Pure Connie Smith | ||||
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Studio album by | ||||
Released | November 1977 | |||
Recorded | February – March 1977 | |||
Studio |
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Genre | Country pop [1] | |||
Label | Monument | |||
Producer | Ray Baker | |||
Connie Smith chronology | ||||
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Singles from Pure Connie Smith | ||||
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Pure Connie Smith is the twenty-ninth solo studio album by American country singer Connie Smith. It was released in November 1977 via Monument Records and contained ten tracks. The album was Smith's first with the Monument label. The album was recorded in a country pop production style featuring mostly new recordings. One single was released from the album, "Coming Around". The song charted the American country songs chart in 1977.
Connie Smith moved to Columbia Records in 1973 after 18 top ten Billboard country singles at the RCA Victor label in the 1960s. At Columbia, Smith had continued commercial success but with less frequency. Only two of her singles reached the country top ten, while a majority reached the top 20. [2] [3] Smith's final Columbia album was issued in 1976. [1] She left the label in 1977, theorizing that her music lacked the promotion that more popular Columbia acts received like George Jones or Tammy Wynette. [4] Instead, Smith signed with Monument Records in 1977, owned by Fred Foster. According to Smith, Foster told her that he wanted to craft her into "another Roy Orbison." [1]
Smith's first Monument album was recorded between February and March 1977. The project was cut at both the Columbia Studios and Woodland Sound Studios, both of which were located in Nashville, Tennessee. The sessions were produced by Ray Baker. [5] Baker had been serving as Smith's producer since 1973 and he moved forward with her to Monument. [6] The first Monument project consisted of ten tracks. [7] and a country pop approach that Smith was pressured into. [1] Included was a cover of "When It's Just You and Me", which had been a top 20 country single for Dottie West. [3] Smith also recorded new material written by songwriters (and artists) like Dallas Frazier, Don Gibson, Dave Loggins. [5]
Pure Connie Smith was released by Monument Records in November 1977. It was distributed as a vinyl LP, containing five songs on either side of the record. In total, it was the thirty first studio album of Smith's career. [5] The only single included on the album was "Coming Around", which was first issued in March 1977. [8] Spending seven weeks on the Billboard Hot Country Songs chart, it only reached number 58. It was Smith's second lowest-charting single up to that point. [9]
The album did not initially receive much critical attention. However, years later, Monument released a compilation of Smith's material titled Greatest Hits on Monument . Two tracks from Pure Connie Smith were featured on the disc. Reviewer Stephen Thomas Erlewine commented on the music's production and theorized why the music did not get notable attention. "This is commercial music that doesn't really work. It has a state-of-the-art production that dates instantly, walks the line between crossover pop and country-pop rather clumsly, and lacks good material. Smith still sings well throughout it, but it's not a very good showcase for her talents, nor is it very good as crossover pop -- it's too square and middle of the road, making the urban cowboy bubbling up at the time seem risky and edgy," he stated. [10]
No. | Title | Writer(s) | Length |
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1. | "Coming Around" | Red Lane | 2:27 |
2. | "That's What Loving You Can Do" | Don Gibson | 2:10 |
3. | "Don't Treat Me Like a Stranger" | Dave Loggins | 2:55 |
4. | "Scrapbook" | Tupper Saussy | 3:52 |
5. | "Every Move You Make (Is Saying Goodbye)" | Steve Collom | 2:30 |
No. | Title | Writer(s) | Length |
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1. | "It Pleases Me to Please You" | Loggins | 3:20 |
2. | "I Don't Want to Be Free" | Paul Craft | 2:15 |
3. | "When It's Just You and Me" | Kenny O'Dell | 3:39 |
4. | "You and Love and I" |
| 2:45 |
5. | "Lovin' One Day at a Time" | Kenny Walker | 2:41 |
All credits are adapted from the liner notes of Pure Connie Smith. [5]
Musical personnel
Technical personnel
Region | Date | Format | Label | Ref. |
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North America | November 1977 | Vinyl | Monument Records | [5] |
Connie Smith is an American country music singer and songwriter. Her contralto vocals have been described by music writers as significant and influential to the women of country music. A similarity has been noted between her vocal style and the stylings of country vocalist Patsy Cline. Other performers have cited Smith as influence on their own singing styles, which has been reflected in quotes and interviews over the years.
I Love Charley Brown is the tenth studio album by American country singer Connie Smith, released in April 1968 by RCA Victor. The album reached the top 20 of the American country albums chart. It was described as a collection of pop-inspired country songs. Included were four cuts written by Smith's longtime songwriting collaborator, Dallas Frazier. Among his cuts was one of the album's three singles, "Run Away Little Tears". Along with Frazier's cut, the two additional singles included reached the top ten of the American country songs chart. The album was met with favorable reviews from critics.
Sunshine and Rain is the eleventh studio album by American country singer Connie Smith, released in October 1968 by RCA Victor. Sunshine and Rain featured an assortment of both new material and covers of songs by other country artists. The album reached the top 40 of the American country albums chart and received a favorable review from Billboard magazine following its release.
Connie's Country is the twelfth studio album by American country singer Connie Smith, released in April 1969 by RCA Victor. The pop-inspired project included a mixture of original and cover songs. The album 'Connie's Country' was a hit, with a cover of Gordon Lightfoot's 'Ribbon of Darkness' reaching the top 20 on the American country songs chart. The album itself was also successful, placing in the top 20 on the American country albums chart. Critics praised the album for its quality and song selection.
Back in Baby's Arms is the thirteenth solo studio album by American country singer Connie Smith, released in October 1969 by RCA Victor. The album contained a mixture of both new recordings and cover versions of previously-recorded material. Back in Baby's Arms reached the top 20 of the American country albums chart in 1969 and received a four-star rating from AllMusic.
Just One Time is the sixteenth solo studio album by American country singer Connie Smith, released in June 1971 by RCA Victor. The album was named for the lead single of the same name, which reached the top five of the North American country charts in 1971. The album itself would chart in the top 20 of the American country LP's chart following its release. Additionally, Billboard magazine gave the project a positive reception when reviewing it in 1971.
A Lady Named Smith is the twentieth solo studio album by American country singer Connie Smith. It was released in May 1973 by Columbia Records, her first album for the label. The production and style featured a string instrumentation to help market Smith in the pop field. Included were a mix of new material and covers of previously-recorded songs by other artists. The album's only single was the original tune, "You've Got Me ", which reached the American country songs chart in 1973. A Lady Named Smith would also chart on the American country albums chart in 1973.
God Is Abundant is the twenty-first solo studio album by American country singer Connie Smith. It was released in November 1973 on Columbia Records and contained 11 tracks. The project was a collection of gospel recordings, chosen by Smith herself. Several of the songs included on the project were written by other country artists including Larry Gatlin, Kris Kristofferson and Dolly Parton. The album reached the top 20 of the American country LP's chart following its release.
That's the Way Love Goes is the twenty-second solo studio album by American country singer Connie Smith. It was released in March 1974 on Columbia Records and contained 11 tracks. The album included both original material and covers of songs first recorded by other music artists. Two singles were released from the album. "Ain't Love a Good Thing" reached the top ten of the American country songs chart and became her nineteenth top ten single in her career.
I Never Knew (What That Song Meant Before) is the twenty-third solo studio album by American country singer Connie Smith. It was released in August 1974 on Columbia Records and contained 11 tracks. The album was a mix of original material and covers of songs by other artists. The project was described as a set of traditional songs. Its title track was a single that reached the top 20 of the American country songs chart. The album itself charted the American country LP's chart following its release. The project was met with a favorable review from Billboard magazine.
I Got a Lot of Hurtin' Done Today / I've Got My Baby on My Mind is the twenty-fourth solo studio album by American country singer Connie Smith. It was released in January 1975 and contained 11 tracks. It was also considered to be one of her "most commercially-successful" discs of the decade, according to biographer Barry Mazor. Three singles were included on the project. Both "I've Got My Baby on My Mind" and her cover of "Why Don't You Love Me" reached the top 15 of the American country songs chart. "I Got a Lot of Hurtin' Done Today" would chart in the top 30. The album itself reached the American country LP's chart in early 1975. Billboard gave the album a positive review following its release.
Connie Smith Sings Hank Williams Gospel is the twenty-fifth solo studio album by American country singer Connie Smith. It was released in May 1975 via Columbia Records and contained 11 tracks. The project was a tribute to Hank Williams and was considered the first tribute gospel album of his material. Smith had found over half of the album's material through previously-unreleased recordings. The album would make a brief chart appearance on the American Country LP's survey in 1975.
Joy to the World is the twenty-sixth solo studio album by American country singer Connie Smith. It was released in October 1975 via Columbia Records and originally contained ten tracks. It was re-released decades later by Real Gone Music to digital sites and featured one new track. The album was Smith's first album of Christmas music.
The Song We Fell in Love To is the twenty-seventh solo studio album by American country singer Connie Smith. It was released in March 1976 on Columbia Records. The album contained ten tracks of material crafted in a country pop style that featured overdubbed vocal harmonies by Smith herself. Two singles were included on the project: the title track and a cover of The Everly Brothers's "(Till) I Kissed You". The latter single became Smith's first top ten American single in several years. The album itself peaked in the top 40 of the American Country LP's chart in 1976.
I Don't Wanna Talk It Over Anymore is the twenty-eight solo studio album by American country singer Connie Smith. It was released in October 1976 and contained ten tracks. The project's name was derived from the title track, which was one of three singles included. Its other single releases included a cover The Everly Brothers's "So Sad " and an original tune called "The Latest Shade of Blue". The title track was the album's most successful single, placing in the top 20 of the American country songs chart. The album received a positive response from Billboard magazine following its release. It was also Smith's final studio project released with the Columbia label.
New Horizons is the thirtieth solo studio album by American country singer Connie Smith. It was released in March 1978 and contained ten tracks. She had recently switched to Monument after several years with Columbia Records. The album was cut in a country pop production style that Smith felt pressured into. Yet three singles made the American country songs chart between 1977 and 1978, including the top 20 "I Just Want to Be Your Everything".
The singles discography of Connie Smith, an American country artist, consists of 48 singles, one music video and one additional charting song. After signing with RCA Victor Records in 1964, Smith released her debut single in August entitled "Once a Day". The song topped the Billboard Magazine Hot Country Singles chart by November and held the position for eight weeks, to date being the longest running song at number one by a female country artist. The single's success launched Smith into stardom, making Smith one of the decade's most successful female artists. The follow-up single "Then and Only Then" reached #4 on the country singles chart, while its flip side went to #25 on the same chart. All of Smith's singles released between 1965 and 1968 reached the top 10 on the Billboard country songs chart, including "If I Talk to Him", "Ain't Had No Lovin'", and "Cincinnati, Ohio". By 1969 Smith felt highly pressured from her career and cut back on promoting singles. Smith's chart success slightly declined because of this, with songs like "Ribbon of Darkness" (1969) and "Louisiana Man" (1970) only reaching the top 20. Other singles continued to peak within the top 10 including "I Never Once Stopped Loving You" (1970) and "Just One Time" (1971).
Greatest Hits on Monument is a compilation album by American country artist, Connie Smith. The album was released March 9, 1993, on Sony Music Entertainment and was produced by Ray Baker. The album was collection Smith's singles and other tracks recorded during her three years at Monument Records (1977–1979).
"Lovin' You Baby" is a song by American country music singer Connie Smith. It was composed by Troy Seals and Jo Ann Campbell Seals and was released as a single in 1978 via Monument Records. The song became a top 40 hit single on the American country chart that year and was later released on 1978 album, New Horizons.
Singer of Songs is a studio album by American country music artist Janie Fricke. It was released in May 1978 via Columbia Records and contained ten tracks. It was the debut studio album of Fricke's recording career and contained three songs that were released as singles to the country market. Its most successful single was a cover of "Please Help Me, I'm Fallin'", which reached the top 20 of the American country singles chart.