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Robert Hebble, born in 1934, was an American composer, arranger, and organist. [1] He worked as a voluntary assistant to the organist Virgil Fox. [2] He died on February 17, 2020. [3]
The son of Christian and Elizabeth Hebble, Robert Hebble grew up in West Orange, New Jersey and was a graduate of West Orange High School, earned a bachelor of music degree from Yale University and a master's degree from the Juilliard School, where he studied with Vittorio Giannini and Roger Sessions. [4] He has composed in various genres, and arranged many of the pieces recorded by Virgil Fox.
Virgil Keel Fox was an American organist, known especially for his years as organist at Riverside Church in New York City, from 1946 to 1965, and his flamboyant "Heavy Organ" concerts of the music of Bach in the 1970s, staged complete with light shows. His many recordings made on the RCA Victor and Capitol labels, mostly in the 1950s and 1960s, have been remastered and re-released on compact disc in recent years. They continue to be widely available in mainstream music stores.
The "Salve Regina", also known as the "Hail Holy Queen", is a Marian hymn and one of four Marian antiphons sung at different seasons within the Christian liturgical calendar of the Catholic Church. The Salve Regina is traditionally sung at Compline in the time from the Saturday before Trinity Sunday until the Friday before the first Sunday of Advent. The Hail Holy Queen is also the final prayer of the Rosary.
Sir Edward Cuthbert Bairstow was an English organist and composer in the Anglican church music tradition.
Once in Royal David's City is a Christmas carol originally written as a poem by Cecil Frances Alexander. The carol was first published in 1848 in her hymnbook Hymns for Little Children. A year later, the English organist Henry Gauntlett discovered the poem and set it to music.
The Orgelbüchlein BWV 599−644 is a set of 46 chorale preludes for organ — one of them is given in two versions — by Johann Sebastian Bach. All but three were written between 1708 and 1717 when Bach served as organist to the ducal court in Weimar; the remainder and a short two-bar fragment came no earlier than 1726, after the composer’s appointment as cantor at the Thomasschule in Leipzig.
Membra Jesu nostri, BuxWV 75, is a cycle of seven cantatas composed in 1680 by Dieterich Buxtehude and dedicated to Gustaf Düben. More specifically and fully it is, in Buxtehude's phrase, a “devotione decantata,” or “sung devotion,” titled Membra Jesu nostri patientis sanctissima, which translates from the Latin as Limbs Most Holy of Our Suffering Jesus. Regarding genre, the cycle consists in seven concerto-aria cantatas, a form that had emerged in Germany in the 1660s. The stanzas of its main text are drawn from the medieval hymn Salve mundi salutare, also known as the Rhythmica oratio, formerly ascribed to Bernard of Clairvaux but now thought to be by Arnulf of Leuven. Each cantata addresses a part of Jesus' crucified body: feet, knees, hands, side, breast, heart and face; in each, Biblical words referring to the limb frame verses of the hymn's text.
"Herzliebster Jesu" is a Lutheran Passion hymn in German, written in 1630 by Johann Heermann, in 15 stanzas of 4 lines, first published in Devoti Musica Cordis in Breslau. As the original headline reveals, it is based on Augustine of Hippo; this means the seventh chapter of the so-called "Meditationes Divi Augustini", presently ascribed to John of Fécamp.
"Now thank we all our God" is a popular Christian hymn. Catherine Winkworth translated it from the German "Nun danket alle Gott", written c. 1636 by the Lutheran pastor Martin Rinkart. Its hymn tune, Zahn No. 5142, was published by Johann Crüger in the 1647 edition of his Praxis pietatis melica.
"In dulci jubilo" is a traditional Christmas carol. In its original setting, the carol is a macaronic text of German and Latin dating from the Middle Ages. Subsequent translations into English, such as J. M. Neale's arrangement "Good Christian Men, Rejoice" have increased its popularity, and Robert Pearsall's 1837 macaronic translation is a mainstay of the Christmas Nine Lessons and Carols repertoire. J. S. Bach's chorale prelude based on the tune is also a traditional postlude for Christmas services.
Russell Schulz-Widmar is a composer, author, and conductor, and a former Professor of Liturgical Music at the Seminary of the Southwest in Austin, Texas. For much of his career he lived in Austin, Texas and upon retirement he has divided his time between Berlin, Germany and Dallas, Texas. He is married to Hubertus Schulz-Wilke.
The Great Eighteen Chorale Preludes, BWV 651–668, are a set of chorale preludes for organ prepared by Johann Sebastian Bach in Leipzig in his final decade (1740–1750), from earlier works composed in Weimar, where he was court organist. The works form an encyclopedic collection of large-scale chorale preludes, in a variety of styles harking back to the previous century, that Bach gradually perfected during his career. Together with the Orgelbüchlein, the Schübler Chorales, the third book of the Clavier-Übung and the Canonic Variations, they represent the summit of Bach's sacred music for solo organ.
"Wie schön leuchtet der Morgenstern" is a Lutheran hymn by Philipp Nicolai written in 1597 and first published in 1599. It inspired musical settings through centuries, notably Bach's chorale cantata Wie schön leuchtet der Morgenstern, BWV 1, but also vocal and instrumental works by Baroque composers, Peter Cornelius, Felix Mendelssohn, Max Reger, Hugo Distler, Ernst Pepping, Mauricio Kagel and Naji Hakim.
"Jesu, meine Freude" is a hymn in German, written by Johann Franck in 1650, with a melody, Zahn No. 8032, by Johann Crüger. The song first appeared in Crüger's hymnal Praxis pietatis melica in 1653. The text addresses Jesus as joy and support, versus enemies and the vanity of existence. The poetry is bar form, with irregular lines from 5 to 8 syllables. The melody repeats the first line as the last, framing each of the six stanzas.
Camil Anton Johan Van Hulse was a Belgian-American pianist, organist, teacher, and composer.
"Herr Jesu Christ, dich zu uns wend" is a Lutheran hymn from the 17th century. Its hymn tune, Zahn No. 624, was adopted in several compositions. It was translated into English and is part of modern hymnals, both Protestant and Catholic.
"Herr Jesu Christ, du höchstes Gut" is the beginning of two Lutheran hymns. One is a penitential hymn, written in 1588 by Bartholomäus Ringwaldt, who possibly also created the melody. The other is an anonymous communion hymn, probably based on the former, which appeared first in 1713. Johann Sebastian Bach's used the penitential hymn several times, including the chorale cantata Herr Jesu Christ, du höchstes Gut, BWV 113, based on the hymn.
"Da Jesus an dem Kreuze stund" is a Lutheran Passion hymn in German by Johann Böschenstein (1472–1540), which contains seven stanzas related to seven sayings of Jesus on the cross, framed by a stanza to introduce them, and one to conclude the meditation. It appeared in 1537. The hymn tune is Zahn 1706.
Pierre Camonin was a French organist, composer and improviser.
Henri Jules Joseph Nibelle was a French organist, choral conductor and composer.
"Liebster Jesu, wir sind hier" is a Lutheran hymn with text written by Tobias Clausnitzer in 1663, and a hymn tune, Zahn No. 3498b, based on a 1664 melody by Johann Rudolph Ahle. A prayer for illumination, it is suitable for the opening of a church service and to be sung before a sermon. The song is part of the Protestant hymnal Evangelisches Gesangbuch as EG 161. It is also part of the Catholic hymnal Gotteslob as GL 149. It is popular also in English translations such as "Blessed Jesus, at your word" by Catherine Winkworth.
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