The Best of Connie Smith is a compilation album by American country singer Connie Smith. It was released in September 1967 via RCA Victor and featured 12 tracks. The disc was Smith's first compilation project released in her career and featured her most popular singles made commercially successful between 1964 and 1967. It also featured one new recording titled "I'll Come Runnin'". Penned by Smith herself and released as a single, the song became a top ten hit on the American country songs chart in 1967.
I Love Charley Brown is the tenth studio album by American country singer Connie Smith. It was released in April 1968 via RCA Victor and featured 12 tracks. The album reached the top 20 of the American country albums chart. It was described as a collection of pop-inspired country songs. Included were four cuts written by Smith's longtime songwriting collaborator, Dallas Frazier. Among his cuts was one of the album's three singles, "Run Away Little Tears". Along with Frazier's cut, the two additional singles included reached the top ten of the American country songs chart. The album was met with favorable reviews from critics.
Sunshine and Rain is the eleventh studio album by American country singer Connie Smith. It was released in October 1968 via RCA Victor and included 12 tracks. Sunshine and Rain featured an assortment of both new material and covers of songs by other country artists. The album reached the top 40 of the American country albums chart and received a favorable review from Billboard magazine following its release.
Connie's Country is the twelfth studio album by American country singer Connie Smith. It was released in April 1969 via RCA Victor and contained 12 tracks. The pop-inspired project included a mixture of original and cover songs. The album's cover of Gordon Lightfoot's "Ribbon of Darkness" was released as a single, reaching the top 20 of the American country songs chart. The album itself would place in the top 20 of the American country albums chart. It was met with favorable reviews following its release.
Young Love is a collaborative studio album by American country artists Connie Smith and Nat Stuckey. It was released in July 1969 via RCA Victor and contained 12 tracks. The project was a collection of duets between Smith and Stuckey. The duets were mostly cover versions of songs previously recorded by other country artists. Many of these songs had originally been released as duets themselves. Included on the project was the pair's cover of "Young Love", which became a top 20 single on the American country songs chart. In 1969, Billboard gave the album a favorable response.
Back in Baby's Arms is the thirteenth solo studio album by American country singer Connie Smith. It was released in October 1969 via RCA Victor and contained 11 tracks. The disc contained a mixture of both new recordings and cover versions of previously-recorded material. Back in Baby's Arms reached the top 20 of the American country albums chart in 1969 and received a four-star rating from AllMusic.
Sunday Morning with Nat Stuckey and Connie Smith is the second collaborative studio album by American country artists Nat Stuckey and Connie Smith. It was released in January 1970 via RCA Victor and contained 11 tracks. The disc was a collection of country gospel songs performed as duets by both artists. It was the pair's first album of religious music. Among the album's recording was the song "If God Is Dead ". Released as a single, the song charted in the top 60 of the American country chart in 1970. The album received a positive review from Billboard magazine following its release. In 2002, the album was re-released under the title God Will and included a twelfth track.
The Best of Connie Smith Volume II is a compilation album by American country singer Connie Smith. It was released in March 1970 via RCA Victor and contained ten tracks. It was the second "Best Of" compilation released by the RCA Victor label that featured Smith's musical output. The disc compiled Smith's most popular singles between 1967 and 1969. The album reached the top 30 of the American country albums chart following its release. Also included was two new recordings. Of these new recordings, one was released as a single in 1969. Titled "You and Your Sweet Love", it reached the top ten of the country singles chart.
I Never Once Stopped Loving You is a fourteenth solo studio album by American country singer Connie Smith. It was released in September 1970 on RCA Victor and contained ten tracks. The collection mixed original material with covers of previously-recorded songs. Three singles were included on the album: "You and Your Sweet Love", the title track and "Louisiana Man". Both "You and Your Sweet Love" and the title track reached the top ten on the American country songs chart in 1970. The album itself charted in the top 20 of the American country LP's survey. Billboard magazine gave the LP a positive response following its original release.
Where Is My Castle is fifteenth solo studio album by American country singer Connie Smith. It was released in January 1971 via RCA Victor and contained ten tracks. The album was described as a set of a traditional country songs and were considered to be autobiographical of Smith's life at the time. The disc's title track was released as a single in 1970 and reached the top 20 of the North American country charts. The album itself would chart in the top 40 of the American country LP's chart. Following its release, Billboard magazine gave it a positive review.
Just One Time is the sixteenth solo studio album by American country singer Connie Smith. It was released in June 1971 via RCA Victor and contained ten tracks. The album was named for the lead single of the same name, which reached the top five of the North American country charts in 1971. The album itself would chart in the top 20 of the American country LP's chart following its release. Additionally, Billboard magazine gave the project a positive reception when reviewing it in 1971.
Ain't We Havin' Us a Good Time is the eighteenth solo studio album by American country singer Connie Smith. It was released in April 1972 on the RCA Victor label. The project contained a total of ten tracks which were considered to have a "thicker seventies" sound, according to one biographer. Included on the album was Smith's single, "Just for What I Am". It became a top five single on the North American country songs chart while the album itself reached the American country LP's top 25. Ain't We Havin' Us a Good Time received a favorable review from Billboard magazine following its release.
"If It Ain't Love" and Other Great Dallas Frazier Songs is nineteenth solo studio album by American country singer Connie Smith. It was released in July 1972 via RCA Victor and contained ten tracks. The album is a collection of songs composed by songwriter Dallas Frazier. Three of these songs were duets between Smith and Frazier himself. The album's title track was spawned as a single in 1972 and reached the top ten of the American country chart. The album itself reached the top 20 of the American country LP's chart and it received a positive review from Billboard magazine.
Love Is the Look You're Looking for is a compilation album by American country singer Connie Smith. It was released in February 1973 via RCA Victor and contained ten tracks. It was Smith's third compilation released by the RCA Victor label and mostly included previously-recorded material. The album was issued following Smith's exit from RCA's roster. It was named for its title track, which became a top ten single on the North American country singles charts. The album itself would chart on the American country LP's chart in 1973.
Dream Painter is a compilation album by American country singer Connie Smith. It was released in July 1973 via RCA Victor and contained ten tracks. The album was released following Smith's departure from RCA Victor and contained previously-released material. Two new recordings were also featured, including the title track. Released as a single, the title track would reach the top 30 of American country songs chart. The album itself would chart the American country LP's chart in 1973.
Connie Smith's Greatest Hits, Vol. I is a compilation album by American country singer Connie Smith. It was released in October 1973 via RCA Victor and contained ten tracks. The disc was one of several compilations released following Smith's departure from the RCA label. It included ten of Smith's most popular singles from her career, such as the number one single, "Once a Day", and top ten single, "The Hurtin's All Over". The album charted on the American country LP's chart in 1973 and received a positive review from Billboard magazine.
God Is Abundant is the twenty-first solo studio album by American country singer Connie Smith. It was released in November 1973 on Columbia Records and contained 11 tracks. The project was a collection of gospel recordings, chosen by Smith herself. Several of the songs included on the project were written by other country artists including Larry Gatlin, Kris Kristofferson and Dolly Parton. The album reached the top 20 of the American country LP's chart following its release.
That's the Way Love Goes is the twenty-second solo studio album by American country singer Connie Smith. It was released in March 1974 on Columbia Records and contained 11 tracks. The album included both original material and covers of songs first recorded by other music artists. Two singles were released from the album. "Ain't Love a Good Thing" reached the top ten of the American country songs chart and became her nineteenth top ten single in her career.
Connie Smith Sings Hank Williams Gospel is the twenty-fifth solo studio album by American country singer Connie Smith. It was released in May 1975 via Columbia Records and contained 11 tracks. The project was a tribute to Hank Williams and was considered the first tribute gospel album of his material. Smith had found over half of the album's material through previously-unreleased recordings. The album would make a brief chart appearance on the American Country LP's survey in 1975.
I Don't Wanna Talk It Over Anymore is the twenty-eight solo studio album by American country singer Connie Smith. It was released in October 1976 and contained ten tracks. The project's name was derived from the title track, which was one of three singles included. Its other single releases included a cover The Everly Brothers's "So Sad " and an original tune called "The Latest Shade of Blue". The title track was the album's most successful single, placing in the top 20 of the American country songs chart. The album received a positive response from Billboard magazine following its release. It was also Smith's final studio project released with the Columbia label.
