Connie Smith Sings Bill Anderson | ||||
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Studio album by | ||||
Released | May 1967 | |||
Recorded | October 24, 1966 – February 27, 1967 | |||
Studio | RCA Studio A (Nashville, Tennessee) | |||
Genre | Country [1] | |||
Label | RCA Victor | |||
Producer | Bob Ferguson | |||
Connie Smith chronology | ||||
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Singles from Connie Smith Sings Bill Anderson | ||||
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Connie Smith Sings Bill Anderson is the eighth studio album by American country singer Connie Smith. It was released in May 1967 by RCA Victor and featured 12 tracks. The album was dedicated to her mentor, Bill Anderson. It contained several songs made popular by Anderson himself, along with several tracks made popular by other performers. It also included the newly-recorded "Cincinnati, Ohio". Smith released her version as a single, which climbed into the top five of the American country songs charts. The album received favorable reviews following its release.
Connie Smith reached peak career success several years prior with her 1964 debut single titled "Once a Day". Spending eight weeks at the top of the country songs chart, the song launched her career and set forth a series of top ten singles during the decade. [2] Smith had previously recorded seven studio albums released by the RCA Victor and Camden labels between 1965 and 1967. Most of these projects were recorded at RCA Studio B, where she recorded in a traditional country style. [3]
Smith started recording at RCA Studio A in 1966 as the label encouraged her to record more "middle of the road" pop material. Studio A allowed for more string and orchestral instrumentation. [4] Although Smith disliked the new studio, she did favor an album project cut there, which would later be titled Connie Smith Sings Bill Anderson. [5] Bill Anderson had discovered Smith and helped her sign a recording contract with RCA in 1964. Anderson also wrote many of her early singles. [2] Her professional relationship with Anderson prompted the album's creation. Smith later commented that, "It was an honor, not favor" to make the project. [5]
Connie Smith Sings Bill Anderson was recorded in sessions held between October 24, 1966 and February 27, 1967. The recording sessions were produced by Bob Ferguson and were held at RCA Studio A in Nashville, Tennessee. [6] A total of 12 tracks comprised the collection, all of which were self-penned by Bill Anderson. One exception was the track "My Whole World Is Falling Down", which was co-written by Anderson and Jerry Crutchfield. [1] [7] Four of the album's songs had been hit singles by Anderson himself: "That's What It's Like to Be Lonesome", "Walk Out Backwards", "Easy Come – Easy Go" and "I Love You Drops". [8] Anderson had first sung "I Love You Drops" to Smith. She had originally asked Anderson to release her own version as a single, but he declined and instead made his own single version. [5]
Two tracks on the album had been made commercially-successful for other artists. Ray Price had originally reached number one on the country chart in 1958 with "City Lights". [8] Brenda Lee had reached the top 30 of the Hot 100 in 1963 with "My Whole World Is Falling Down". [9] Two of the album's cuts had previously appeared on Anderson's own projects. "In Case You Ever Change Your Mind" and "Cincinnati, Ohio" first appeared on Anderson's 1964 Showcase LP. [10] "On and On and On", "It Comes and Goes" and "It's Not the End of Everything" were new recordings. "That's What Lonesome Is" was first pitched to Jean Shepard. [5]
Review scores | |
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Source | Rating |
Allmusic | [11] |
Connie Smith Sings Bill Anderson was originally released in May 1967 on the RCA Victor label. It was first distributed as a vinyl LP, containing six songs on either side of the record. [7] Decades later, the album was re-issued to digital and streaming sites including Apple Music. [12] The disc spent 17 weeks on America's Billboard Top Country Albums chart, climbing to the number 11 position by August 1967. It was Smith's second LP to chart outside the top ten. [13] The record received positive reception from Billboard magazine in June 1967: "Connie Smith honors Bill Anderson's songs and her renditions do them honor." The magazine concluded by stating that Smith has an "imitable style" while keeping "Anderson's lyric intent". [14] Years later, AllMusic rated the album three out of five stars. [1] The project's only single was Smith's version of "Cincinnati, Ohio", which was released by RCA Victor in June 1967. [15] It became Smith's ninth top ten single on the Billboard Hot Country Songs chart, climbing to the number four position by August 1967. [16]
All songs composed by Bill Anderson, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "It Comes and Goes" | 1:54 | |
2. | "I Love You Drops" | 2:43 | |
3. | "City Lights" | 2:35 | |
4. | "Cincinnati, Ohio" | 2:09 | |
5. | "It' Not the End of Everything" | 2:35 | |
6. | "My Whole World Is Falling Down" |
| 2:26 |
No. | Title | Length |
---|---|---|
1. | "Easy Come – Easy Go" | 1:52 |
2. | "That's What Lonesome Is" | 2:40 |
3. | "Walk Out Backwards" | 2:35 |
4. | "In Case You Ever Change Your Mind" | 2:20 |
5. | "On and on and On" | 2:18 |
6. | "That's What It's Like to Be Lonesome" | 2:45 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "It Comes and Goes" | 1:56 | |
2. | "I Love You Drops" | 2:45 | |
3. | "City Lights" | 2:37 | |
4. | "Cincinnati, Ohio" | 2:11 | |
5. | "It' Not the End of Everything" | 2:39 | |
6. | "My Whole World Is Falling Down" |
| 2:29 |
7. | "Easy Come – Easy Go" | 1:54 | |
8. | "That's What Lonesome Is" | 2:41 | |
9. | "Walk Out Backwards" | 2:35 | |
10. | "In Case You Ever Change Your Mind" | 2:20 | |
11. | "On and on and On" | 2:17 | |
12. | "That's What It's Like to Be Lonesome" | 2:48 |
All credits are adapted from the liner notes of Connie Smith Sings Bill Anderson [7] and the biography booklet by Colin Escott titled Born to Sing. [6]
Musical personnel
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| Technical personnel
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Chart (1967) | Peak position |
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US Top Country Albums (Billboard) [17] | 11 |
Region | Date | Format | Label | Ref. |
---|---|---|---|---|
North America | May 1967 | Vinyl | RCA Victor Records | [7] |
2010s |
| Sony Music Entertainment | [12] | |
Connie Smith is an American country music singer and songwriter. Her contralto vocals have been described by music writers as significant and influential to the women of country music. A similarity has been noted between her vocal style and the stylings of country vocalist Patsy Cline. Other performers have cited Smith as influence on their own singing styles, which has been reflected in quotes and interviews over the years.
Cute 'n' Country is the second studio album by American country music artist Connie Smith. It was released in October 1965 by RCA Victor and contained 12 tracks. Cute 'n' Country contained a mixture of original songs and cover versions by other country artists. Featured on the album was the top ten single "I Can't Remember". Cute 'n' Country was Smith's second album to top the Billboard country LP's chart.
Connie Smith is the debut studio album by American country music artist Connie Smith. It was released in March 1965 by RCA Victor and was produced by Bob Ferguson. The album included Smith's debut single, "Once a Day". The song became her signature recording and biggest hit, reaching number one on the Billboard country songs chart.
Miss Smith Goes to Nashville is the third studio album by American country singer Connie Smith. It was released in March 1966 by RCA Victor and contained 12 tracks. The album contained original material including several tracks penned by Smith's mentor Bill Anderson. Miss Smith Goes to Nashville reached number two on the country LP's chart in 1966 and included the top five singles "Nobody But a Fool " and "If I Talk to Him".
Born to Sing is the fifth studio album by American country singer Connie Smith. It was released in September 1966 by RCA Victor and contained 12 tracks. The album was her first to include string instrumentation. It reached the top five of the Billboard Country LP's chart and included the single "Ain't Had No Lovin'".
Connie Smith Sings Great Sacred Songs is the fourth studio album by American country singer Connie Smith. It was released in June 1966 by RCA Victor and contained 12 tracks. It was also her first collection of gospel songs. The project included covers of popular gospel selections including "Father Along" and "Just a Closer Walk with Thee". The disc reached the top 20 of Billboard country albums chart in 1966.
Downtown Country is the sixth studio album by American country singer Connie Smith. It was released in January 1967 by RCA Victor. Downtown Country was the second of Smith's albums to include string instrumentation to help create a pop-influenced sound. The album also featured the single "The Hurtin's All Over", which reached the top five of the Billboard country chart. The album itself reached the top five of Country LP's chart following its initial release.
Connie in the Country is the seventh studio album by American country singer Connie Smith. It was released in February 1967 on RCA Camden and contained ten tracks. It was her first to be released on RCA's budget Camden label. Unlike most RCA Camden albums which often contained previously issued material, the album consisted of new recordings for Smith's catalog. This included the single, "Cry, Cry, Cry", which was a top 20 hit on the American country songs chart in 1968.
The Best of Connie Smith is a compilation album by American country singer Connie Smith. It was released in September 1967 by RCA Victor and featured 12 tracks. The disc was Smith's first compilation project released in her career and featured her most popular singles made commercially successful between 1964 and 1967. It also featured one new recording titled "I'll Come Runnin'". Penned by Smith herself and released as a single, the song became a top ten hit on the American country songs chart in 1967.
Soul of Country Music is the ninth studio album by American country singer Connie Smith. It was released in December 1967 by RCA Victor and contained 12 tracks. The album included mostly covers of previously-recorded songs. It received mixed reviews from critics following its release and reached the top ten of the American country albums chart.
I Love Charley Brown is the tenth studio album by American country singer Connie Smith, released in April 1968 by RCA Victor. The album reached the top 20 of the American country albums chart. It was described as a collection of pop-inspired country songs. Included were four cuts written by Smith's longtime songwriting collaborator, Dallas Frazier. Among his cuts was one of the album's three singles, "Run Away Little Tears". Along with Frazier's cut, the two additional singles included reached the top ten of the American country songs chart. The album was met with favorable reviews from critics.
The Best of Connie Smith Volume II is a compilation album by American country singer Connie Smith, released in March 1970 by RCA Victor, her second "Best Of" compilation. The album compiled Smith's most popular singles between 1967 and 1969. The album reached the top 30 of the American country albums chart following its release. Also included was two new recordings. Of these new recordings, one was released as a single in 1969. Titled "You and Your Sweet Love", it reached the top ten of the country singles chart.
I Never Once Stopped Loving You is the fourteenth solo studio album by American country singer Connie Smith, released in September 1970 by RCA Victor. The collection mixed original material with covers of previously-recorded songs. Three singles were included on the album: "You and Your Sweet Love", the title track and "Louisiana Man". Both "You and Your Sweet Love" and the title track reached the top ten on the American country songs chart in 1970. The album itself charted in the top 20 of the American country LP's survey. Billboard magazine gave the LP a positive response following its original release.
Just One Time is the sixteenth solo studio album by American country singer Connie Smith, released in June 1971 by RCA Victor. The album was named for the lead single of the same name, which reached the top five of the North American country charts in 1971. The album itself would chart in the top 20 of the American country LP's chart following its release. Additionally, Billboard magazine gave the project a positive reception when reviewing it in 1971.
"If It Ain't Love" and Other Great Dallas Frazier Songs is nineteenth solo studio album by American country singer Connie Smith, released in July 1972 by RCA Victor. The album is a collection of songs composed by songwriter Dallas Frazier. Three of these songs were duets between Smith and Frazier himself. The album's title track was spawned as a single in 1972 and reached the top ten of the American country chart. The album itself reached the top 20 of the American country LP's chart and it received a positive review from Billboard magazine.
Connie Smith's Greatest Hits, Vol. I is a compilation album by American country singer Connie Smith, released in October 1973 by RCA Victor. The album was one of several compilations released following Smith's departure from RCA Victor. It included ten of Smith's most popular singles from her career, such as the number one single, "Once a Day", and top ten single, "The Hurtin's All Over". The album charted on the American country LP's chart in 1973 and received a positive review from Billboard magazine.
"Then and Only Then" is a song written by Bill Anderson and recorded by the American country artist, Connie Smith, on her Connie Smith album. It was produced by Bob Ferguson and released in January 1965, reaching the Top 5 on the Billboard country music chart in early 1965, becoming her second major hit. It was her follow-up single to her multi-week number one hit, "Once a Day", which was released the previous year.
The albums discography of Connie Smith, an American country artist, consists of 40 studio albums, one live album, 14 compilation albums, three box sets, and 26 other appearances. After the success of her 1964 single "Once a Day", Smith's self-titled debut album was released in March 1965 on RCA Victor Records. The album reached number one on the Billboard Top Country Albums, spending thirty weeks on the chart, while also becoming her only album to reach the Billboard 200 list (#105). Smith's next two secular albums, Cute 'n' Country and Miss Smith Goes to Nashville went to number one and number two respectively between 1965 and 1966. In September 1966 Smith released her fifth studio album, Born to Sing, which was her third album to reach the top spot on the Billboard country albums chart. Due to Smith's popularity, RCA Victor issued five albums between 1967 and 1968 including Downtown Country (1967), Connie Smith Sings Bill Anderson (1967), and I Love Charley Brown (1968). In 1969, Smith collaborated with country artist Nat Stuckey on the album Young Love.
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