Connie Smith | ||||
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Studio album by | ||||
Released | March 1965 | |||
Recorded | July – November 1964 | |||
Studio | RCA Studio B, Nashville | |||
Genre | Country | |||
Length | 28:23 | |||
Label | RCA Victor | |||
Producer | Bob Ferguson | |||
Connie Smith chronology | ||||
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Singles from Connie Smith | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Connie Smith is the debut studio album by American country music artist Connie Smith. It was released in March 1965 by RCA Victor and was produced by Bob Ferguson. The album included Smith's debut single, "Once a Day". The song became her signature recording and biggest hit, reaching number one on the Billboard country songs chart.
The album would also reach the top spot of the Top Country Albums chart in 1965, spending multiple weeks at the top of the chart.
Connie Smith rose to country music stardom with the 1964 song "Once a Day". Penned by Bill Anderson, the disc topped the country chart and prompted her record label to release her debut studio album. [2] The album was recorded at RCA Studio B in Nashville, Tennessee. Sessions were held between July and November 1964. The production for the album was performed by Bob Ferguson. It featured the background vocalists, The Anita Kerr Singers. Six of the songs on the album were written by singer-songwriter, Bill Anderson, including "Once a Day" and "Then and Only Then." [3] [4] Also included was Smith's cover of Charlie Louvin's "I Don't Love You Anymore". Additionally, singer and songwriter Willie Nelson composed the album's track, "Darling, Are You Ever Coming Home". [3]
Smith's eponymous album was released in March 1965 on RCA Victor Records. It was the debut album in her career. It was issued as a vinyl LP album, with six tracks on each side of the record. [3] Connie Smith peaked at number one on the Top Country Albums chart, spending 7 weeks on top of the albums chart, and 30 weeks overall. [5] "Once a Day" was released in August 1964, and peaked at number one on November 28, spending eight weeks at the top spot. "Then and Only Then" was released as the follow-up single in early 1965, peaking within the Top 5 on the country charts. In addition, both songs also placed in the Bubbling Under Hot 100. [6] [7] A digital version of the original album was released in later years by Sony Music Entertainment. [8]
The album was reviewed by AllMusic and received five out of five stars. Reviewer, Dan Cooper called Smith's voice to be, "blowing through the Nashville Sound production like a down-home Streisand fronting The Lennon Sisters." [4] Slipcue.com reviewed the album and gave it a positive review, calling the sound, "Nashville Girl Group at its best." The songs "Once a Day," "Tiny Blue Transistor Radio," and "I Don't Love You Anymore" as "classic examples of the style." The website later concluded by stating, "Them folks at the label could make a lot of people really happy if they just reissued this album whole, as is, and let us hear what Smith sounded like coming out the gate. A doozy." [9]
All tracks written by Bill Anderson, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Other Side of You" | William Broadwell Morgan | 2:39 |
2. | "Tiny Blue Transistor Radio" | 2:30 | |
3. | "Once a Day" | 2:17 | |
4. | "Hinges on the Door" | Baker Knight | 2:23 |
5. | "Don't Forget I Still Love You" | Guy Louis | 2:02 |
6. | "Darling, Are You Ever Coming Home" | 2:07 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Then and Only Then" | 2:23 | |
2. | "The Threshold" | 2:16 | |
3. | "It's Just My Luck" | Betty Sue Perry | 2:02 |
4. | "I'm Ashamed of You" | 2:37 | |
5. | "I Don't Love You Anymore" | 2:35 | |
6. | "Tell Another Lie" |
| 2:32 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Other Side of You" | Morgan | 2:43 |
2. | "Tiny Blue Transistor Radio" | Anderson | 2:33 |
3. | "Once a Day" | Anderson | 2:20 |
4. | "Hinges on the Door" | Knight | 2:27 |
5. | "Don't Forget (I Still Love You)" | Louis | 2:06 |
6. | "Darling, Are You Ever Coming Home" |
| 2:11 |
7. | "Then and Only Then" | Anderson | 2:27 |
8. | "The Threshold" | Anderson | 2:21 |
9. | "It's Just My Luck" | Perry | 2:06 |
10. | "I'm Ashamed of You" | Anderson | 2:41 |
11. | "I Don't Love You Anymore" | Anderson | 2:38 |
12. | "Tell Another Lie" |
| 2:34 |
All credits are adapted from the liner notes of Connie Smith. [3]
Musical personnel
Chart (1965) | Peak position |
---|---|
US Billboard 200 [10] | 101 |
US Top Country Albums (Billboard) [11] | 1 |
Region | Date | Format | Label | Ref. |
---|---|---|---|---|
Canada | March 1965 | Vinyl | RCA Victor Records | [3] |
United Kingdom | [12] | |||
United States | [3] | |||
2010s |
| Sony Music Entertainment | [8] | |
Connie Smith is an American country music singer and songwriter. Her contralto vocals have been described by music writers as significant and influential to the women of country music. A similarity has been noted between her vocal style and the stylings of country vocalist Patsy Cline. Other performers have cited Smith as influence on their own singing styles, which has been reflected in quotes and interviews over the years.
"Once a Day" is a song written by Bill Anderson and recorded as the debut single by American country artist Connie Smith. It was produced by Bob Ferguson for her self-titled debut album. The song was released in August 1964, topping the Billboard country music chart for eight weeks between late 1964 and early 1965. It was the first debut single by a female artist to reach number one on the Billboard Hot Country Songs. This song peaked at number one for the week of November 28, 1964, and it stayed at number one for eight consecutive weeks, a record for a female solo artist for nearly 50 years, until it was surpassed by Taylor Swift's "We Are Never Ever Getting Back Together" in December 2012.
Cute 'n' Country is the second studio album by American country music artist Connie Smith. It was released in October 1965 by RCA Victor and contained 12 tracks. Cute 'n' Country contained a mixture of original songs and cover versions by other country artists. Featured on the album was the top ten single "I Can't Remember". Cute 'n' Country was Smith's second album to top the Billboard country LP's chart.
"I Can't Remember" is a song written by Bill and Bette Anderson, and recorded as a single by American country artist Connie Smith. It was produced by Bob Ferguson and was released on her 1965 album Cute 'n' Country. The song was released in April 1965, reaching the Top 5 on the Billboard country music chart and becoming her third Top 10 hit. It was Smith's third single released under the RCA Victor label.
Here Comes My Baby is a studio album by American country music artist Dottie West. It was released in June 1965 on RCA Victor Records and was produced by Chet Atkins. It was West's debut studio album as a recording artist and was issued following the success of the title track in 1964. The latter song won a Grammy Award in early 1965 which prompted the issue of the album. Here Comes My Baby would start a series of studio recordings West would release for RCA.
Forever Yours is a studio album by American country music artist Dottie West. It was released in October 1970 on RCA Victor Records and was produced by Jerry Bradley. The album was West's fifteenth studio recording issued in her music career. It was also her second studio record released in 1970. The album contained ten tracks, notably the title track, which became a top forty hit single in 1970. The album would also reach peak positions on national music charts.
Miss Smith Goes to Nashville is the third studio album by American country singer Connie Smith. It was released in March 1966 by RCA Victor and contained 12 tracks. The album contained original material including several tracks penned by Smith's mentor Bill Anderson. Miss Smith Goes to Nashville reached number two on the country LP's chart in 1966 and included the top five singles "Nobody But a Fool " and "If I Talk to Him".
Downtown Country is the sixth studio album by American country singer Connie Smith. It was released in January 1967 by RCA Victor. Downtown Country was the second of Smith's albums to include string instrumentation to help create a pop-influenced sound. The album also featured the single "The Hurtin's All Over", which reached the top five of the Billboard country chart. The album itself reached the top five of Country LP's chart following its initial release.
Connie Smith Sings Bill Anderson is the eighth studio album by American country singer Connie Smith. It was released in May 1967 by RCA Victor and featured 12 tracks. The album was dedicated to her mentor, Bill Anderson. It contained several songs made popular by Anderson himself, along with several tracks made popular by other performers. It also included the newly-recorded "Cincinnati, Ohio". Smith released her version as a single, which climbed into the top five of the American country songs charts. The album received favorable reviews following its release.
The Best of Connie Smith is a compilation album by American country singer Connie Smith. It was released in September 1967 by RCA Victor and featured 12 tracks. The disc was Smith's first compilation project released in her career and featured her most popular singles made commercially successful between 1964 and 1967. It also featured one new recording titled "I'll Come Runnin'". Penned by Smith herself and released as a single, the song became a top ten hit on the American country songs chart in 1967.
Where Is My Castle is the fifteenth solo studio album by American country singer Connie Smith, released in January 1971 by RCA Victor. The album was described as a set of a traditional country songs and were considered to be autobiographical of Smith's life at the time. The disc's title track was released as a single in 1970 and reached the top 20 of the North American country charts. The album itself would chart in the top 40 of the American country LP's chart. Following its release, Billboard magazine gave it a positive review.
Just One Time is the sixteenth solo studio album by American country singer Connie Smith, released in June 1971 by RCA Victor. The album was named for the lead single of the same name, which reached the top five of the North American country charts in 1971. The album itself would chart in the top 20 of the American country LP's chart following its release. Additionally, Billboard magazine gave the project a positive reception when reviewing it in 1971.
Ain't We Havin' Us a Good Time is the eighteenth solo studio album by American country singer Connie Smith, released in April 1972 by RCA Victor. The album contained ten tracks which were considered to have a "thicker seventies" sound, according to one biographer. Included on the album was Smith's single, "Just for What I Am". It became a top five single on the North American country songs chart while the album itself reached the American country LP's top 25. Ain't We Havin' Us a Good Time received a favorable review from Billboard magazine following its release.
Pure Connie Smith is the twenty-ninth solo studio album by American country singer Connie Smith. It was released in November 1977 via Monument Records and contained ten tracks. The album was Smith's first with the Monument label. The album was recorded in a country pop production style featuring mostly new recordings. One single was released from the album, "Coming Around". The song charted the American country songs chart in 1977.
The Essential Connie Smith is a compilation album by the American country artist Connie Smith. It was released in April 1996 by RCA Records and was produced by Bob Ferguson and Ethel Gabriel. The album is a collection of Smith's major hits between 1964 and 1972.
"Then and Only Then" is a song written by Bill Anderson and recorded by the American country artist, Connie Smith, on her Connie Smith album. It was produced by Bob Ferguson and released in January 1965, reaching the Top 5 on the Billboard country music chart in early 1965, becoming her second major hit. It was her follow-up single to her multi-week number one hit, "Once a Day", which was released the previous year.
"If I Talk to Him" is a song written by Dolores Edgin and Priscilla Mitchell, and released as a single by American country artist Connie Smith. It was produced by Bob Ferguson and released on her 1966 studio album Miss Smith Goes to Nashville. The song was released in August 1965 and reached the Top 5 on the Billboard Magazine country music chart, becoming her fourth Top 10 single. The song was recorded under RCA Victor Records.
The albums discography of Connie Smith, an American country artist, consists of 40 studio albums, one live album, 14 compilation albums, three box sets, and 26 other appearances. After the success of her 1964 single "Once a Day", Smith's self-titled debut album was released in March 1965 on RCA Victor Records. The album reached number one on the Billboard Top Country Albums, spending thirty weeks on the chart, while also becoming her only album to reach the Billboard 200 list (#105). Smith's next two secular albums, Cute 'n' Country and Miss Smith Goes to Nashville went to number one and number two respectively between 1965 and 1966. In September 1966 Smith released her fifth studio album, Born to Sing, which was her third album to reach the top spot on the Billboard country albums chart. Due to Smith's popularity, RCA Victor issued five albums between 1967 and 1968 including Downtown Country (1967), Connie Smith Sings Bill Anderson (1967), and I Love Charley Brown (1968). In 1969, Smith collaborated with country artist Nat Stuckey on the album Young Love.
A Tribute to Roy Acuff: The King of Country Music is a studio album by American country artist Hank Locklin. It was released in February 1962 via RCA Victor Records. It was co-was produced by Chet Atkins and Anita Kerr. The project was a tribute record to fellow country artist and Grand Ole Opry member Roy Acuff. It featured a collection of 12 songs recorded famously by Acuff up to that point in his own career. The album received positive reviews and reception from critics following its release.
Country Hall of Fame is a studio album by American country singer–songwriter Hank Locklin. It was released in February 1968 via RCA Victor Records and contained 12 tracks. The album was co-produced by Chet Atkins and Felton Jarvis. The album's name was derived from its single of the same, which became Locklin's first major hit in several years. It would also be his seventeenth studio recording released in his career and one of many to be produced by Chet Atkins. Country Hall of Fame received positive reviews from writers and publications.