Ryman Auditorium (originally Union Gospel Tabernacle and renamed Grand Ole Opry House for a period) is a historic 2,362-seat live-performance venue located at 116 Rep. John Lewis Way North, in the downtown core of Nashville, Tennessee, United States. A Rock & Roll Hall of Fame Landmark, National Historic Landmark, and the former home of the Grand Ole Opry, it is one of the most influential and revered concert halls in the world[citation needed]. It is best known as the home of the Grand Ole Opry from 1943 to 1974. It is owned and operated by Ryman Hospitality Properties, Inc. Ryman Auditorium was listed on the National Register of Historic Places in 1971 and was later designated as a National Historic Landmark on June 25, 2001, for its pivotal role in the popularization of country music.[1][2] A storied stage for Rock & Roll artists for decades, the Ryman was named a Rock & Roll Hall of Fame Landmark in 2022.[3]
The auditorium opened as the Union Gospel Tabernacle in 1892. Its construction was spearheaded by Thomas Ryman (1843–1904), a Nashville businessman who owned several saloons and a fleet of riverboats. Ryman conceived the idea of the auditorium as a tabernacle for the influential revivalist Samuel Porter Jones.[4] He had attended one of Jones' 1885 tent revivals with the intent to heckle, but was instead converted into a devout Christian who pledged to build the tabernacle so the people of Nashville could attend large-scale revivals indoors. It took seven years to complete and cost US$100,000(equivalent to $3,257,037 in 2022).[5] Jones held his first revival at the site on May 25, 1890, when only the building's foundation and six-foot (1.8m) walls had been completed.[6]
Architect Hugh Cathcart Thompson designed the structure. Exceeding its construction budget, the tabernacle opened US$20,000(equivalent to $651,407 in 2022) in debt. Jones sought to name the tabernacle in Ryman's honor, but Ryman denied the request several times. When Ryman died in 1904, his memorial service was held at the tabernacle, with Jones officiating. During the service, Jones proposed the building be renamed as Ryman Auditorium, which was met with the overwhelming approval of the attendees.[5] Jones died less than two years later in 1906.
The building was originally designed to contain a balcony, but a lack of funds delayed its completion. The balcony was built and opened in time for the 1897 gathering of the United Confederate Veterans, with funds provided by members of the group. As a result, the balcony was once called the Confederate Gallery.[6] Upon completion of the balcony, the Ryman's capacity rose to 6,000. In 2017, the "Confederate Gallery" plaque was removed and replaced with one that reads "1892 Ryman Auditorium." A stage was added in 1901 that reduced the capacity to just over 3,000.
Statue of Thomas Ryman, outside the entrance to the auditorium which bears his name
Under the leadership of Lula C. Naff
Though the building was designed as a house of worship – a purpose it continued to serve throughout most of its early years – it was often leased to promoters for nonreligious events in an effort to pay off its debts and remain open. In 1904, Lula C. Naff, a widow and mother who was working as a stenographer, began to book and promote speaking engagements, concerts, boxing matches, and other attractions at the Ryman in her free time. In 1914, when her employer went out of business, Naff made booking these events her full-time job. She eventually transitioned into a role by 1920 as the Ryman's official manager.[7][8] She preferred to use the name "L.C. Naff" in an attempt to avoid initial prejudices as a female executive in a male-dominated industry. Naff gained a reputation for battling local censorship groups, who had threatened to ban various performances deemed too risqué. In 1939, Naff won a landmark lawsuit against the Nashville Board of Censors, which was planning to arrest the star of the play Tobacco Road due to its provocative nature. The court declared the law creating the censors to be invalid.[6]
Naff's ability to book stage shows and world-renowned entertainers in the city's largest indoor gathering place kept the Ryman at the forefront of Nashville's consciousness and enhanced the city's reputation as a cultural center for the performing arts, even as the building began to age.[8]Harry Houdini in 1924, W.C. Fields, Will Rogers in 1925, Charlie Chaplin, Bob Hope with Doris Day in 1949, and John Philip Sousa (among others) performed at the venue over the years, earning the Ryman the nickname "The Carnegie Hall of the South".[9] The Ryman also hosted lectures by U.S. presidents Theodore Roosevelt and William Howard Taft in 1907 and 1911, respectively. Italian opera singer Enrico Caruso appeared in concert there in 1919. It also hosted the inaugurations of three governors of the state of Tennessee.[6]
The first event to sell out the Ryman was a lecture by Helen Keller and Anne Sullivan Macy in 1913.[6] While being a trailblazer for working women, Naff also championed the cause of racial diversity.[8] The building was used as a regular venue for the Fisk Jubilee Singers (they performed there in 1913) from nearby Fisk University, a historically black college. The state's Jim Crow laws required Ryman audiences to be segregated, with some shows designated for "White Audiences Only" and others for "Colored Audiences Only". But period photographs show that, in practice, Ryman audiences were often integrated.[6] Naff retired in 1955 and died in 1960.[7]
The stage at the Ryman Auditorium where many legendary artists have performed
After debuting in 1925, the local country music radio program known as the Grand Ole Opry (originally called the WSM Barn Dance) became a Nashville institution. Broadcast over clear-channel AM radio stationWSM, it could be heard in 30 states across the eastern part of the nation. Although not originally a stage show, the Opry began to attract listeners from around the region who would go to the WSM studio to see it live. When crowds got too large for the studio, in 1934 WSM began broadcasting the show from the Hillsboro Theatre (now Belcourt Theatre). The Opry moved to East Nashville's Dixie Tabernacle in 1936 and then to War Memorial Auditorium in 1939.
After four years – and several reports of upholstery damage caused by its rowdy crowds – the Opry was asked to leave War Memorial and sought a new home yet again. Thanks to the Ryman auditorium's wooden pews and central location, Naff and other institution leaders thought the auditorium would be a perfect venue for such an audience. They began renting the venue to WSM for its shows.[11] The Grand Ole Opry was first broadcast from the Ryman on June 5, 1943, and it originated there every week for nearly 31 years thereafter. Every show sold out, and hundreds of fans were often turned away.[11]
A country music fan on Ryman Auditorium stage in 1990
During its tenure at Ryman Auditorium, the Opry hosted the major country music stars of the day and became a show known around the world. In addition to its home on WSM, portions of the show (at various times throughout its history) were also broadcast on network radio and television to a wider audience. Melding its then-current usage with the building's origins as a house of worship, the Ryman got the nickname "The Mother Church of Country Music", which it holds to this day.
Because of the period during which it was constructed and because it was not designed to be a performance venue, the Ryman lacked a true backstage area. It had only one dressing room for the men, and women were relegated to an inadequate ladies' restroom.[12] The shortage of space forced performers to wait in the wings, the narrow hallways, and the alley behind the building's south wall. Thus, many performers often ventured across the alley to Tootsie's Orchid Lounge and other bars, where they drank alongside patrons and sometimes performed. This practice enhanced the popularity and appeal of the honky-tonk bars along Nashville's Lower Broadway.[13]
Alley between Ryman Auditorium and the rear of Broadway "Honky Tonks", including Tootsie's Orchid Lounge
Prior to September 27, 1963, Ryman Auditorium had no singular owner; it was an independent entity governed by a board of directors. That changed when WSM, Inc., purchased the building for US$207,500(equivalent to $1,983,429 in 2022). When WSM assumed total control of the auditorium, it renamed the building as the Grand Ole Opry House. Many people continued to refer to it by the familiar Ryman name, well-known after 60 years in use.[6]
WSM financed minor upgrades to the Opry House in 1966 to maintain its functionality, but soon began making plans to move the Opry to a new location altogether. Despite the building's deteriorating condition, the lack of air conditioning, and the abundance of unsavory surroundings in its urban neighborhood, the show's increasing popularity often attracted crowds too large to fit inside the venue.[11] Plans announced in 1969 centered around a larger, custom-built auditorium that would provide a more controlled and comfortable atmosphere for audiences and performers alike, as well as better radio and television production facilities.
The company purchased a large tract of land in a then-rural area a few miles away. The new Opry theater served as the anchor of a grand entertainment complex. The development became known as Opryland USA. It eventually included the Opryland theme park and the Opryland Hotel.
The amusement park opened on May 27, 1972, and the new venue (also called the Grand Ole Opry House) debuted on Saturday, March 16, 1974. The last Opry show at the Ryman occurred the previous evening, on Friday, March 15. The final shows downtown were emotional. Sarah Cannon, performing as Minnie Pearl, broke character and cried on stage.[14] In an effort to maintain continuity with the Opry's storied past, a large circle was cut from the floor of the Ryman stage and inlaid into the center of the new Opry stage.[15] In another traditional holdover, the new Opry House was also designed to feature pew seating, although (unlike the Ryman) they are cushioned.
Eventually and without fanfare, the building downtown resumed using the Ryman Auditorium name to differentiate it from the new Grand Ole Opry House.
Tennessee Historical Commission marker outside Ryman Auditorium, signifying the site as the birthplace of Bluegrass music
Facing demolition
When the plans for Opryland USA were announced, WSM president Irving Waugh also revealed the company's intent to demolish the Ryman and use its materials to construct a chapel called "The Little Church of Opryland" at the amusement park.[16][17] Waugh brought in a consultant to evaluate the building, noted theatrical producer Jo Mielziner, who had staged a production at the Ryman in 1935. He concluded that the Ryman was "full of bad workmanship and contains nothing of value as a theater worth restoring."[11] Mielziner suggested the auditorium be razed and replaced with a modern theater.[11] But Waugh's plans were met with resounding resistance from the public, including many influential musicians of the time. Architectural critic Ada Louise Huxtable ridiculed the decision in The New York Times, writing: "First prize for the pious misuse of a landmark, and a total misunderstanding of the principles of preservation. Gentlemen, for shame." (She had won a Pulitzer Prize for her writing.)[11][12]
However, Roy Acuff, an Opry stalwart and a major stakeholder of Opryland USA, reportedly said, "I never want another note of music played in that building." He led the unsuccessful charge to tear down the Ryman.[18] Acuff, a staunch supporter of moving the Opry to a modern home, told The Washington Post in 1974, "Most of my memories of the Ryman auditorium are of misery, sweating out here on this stage, the audience suffering too... We've been shackled all of my career."[17] Acuff notably hated the dressing room situation at the Ryman so much that he bought a nearby building just to have a bigger one.[17] A life-sized statue of Acuff (alongside one of Sarah Cannon as Minnie Pearl) has been installed in the lobby of the preserved Ryman Auditorium.
Members of historic preservation groups argued that WSM, Inc. (and Acuff, by proxy) exaggerated the Ryman's poor condition, saying the company was worried that attachment to the old building would hurt business at the new Opry House. Preservationists emphasized the building's importance to regional religious history and gained traction for their case as a result. The building was formally assessed and approved for the National Register of Historic Places in 1971. In 1974, United States Senators from Tennessee Howard Baker and Bill Brock, together with officials of the United States Department of the Interior, pleaded with WSM, Inc. (and its parent company, NLT Corporation) to preserve the building. The company tabled the decision on the Ryman's fate. The building was ultimately saved from demolition, although no active efforts were made to improve its condition.[6][12]
Following the departure of the Opry, the Ryman failed to attract new performers. It was mostly vacant and deteriorating for nearly 20 years. In that period, the surrounding neighborhood also declined. Despite its regressing condition and the absence of performances, Ryman Auditorium was never closed. It remained a destination for heritage tourism in the city.[12][16]
On August 30, 1979, following a tip from a citizen, the Nashville bomb squad discovered and disarmed a massive car bomb that could have damaged or destroyed a three-block area of downtown Nashville that included the Ryman. A nearby strip club was found to be the bomber's target. The device was disarmed less than 20 minutes before it was timed to detonate.[20]
In September 1983, soon after NLT Corporation was acquired in a hostile takeover bid by American General Insurance, the building was included in the sale of all the WSM and Opryland properties to Oklahoma-based Gaylord Broadcasting Company for US$250,000,000(equivalent to $734,547,277 in 2022).[11][21] (The WSM assets were organized into a subsidiary holding company called Opryland USA, Inc., which would change its name to Gaylord Entertainment Company following a 1991 corporate spin-off.) The company's chief executive, Ed Gaylord, had become acquainted with many of the Opry stars during his involvement with the long-running television series Hee Haw. His fondness for the Opry and friendships with its figures – particularly Sarah Cannon – are often cited as reasons for his interest in the acquisition.[11] Ryman Auditorium was included in the sale almost as an afterthought, but Gaylord's appreciation of its history helped preserve it.
In 1986, as part of the Grand Ole Opry 60th-anniversary celebration, CBS aired a special program that featured some of the Opry's legendary stars performing at the Ryman.[11] While the auditorium was dormant, major motion pictures continued to be filmed on location there, including John Carpenter's Elvis (1979), Coal Miner's Daughter (1980 – Loretta Lynn Oscar-winning biopic), Sweet Dreams (1985 – story of Patsy Cline), and Clint Eastwood's Honkytonk Man (1982). A 1979 television special, Dolly & Carol in Nashville, included a segment featuring Dolly Parton performing a gospel medley on the Ryman stage.
Revival and renovations
In 1989, Opryland USA, Inc. began work to beautify the Ryman's exterior. The structure of the building was also improved, as the company installed a new roof, replaced broken windows, and repaired broken bricks and wood.[6] The building's interior, however, was left mostly untouched.
Stained glass windows on the north-facing exterior of Ryman Auditorium
From April 30 to May 2, 1991, Emmylou Harris and the Nash Ramblers performed three acoustic concerts at the dilapidated building, during which no one was allowed to sit on or beneath the balcony due to safety concerns.[22][23] Capacity was limited to around 200.[11] Some of the recordings were released as an album entitled At the Ryman, which won the Grammy Award for Best Country Performance by a Duo or Group at the 35th Annual Grammy Awards in 1993.[23] The concerts and album's high acclaim are given near-universal credit for renewed interest in reviving Ryman Auditorium as an active venue.[22][23]
The Ryman hosted a concert and one-act play entitled The Ryman: The Tabernacle Becomes A Shrine on May 18, 1992, to celebrate the building's centennial.[6] In October 1992, executives of Gaylord Entertainment announced plans to renovate the entire building and expand it to create modern amenities for performers and audiences alike. This was part of their larger initiative to invest in the city's revitalization of the downtown area.[6]
In September 1993, renovations were begun to develop it as a world-class concert hall. Building systems were upgraded, such as air conditioning for the first time.[16] The auditorium's original wooden pews were removed, refurbished, and returned to the building to serve as the auditorium's seating. Both far-reaching ends of the U-shaped balcony (which had previously extended all the way to the building's south wall) were removed. New backstage facilities were built inside the original building. An addition containing a lobby, restrooms, concessions, offices, and a grand staircase leading to the balcony was constructed and attached to the east side of the auditorium. With this change, the Ryman's main entrance was moved from the west side of the building (Fifth Avenue North) to the east side (Fourth Avenue North). An outdoor entry plaza was also added here, and a large statue of Thomas Ryman was installed.
Statues of Roy Acuff and Minnie Pearl seated on a pew in the lobby of Ryman Auditorium
The first performance at the newly renovated Ryman was a broadcast of Garrison Keillor's A Prairie Home Companion on June 4, 1994. Keillor said he was inspired to create A Prairie Home Companion while reporting on the final Opry show at the Ryman in 1974 for The New Yorker.[24] Following that, the Ryman hosted an extended residency of the original musical Always... Patsy Cline, which starred Mandy Barnett in the titular role about the life of the legendary singer.
Return of the Opry
On Sunday, October 18, 1998, the Opry held a benefit show at Ryman Auditorium, marking its return to the venue for the first time since its final show on March 15, 1974. The show was well received by fans, performers, and management alike, so the decision was made to host the Opry's regular shows there on January 15 and 16, 1999, as part of the celebration to commemorate 25 years at the new venue.[25]
Given the success of the January shows that year, beginning in November 1999, the Opry was produced at Ryman Auditorium for three months. In addition, this enabled them to avoid performance conflicts from construction of the Opry Mills shopping mall (which replaced the Opryland USA theme park in 2000) next door to the Grand Ole Opry House. The Opry returned to the Ryman annually for all of its November, December, and January shows until 2019–20. This enabled the production to acknowledge its roots while taking advantage of a smaller venue during the off-peak season for tourism. It also freed the Grand Ole Opry House for special holiday presentations. The Ryman also served as the primary venue for the Opry in the summer of 2010, while the Grand Ole Opry House was undergoing repairs after damage from a devastating flood.
The annual winter season at the Ryman was suspended in 2020 due to the COVID-19 pandemic, during which the Opry performed abbreviated shows for broadcast in front of an empty Grand Ole Opry House. The Winter Ryman residency was not revived in 2021 although pandemic-related attendance restrictions were lifted.[25]Opry shows returned to Ryman for a one-month run in January 2023. While still officially the Grand Ole Opry, the shows there have been billed as Opry at the Ryman.
The interior of Ryman Auditorium before a show, as seen from the balcony behind section 15
The Ryman today
At the rear of the building, adjacent to 4th Avenue North, is an outdoor entry plaza leading to the building's main entrance and Cafe Lula. Constructed in 1994, this part of the property was renovated and expanded in 2015.
Gaylord Entertainment Company, the venue's owner since 1983, adopted the Ryman's name as its own when it transitioned into a real estate investment trust in 2012. The company is now known as Ryman Hospitality Properties, Inc. Ryman Auditorium is managed within its Opry Entertainment Group division. The renovation of the Ryman, combined with the construction of other attractions such as Bridgestone Arena and Wildhorse Saloon, helped revitalize Nashville's downtown district into a destination for tourists and locals alike in the mid-1990s.[12]
Since then, the Ryman has become one of the most venerable performance venues in Nashville. Experts have praised Ryman Auditorium's acoustics, calling them among the best in the world.[26]
In January 2012 plans were announced to replace the Ryman's 61-year-old stage with one of medium-brown Brazilian teak.[27] The new stage floor, the facility's third, retained an 18-inch lip of its predecessor's blonde oak at its front edge, similar to the way the Ryman stage had been commemorated with an inlaid circle of wood at the new Opry House. The stage's original hickory support beams were reinforced with concrete foundations, crossbeams, and joist work that helped triple the stage's load capacity, ensuring it would remain viable for performances in the decades to come.[27][28]
In 2015, the Ryman underwent another US$14,000,000(equivalent to $17,284,290 in 2022) renovation and expansion. Much of the 1994 expansion was gutted and remodeled.[29] The original building received only minor touch-ups and remained in use throughout the construction. The renovation and expansion includes more lobby space, plus expanded restrooms, concessions, and a gift shop. A new quick-service restaurant was added, called "Cafe Lula" and named in memory of Lula C. Naff.[30] (The cafe closed in 2020 due to the COVID-19 pandemic, and was not reopened.) New renovations in 2023 will include a new gift shop in the previous Café Lula location.
Also added in the 2015 renovations was a 100-seat theater. Here a short holographic film is shown that serves as the first exhibit on the building's daily self-guided tours. Entitled The Soul Of Nashville, the film features an actress portraying Naff in presenting the history of the Ryman. It also features an original song performed by Darius Rucker, Sheryl Crow, Vince Gill, and the Fisk Jubilee Singers.[29]
Prior to the pandemic, Opry Entertainment Group held regular shows at the Ryman year-round. In addition to the Opry at the Ryman shows in the winter, the auditorium hosted Opry Country Classics each spring and autumn, and Bluegrass Nights at the Ryman each summer. Due to the scheduling of concerts postponed during the pandemic, those Opry spin-off shows were canceled or moved to the Grand Ole Opry House in 2021. As COVID-19 hit Nashville, live music at the Ryman briefly came to a halt. Until, the venue launched the Livestream concert series, "Live at the Ryman" in August 2020. For King & Country, Cam, Chris Janson, Scotty McCreery, Brett Young, and Old Crow Medicine Show put on Friday night shows from the Ryman stage for a completely digital audience. Ultimately, Bluegrass Nights returned to the Ryman in 2021 and Opry at the Ryman returned in January 2023.
The Ryman has welcomed a wide variety of talent since its inception. In recent years, Wu-Tang Clan made history as the Ryman's first hip-hop headliner; the Ryman welcomed its first headlining drag queens, Trixie and Katya; and the venue hosted its first comedy residency in August, 2022, with comedian John Mulaney doing four stand-up shows in three nights.[31]
Ryman Auditorium has hosted several notable residencies including a string of 10 shows from Little Big Town in 2017 that took place as part of the Ryman's 125th anniversary celebration.[32] In 2022 alone, Vince Gill and Amy Grant, Vince Gill (solo), Jason Isbell, and Brett Eldredge all held residencies at the Ryman.
In 2018, the Ryman was named the most iconic structure in Tennessee by Architectural Digest.[33] The Ryman has been named Pollstar's Theater of the Year 13 times and was named the Academy of Country Music's Theater of the Year in 2022. The Academy of County Music Awards, Americana Music Association Awards, Nashville Songwriter Awards, and several other industry award ceremonies have taken place on the Ryman stage.
The Ryman features prominently in the music video of the 2021 song "Where Have You Gone" by Alan Jackson.
On May 26, 2022, the Ryman officially became a Rock & Roll Hall of Fame Landmark. Later that year, Rock & Roll Hall of Fame partnered with the Ryman to transform a wing of the building into a tour feature dedicated to rock history in Nashville. "Rock Hall at the Ryman" opened to the public on Nov. 2, 2022, and includes artifacts from artists including Elvis Presley, James Brown, Joan Jett, Foo Fighters and Dolly Parton.
The Hardeman Tabernacle Sermons were held at the Ryman beginning in 1922 through 1942. A series of New Testament gospel sermons by N.B. Hardeman, minister of the gospel with the churches of Christ. They were sold-out events turning away up to 3,000 people. Lessons were published in the then Nashville Banner and Tennessean. Freed-Hardeman University in Henderson, TN bears his name as one of its founders.
September 8, 2016, Garth Brooks performed at the Ryman for the first time ever in his professional career (30-plus years) while promoting a live concert recording to debut his new channel on SiriusXM radio, The Garth Channel.
July 27–28, 2018, Grammy Award winner Anita Baker performed at the Ryman as part of her Farewell Tour. She sold out both show dates.
On June 9, 2019, Wu-Tang Clan performed the first concert consisting solely of hip hop music at the Ryman.
On April 14, 2022, Wheeler Walker, Jr. commenced his 2022 Comeback Tour by performing at the sold out venue. He broke alcohol and merchandise sales records.[36]
On August, 2022, the Ryman hosted its first comedy residency with comedian John Mulaney doing four stand-up shows in three nights.[31]
The Grand Ole Opry is an American weekly live country music radio broadcast from – and a several nights per week performance held at – the Opry House in Nashville, Tennessee. It was founded on November 28, 1925, by George D. Hay as a one-hour radio "barn dance" on WSM. Currently owned and operated by Opry Entertainment, it is the longest-running radio broadcast in U.S. history. Dedicated to honoring country music and its history, the Opry showcases a mix of famous singers and contemporary chart-toppers performing country, bluegrass, Americana, folk, and gospel music as well as comedic performances and skits. It attracts hundreds of thousands of visitors from around the world and millions of radio and internet listeners.
Roy Claxton Acuff was an American country music singer, fiddler, and promoter. Known as the "King of Country Music", Acuff is often credited with moving the genre from its early string band and "hoedown" format to the singer-based format that helped make it internationally successful. In 1952, Hank Williams told Ralph Gleason, "He's the biggest singer this music ever knew. You booked him and you didn't worry about crowds. For drawing power in the South, it was Roy Acuff, then God."
Bridgestone Arena is a multi-purpose indoor arena in downtown Nashville, Tennessee, United States. Completed in 1996, it is the home of the Nashville Predators of the National Hockey League.
The Nashville Municipal Auditorium is an indoor sports and concert venue in Nashville, Tennessee. It opened October 7, 1962 with both an arena and exhibition hall. The former exhibition hall has been permanent home to the Musicians Hall of Fame and Museum since 2013.
WSM is a commercial AM radio station, located in Nashville, Tennessee. It broadcasts a country music format and is known as the home of the Grand Ole Opry, the world's longest running radio program. The station is owned Ryman Hospitality Properties, Inc. WSM currently operates out of the Gaylord Opryland Resort & Convention Center, and visitors to the hotel may look into the studio 24 hours a day, provided the curtains are open, which they usually are.
Opryland USA was a theme park in suburban Nashville, Tennessee. It operated seasonally from 1972 to 1997, and for a special Christmas-themed engagement every December from 1993 to 1997. During the late 1980s, nearly 2.5 million people visited the park annually. Billed as the "Home of American Music," Opryland USA featured a large number of musical shows along with typical amusement park rides, such as roller coasters.
DeFord Bailey was an American country music and blues star from the 1920s until 1941. He was one of the first performers to be introduced on Nashville radio station WSM's Grand Ole Opry, the first African-American performer to appear on the show, and the first performer to have his music recorded in Nashville. Bailey played several instruments in his career but is best known for playing the harmonica, often being referred to as a "harmonica wizard".
Gaylord Opryland Resort & Convention Center, formerly known as Opryland Hotel, is a hotel and convention center located in Nashville, Tennessee. It is owned by Ryman Hospitality Properties, and operated by Marriott International.
Ryman Hospitality Properties, Inc. is a hotel, resort, entertainment, and media company named after National Historic Landmark the Ryman Auditorium, built as a tabernacle by Captain Thomas G. Ryman in 1892 and later the home of the Grand Ole Opry from 1943 to 1974. The hospitality group was founded by Edward Gaylord. Prior to its public ownership, it was previously a subsidiary of the Oklahoma City-based Oklahoma Publishing Company, which was formerly owned by the Gaylord family for 71 years until 2011. The OPUBCO company was once the longtime publisher of the Daily Oklahoman newspaper. Until 2012, the company was known as Gaylord Entertainment Company, and earlier as Gaylord Broadcasting Company. The company has operated as a real estate investment trust since October 1, 2012.
At the Ryman is a 1992 live album by Emmylou Harris and her then-newly formed acoustic backing band, The Nash Ramblers, recorded at the one-time home of the Grand Ole Opry, Ryman Auditorium in Nashville, Tennessee.
Amanda Carol Barnett is an American country music singer.
The National Life and Accident Insurance Company is a former life insurance company that was based in Nashville, Tennessee.
The McGee Brothers were an American old-time performing duo of brothers Sam McGee and Kirk McGee. Sam typically played guitar and Kirk usually played banjo or fiddle, although they were both proficient in multiple string instruments. The McGee Brothers were one of the most enduring acts on the Grand Ole Opry during the show's first fifty years. They made their initial appearance on the Opry in 1926 and the following year joined Uncle Dave Macon's band, the Fruit Jar Drinkers. In the 1930s, the McGees teamed up with early Opry fiddler Arthur Smith to form a string band known as the "Dixieliners," and in the 1940s they played and toured with Bill Monroe and His Bluegrass Boys and several other notable acts.
Keith Bilbrey is an American country music disc jockey and television host in Nashville, Tennessee. He served as a disc jockey at Nashville's WSM, as an announcer on the Grand Ole Opry, and as the host of TNN’s Grand Ole Opry Live. He is also the show announcer for Huckabee, a variety show hosted by Mike Huckabee, on the Trinity Broadcasting Network.
The Midnite Jamboree is a radio program that has aired on WSM in Nashville, Tennessee since May 3, 1947. It was launched by country musician Ernest Tubb. The program was recorded from Ernest Tubb Record Shop in Nashville, Tennessee each Saturday. Through a brokered programming arrangement with Ernest Tubb Record Shop, the Jamboree aired following the Grand Ole Opry; as the program's name implied, it aired at midnight Central Time.
The 2010 Tennessee floods were floods in Middle Tennessee, West Tennessee, south-central and western Kentucky and northern Mississippi areas of the United States of America as the result of torrential rains on May 1 and 2, 2010. Floods from these rains affected the area for several days afterwards, resulting in a number of deaths and widespread property damage.
The War Memorial Auditorium is a 2,000-seat performance hall located in Nashville, Tennessee. Built in 1925, it served as home of the Grand Ole Opry between 1939 and 1943. It is also known as the War Memorial Building, the Tennessee War Memorial, or simply the War Memorial. It is located across the street from, and is governed by, the Tennessee Performing Arts Center, and is also adjacent to the Tennessee State Capitol. It received an architectural award at the time of its construction, and was listed on the National Register of Historic Places in 2017.
Tootsie's Orchid Lounge is a honky-tonk bar located in Nashville, Tennessee behind the Ryman Auditorium, home in past years and occasionally in the present to the stage and radio show The Grand Ole Opry. Tootsie's has three stages that host live local talent each night, covering modern-day country music artists such as Jason Aldean, Taylor Swift, and other performers, as well as original work. Some of its early famous first customers were Willie Nelson, Patsy Cline, Mel Tillis, Kris Kristofferson, Waylon Jennings, Roger Miller and numerous other country musicians. According to the bar's website, Nelson received his first songwriting gig after singing at Tootsie's. Terri Clark, a Canadian-born country artist, started singing at Tootsie's in 1987, and has since become an internationally-known country star with hits such as "Better Things to Do," and the Warren Zevon cover, "Poor Poor Pitiful Me."
Circle, also known on-air as Circle Network, is an American digital multicast television network owned by Circle Media, LLC, a joint venture of Gray Television and Ryman Hospitality Properties subsidiary Opry Entertainment Group. The network's programming consists of country music oriented shows, and rural/blue collar themed material, featuring a mix of original and off-network shows.
Grant Turner was an American disc jockey known as the long time host of the Grand Ole Opry and on WSM AM radio in Nashville, Tennessee. In 1981, Turner was inducted into the Country Music Hall of Fame, the first announcer or disk jockey to achieve that honor.
References
1 2 "Ryman Auditorium". National Historic Landmark summary listing. National Park Service. Archived from the original on May 9, 2009. Retrieved September 8, 2009.
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Eiland, William. Nashville's Mother Church: The History of the Ryman Auditorium. Nashville, 1992.
Graham, Eleanor, ed. Nashville, A Short History and Selected Buildings. Hist. Comm. of Metro-Nashville-Davidson Co., 1974.
Hagan, Chet. Grand Ole Opry. New York, 1989.
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Paulson, Dave. "Wu-Tang Clan at the Ryman: Rap Takes over The Mother Church of Country Music." The Tennessean, Nashville Tennessean, 10 June 2019, www.tennessean.com/story/entertainment/music/2019/06/10/wu-tang-clan-ryman-auditorium-nashville/1292614001/.
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