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"One" | ||||
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Single by Harry Nilsson | ||||
from the album Aerial Ballet | ||||
B-side | "Sister Marie" | |||
Released | 1968 | |||
Recorded | 1967 | |||
Genre | ||||
Label | RCA Records | |||
Songwriter(s) | Harry Nilsson | |||
Producer(s) | Rick Jarrard | |||
Harry Nilsson singles chronology | ||||
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"One" is a song by American singer-songwriter Harry Nilsson from his 1968 album Aerial Ballet . It is known for its opening line "One is the loneliest number that you'll ever do". Nilsson wrote the song after calling someone and getting a busy signal. He stayed on the line listening to the "beep, beep, beep, beep..." tone, writing the song. The busy signal became the opening notes.
A better-known cover version, recorded by Three Dog Night, reached number five on the U.S. Billboard Hot 100 [4] in 1969 and number four in Canada. In 1969, the song was also recorded by Australian pop singer Johnny Farnham, reaching number four on the Go-Set National Top 40 Chart. [5]
"One" | ||||
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Single by Three Dog Night | ||||
from the album Three Dog Night | ||||
B-side | "Chest Fever" | |||
Released | April 1969 | |||
Recorded | 1968 | |||
Genre | ||||
Length | 3:06 (album) 2:55 (single) | |||
Label | Dunhill | |||
Songwriter(s) | Harry Nilsson | |||
Producer(s) | Gabriel Mekler | |||
Three Dog Night singles chronology | ||||
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Three Dog Night released One as the second single from their eponymous first album, with Chuck Negron performing the lead vocal. [8] It became their first of seven gold records over the next five years.
The original issue of the single version fades out about ten seconds before the final notes heard on the album version. Upon reissues by ABC Records and its successor labels, the label reverted to the album version which is heard on radio today.
The song reached number five on the U.S. Billboard Hot 100 and spent three weeks at number two on the Cash Box Top 100. [9] It also reached number four in Canada.
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA) [14] | Gold | 1,000,000^ |
^ Shipments figures based on certification alone. |
Many cover versions have been recorded. Among the most notable are:
"A Boy Named Sue" is a song written by humorist, children's author, and poet Shel Silverstein and made famous by Johnny Cash. Cash recorded the song live in concert on February 24, 1969, at California's San Quentin State Prison for his At San Quentin album. Cash also performed the song in December 1969 at Madison Square Garden. The live San Quentin version of the song became Cash's biggest hit on the Billboard Hot 100 chart and his only top ten single there, spending three weeks at No. 2 in 1969, held out of the top spot by "Honky Tonk Women" by The Rolling Stones. The track also topped the Billboard Hot Country Songs and Easy Listening charts that same year and was certified Gold on August 14, 1969, by the RIAA.
"Without You" is a song written by Pete Ham and Tom Evans of British rock group Badfinger, and first released on their 1970 album No Dice. The power ballad has been recorded by over 180 artists, and versions released as singles by Harry Nilsson (1971), T. G. Sheppard (1983) and Mariah Carey (1994) became international best-sellers. The Nilsson version was included in 2021's Rolling Stone's 500 Greatest Songs of All Time. Paul McCartney once described it as "the killer song of all time".
"Too Busy Thinking About My Baby" is a Motown song written by Norman Whitfield, Barrett Strong, and Janie Bradford. The song was first recorded by The Temptations as a track on their 1966 album Gettin' Ready. Eddie Kendricks sings lead on the recording, which was produced by Whitfield. Jimmy Ruffin also recorded a version with The Temptations providing background vocals in 1966. It remained unreleased until 1997.
"Ruby Tuesday" is a song recorded by the Rolling Stones in 1966, released in January 1967. The song became the band's fourth number-one hit in the United States and reached number three in the United Kingdom as a double A-side with "Let's Spend the Night Together". The song was included in the American version of Between the Buttons.
"If" is a song written by American singer-songwriter David Gates in 1971. Originally popularized by his group Bread, "If" charted at No. 4 on the U.S. Billboard Hot 100 when released as a single in 1971 and No. 6 in Canada. It also spent three weeks at No. 1 on the U.S. Easy Listening chart, and one week at the top of the Canadian AC chart.
"Ooo Baby Baby" is a song written by Smokey Robinson and Pete Moore. It is a classic 1965 hit single by The Miracles for the Tamla (Motown) label. The song has inspired numerous other cover versions by other artists over the years, including covers by Ella Fitzgerald, Todd Rundgren, The Escorts, The Five Stairsteps, Linda Ronstadt, and many others. The Miracles' original version of "Ooo Baby Baby" is listed as number 266 on Rolling Stone Magazine's list of "The 500 Greatest Songs of All Time".
"Angel of the Morning" is a popular song written by Chip Taylor, originally recorded by Evie Sands but which first charted with a version by Merrilee Rush. The song has been covered by many artists including Chrissie Hynde, Dusty Springfield P. P. Arnold, Connie Eaton, Mary Mason, Guys 'n' Dolls, Melba Montgomery, Olivia Newton-John and most recognizably by Juice Newton.
"You're Sixteen" is a song written by the Sherman Brothers. It was first performed by American rockabilly singer Johnny Burnette, whose version peaked at number eight on the US Billboard Hot 100 in December 1960 and number 3 in the UK in 1961. The song was covered by Ringo Starr in 1973 and this version reached number one in the US.
"Coconut" is a novelty song written and first recorded by American singer-songwriter Harry Nilsson, released as the third single from his 1971 album, Nilsson Schmilsson. It was on the U.S. Billboard charts for 14 weeks, reaching #8, and was ranked by Billboard as the #66 song for 1972. It charted in a minor way in the UK, reaching #42. "Coconut" did best in Canada, where it peaked at #5.
"Save the Last Dance for Me" is a song written by Doc Pomus and Mort Shuman, first recorded in 1960 by American musical group the Drifters with Ben E. King on lead vocals. It has since been covered by several artists, including Dalida, the DeFranco Family, Emmylou Harris, Dolly Parton, and Michael Bublé.
"Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an album until 1977's anthology Looking Back. The best-known version of this song is the 1973 release by Aretha Franklin, who had a million-selling top 10 hit on Billboard charts. The song reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. It became an RIAA Gold record.
"Soul Man" is a 1967 song written and composed by Isaac Hayes and David Porter, first successful as a number 2 hit single by Atlantic Records soul duo Sam & Dave, which consisted of Samuel "Sam" Moore and David "Dave" Prater. In 2019, "Soul Man" was selected for preservation in the National Recording Registry as "culturally, historically, and aesthetically significant" by the Library of Congress. It was No. 463 in "Top 500 Greatest Songs of All Time" by Rolling Stone Magazine in 2010 and No. 458 in 2004.
"This Guy's in Love with You" is a hit song written by Burt Bacharach and Hal David and released by Herb Alpert in May, 1968. Although known primarily for his trumpet playing as the leader of the Tijuana Brass, Alpert sang lead vocals on this solo recording, which was arranged by Bacharach. An earlier recording of the song by British singer Danny Williams with different lyrics, titled "That Guy's in Love", appeared on Williams' 1968 self-titled album.
"Wedding Bell Blues" is a song written and recorded by Laura Nyro in 1966. The best known version was a number one hit for the 5th Dimension in 1969.
"Silence Is Golden" is a song initially recorded by the American rock band the Four Seasons. Written by Bob Crewe and Bob Gaudio, Philips Records released it in 1964 as the B-side of the U.S. number 1 single "Rag Doll", which was also written by Crewe and Gaudio. The Tremeloes' 1967 cover version reached number 1 on the UK Singles Chart and number 11 on the US charts.
"Georgy Girl" is a song by the Australian pop/folk music group The Seekers. It was used as the title song for the 1966 film of the same title. Tom Springfield, who had written "I'll Never Find Another You", composed the music and Jim Dale supplied the lyrics. The song is heard at both the beginning and end of the film, with markedly different lyrics. It was nominated for an Academy Award for Best Original Song but the prize went to "Born Free".
"Raindrops Keep Fallin' on My Head" is a song written by Burt Bacharach and Hal David for the 1969 film Butch Cassidy and the Sundance Kid. The uplifting lyrics describe somebody who overcomes his troubles and worries by realizing that "it won't be long till happiness steps up to greet me."
"Take It Easy on Me" is a song by Australian soft rock band Little River Band, released in March 1982 as the third and final single from the album Time Exposure. The song reached No. 10 on the U.S, becoming their 6th and last top 10 hit. Billboard Hot 100 and No. 14 on the Adult Contemporary chart. The song was written by band member Graham Goble and produced by British record producer George Martin.
"Easy to Be Hard" is a song from the 1967 rock musical Hair. It was written by Galt MacDermot, James Rado, and Gerome Ragni, who put the musical together in the mid-1960s. The original recording of the musical featuring the song was released in May 1968 with the song being sung by Lynn Kellogg, who performed the role of Sheila on stage in the musical. The song was first covered by American band Three Dog Night on their 1969 album Suitable for Framing, with the lead vocal part sung by Chuck Negron, and was produced by Gabriel Mekler.
"I Guess the Lord Must Be in New York City" is a song written and recorded by singer-songwriter Nilsson in 1969. A track from his fourth studio album, Harry, it became his second charting single.
"Nilsson's 'One' was very melancholy, lacked passion," he said. "It was a song sang to the beat of a busy signal … We turned that into a rock and roll song.
I grew up on Three Dog Night's R&B bombast so returning to Harry's original I forget how wispy and ethereal this tune could be.