Second Fiddle to a Steel Guitar | |
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Directed by | Victor Duncan |
Written by | Seymour D. Rothman |
Produced by | Victor C. Lewis Jr. |
Starring | Arnold Stang Pamela Hayes Leo Gorcey Huntz Hall |
Cinematography | Gary Galbraith |
Edited by | John Mullen |
Music by | Audrey Williams |
Distributed by | Marathon Pictures (USA) Astral Films (Canada) |
Release date |
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Running time | 107 minutes |
Language | English |
Second Fiddle to a Steel Guitar is a 1965 American musical film directed by Victor Duncan, and is notable for the reunion of Bowery Boys Leo Gorcey and Huntz Hall. The film was released on September 15, 1965, by the independent Marathon Pictures.
Jubal A. Bristol loves country music, but his socially conscious wife thinks it's beneath her to listen to it. Mrs. Bristol is planning an operatic event for a theater, but the company that was supposed to perform is stranded in New York City. Jubal saves the day by gathering a large group of country artists, who stage a revue in the theater.
The cast includes a variety of country-music stars, including Faron Young, Kitty Wells, Homer and Jethro, Little Jimmy Dickens, Lefty Frizzell, Bill Monroe and The Bluegrass Boys, Dottie West, George Hamilton IV, Pete Drake, Sonny James, Minnie Pearl, Billy Walker, Connie Smith, Johnnie Wright, Del Reeves, and Webb Pierce.
Arnold Stang recalled that Second Fiddle to a Steel Guitar was conceived to benefit Audrey Williams, the widow of Hank Williams; and that Faron Young, as a favor to Mrs. Williams, personally recruited the all-star talent for this low-budget feature produced in Tennessee. [1] Audrey Williams receives screen credit for the music.
The film was deliberately edited so that it could reach a conclusion at the one-hour mark, but continue with musical encores for the rest of the film. This was so the film could be sold as a one-hour TV special (without the encores) if the longer-length theatrical release didn't work out. Because no major studio expressed interest in releasing Second Fiddle to a Steel Guitar to theaters nationally, the film was released regionally and became a success in theaters and drive-ins throughout the southern United States.
The film marked a reunion of former Dead End Kids turned Bowery Boys Leo Gorcey and Huntz Hall, who had not worked together since 1956 (in Crashing Las Vegas ). They, together with Stang, furnish the comedy throughout this musical feature. Much of the comedy is simple and unrehearsed (Gorcey and Hall as paperhangers putting up theatrical posters; Hall being mistaken for a genuine opera singer and repeatedly being hit over the head, etc.). For the only time since 1940, Huntz Hall was billed over Leo Gorcey in the advertising and promotional materials.
Gorcey and Hall reunited only once more, for a cameo appearance among other former movie stars in the youth-oriented comedy The Phynx (1970).
Second Fiddle to a Steel Guitar was released on DVD on February 27, 2007. [2]
The Dead End Kids were a group of young actors from New York City who appeared in Sidney Kingsley's Broadway play Dead End in 1935. In 1937, producer Samuel Goldwyn brought all of them to Hollywood and turned the play into a film. They proved to be so popular that they continued to make movies under various monikers, including the Little Tough Guys, the East Side Kids, and the Bowery Boys, until 1958.
Henry Richard "Huntz" Hall was an American radio, stage, and movie performer who appeared in the popular "Dead End Kids" movies, including Angels with Dirty Faces (1938), and in the later "Bowery Boys" movies, during the late 1930s to the late 1950s.
Leo Bernard Gorcey was an American stage and film actor, famous for portraying the leader of a group of hooligans known variously as the Dead End Kids, the East Side Kids and, as adults, The Bowery Boys. Gorcey was famous for his use of malapropisms, such as "I depreciate it!" instead of "I appreciate it!"
The Little Tough Guys were a group of actors who made a series of films and serials released by Universal Studios from 1938 through 1943. Many of them were originally part of The Dead End Kids, and several of them later became members of The East Side Kids and The Bowery Boys.
The Bowery Boys are fictional New York City characters, portrayed by a company of New York actors, who were the subject of 48 feature films released by Monogram Pictures and its successor Allied Artists Pictures Corporation from 1946 through 1958.
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In Fast Company is a 1946 American comedy film directed by Del Lord starring the comedy team of The Bowery Boys alongside Jane Randolph and Judy Clark. It is the second film in the series, which was produced by Monogram Pictures.
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Blues Busters is a 1950 American comedy film directed by William Beaudine and starring The Bowery Boys. The film was released on October 29, 1950 by Monogram Pictures and is the twentieth film in the series.
Ghost Chasers is a 1951 comedy horror film, starring The Bowery Boys. The film was released on April 29, 1951 by Monogram Pictures and is the twenty-second film in the series.
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Private Eyes is a 1953 comedy film starring The Bowery Boys. The film was released on December 6, 1953, by Allied Artists and is the thirty-second film in the series.
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Dig That Uranium is a 1956 American comedy film directed by Edward Bernds and starring the comedy team of The Bowery Boys, Raymond Hatton and Mary Beth Hughes. The film was released on January 8, 1956, by Allied Artists and is the fortieth film in the series.
Crashing Las Vegas is a 1956 American comedy film directed by Jean Yarbrough and starring the comedy team The Bowery Boys. The film was released on April 22, 1956 by Allied Artists and is the 41st film in the series. It was the last of the series to star Leo Gorcey.
Fighting Trouble is a 1956 American comedy film directed by George Blair and starring The Bowery Boys. It was released on September 16, 1956, by Allied Artists. The 42nd film in the Bowery Boys series, it was the first to feature Stanley Clements.
The East Side Kids were characters in a series of 22 films released by Monogram Pictures from 1940 through 1945. The series was a low-budget imitation of the Dead End Kids, a successful film franchise of the late 1930s.