RCA Studios New York

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RCA Victor Studios New York were music recording studios established by RCA Victor in New York City, including its studio at 155 East 24th Street which was active from 1928 to 1969, and its successor at 1133 Avenue of the Americas which was active from 1969 to 1993.

Contents

History

Background

Beginning in 1901, Victor Talking Machine Company produced its earliest recordings at various locations, including its Victor Trinity Studios at its headquarters in Camden, New Jersey. These recordings included "The Memphis Blues" (1914), credited as the first recorded blues song. [1] and "Livery Stable Blues" by the Original Dixieland Jass Band (1917). [2] [3] [4] [5] [6] [7]

155 East 24th Street (1928 to 1969)

In early 1928, after decades of recording in various locations, the Victor Recording Company acquired a property in Manhattan to build a recording studio. Originally built in 1907 as a seven-story stable, the building at 155 East 24th Street was previously home to Manhattan's leading supplier of coach, livery, and workhorses, supplying horses for the New York transit system, and later to the U.S. military for use in World War I. [8] [9] After the Radio Corporation of America purchased the Victor Talking Machine Company in 1929, the company became RCA Victor, and the studio became RCA Victor Studios.

The facilities consisted of Studios A and B (also referred to as Studios 1 and 2), designed by Victor Co. employee John E. Volkmann. [10] Studio A was the larger studio, with space to accommodate up to 35 musicians. Studio B was smaller, and used for piano and chamber music recordings. The shared control room was equipped with a simple RCA mixing console designed and built by its own engineering department, as were the studio's most popular microphones, the RCA 44 and RCA 77. Recordings were made on hot wax, so musicians had to wait a week for test pressings in order to hear what they recorded. [9]

Many notable recordings were produced at the studio in the 1930s, including Hoagy Carmichael and his Orchestra's original 1930 recording of "Georgia on My Mind", [11] [12] Artie Shaw and His Orchestra's 1938 recording of "Begin the Beguine", and Glenn Miller and His Orchestra's 1939 recordings of "In the Mood" and "Moonlight Serenade", [13] as well as their hit "Pennsylvania 6-5000" the following year. [14] Other artists recording at the studios in the 1930s included Bix Beiderbecke and Charlie Barnet. [8] In May 1933, Jimmie Rodgers recorded what would become his final sessions at the studio. [15]

On February 17, 1948, the organizational meeting that led to the formation of the Audio Engineering Society was held at the studios, as was the first AES technical membership meeting held on March 11, with RCA engineer Harry F. Olson as guest speaker. [16]

In the early 1950s, Eddie Fisher recorded several hit songs at the studio, including "Anytime" (1951), "Tell Me Why" (1951), and "Wish You Were Here" (1952). In January 1956, Elvis Presley recorded "Blue Suede Shoes" at the studio, [17] [18] returning in February and again in July, during which he recorded his hits "Hound Dog" and "Don't Be Cruel". [17] [18] [19] In July 1959, The Isley Brothers recorded their hit song "Shout" and subsequent debut studio album from the group. Other artists recording in the studio in the 1950s included Charles Mingus, Perry Como, Harry Belafonte, Lena Horne, Della Reese, and Neil Sedaka.

By 1969 RCA felt its 24th Street studios were too small, obsolete, and no longer competitive, [20] and opened new recording studios within a new building at 1133 Avenue of the Americas. The 155 East 24th Street building was later sold to the City College of New York, who used building until 1998, after which it was razed to facilitate construction of the Baruch College Newman Vertical Campus. [17] [19]

1133 Avenue of the Americas (1969 to 1993)

In 1969, RCA consolidated its corporate offices and opened new recording studios within a new building located at 1133 Avenue of the Americas. [20] RCA's Sixth Avenue Studios comprised five recording studios, including Studio A, a 60 x 100 foot room with 30-foot ceiling, nine tape mastering rooms and five lacquer mastering channels. These facilities were often used for classical projects and numerous original Broadway cast recordings of shows, including Sweeney Todd and 42nd Street. [21]

RCA closed its Sixth Avenue Studios in 1993, with the space later becoming offices. [22]

Other RCA New York Studios

RCA Victor also utilized the Manhattan Center on West 34th Street, the opera house originally built in 1906 by Oscar Hammerstein I, and Webster Hall on East 11th Street, where RCA built a small control room off to the side of ballroom. From the 1920s through the 1940s, RCA Victor also recorded at Liederkranz Hall on East 58th Street. [23]

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References

  1. ↑ Andrews, Travis M. (March 20, 2019). "Jay-Z, a speech by Sen. Robert F. Kennedy and 'Schoolhouse Rock!' among recordings deemed classics by Library of Congress". The Washington Post. Retrieved March 25, 2019.
  2. ↑ Schoenherr, Steven. "Recording Technology History". History.sandiego.edu. Archived from the original on March 12, 2010. Retrieved 2008-12-24.
  3. ↑ Thomas, Bob (1994). "The Origins of Big Band Music". redhotjazz.com. Archived from the original on December 28, 2008. Retrieved 2008-12-24.
  4. ↑ Alexander, Scott. "The First Jazz Records". redhotjazz.com. Archived from the original on 2008-12-28. Retrieved December 24, 2008.
  5. ↑ "Jazz Milestones". apassion4jazz.net. Retrieved 2008-12-24.
  6. ↑ "Original Dixieland Jazz Band Biography". pbs.org. Retrieved 2008-12-24.
  7. ↑ Martin, Henry; Waters, Keith (2005). Jazz: The First 100 Years. Thomson Wadsworth. p. 55. ISBN   0-534-62804-4.
  8. 1 2 Zirpolo, Mike (9 September 2018). "Victor's 24th Street New York Recording Studio/"Cherokee" (1939) Charlie Barnet". Swing & Beyond. Retrieved 14 December 2023.
  9. 1 2 Schmidt Horning, Susan (2013). Chasing Sound: Technology, Culture & the Art of Studio Recording from Edison to the LP. Baltimore, United States: Johns Hopkins University Press. pp. 82–86. ISBN   978-1-4214-1848-3.
  10. ↑ Ferrara, Samantha (30 July 2020). "How The Victor Company & A Camden County NJ Native Helped Build Carol King's Recording Career". victorrecords.com. Victor Musical Industries Inc. Retrieved 14 December 2023.
  11. ↑ Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. pp. 122–124. ISBN   978-0-19-993739-4.
  12. ↑ Carmichael, Hoagy; Longstreet, Stephen (1976). Sometimes I Wonder: The Story of Hoagy Carmichael (Repr. d. Ausg. New York 1965. ed.). New York: Da Capo. ISBN   9780306708091.
  13. ↑ Spragg, Dennis M. (November 2019). "How 'Moonlight Serenade' Defined a Generation". Smithsonian Magazine. Retrieved 20 December 2023.
  14. ↑ Spragg, Dennis M. "Glenn Miller: April 28, 1940". dennismspragg.com. Dennis M. Spragg. Retrieved 20 December 2023.
  15. ↑ "The Brakeman Auditions for Ralph Peer - A Milestone In Country Music" (PDF). Billboard. 2 November 1963. Retrieved 15 December 2023.
  16. ↑ "Letters: Audio Society Activities" (PDF). aes.org. Audio Engineering Society. Retrieved 20 December 2023.
  17. 1 2 3 "Remembering Elvis on East 24th Street". flatironnomad.nyc. Flatiron Nomad. 12 August 2019. Retrieved 16 August 2022.
  18. 1 2 "Elvis Presley - The New York Sessions 1956". Elvispresleymusic.com.au. Retrieved 20 December 2023.
  19. 1 2 "Before the Vertical Campus: RCA Recording Studio". Baruch Campus Evolution. City University of New York . Retrieved 22 December 2023.
  20. 1 2 Volkmann, J.E.; Stevens, A. (December 1971). "New York recording studios" (PDF). RCA Engineer. RCA. Retrieved 15 December 2023.
  21. ↑ Foti, Laura (6 February 1982). "RCA Studio 'Holding Its Own' As Budgets Tighten". Billboard. Retrieved 7 May 2024.
  22. ↑ Daley, Dan (October 2014). "Off The Record: Music & Recording Industry News". Sound On Sound. SOS Publications Group. Retrieved 16 August 2022.
  23. ↑ Schmidt Horning, Susan (2013). Chasing Sound: Technology, Culture & the Art of Studio Recording from Edison to the LP. Baltimore, United States: Johns Hopkins University Press. p. 86. ISBN   978-1-4214-1848-3.
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