So There | ||||
---|---|---|---|---|
Studio album by | ||||
Released | September 11, 2015 | |||
Recorded | October 2014 | |||
Studio | Grand Victor Sound (Nashville, Tennessee) [1] | |||
Genre | Chamber pop | |||
Length | 51:50 | |||
Label | New West Records | |||
Ben Folds chronology | ||||
|
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 66/100 [2] |
Review scores | |
Source | Rating |
AbsolutePunk | [3] |
AllMusic | [4] |
American Songwriter | [5] |
Consequence | 58/100 [6] |
Drowned in Sound | [7] |
Exclaim! | [8] |
Magnet | [9] |
Mojo | [10] |
PopMatters | [11] |
Q Magazine | [12] |
Record Collector | [13] |
Uncut | [14] |
So There is the first studio album by Ben Folds and the yMusic Ensemble, released on September 11, 2015. The album includes eight chamber pop songs and one piano concerto performed with the Nashville Symphony. [15]
Initially, Folds was jointly commissioned by the Nashville Ballet, Nashville Symphony, and Minnesota Orchestra to write a piano concerto, and composed "Concerto For Piano & Orchestra: Movements 1, 2 and 3". The pieces were recorded at Fold's Grand Victor Sound studio (better known as Nashville's historic RCA Studio A) with the 83-piece Nashville Symphony orchestra and producer Elliot Scheiner. Folds collaborated with the yMusic Ensemble at the same studio to create eight chamber pop songs to complete the album. [1]
On Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, So There received an average score of 66, which indicated "Generally Favorable Reviews". [16] In a review that gave the album an 80/100, AllMusic's Marcy Donelson stated "The album will very likely be embraced by solo Folds aficionados, though it may not appeal to those who strongly favor the brasher Five." [17]
In a more negative review, Adam Kivel from Consequence wrote, "In that sense, the orchestra draws out the purest essence of Folds. When he’s cute, he’s so remarkably cute and knows it. When he’s clever, the same holds true. When he’s singing sincerely and digging into deep emotion, the instrumentation doubles down. That makes dramatic songs like "Capable of Anything" and "I’m Not the Man" the most affective, while others are either momentarily fun or obnoxious, depending on your predisposition." Later in the same review saying "Folds' gifts for narrative and composing are clear, but fusing the two more fluidly could be something magical." [18]
All tracks are written by Ben Folds except where noted [19]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Capable of Anything" | 3:49 | |
2. | "Not a Fan" | 3:34 | |
3. | "So There" | 4:20 | |
4. | "Long Way to Go" | 4:42 | |
5. | "Phone in a Pool" | 4:03 | |
6. | "Yes Man" | Ben Folds / Rob Moose | 3:59 |
7. | "F10-D-A" | 1:58 | |
8. | "I'm Not the Man" | Ben Folds / Alicia Witt | 4:41 |
9. | "Concerto for Piano and Orchestra, Movement 1" | 10:28 | |
10. | "Concerto for Piano and Orchestra, Movement 2" | 5:45 | |
11. | "Concerto for Piano and Orchestra, Movement 3" | 4:31 |
Tracks 1–8:
Additional musicians on Phone in a Pool:
Tracks 9–11:
Chart (2015) | Peak position |
---|---|
UK Albums (OCC) [20] | 63 |
US Billboard 200 [21] | 44 |
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Ben Folds Five was an American alternative rock trio formed in 1993 in Chapel Hill, North Carolina. The group comprised Ben Folds, Robert Sledge and Darren Jessee. The group achieved success in the alternative, indie and pop music scenes. Their single "Brick" from the second album, Whatever and Ever Amen (1997), gained airplay on many mainstream radio stations.
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