RCA Studio A | |
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Alternative names | Grand Victor Sound Javelina Studios Ben's Place |
General information | |
Address | 30 Music Square W # 100 |
Town or city | Nashville, Tennessee |
Coordinates | 36°08′59″N86°47′35″W / 36.1496°N 86.7930°W |
RCA Studio A is a music recording studio in Nashville, Tennessee built and founded in 1965 by Chet Atkins, Owen Bradley and Harold Bradley as an addition to the RCA Victor Studio the company established seven years prior. Together these two studios were oknown simply by the name "RCA Victor Nashville Sound Studios" (or "RCA Studios" for short) and became known in the 1960s for becoming an essential factor and location to the development of the musical production style and sound engineering technique known as the Nashville Sound. [1]
RCA utilized the studio until January 1977, after which it was sold to Owen Bradley, who remodeled it and operated the studio as Music City Music Hall until the late 1980s. It was later operated as Javelina Recording Studios. Beginning in 2002, Ben Folds leased the building and operated it as Ben's Place and later Grand Victor Sound.
In 2014, when a local developer planned to demolish the building in order to build condominiums, Folds gathered support to preserve the building, and Mike Curb and local philanthropists collectively purchased the building. The following year, RCA Studio A was added to the National Register of Historic Places. Since 2016, Dave Cobb has leased the studio and used it to operate his Low Country Sound record label imprint. [2]
Chet Atkins and Owen Bradley constructed a new 3-story building at the original address of 806 17th Avenue South (the street would be renamed Music Square West in 1975) to be leased by RCA Victor. Half of the building was built as office space for the label's Nashville division, and the other half was a new recording studio. Officially opening on March 29, 1965, the new addition to RCA Victor's Nashville Sound Studios, which was newer and larger than RCA's adjacent studio built 9 years prior, was appropriately designated as Studio A, while the original studio became Studio B. [3] Studio A was one of three similarly-designed large studios built by RCA in New York, Los Angeles, and Nashville specifically for recording large groups of musicians, such as choirs, string sections, or orchestras, playing together live, which was essential to the Nashville sound production style. With its live room measuring 75 x 45 feet with 25 foot high ceiling, [4] it was the largest studio room in Nashville when it opened. [5] [6] The studio was based on the ideas of Chet Atkins, Owen Bradley and Harold Bradley. [7] Studios A and B were collectively referred to as the RCA Victor Nashville Sound Studios. [7]
Between 1965 and 1977 the studio hosted artists including Perry Como, The Blackwood Brothers, Connie Smith, Charley Pride, Lynn Anderson, Dolly Parton, The Beach Boys, The Blackwood Brothers, George Beverly Shea, Nancy Sinatra, Eddy Arnold, Merle Haggard, Lee Hazlewood and Ann-Margret, and Dottie West. Waylon Jennings, who had recorded nearly all of his albums at Atkins' studio, recorded Honky Tonk Heroes there in 1973, with the album becoming important to the development of the outlaw country subgenre. [2]
In 1977 as the result of an unresolved union dispute, RCA closed their Nashville studios. [8] [9] The label's management continued to occupy offices within the other half of the building until 1990. RCA Studio B was made available to the Country Music Hall of Fame for tours. [7]
Three months after its closure, Owen Bradley bought Studio A, re-opening it as Music City Music Hall and operating it as a subsidiary to his Bradley's Barn recording studio in nearby Mount Juliet. [5] [10]
Artists recording at the studio in the Music City Music Hall era included Loretta Lynn, Gary Stewart, Sylvia, the Family Brown, and Earl Klugh. In 1981, George Strait recorded six of the ten songs on his debut studio album at the studio, and returned to the studio to record the followup album, which included his first two number one singles. [4]
By 1992 the studio was run by producer Warren Peterson under the name Javelina Sound Studios. Artists recording at the studio in the Javelina era included Amy Grant, Glen Campbell, DC Talk, Jimmy Buffett, Tim McGraw, Beth Nielsen Chapman, Reba McEntire, Little Texas, Point of Grace, Martina McBride, Wynonna Judd, Mark Chesnutt, Sawyer Brown, Rebecca Lynn Howard, Steve Wariner, Alabama, Vince Gill, BeBe & CeCe Winans, Dan Seals. In 1997 Lee Ann Womack recorded her self-titled debut album at the studio, and returned to the studio for the recording of her next two studio albums.
Ben Folds, a session drummer at the time, used the studio at night to work on his own original material that would become Ben Folds Five. [11]
Folds moved away and returned to Nashville in 2002, and leased the building for the next 12 years, [12] initially for his own use. He also rented out parts of the building to other artists, such as Jamey Johnson. [13] In 2009 Folds enlisted the help of Sharon Corbitt-House to re-open it to outside clients as a commercial studio under the name of Ben's Place and later Grand Victor Sound. [11] [14] Artists recording at the studio during this timeframe included Kacey Musgraves, Joe Bonamassa, John Hiatt, and Jewel. Folds himself recorded So There at the studio with the yMusic Ensemble, which included a piano concerto performed with the 83-piece Nashville Symphony and producer Elliot Scheiner. [14]
In 2014 the building’s existence was threatened with demolition by a local developer to make way for condominiums, [15] [16] and Ben Folds gathered regional and professional support in an effort to save the building. [13] In late 2014, just prior to the building's demolition, Curb Records founder, Mike Curb, and local philanthropists Chuck Elcan and Aubrey Preston partnered to collectively purchase the building for $5.6 million in order to preserve its historic significance. [9] [1] [3]
The efforts to save RCA Studio A led to a more consolidated, dedicated and collaborative effort to preserve the musical history and promote creativity within Music Row and the Nashville area. It also led to the establishment of grassroots preservationist organizations such as the Music Industry Coalition.
Producer Dave Cobb, who was slated to record an album with Chris Stapleton, originally intended to record the album at Sound Emporium Studios, but it was already booked. Having read reports of the impending demolition of the historic RCA Studio A building and its Grand Victor Sound studios, he decided to record Stapleton's debut studio album there, before the building and its recording studios were gone forever. [2]
In 2015, Studio A joined Studio B in the National Register of Historic Places. [17] The same year, Kacey Musgraves recorded her 2015 Grammy-nominated album Pageant Material at the studio. [13]
In early 2016, country music record producer Dave Cobb leased the building, [11] which he uses for his Low Country Sound record label imprint. [6]
In October 2017, the completion of a $500,000 restoration of the studios was marked by the mounting of replicas of RCA Victor Recording Studios signage used for the first four years of the studio's operation on the building's exterior. [9]
Bradley Studios, RCA Studio B, and RCA Studio A were essential locations to the development of the "Nashville Sound", a style characterized by background vocals and strings. The Nashville Sound both revived the popularity of country music and helped establish Nashville's reputation as an international recording center, with these three studios at the center of what would become known as Music Row.
Designed and built later than the Bradley Studios' Quonset Hut and RCA Studio B, Studio A's gym-sized room, large enough to house choirs, orchestras, string sections and a live band, was specifically designed by John E. Volkmann to more easily facilitate recording the large ensembles needed to create the Nashville Sound. [7] Today, it is the last remaining of only three Volkmann-designed rooms of this size. [6]
Notable artists who have recorded in RCA Studio A include:
Chester Burton Atkins, also known as "Mister Guitar" and "the Country Gentleman", was an American musician who, along with Owen Bradley and Bob Ferguson, helped create the Nashville sound, the country music style which expanded its appeal to adult pop music fans. He was primarily a guitarist, but he also played the mandolin, fiddle, banjo, and ukulele, and occasionally sang.
The Nashville sound is a subgenre of American country music that originated in the 1950s in Nashville, Tennessee. It replaced the dominance of the rough honky tonk music with "smooth strings and choruses", "sophisticated background vocals" and "smooth tempos" associated with traditional pop. It was an attempt "to revive country sales, which had been devastated by the rise of rock 'n' roll".
RCA Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Group Corporation.
Curb Records is an American record label started by Mike Curb, originally as Sidewalk Records in 1963. From 1969 to 1973, Curb merged with MGM Records where Curb served as President of MGM and Verve Records.
Music Row is a historic district located southwest of downtown Nashville, Tennessee, United States. Widely considered the heart of Nashville's entertainment industry, Music Row has also become a metonymous nickname for the music industry as a whole, particularly in country music, gospel music, and contemporary Christian music.
RCA Studio B was a music recording studio in Nashville, Tennessee established in 1957 by Steve Sholes and Chet Atkins for RCA Victor. Originally known simply as the RCA Victor Studio, in 1965 the studio was designated as Studio B after RCA Victor built the newer, larger Studio A in an adjacent building.
William Owen Bradley was an American musician, bandleader and record producer who, along with Chet Atkins, Bob Ferguson, Bill Porter, and Don Law, was a chief architect of the 1950s and 60s Nashville sound in country music and rockabilly.
Anita Jean Kerr was an American singer, arranger, composer, conductor, pianist, and music producer. She recorded and performed with her vocal harmony groups in Nashville, Los Angeles, and Europe.
Remembering Patsy Cline & Jim Reeves is a tribute album released in 1982 remembering the music of country stars Patsy Cline and Jim Reeves who were both killed in plane crashes in the early 1960s. It was released by MCA Records. A similar album called Greatest Hits of Jim Reeves & Patsy Cline had been released the previous year by RCA Records.
Quonset Hut Studio is the nickname given to Bradley Studios, an independent recording studio complex established in 1954 in Nashville, Tennessee by brothers Harold and Owen Bradley. The first commercial recording studio facility in what would later become known as Music Row, the studio produced hundreds of hits by artists including Johnny Cash, Conway Twitty, Patsy Cline, Red Foley, Brenda Lee, Marty Robbins, Sonny James, and others.
Luke Robert Laird is an American country music songwriter and producer. He has written over 20 number one Billboard singles, including Carrie Underwood's "So Small", "Temporary Home", and "Undo It"; Blake Shelton's "Gonna"; Sara Evans' "A Little Bit Stronger"; Rodney Atkins's "Take a Back Road"; Eric Church's "Drink in My Hand", "Give Me Back My Hometown", and "Talladega"; Little Big Town's "Pontoon"; Luke Bryan's "I See You" and "Fast"; Thomas Rhett's "T-Shirt"; Kenny Chesney's "American Kids"; Lady Antebellum's "Downtown"; and Jon Pardi's "Head Over Boots." He has also written and produced songs for Tim McGraw, Rascal Flatts, Kacey Musgraves, Toby Keith, Ne-Yo, John Legend, Darius Rucker, and many others.
I'm Only a Woman is a studio album by American country music artist Dottie West. It was released in May 1972 on RCA Victor Records and was produced by Jerry Bradley. The project was West's nineteenth studio album. Among the album's ten tracks were two charting singles issued between 1971 and 1972. It was West's only studio release issued in 1972 and third studio album not receive a Billboard chart placement.
The Sound of Country Music is a studio album by American country music artist Dottie West and her band, "The Heartaches". It was released in February 1967 on RCA Camden Records. The sessions were co-produced by Chet Atkins and Ethel Gabriel. The project was West's fifth studio effort and first for the RCA Camden label. The album did not produce any singles nor reach peak positions on national charts. It was instead a collection of cover songs previously recorded by others.
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Jerry Owen Bradley was an American music executive known for his role in country music. As head of RCA Records in Nashville from 1973 to 1982, Bradley was involved in the marketing and creation of the first platinum album in country music, Wanted! The Outlaws, which reached that mark in 1976. Bradley was inducted in the Country Music Hall of Fame in 2019.
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