was originally distributed as a vinyl LP, containing six songs on "side A" and five songs on "side B". [7] The album received a positive response from Billboard magazine, who reviewed it in September 1974. "Using the title of her latest hit single, Connie exploits new songs and some old ones, for a variety of entertainment. She has that style all her own, and once again she included a religious message," the magazine stated. [8] I Never Knew (What That Song Meant Before) debuted on the American Billboard Country LP's chart on September 28, 1974. It spent seven weeks charting, peaking at number 22 on October 26, 1974. It was Smith's highest-charting Billboard album since the release of 1973's God Is Abundant . [9] The album's title track was the only single included. It was first released as a single by Columbia in June 1974. [10] It became a top 20 single for Smith on the Billboard Hot Country Songs chart, peaking at number 13 in August 1974. [11]
No. | Title | Writer(s) | Length |
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1. | "I Never Knew (What That Song Meant Before)" | Sanger D. Shafer | 2:35 |
2. | "Them Ole Rainy Lovesick Songs (Are Hittin' Home)" | 2:14 | |
3. | "I Just Had You on My Mind" | Sue Richards | 2:59 |
4. | "I'll Still Be Missing You" | 2:47 | |
5. | "Because of Yesterday" |
| 3:12 |
6. | "I Wish We'd All Been Ready" | Larry Norman | 2:33 |
No. | Title | Writer(s) | Length |
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1. | "Key's in the Mailbox" | Harlan Howard | 2:29 |
2. | "Letting Go" |
| 2:51 |
3. | "Never Having You" | Tom T. Hall | 2:37 |
4. | "Did We Have to Come This Far (To Say Goodbye)" |
| 3:17 |
5. | "Is This All You Hear (When a Heart Breaks)" | Charlie Williams | 2:34 |
All credits are adapted from the liner notes of I Never Knew (What That Song Meant Before) [7] and the biography booklet by Barry Mazor titled The Latest Shade of Blue. [6]
Musical personnel
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| Technical personnel
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Chart (1974) | Peak position |
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US Top Country Albums (Billboard) [12] | 22 |
Region | Date | Format | Label | Ref. |
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North America | August 1974 | Vinyl | Columbia Records | [7] |
Connie Smith is an American country music singer and songwriter. Her contralto vocals have been described by music writers as significant and influential to the women of country music. A similarity has been noted between her vocal style and the stylings of country vocalist Patsy Cline. Other performers have cited Smith as influence on their own singing styles, which has been reflected in quotes and interviews over the years.
Connie's Country is the twelfth studio album by American country singer Connie Smith. It was released in April 1969 via RCA Victor and contained 12 tracks. The pop-inspired project included a mixture of original and cover songs. The album 'Connie's Country' was a hit, with a cover of Gordon Lightfoot's 'Ribbon of Darkness' reaching the top 20 on the American country songs chart. The album itself was also successful, placing in the top 20 on the American country albums chart. Critics praised the album for its quality and song selection.
I Never Once Stopped Loving You is the fourteenth solo studio album by American country singer Connie Smith. It was released in September 1970 on RCA Victor and contained ten tracks. The collection mixed original material with covers of previously-recorded songs. Three singles were included on the album: "You and Your Sweet Love", the title track and "Louisiana Man". Both "You and Your Sweet Love" and the title track reached the top ten on the American country songs chart in 1970. The album itself charted in the top 20 of the American country LP's survey. Billboard magazine gave the LP a positive response following its original release.
Where Is My Castle is the fifteenth solo studio album by American country singer Connie Smith. It was released in January 1971 via RCA Victor and contained ten tracks. The album was described as a set of a traditional country songs and were considered to be autobiographical of Smith's life at the time. The disc's title track was released as a single in 1970 and reached the top 20 of the North American country charts. The album itself would chart in the top 40 of the American country LP's chart. Following its release, Billboard magazine gave it a positive review.
Just One Time is the sixteenth solo studio album by American country singer Connie Smith. It was released in June 1971 via RCA Victor and contained ten tracks. The album was named for the lead single of the same name, which reached the top five of the North American country charts in 1971. The album itself would chart in the top 20 of the American country LP's chart following its release. Additionally, Billboard magazine gave the project a positive reception when reviewing it in 1971.
Ain't We Havin' Us a Good Time is the eighteenth solo studio album by American country singer Connie Smith. It was released in April 1972 on the RCA Victor label. The project contained a total of ten tracks which were considered to have a "thicker seventies" sound, according to one biographer. Included on the album was Smith's single, "Just for What I Am". It became a top five single on the North American country songs chart while the album itself reached the American country LP's top 25. Ain't We Havin' Us a Good Time received a favorable review from Billboard magazine following its release.
Dream Painter is a compilation album by American country singer Connie Smith. It was released in July 1973 via RCA Victor and contained ten tracks. The album was released following Smith's departure from RCA Victor and contained previously-released material. Two new recordings were also featured, including the title track. Released as a single, the title track would reach the top 30 of American country songs chart. The album itself would chart the American country LP's chart in 1973.
Connie Smith's Greatest Hits, Vol. I is a compilation album by American country singer Connie Smith. It was released in October 1973 via RCA Victor and contained ten tracks. The disc was one of several compilations released following Smith's departure from the RCA label. It included ten of Smith's most popular singles from her career, such as the number one single, "Once a Day", and top ten single, "The Hurtin's All Over". The album charted on the American country LP's chart in 1973 and received a positive review from Billboard magazine.
Connie Smith Now is a compilation album by American country singer Connie Smith. It was released in July 1974 and consisted of ten tracks. The album was one of several compilations that was released after Smith departed from the RCA Victor label. Most of the album's material compiled songs Smith recorded during her years with the label, including the singles, "Louisiana Man" and "I'm Sorry If My Love Got in Your Way". The album charted on the American country LP's chart and received a review from Billboard magazine following its release.
A Lady Named Smith is the twentieth solo studio album by American country singer Connie Smith. It was released in May 1973 via Columbia Records and contained 11 tracks. The album was her first with the Columbia label. Its production and style featured a string instrumentation to help market Smith in the pop field. Included were a mix of new material and covers of previously-recorded songs by other artists. The album's only single was the original tune, "You've Got Me ", which reached the American country songs chart in 1973. A Lady Named Smith would also chart on the American country albums chart in 1973.
God Is Abundant is the twenty-first solo studio album by American country singer Connie Smith. It was released in November 1973 on Columbia Records and contained 11 tracks. The project was a collection of gospel recordings, chosen by Smith herself. Several of the songs included on the project were written by other country artists including Larry Gatlin, Kris Kristofferson and Dolly Parton. The album reached the top 20 of the American country LP's chart following its release.
That's the Way Love Goes is the twenty-second solo studio album by American country singer Connie Smith. It was released in March 1974 on Columbia Records and contained 11 tracks. The album included both original material and covers of songs first recorded by other music artists. Two singles were released from the album. "Ain't Love a Good Thing" reached the top ten of the American country songs chart and became her nineteenth top ten single in her career.
I Got a Lot of Hurtin' Done Today / I've Got My Baby on My Mind is the twenty-fourth solo studio album by American country singer Connie Smith. It was released in January 1975 and contained 11 tracks. It was also considered to be one of her "most commercially-successful" discs of the decade, according to biographer Barry Mazor. Three singles were included on the project. Both "I've Got My Baby on My Mind" and her cover of "Why Don't You Love Me" reached the top 15 of the American country songs chart. "I Got a Lot of Hurtin' Done Today" would chart in the top 30. The album itself reached the American country LP's chart in early 1975. Billboard gave the album a positive review following its release.
Connie Smith Sings Hank Williams Gospel is the twenty-fifth solo studio album by American country singer Connie Smith. It was released in May 1975 via Columbia Records and contained 11 tracks. The project was a tribute to Hank Williams and was considered the first tribute gospel album of his material. Smith had found over half of the album's material through previously-unreleased recordings. The album would make a brief chart appearance on the American Country LP's survey in 1975.
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The Song We Fell in Love To is the twenty-seventh solo studio album by American country singer Connie Smith. It was released in March 1976 on Columbia Records. The album contained ten tracks of material crafted in a country pop style that featured overdubbed vocal harmonies by Smith herself. Two singles were included on the project: the title track and a cover of The Everly Brothers's "(Till) I Kissed You". The latter single became Smith's first top ten American single in several years. The album itself peaked in the top 40 of the American Country LP's chart in 1976.
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Pure Connie Smith is the twenty-ninth solo studio album by American country singer Connie Smith. It was released in November 1977 via Monument Records and contained ten tracks. The album was Smith's first with the Monument label. The album was recorded in a country pop production style featuring mostly new recordings. One single was released from the album, "Coming Around". The song charted the American country songs chart in 1977.
New Horizons is the thirtieth solo studio album by American country singer Connie Smith. It was released in March 1978 and contained ten tracks. She had recently switched to Monument after several years with Columbia Records. The album was cut in a country pop production style that Smith felt pressured into. Yet three singles made the American country songs chart between 1977 and 1978, including the top 20 "I Just Want to Be Your Everything".
The albums discography of Connie Smith, an American country artist, consists of 39 studio albums, one live album, 14 compilation albums, three box sets, and 26 other appearances. After the success of her 1964 single "Once a Day", Smith's self-titled debut album was released in March 1965 on RCA Victor Records. The album reached number one on the Billboard Top Country Albums, spending thirty weeks on the chart, while also becoming her only album to reach the Billboard 200 list (#105). Smith's next two secular albums, Cute 'n' Country and Miss Smith Goes to Nashville went to number one and number two respectively between 1965 and 1966. In September 1966 Smith released her fifth studio album, Born to Sing, which was her third album to reach the top spot on the Billboard country albums chart. Due to Smith's popularity, RCA Victor issued five albums between 1967 and 1968 including Downtown Country (1967), Connie Smith Sings Bill Anderson (1967), and I Love Charley Brown (1968). In 1969, Smith collaborated with country artist Nat Stuckey on the album Young Love.