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Established | 1967 |
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Location | 222 Rep. John Lewis Way S Nashville, Tennessee 37203 |
Type | History museum |
Visitors | More than 1.2 million in 2019 |
Director | Kyle Young |
Website | www |
The Country Music Hall of Fame and Museum in Nashville, Tennessee, is one of the world's largest museums and research centers dedicated to the preservation and interpretation of American vernacular music. Chartered in 1964, the museum has amassed one of the world's most extensive musical collections. [1]
The Country Music Hall of Fame and Museum is the world's largest repository of country music artifacts. Early in the 1960s, as the Country Music Association's (CMA) campaign to publicize country music was accelerating, CMA leaders determined that a new organization was needed to operate a country music museum and related activities beyond CMA's scope as a simply a trade organization. Toward this end, the nonprofit Country Music Foundation (CMF) was chartered by the state of Tennessee in 1964 to collect, preserve, and publicize information and artifacts relating to the history of country music. Through CMF, industry leaders raised money with the effort of CMA Executive Director Jo Walker-Meador to build the Country Music Hall of Fame and Museum, which opened on April 1, 1967. The original building was a barn-shaped structure located at the head of Music Row, erected on the site of a small Nashville city park. [2] This hall of fame was modeled after the National Baseball Hall of Fame and Museum in Cooperstown, New York. [3] At this point, artifacts began to be displayed and a small library was begun in a loft above one of the museum's galleries. [1]
Early in the 1970s, the basement of the museum building was partially complete, and library expansion began, embracing not only recordings, but also books and periodicals, sheet music and songbooks, photographs, business documents, and other materials. At the outset, CMA staff had run the museum, but by 1972, the museum (already governed by its own independent board of directors) acquired its own small staff.
Building expansion took place in 1974, 1977, and 1984 to store and display the museum's growing collection of costumes, films, historic cars, musical instruments, and other artifacts. An education department was created to conduct ongoing programs with Middle Tennessee schools; an oral history program was begun; and a publications department was launched to handle books, as well as the Journal of Country Music. [4]
To become more accessible, the Country Music Hall of Fame and Museum moved to a new, 140,000-square-foot (13,000 m2) facility in the heart of downtown Nashville's arts and entertainment district in May 2001. In 2014, the museum unveiled a $100 million expansion, doubling its size to 350,000 square feet of galleries, archival storage, education classrooms, retail stores, and special event space.
In the museum's core exhibition, Sing Me Back Home: A Journey Through Country Music, visitors are immersed in the history and sounds of country music. The story is revealed through artifacts, photographs, text panels, recorded sound, vintage video, and interactive touchscreens. Sing Me Back Home is enhanced by rotating limited-engagement exhibits. The ACM Gallery and the Dinah and Fred Gretsch Family Gallery features artifacts from today's country stars and a series of technology-enhanced activities. The ACM Gallery houses the annual exhibition, American Currents: State of Music, which chronicles country music's most recent past.
In addition to the galleries, the museum has the 776-seat CMA Theater, the Taylor Swift Education Center, and multi-purpose event rental spaces. Other historic properties of the Country Music Hall of Fame and Museum include one of the country's oldest letterpress print shop Hatch Show Print (located inside the museum) and Historic RCA Studio B [5] (located on Music Row), Nashville's oldest surviving recording studio, where recordings by Country Music Hall of Fame members Elvis Presley, Dolly Parton, Waylon Jennings, and many others were made.
The Country Music Hall of Fame and Museum has developed multiple platforms to make its collection accessible to a wider audience. From weekly instrument demonstrations to its flagship songwriting program for schools, Words & Music, the museum offers an aggressive schedule of educational and family programs. The museum also operates CMF Records, a Grammy-winning re-issue label (The Complete Hank Williams and Night Train to Nashville: Music City Rhythm & Blues, 1945–1970); and CMF Press, a publishing imprint that has released books in cooperation with Vanderbilt University Press and other major trade publishing houses.
The Hall of Fame Rotunda features a mural, The Sources of Country Music, by Thomas Hart Benton. It was Benton's final work; as he died in his studio while completing it. [6]
For a professional in the country music field, membership in the Country Music Hall of Fame, is the highest honor the genre can bestow. An invitation can be extended to performers, songwriters, broadcasters, musicians, and executives in recognition of their contributions to the development of country music. The hall of fame honor was created in 1961 by the Country Music Association (CMA); the first inductees were Hank Williams, Jimmie Rodgers, and Fred Rose. Roy Acuff, the first living artist to join the Hall of Fame, was elected in 1962. The most recent inductees (class of 2024) are John Anderson, James Burton, and Toby Keith. [7]
Over the Hall of Fame's history, the number of new members inducted each year has varied from one to twelve (no nominee was inducted in 1963, no candidate having received sufficient votes). Election to the Country Music Hall of Fame is solely the prerogative of the CMA. New members, elected annually by a panel of industry executives chosen by the CMA, are inducted formally during the Medallion Ceremony, part of the annual reunion of Country Music Hall of Fame members hosted by the Country Music Hall of Fame and Museum. The Country Music Hall of Fame® and Museum is a 501(c)(3) non-profit educational organization and does not participate in the election.
Bas-relief portraits (similar to that in the Baseball Hall of Fame in New York) cast in bronze honoring each Hall of Fame member were originally displayed at the Tennessee State Museum in downtown Nashville until the Country Music Hall of Fame and Museum opened its own building in April 1967; in this barn-roofed facility at the head of Music Row, the bronze plaques formed a special exhibit. Through a licensing agreement with the CMA, the Museum exhibits the bronze plaques commemorating membership in a space and fashion befitting the honor.
The museum's collections document country music from its folk roots through today. Artifacts and archival materials not on exhibit are housed in the museum's 46,000 square foot secure, climate-controlled collections storage rooms and in the Frist Library and Archives, located on museum's third floor. The collection includes:
The downtown building was designed by Nashville's Tuck-Hinton Architectural Firm with Seab Tuck as the project architect. [8] When viewed from the air, the building forms a massive bass clef. The point on the sweeping arch of the building suggests the tailfin of a 1959 Cadillac sedan. The building's front windows resemble piano keys. The tower on top of the Rotunda that extends down the Hall of Fame is a replica of the distinctive diamond-shaped WSM radio tower, which was originally built in 1932 just south of Nashville and is still in operation.
The Rotunda itself is replete with symbolic architectural elements. For example, the exterior of this cylindrical structure can be viewed variously as a drum kit, a rural water tower, or grain silo. The four disc tiers of the Rotunda's roof evoke the evolution of recording technology—the 78, the vinyl LP, the 45, and the CD. Stone bars on the Rotunda's outside wall symbolize the notes of the Carter Family's classic song "Will the Circle Be Unbroken", while the title of the song rings the interior of the structure. The Hall of Fame member's plaques housed within the Rotunda are reminiscent of notes on a musical staff.
Solid, earthy materials native to the Mid-South—wood, concrete, steel, and stone—were used in the building's construction as a reminder of the music's strong roots in the lives of working Americans. Georgia yellow pine adorns the floors of the Conservatory and is also found in the Hall of Fame Rotunda the Ford Theater. Crab Orchard Stone from the East Tennessee mountains lend a homey, rustic touch to the Conservatory's "front porch" atmosphere and is also found on the Rotunda's walls. The large steel beams supporting the Conservatory's glass ceiling and walls conjure up images of rural railroad bridges. In another transportation metaphor, the cascading water along the Grand Staircase calls to mind the mighty rivers that have inspired so much of our nation's music and have physically connected musicians in various regions of the nations.
Musical symbolism continues within the museum galleries. Hardwood floors, curtain-like exhibit-case fronts, and low hanging lights suspended by cables create the backstage atmosphere of the Third Floor. Similarly, modular exhibit stations and vinyl floors evoke a recording studio environment on the Second Floor.
Chester Burton Atkins, also known as "Mr. Guitar" and "The Country Gentleman", was an American musician who, along with Owen Bradley and Bob Ferguson, helped create the Nashville sound, the country music style which expanded its appeal to adult pop music fans. He was primarily a guitarist, but he also played the mandolin, fiddle, banjo, and ukulele, and occasionally sang.
The Nashville Sound originated during the mid-1950s as a subgenre of American country music, replacing the chart dominance of the rough honky tonk music, which was most popular in the 1940s and 1950s, with "smooth strings and choruses", "sophisticated background vocals" and "smooth tempos" associated with traditional pop. It was an attempt "to revive country sales, which had been devastated by the rise of rock 'n' roll".
The Museum of History & Industry (MOHAI) is a history museum in the South Lake Union neighborhood of Seattle, Washington, United States. It is the largest private heritage organization in Washington state, maintaining a collection of nearly four million artifacts, photographs, and archival materials primarily focusing on Seattle and the greater Puget Sound region. A portion of this collection is on display in the museum's galleries at the historic Naval Reserve Armory in Lake Union Park.
The Frist Art Museum, formerly known as the Frist Center for the Visual Arts, is an art exhibition hall in Nashville, Tennessee, housed in the city's historic U.S. Post Office building, which is listed on the National Register of Historic Places.
Stephen Henry Sholes was a prominent American recording executive with RCA Victor.
Floyd Cramer was an American pianist who became famous for his use of melodic "whole-step" attacks. He was inducted into both the Country Music Hall of Fame and the Rock and Roll Hall of Fame. His signature playing style was a cornerstone of the pop-oriented "Nashville sound" of the 1950s and 1960s. Cramer's "slip-note" or "bent-note" style, in which a passing note slides almost instantly into or away from a chordal note, influenced a generation of pianists. His sound became popular to the degree that he stepped out of his role as a sideman and began touring as a solo act. In 1960, his piano instrumental solo, "Last Date" went to number two on the Billboard Hot 100 pop music chart and sold over one million copies. Its follow-up, "On the Rebound", topped the UK Singles Chart in 1961. As a studio musician, he became one of a cadre of elite players dubbed the Nashville A-Team and he performed on scores of hit records.
Music Row is a historic district located southwest of downtown Nashville, Tennessee, United States. Widely considered the heart of Nashville's entertainment industry, Music Row has also become a metonymous nickname for the music industry as a whole, particularly in country music, gospel music, and contemporary Christian music.
RCA Studio B was a music recording studio built in 1956 in Nashville, Tennessee by RCA Victor. Originally known simply as "RCA Studios," Studio B, along with the larger and later RCA Studio A became known in the 1960s for being an essential factor to the development of the musical production style and sound engineering technique known as the Nashville Sound. In the two decades the studio was in operation, RCA Studio B produced 60 percent of the Billboard magazine's Country chart hits. The studio closed in 1977.
William Owen Bradley was an American musician, bandleader and record producer who, along with Chet Atkins, Bob Ferguson, Bill Porter, and Don Law, was a chief architect of the 1950s and 60s Nashville sound in country music and rockabilly.
The Tennessee State Museum is a large museum in Nashville depicting the history of the U.S. state of Tennessee. The current facility opened on October 4, 2018, at the corner of Rosa Parks Boulevard and Jefferson Street at the foot of Capitol Hill by the Bicentennial Capitol Mall State Park. The 137,000-square-foot building includes a Tennessee Time Tunnel chronicling the state's history by leading visitors though the museum's permanent collection, a hands-on children's gallery, six rotating galleries, a digital learning center, and a two-story Grand Hall. Exhibitions include significant artifacts related to the state's history, along with displays of art, furniture, textiles, and photographs produced by Tennesseans. The museum's Civil War holdings consists of uniforms, battle flags, and weapons. There is no admission charge for visitors.
Broadway is a major thoroughfare in the downtown area in Nashville, Tennessee. It includes Lower Broadway, an entertainment district renowned for honky tonks and live country music.
Tourism in Memphis includes the points of interest in Memphis, Tennessee such as museums, fine art galleries, and parks, as well as Graceland the Beale Street entertainment district, and sporting events.
The Grammy Museum is any of a group of museums containing exhibits relating to winners of the Grammy Award for achievement in recording.
The Grammy Museum is an interactive, educational museum devoted to the history and winners of the Grammy Awards. The Museum has interactive touch-screens, videos, recording booths, and a collection of historical music artifacts including costumes and instruments from the Grammy Awards, hand-written lyrics, records, and audio/video recordings.
The Country Music Foundation (CMF) chartered by the state of Tennessee in 1964, is a non-profit organization dedicated to the preservation and education surrounding country music. The CMF currently employs more than 70 full-time professionals and is "the world's largest research center devoted to a single form of popular music."
The Musicians Hall of Fame and Museum (MHOF) in Nashville honors all musicians regardless of genre or instrument. The MHOF timeline starts with the beginning of recorded music and inductees are nominated by current members of the American Federation of Musicians and by other music industry professionals.
The Johnny Cash Museum opened in May 2013 in Nashville, Tennessee, to honor the life and music of the country superstar often referred to as the "Man in Black." It houses the world's largest collection of Johnny Cash memorabilia and artifacts, including a stone wall taken from his lake house in Hendersonville, Tennessee, and is officially authorized by Cash's estate.
The Patsy Cline Museum is a museum that opened on April 7, 2017 on the second floor of the Johnny Cash Museum building on Third Avenue South in Nashville, Tennessee. It is home to an extensive collection of Patsy Cline memorabilia as well as real-life artifacts once owned by the country singer, who died in a plane crash in 1963 at the age of 30.
Jerry Owen Bradley was an American music executive known for his role in country music. As head of RCA Records in Nashville from 1973 to 1982, Bradley was involved in the marketing and creation of the first platinum album in country music, Wanted! The Outlaws, which reached that mark in 1976. Bradley was inducted in the Country Music Hall of Fame in 2019.
Hubert Long was an American music executive known for his promotion of country music artists from the early 1950s to his death in 1972. Long created a talent agency named for him in 1952 and one of Nashville's first independent talent agencies, Stable of Stars, three years later. A founding board member of the Country Music Association (CMA) and the Country Music Foundation (CMF), Long was posthumously inducted into the Country Music Hall of Fame in 1979.