Joy to the World (Connie Smith album)

Last updated
Joy to the World
Connie Smith-Joy to the World.jpg
Studio album by
ReleasedOctober 1975
RecordedAugust 20 – 22, 1974
StudioColumbia Studio B
Genre
Label Columbia
Producer Ray Baker
Connie Smith chronology
Connie Smith Sings Hank Williams Gospel
(1975)
Joy to the World
(1975)
The Song We Fell in Love To
(1976)

Joy to the World is the twenty-sixth solo studio album by American country singer Connie Smith. It was released in October 1975 via Columbia Records and originally contained ten tracks. It was re-released decades later by Real Gone Music to digital sites and featured one new track. The album was Smith's first album of Christmas music.

Contents

Background

In the 1970s, Connie Smith moved from RCA Victor to Columbia Records after 18 top ten Billboard country singles. She had discovered Christianity during this period, which prompted Columbia to let her record one gospel album per year. [3] [4] [5] Despite the contract terms, the only gospel collection released was 1973's God Is Abundant . No gospel collection was issued by Columbia in 1974 due to the label's lack of interest and Smith's unexpected time devoted to her pregnancy. Columbia instead issued two gospel albums of Smith's material in 1975, beginning in May with Connie Smith Sings Hank Williams Gospel . It would be followed by her first Christmas album, which would be titled Joy to the World. [6]

Smith had wanted to record a religious set of Christmas material for several years. In her initial contract with Columbia, executive Clive Davis noted that Smith would have the opportunity to record one Christmas collection. [7] According to biographer Barry Mazor, Smith "was not pressured" into cutting pop Christmas tunes. "I wanted a real Christmas album, about the real Christmas. And I wanted the old songs," Smith said. "I can't say I did this for mama, but I knew she would love it!" [6]

Recording and content

Smith recorded Joy to the World one year prior to the album's release. The album was cut over three sessions at Columbia Studio B, located in Nashville, Tennessee: August 20, August 21 and August 22, 1974. All three sessions were produced by Ray Baker, who had recorded Smith's previous three studio albums at Columbia. [8] Three overdub sessions were also added, however, production credits were unknown, according to biographer Barry Mazor. [9] Most of the project's material was dated and in the public domain. Therefore, Smith was credited as an arranger for most of the project's tracks. [6]

A total of ten tracks comprised the original collection. [10] As with previous albums, Smith chose the music. Among the tracks handpicked by her was "O Holy Night" and "What Child Is This?". "There are no better Christmas songs than 'O Holy Night' or 'What Child Is This'," she told Barry Mazor. Another chosen track was "Sweet Little Jesus Boy", which was notably done by gospel performer, Mahalia Jackson. "I wanted to do that one because I was a huge fan of hers, and that she'd done it impressed me so much," recalled Smith in 2021. She initially wanted to record "Little Drummer Boy" in the ballad style of a similar version cut by Ray Price. However, Smith was pressured into making an up-tempo version of the track. "I wound up doing what they [Columbia] wanted, but I've always regretted that I didn't cut it more my way," she told Mazor. [6] A duet version of "Silent Night, Holy Night" was added to the 2017 re-release of Joy to the World. The duet version included Willie Nelson and was first issued on a Christmas compilation in 1986. [1] [11]

Release and reception

Joy to the World was originally released by Columbia Records in October 1975. It was originally distributed as a vinyl LP, containing five songs on either side of the record. It was the twenty eighth studio album of Smith's career and her sixth with Columbia. [10] Upon its initial release, the album attracted little commercial attention. According to biographer Barry Mazor, the album "did not see much circulation either". Smith later theorized, "I don't think they even released it everywhere, and it became one of the rarest ones to find." [12] The only known promotion was done by Billboard, which featured an advertisement of the album and announced its release under the headline of "New LP/Tape Releases". [2] The album was re-released by Real Gone Music on November 3, 2017 as both a compact disc and in a digital format. [13] [14] It was the first Columbia album of Smith's music to be re-released. [11]

Track listings

Vinyl version

Side one [10]
No.TitleWriter(s)Length
1."What Child Is This?"Traditional3:34
2."O Holy Night"Traditional3:37
3."Go Tell It on the Mountain"Traditional2:25
4."The First Noel"Traditional2:27
5."Little Drummer Boy"2:19
Side two [10]
No.TitleWriter(s)Length
1."Sweet Little Jesus Boy" Robert MacGimsey 3:43
2."Away in a Manger" / "Silent Night" (medley)Traditional3:58
3."Joy to the World"Traditional2:04
4."O Come All Ye Faithful (Adeste Fideles)"Traditional3:18
5."While Shepherds Watched Their Flocks"Traditional2:33

Compact disc and digital versions

Joy to the World (Expanded Edition) [13] [14]
No.TitleWriter(s)Length
1."What Child Is This?"Traditional3:38
2."O Holy Night"Traditional3:41
3."Go Tell It on the Mountain"Traditional2:30
4."The First Noel"Traditional2:30
5."Little Drummer Boy"
  • Davis
  • Onorati
  • Simeone
2:23
6."Sweet Little Jesus Boy"MacGimsey3:47
7."Away in a Manger"/"Silent Night" (medley)Traditional4:01
8."Joy to the World"Traditional2:06
9."O Come All Ye Faithful"Traditional3:21
10."While Shepherds Watched Their Flocks"Traditional2:36
Bonus track on CD reissue
No.TitleWriter(s)Length
11."Silent Night, Holy Night" (duet with Willie Nelson)4:00

Personnel

All credits are adapted from the liner notes of Joy to the World [10] and the biography booklet by Barry Mazor titled The Latest Shade of Blue. [9]

Release history

RegionDateFormatLabelRef.
North AmericaOctober 1975VinylColumbia Records [10]
November 3, 2017
  • Compact disc
  • download
  • streaming
Real Gone Music [13] [14]

Related Research Articles

<span class="mw-page-title-main">Connie Smith</span> American country music artist (born 1941)

Connie Smith is an American country music singer and songwriter. Her contralto vocals have been described by music writers as significant and influential to the women of country music. A similarity has been noted between her vocal style and the stylings of country vocalist Patsy Cline. Other performers have cited Smith as influence on their own singing styles, which has been reflected in quotes and interviews over the years.

<i>Connies Country</i> 1969 studio album by Connie Smith

Connie's Country is the twelfth studio album by American country singer Connie Smith. It was released in April 1969 via RCA Victor and contained 12 tracks. The pop-inspired project included a mixture of original and cover songs. The album 'Connie's Country' was a hit, with a cover of Gordon Lightfoot's 'Ribbon of Darkness' reaching the top 20 on the American country songs chart. The album itself was also successful, placing in the top 20 on the American country albums chart. Critics praised the album for its quality and song selection.

<i>Back in Babys Arms</i> 1969 studio album by Connie Smith

Back in Baby's Arms is the thirteenth solo studio album by American country singer Connie Smith. It was released in October 1969 via RCA Victor and contained 11 tracks. The disc contained a mixture of both new recordings and cover versions of previously-recorded material. Back in Baby's Arms reached the top 20 of the American country albums chart in 1969 and received a four-star rating from AllMusic.

<i>Sunday Morning with Nat Stuckey and Connie Smith</i> 0000 studio album by Nat Stuckey and Connie Smith

Sunday Morning with Nat Stuckey and Connie Smith is the second collaborative studio album by American country artists Nat Stuckey and Connie Smith. It was released in January 1970 via RCA Victor and contained 11 tracks. The disc was a collection of country gospel songs performed as duets by both artists. It was the pair's first album of religious music. Among the album's recording was the song "If God Is Dead ". Released as a single, the song charted in the top 60 of the American country chart in 1970. The album received a positive review from Billboard magazine following its release. In 2002, the album was re-released under the title God Will and included a twelfth track.

<i>I Never Once Stopped Loving You</i> 1970 studio album by Connie Smith

I Never Once Stopped Loving You is the fourteenth solo studio album by American country singer Connie Smith. It was released in September 1970 on RCA Victor and contained ten tracks. The collection mixed original material with covers of previously-recorded songs. Three singles were included on the album: "You and Your Sweet Love", the title track and "Louisiana Man". Both "You and Your Sweet Love" and the title track reached the top ten on the American country songs chart in 1970. The album itself charted in the top 20 of the American country LP's survey. Billboard magazine gave the LP a positive response following its original release.

<i>Where Is My Castle</i> 1971 studio album by Connie Smith

Where Is My Castle is the fifteenth solo studio album by American country singer Connie Smith. It was released in January 1971 via RCA Victor and contained ten tracks. The album was described as a set of a traditional country songs and were considered to be autobiographical of Smith's life at the time. The disc's title track was released as a single in 1970 and reached the top 20 of the North American country charts. The album itself would chart in the top 40 of the American country LP's chart. Following its release, Billboard magazine gave it a positive review.

<i>Just One Time</i> (album) 1971 studio album by Connie Smith

Just One Time is the sixteenth solo studio album by American country singer Connie Smith. It was released in June 1971 via RCA Victor and contained ten tracks. The album was named for the lead single of the same name, which reached the top five of the North American country charts in 1971. The album itself would chart in the top 20 of the American country LP's chart following its release. Additionally, Billboard magazine gave the project a positive reception when reviewing it in 1971.

<i>Come Along and Walk with Me</i> 1971 studio album by Connie Smith

Come Along and Walk with Me is seventeenth solo studio album by American country singer Connie Smith. It was released in October 1971 via RCA Victor and consisted of ten tracks. The album was Smith’s third collection of gospel songs. The disc included original songs and covers of songs first cut by other artists. Among the song included on the project were three by gospel performer Dottie Rambo. Following its release, Billboard gave the album a positive review.

<i>Aint We Havin Us a Good Time</i> 1972 studio album by Connie Smith

Ain't We Havin' Us a Good Time is the eighteenth solo studio album by American country singer Connie Smith. It was released in April 1972 on the RCA Victor label. The project contained a total of ten tracks which were considered to have a "thicker seventies" sound, according to one biographer. Included on the album was Smith's single, "Just for What I Am". It became a top five single on the North American country songs chart while the album itself reached the American country LP's top 25. Ain't We Havin' Us a Good Time received a favorable review from Billboard magazine following its release.

<i>Dream Painter</i> 1973 compilation album by Connie Smith

Dream Painter is a compilation album by American country singer Connie Smith. It was released in July 1973 via RCA Victor and contained ten tracks. The album was released following Smith's departure from RCA Victor and contained previously-released material. Two new recordings were also featured, including the title track. Released as a single, the title track would reach the top 30 of American country songs chart. The album itself would chart the American country LP's chart in 1973.

<i>Connie Smiths Greatest Hits, Vol. I</i> 1973 greatest hits album by Connie Smith

Connie Smith's Greatest Hits, Vol. I is a compilation album by American country singer Connie Smith. It was released in October 1973 via RCA Victor and contained ten tracks. The disc was one of several compilations released following Smith's departure from the RCA label. It included ten of Smith's most popular singles from her career, such as the number one single, "Once a Day", and top ten single, "The Hurtin's All Over". The album charted on the American country LP's chart in 1973 and received a positive review from Billboard magazine.

<i>A Lady Named Smith</i> 1973 studio album by Connie Smith

A Lady Named Smith is the twentieth solo studio album by American country singer Connie Smith. It was released in May 1973 via Columbia Records and contained 11 tracks. The album was her first with the Columbia label. Its production and style featured a string instrumentation to help market Smith in the pop field. Included were a mix of new material and covers of previously-recorded songs by other artists. The album's only single was the original tune, "You've Got Me ", which reached the American country songs chart in 1973. A Lady Named Smith would also chart on the American country albums chart in 1973.

<i>God Is Abundant</i> 1973 studio album by Connie Smith

God Is Abundant is the twenty-first solo studio album by American country singer Connie Smith. It was released in November 1973 on Columbia Records and contained 11 tracks. The project was a collection of gospel recordings, chosen by Smith herself. Several of the songs included on the project were written by other country artists including Larry Gatlin, Kris Kristofferson and Dolly Parton. The album reached the top 20 of the American country LP's chart following its release.

<i>Thats the Way Love Goes</i> (Connie Smith album) 1974 studio album by Connie Smith

That's the Way Love Goes is the twenty-second solo studio album by American country singer Connie Smith. It was released in March 1974 on Columbia Records and contained 11 tracks. The album included both original material and covers of songs first recorded by other music artists. Two singles were released from the album. "Ain't Love a Good Thing" reached the top ten of the American country songs chart and became her nineteenth top ten single in her career.

<i>I Never Knew</i> (What That Song Meant Before) 1974 studio album by Connie Smith

I Never Knew (What That Song Meant Before) is the twenty-third solo studio album by American country singer Connie Smith. It was released in August 1974 on Columbia Records and contained 11 tracks. The album was a mix of original material and covers of songs by other artists. The project was described as a set of traditional songs. Its title track was a single that reached the top 20 of the American country songs chart. The album itself charted the American country LP's chart following its release. The project was met with a favorable review from Billboard magazine.

<i>I Got a Lot of Hurtin Done Today / Ive Got My Baby on My Mind</i> 1975 studio album by Connie Smith

I Got a Lot of Hurtin' Done Today / I've Got My Baby on My Mind is the twenty-fourth solo studio album by American country singer Connie Smith. It was released in January 1975 and contained 11 tracks. It was also considered to be one of her "most commercially-successful" discs of the decade, according to biographer Barry Mazor. Three singles were included on the project. Both "I've Got My Baby on My Mind" and her cover of "Why Don't You Love Me" reached the top 15 of the American country songs chart. "I Got a Lot of Hurtin' Done Today" would chart in the top 30. The album itself reached the American country LP's chart in early 1975. Billboard gave the album a positive review following its release.

<i>Connie Smith Sings Hank Williams Gospel</i> 1975 studio album by Connie Smith

Connie Smith Sings Hank Williams Gospel is the twenty-fifth solo studio album by American country singer Connie Smith. It was released in May 1975 via Columbia Records and contained 11 tracks. The project was a tribute to Hank Williams and was considered the first tribute gospel album of his material. Smith had found over half of the album's material through previously-unreleased recordings. The album would make a brief chart appearance on the American Country LP's survey in 1975.

<i>The Song We Fell in Love To</i> 1976 studio album by Connie Smith

The Song We Fell in Love To is the twenty-seventh solo studio album by American country singer Connie Smith. It was released in March 1976 on Columbia Records. The album contained ten tracks of material crafted in a country pop style that featured overdubbed vocal harmonies by Smith herself. Two singles were included on the project: the title track and a cover of The Everly Brothers's "(Till) I Kissed You". The latter single became Smith's first top ten American single in several years. The album itself peaked in the top 40 of the American Country LP's chart in 1976.

<i>I Dont Wanna Talk It Over Anymore</i> 1976 studio album by Connie Smith

I Don't Wanna Talk It Over Anymore is the twenty-eight solo studio album by American country singer Connie Smith. It was released in October 1976 and contained ten tracks. The project's name was derived from the title track, which was one of three singles included. Its other single releases included a cover The Everly Brothers's "So Sad " and an original tune called "The Latest Shade of Blue". The title track was the album's most successful single, placing in the top 20 of the American country songs chart. The album received a positive response from Billboard magazine following its release. It was also Smith's final studio project released with the Columbia label.

<i>New Horizons</i> (Connie Smith album) 1978 studio album by Connie Smith

New Horizons is the thirtieth solo studio album by American country singer Connie Smith. It was released in March 1978 and contained ten tracks. She had recently switched to Monument after several years with Columbia Records. The album was cut in a country pop production style that Smith felt pressured into. Yet three singles made the American country songs chart between 1977 and 1978, including the top 20 "I Just Want to Be Your Everything".

References

Footnotes

  1. 1 2 3 "Joy to the World: Connie Smith: Songs, reviews, credits". AllMusic . Retrieved 23 June 2022.
  2. 1 2 "CBS Christmas Announcement & New Tape Releases". Billboard . Vol. 87, no. 37. September 13, 1975. p. 8-66. Retrieved 23 June 2022.
  3. Mazor 2021, p. 11.
  4. Bush, John. "Connie Smith: Biography". AllMusic . Retrieved 22 June 2022.
  5. Whitburn, Joel (2008). Hot Country Songs 1944 to 2008. Record Research, Inc. ISBN   978-0-89820-177-2.
  6. 1 2 3 4 Mazor 2021, p. 43.
  7. Mazor 2021, pp. 11–43.
  8. Mazor 2021, pp. 55–57.
  9. 1 2 Mazor 2021, p. 57.
  10. 1 2 3 4 5 6 Smith, Connie (October 1975). "Joy to the World (LP Liner Notes and Album Information)". Columbia Records . C-33553.
  11. 1 2 Mazor 2021, p. 23.
  12. Mazor 2021, pp. 22–23.
  13. 1 2 3 Smith, Connie (November 3, 2017). "Joy to the World (CD Liner Notes and Album Information)". Real Gone Music. RGM-0644.
  14. 1 2 3 "Joy to the World (Expanded Edition) by Connie Smith". Apple Music . Retrieved 23 June 2022.

Books

  • Mazor, Barry (November 5, 2021). The Latest Shade of Blue: The Columbia Recordings 1973 – 1976 (Box Set Biography). Bear Family Records. BCD-17609.