"I Just Want to Be Your Everything" | ||||
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Single by Andy Gibb | ||||
from the album Flowing Rivers | ||||
B-side | "In the End" | |||
Released | April 1977 | |||
Recorded | October 1976 | |||
Studio | Criteria (Miami) | |||
Genre | ||||
Length | 3:47 (album version) 3:34 (single version) | |||
Label | RSO | |||
Songwriter(s) | Barry Gibb | |||
Producer(s) | Gibb-Galuten-Richardson | |||
Andy Gibb singles chronology | ||||
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Music video | ||||
"I Just Want to Be Your Everything" on YouTube |
"I Just Want to Be Your Everything" is a song recorded by Andy Gibb, initially released in April 1977 by RSO Records as the first single from his debut album Flowing Rivers (1977). The song was written by Gibb's older brother Barry, and produced by Gibb-Galuten-Richardson. It reached number 1 on the Billboard Hot 100 for three weeks, starting on the week ending 30 July 1977, and again for the week ending 17 September 1977. It was Gibb's first single released in the United Kingdom and United States. His previous single, "Words and Music" was only released in Australia. It is ranked number 26 on Billboard's 55th anniversary All Time Top 100. [3]
"I Just Want to Be Your Everything" was written by Barry Gibb in Bermuda, as well as "(Love Is) Thicker Than Water" with Andy Gibb credited as co-writer on the latter. [4] It was recorded in October 1976; the sessions were produced mainly by Albhy Galuten and Karl Richardson and with Barry on this track and "(Love Is) Thicker than Water"; Galuten also played keyboards and piano. Eagles guitarist Joe Walsh contributed guitar on this song. [5] The track is a fairly dramatic love song, with the singer declaring his unending passion and stating that without her, he would die. [6]
Andy reveals, "'I Just Want to Be Your Everything' was one of the most meaningful of all form, you know." He later recalls Barry Gibb's writing style: [7]
"So, once we discussed it all and got the deal together, me and Barry locked ourselves in a bedroom and Barry just started writing. When Barry writes, it is very hard to collaborate with him, because he is so quick. And before I knew it he was starting to do the chorus of ['I Just Want to Be Your Everything'], and I thought, 'Wow what a hook!'. He's an expert at his craft. Within about 20 minutes, he'd written a number one record; and then we went right into another one, ['(Love Is) Thicker than Water'.] [7]
Two mixes were prepared for the song; the more popular mix was released on the album & as the single version and the earlier mix was used for promotional purposes. The promo version had an additional keyboard that at times competed with the lead vocal. The drummer's high-hat count during both breakdowns was completely mixed out and Gibb's harmony vocal is more prevalent during ad-libs.[ citation needed ]
In Billboard , the song spent a cumulative four weeks at No. 1 on the Hot 100 chart. The song first reached the top of the chart on July 30 for the first of three consecutive weeks. Then, The Emotions went to No. 1 with "Best of My Love" on August 20 for the first of four straight weeks, during which time Gibb's song remained in the top three. When the Emotions fell out of the #1 spot, "I Just Want to be your Everything" shot back to #1 for an additional week, on September 17. It was replaced once again by "Best of My Love", but would spend a record 16 weeks in the top 10. That record would be surpassed in early 1978, by his brothers, Barry, Robin, and Maurice Gibb, performing as The Bee Gees, when their song "How Deep is Your Love" spent 17 weeks in the top 10. On Billboard's Hot 100, "I Just Want to be your Everything" ultimately enjoyed a 31-week chart run spanning from the end of April through the end of November. [8]
In Billboard's competitor magazine Cashbox , Gibb's hit stayed at #1 for three consecutive weeks, spent 12 weeks in the top 10, and 29 weeks on the Top 100. [9]
Cash Box said that "a high-pitched, boyish voice is the vehicle for this happy love song." [10] Record World said that "a sure pop touch should take this tune penned by brother Barry right up the charts." [11]
On the Top Singles Chart of Record World (another Billboard competitor), "I Just Want to be your Everything" racked up a five-week stay at #1, which, like its four-week run on Billboard, was interrupted by The Emotions' "Best of My Love". On the Record World chart, Gibb hit #1 on August 6, stayed there on August 13, then yielded to The Emotions for two weeks, before returning to #1 for two additional weeks beginning on September 3.[ citation needed ] It had a record 15 weeks in Record World's top 10, from mid-July to late October, and spent of a total of 32 weeks in the top 100. [12]
"I Just Want to be Your Everything" was Andy Gibb's longest-running chart single on Billboard, Record World, and Cashbox. In terms of year-end charts, they all ranked "I Just Want to be your Everything" as the #2 song of 1977, [13] [14] bested by Debby Boone's "You Light Up My Life" (in Cashbox and Record World) and by "Tonight's the Night" by Rod Stewart (in Billboard). [15] Gibb's song also appeared on the Soul Singles chart, peaking at number 19 and was nominated for a Grammy Award for Best Pop Vocal Performance, Male at the 20th Grammy Awards. The song became a gold record.
Weekly charts
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All-time charts
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"I Just Want to Be Your Everything" | ||||
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Single by Connie Smith | ||||
from the album New Horizons | ||||
Released | October 1977 | |||
Recorded | 1977 | |||
Genre | Country, Country pop | |||
Length | 3:16 | |||
Label | Monument Records | |||
Songwriter(s) | Barry Gibb | |||
Connie Smith singles chronology | ||||
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The best-known cover version of "I Just Want to Be Your Everything" was recorded by American country music artist Connie Smith. Released in the autumn of 1977, Smith's version, according to AMG reviewer Stephen Thomas Erlewine, was "relatively faithful" to Gibb's version [32] and — given its disco-influenced sound — also a departure from her honky-tonk songs of the 1960s and early 1970s. [32]
"I Just Want to Be Your Everything" peaked at #14 on Billboard Magazine's Hot Country Songs chart in 1978, becoming her last significant hit, as her further hits for Monument Records, such as "Lovin' You Baby" and "They'll Never Be Another for Me," peaked in progressively lower positions on the country chart between 1978 and 1979. [32]
Chart (1978) | Peak position |
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US Billboard Hot Country Singles [33] | 14 |
Canadian RPM Country Tracks [34] | 23 |
Andrew Roy Gibb was an English-Australian singer and songwriter. He was the younger brother of Barry, Robin, and Maurice Gibb, musicians who had formed the Bee Gees during the mid-1960s. Gibb came to prominence in the late 1970s through the early 1980s with eight singles reaching the Top 20 of the US Hot 100, three of which went to number one: "I Just Want to Be Your Everything" (1977), "(Love Is) Thicker Than Water" (1977), and "Shadow Dancing" (1978). In the early 1980s, he co-hosted the American music television series Solid Gold. He also performed in a production of The Pirates of Penzance and Joseph and the Amazing Technicolor Dreamcoat. Gibb would later struggle with drug addiction and depression. He died on 10 March 1988, five days after his 30th birthday.
"Night Fever" is a song written and performed by the Bee Gees. It first appeared on the soundtrack to Saturday Night Fever on RSO Records. Producer Robert Stigwood wanted to call the film Saturday Night, but singer Robin Gibb expressed hesitation at the title. Stigwood liked the title Night Fever but was wary of marketing a movie with that name. The song bounded up the Billboard charts while the Bee Gees’ two previous hits from Saturday Night Fever soundtrack were still in the top ten. The record debuted on the Billboard Hot 100 Chart at #76, then leaped up 44 positions to #32. It then moved: 32–17–8–5–2–1. It remained at #1 for eight weeks, and ultimately spent 13 weeks in the top 10. For the first five weeks that "Night Fever" was at #1, "Stayin' Alive" was at #2. Also, for one week in March, Bee Gees related songs held five of the top positions on the Hot 100 chart, and four of the top five positions, with "Night Fever" at the top of the list. The B-side of "Night Fever" was a live version of "Down the Road" taken from the Bee Gees 1977 album, Here at Last... Bee Gees... Live.
"Stayin' Alive" is a song written and performed by the Bee Gees from the Saturday Night Fever motion picture soundtrack. The song was released in December 1977 by RSO Records as the second single from the Saturday Night Fever soundtrack. The band wrote the song and co-produced it with Albhy Galuten and Karl Richardson. It is one of the Bee Gees' signature songs. In 2004, "Stayin' Alive" was placed at No. 189 by Rolling Stone on their list of the 500 Greatest Songs of All Time. The 2021 updated Rolling Stone list of 500 Greatest Songs placed "Stayin' Alive" at No. 99. In 2004, it ranked No. 9 on AFI's 100 Years...100 Songs survey of top tunes in American cinema. In a UK television poll on ITV in December 2011 it was voted fifth in The Nation's Favourite Bee Gees Song.
"Too Much Heaven" is a song by the Bee Gees, which was the band's contribution to the "Music for UNICEF" fund. They performed it at the Music for UNICEF Concert on 9 January 1979. The song later found its way to the group's thirteenth original album, Spirits Having Flown. It hit No. 1 in both the US and Canada. In the United States, the song was the first single out of three from the album to interrupt a song's stay at #1. "Too Much Heaven" knocked "Le Freak" off the top spot for two weeks before "Le Freak" returned to #1 again. "Too Much Heaven" also rose to the top three in the UK. In the US, it would become the fourth of six consecutive No. 1s, equalling the record set by Bing Crosby, Elvis Presley, and the Beatles for the most consecutive No. 1 songs. The six Bee Gee songs are "How Deep Is Your Love", "Stayin' Alive", "Night Fever", "Too Much Heaven", "Tragedy" and "Love You Inside Out". The songs spanned the years of 1977, 1978 and 1979.
"Words" is a song by the Bee Gees, written by Barry, Robin and Maurice Gibb. The song reached No. 1 in Germany, Canada, Switzerland, and the Netherlands.
"How Deep Is Your Love" is a pop ballad written and recorded by the Bee Gees in 1977 and released as a single in September of that year. It was ultimately used as part of the soundtrack to the film Saturday Night Fever. It was a number-three hit in the United Kingdom and Australia. In the United States, it topped the Billboard Hot 100 on 25 December 1977 and stayed in the Top 10 for 17 weeks. It spent six weeks atop the US adult contemporary chart. It is listed at No. 27 on Billboard's All Time Top 100. Alongside "Stayin' Alive" and "Night Fever", it is one of the group's three tracks on the list. The song was covered by Take That for their 1996 Greatest Hits album, reaching No. 1 on the UK Singles Chart for three weeks.
"Heartbreaker" is a song performed by American singer Dionne Warwick. It was written by Barry, Robin and Maurice Gibb of the Bee Gees for her 1982 studio album of the same name, while production was helmed by Barry Gibb, Albhy Galuten and Karl Richardson under their production moniker Gibb-Galuten-Richardson. Barry Gibb's backing vocal is heard on the chorus.
"Woman in Love" is a song performed by Barbra Streisand and taken from her 1980 album Guilty. The song was written by Barry and Robin Gibb of the Bee Gees, who received the 1980 Ivor Novello award for Best Song Musically and Lyrically. It is her fourth of four Platinum records, and is considered her greatest international hit.
"(Love Is) Thicker Than Water" is a song performed by Andy Gibb, released in September 1977 as the second and final single by RSO Records from his debut album, Flowing Rivers (1977). The song was his second single that topped the US Billboard Hot 100. It was mainly written by Barry Gibb, with help from Andy Gibb and produced by Gibb-Galuten-Richardson. The B-side of this song was "Words and Music" in the US, but "Flowing Rivers" in the UK. It became a gold record.
"Shadow Dancing" is a disco song performed by English singer-songwriter Andy Gibb. The song was released in April 1978 as the lead single by RSO Records from his second studio album of the same name. The song reached number one for seven consecutive weeks on the Billboard Hot 100 in 1978. It was written by Andy and his older brothers, Barry, Maurice and Robin Ribb and Albhy Galuten arranged the song with Barry Gibb. While Andy Gibb would have three more Top 10 hits in the U.S., this would be his final chart-topping hit in the United States. The song became a platinum record.
"First of May" is a song by the Bee Gees with lead vocals by Barry Gibb, released as a single from their 1969 double album Odessa. Its B-side was "Lamplight". It also featured as the B-side of "Melody Fair" when that song was released as a single in the Far East in 1971 as well as in 1976 and 1980 on RSO Records. It was the first Bee Gees single to be released after lead guitarist Vince Melouney had left the group.
"Guilty" is a vocal duet between Barbra Streisand and Barry Gibb. The song was written by all three Bee Gees: Barry, Robin & Maurice Gibb. Released as a single from Streisand's 1980 album of the same name, "Guilty" peaked at No. 3 on the US Billboard Hot 100 chart and No. 5 on the adult contemporary chart. In the UK, the song reached No. 34 on the UK Singles Chart. The single was certified gold by the RIAA. In addition, "Guilty" won a Grammy Award in the category Best Pop Vocal Performance, Duo or Group. The song also appeared on the 2001 Bee Gees compilation, Their Greatest Hits: The Record.
"Run to Me" is a song by the Bee Gees, the lead single from the group's album To Whom It May Concern (1972). The song reached the UK Top 10 and the US Top 20.
Flowing Rivers is the debut studio album by English singer-songwriter Andy Gibb. The album was produced by Albhy Galuten and Karl Richardson, with Barry Gibb on two tracks. It was released in September 1977 on RSO. Flowing Rivers was re-released by Polydor Records in 1998 in CD version.
Shadow Dancing is the second studio album by English singer-songwriter Andy Gibb, released by RSO Records in June 1978 in the United States and September 1978 in the United Kingdom. It was Gibb's highest charting album in some countries including America and in Canada. This LP was his only album to chart in the UK. Four singles, including the three US Top 10 singles, were released from the album.
"Fanny (Be Tender with My Love)" is a song written and performed by the Bee Gees for their Main Course album in 1975. It was the third single release from the album, peaking at number 12 on the United States Billboard Hot 100 and number two in Canada. According to Maurice Gibb, producer Quincy Jones called "Fanny" one of his favorite R&B songs of all time.
"(Our Love) Don't Throw It All Away" is a song penned by Barry Gibb and Blue Weaver and recorded by the Bee Gees in 1977 on the Saturday Night Fever sessions but was not released until Bee Gees Greatest (1979). A different version was released in September 1978 by RSO Records as the third single by Andy Gibb from his second studio album Shadow Dancing. His version was produced by Gibb-Galuten-Richardson.
"An Everlasting Love" is a song written by Barry Gibb, performed by Andy Gibb, released in June 1978 by RSO Records as the second single from his second studio album Shadow Dancing. It was produced by Gibb-Galuten-Richardson. The song peaked at #5 on the Hot 100 on 23 September 1978 and #10 in the UK. "An Everlasting Love" was Gibb's only Top 10 hit in the United Kingdom.
"Time Is Time" is a song written by Andy and Barry Gibb. Andy Gibb performs this song and was released as a single in November 1980 and included on Andy Gibb's Greatest Hits. The B-side, "I Go for You" was originally from his 1978 album Shadow Dancing.
Gibb-Galuten-Richardson were a British-American record producing team, consisting of Bee Gees founding member and British singer-songwriter Barry Gibb, American musician and songwriter Albhy Galuten and American sound engineer Karl Richardson. They produced albums and singles for Andy Gibb, Samantha Sang, Frankie Valli, Teri DeSario, Barbra Streisand, Dionne Warwick, Kenny Rogers, Dolly Parton and Diana Ross.
The song is the same kind of slick, ingratiating lite-funk that had become the Bee Gees' trademark.