Nilsson Sings Newman | ||||
---|---|---|---|---|
Studio album by | ||||
Released | February 1970 | |||
Recorded | August–October 1969 | |||
Studio |
| |||
Genre | Chamber pop [1] | |||
Length | 25:17 | |||
Label | RCA Victor | |||
Producer | Harry Nilsson | |||
Nilsson chronology | ||||
| ||||
Singles from Nilsson Sings Newman | ||||
|
Nilsson Sings Newman is the fifth studio album by American singer-songwriter Harry Nilsson, released in February 1970 on RCA Victor. It features songs written by Randy Newman. Recorded over six weeks in late 1969, the album showcases Nilsson's voice multi-tracked in layers of tone and harmony. Its arrangements are otherwise sparse, with most of the instrumentation provided by Newman on piano. The record was not a great commercial success, but won a 1970 "Record of the Year" award from Stereo Review magazine. The LP record cover art was illustrated by Dean Torrence.
In 1968, Ricky Nelson released his concept album Perspective, a move to expand his musical horizons. The album included songs by Newman, Nilsson and others woven together to tell the story of the interactions of a famous family; author Kevin Courrier writes that this album may have been part of the inspiration for Nilsson Sings Newman. [2]
In August 1969, Nilsson released his fourth album Harry . It ended with one of Newman's songs: "Simon Smith and the Amazing Dancing Bear". Years later, Nilsson told Paul Zollo that he was in awe of Newman writing so many songs, ones he thought were better than his own. [2]
On August 20, 1969, Nilsson and Newman began to record what would become Nilsson Sings Newman. [2] After basic tracks were laid down, Nilsson spent six weeks overdubbing his voice to create layers and harmonies, [2] line by line. [3] As many as 118 overdubs were laid down for a single song. [2] Nilsson occasionally broke the fourth wall in his performance. His voice in the control room is heard on several songs, instructing the recording engineer to add more echo or remove a voice. On the album's final song "So Long Dad", amid a multi-Nilsson chorus of voices, Nilsson softly asks for "more first voice." Louder, he counters himself by saying "actually I need more current voice. Forget the one that's saying 'more first voice.'" [2]
Besides piano, other instruments were sometimes used in the studio, including bass drum, tambourine and various electronic keyboards. On the song "Cowboy", Nilsson used electronic harpsichord to bring in a different concluding theme, quoting John Barry's theme from the film Midnight Cowboy , an inside joke that referenced Fred Neil's "Everybody's Talkin'" from the same film, a major success for Nilsson earlier that year. A number of alternate takes and songs were recorded but left off the 1970 album. Two such songs were "Snow" and "Linda". [2] Newman wrote one song specifically for the album: "Caroline", [2] a straightforward love song. [3]
According to Nilsson, Newman was "tired of the album when we were finished making it. ... For him it was just doing piano and voice ... over and over." [2] He explained that "once I got the take down, I knew what I was going to do with it later. He didn't." [2] Newman said of his experience that he "was honored that a writer with Harry's talent would choose to do an album of someone else's songs. ... he was such a great singer, a virtuoso singer, really, and he could do so many things as a vocalist that I couldn't do—like hold a note." [2]
In February 1970, Nilsson Sings Newman was released by RCA Records. The cover art was drawn by Dean Torrence; his sepia tone scene depicted Nilsson driving an old American car through the countryside with Newman in the back seat. [2] (The automobile depicted is a 1938 Graham-Paige). Sales of the album were underwhelming. Courrier speculates that this was possibly because of the "idiosyncratic quality" of its ballads and the paucity of reviews. [2] Newman said in an interview how he personally went to assess the sales of the album at a record store in Los Angeles. He asked a clerk (who did not recognize him) "do you have any Nilsson albums?" The clerk guided Newman through each one, describing its sales and whether he recommended it; he came to Nilsson Sings Newman and said, "this is the one that nearly finished him off." [2]
Writing for The Village Voice , Robert Christgau awarded the album a B+ and wrote: "For those benighted who still believe the original can't sing, here's a sweeter version, including appropriately lovely versions of two rare urban celebrations—'Vine Street' ... and 'Dayton, Ohio 1903.' Not so dynamic musically, though—just Nilsson singing, and Newman behind on piano." [4] The audio equipment and record review magazine Stereo Review named Nilsson Sings Newman their album of the year. [2] The weekly magazine Cue in New York praised the artistry saying that "Nilsson was dealing with material as powerful as his own, but was free to concentrate entirely on his gifts as a performer." [5] Cue said that the album was free of the "overwhelmingly complex" personal expressions that came earlier from "Nilsson singing Nilsson, and Newman singing Newman". [5]
Review scores | |
---|---|
Source | Rating |
AllMusic | [6] |
Christgau's Record Guide | B+ [7] |
The Essential Rock Discography | 7/10 [8] |
Here Comes Inspiration , a 1974 album by Paul Williams, begins with a 54-second track called "Nilsson Sings Newman".
In 1993, Newman prepared to record an entire album of Nilsson songs, a returning of the favor 25 years later. Newman had never before recorded a Nilsson song. [2] After Nilsson's death in January 1994, the intended homage became a memorial, titled For The Love of Harry: Everybody Sings Nilsson . To leave room for participation by other artists, Newman sang only one song, "Remember (Christmas)", a sad and dreamy tune which opened the album. [2] Newman said, "I just hope Harry knew how great he was. He was always putting himself down, making fun of himself." [9]
Nilsson Sings Newman was re-released as a CD in 1995. [10] In 2000, the 30th anniversary release was padded with five additional tracks. One was "Snow", unreleased in 1970 for lack of room on the LP, and four were alternate versions of songs that were on the original album. In 2000, Ben Wener of the Orange County Register wrote that "Newman's sly, dramatically structured impressionistic pop was ideally suited for Nilsson's theatrical tone ... It's not so much that Nilsson's takes are better than Newman's ... just refreshingly different—less wicked and vicious, more melancholy." [2]
Artists who have expressed a fondness for the album include Rufus Wainwright, [2] Joanna Newsom, [11] Ron Sexsmith, [2] Jellyfish, [2] Adrian Belew, [2] and Shane Tutmarc. [12] AllMusic wrote of Nilsson Sings Newman as "a subtle, graceful masterpiece where the pleasure is in the grace notes, small gestures, and in-jokes," and that once a listener has acquired a taste for Newman's idiosyncratic songs, "is as sweet as honey." [3]
The 2021 Weezer album OK Human was heavily influenced by Nilsson Sings Newman [13]
All tracks are written by Randy Newman
No. | Title | Length |
---|---|---|
1. | "Vine St." | 2:50 |
2. | "Love Story" | 3:39 |
3. | "Yellow Man" | 2:16 |
4. | "Caroline" | 2:05 |
5. | "Cowboy" | 2:48 |
No. | Title | Length |
---|---|---|
1. | "The Beehive State" | 2:04 |
2. | "I'll Be Home" | 2:35 |
3. | "Living Without You" | 2:35 |
4. | "Dayton, Ohio 1903" | 1:50 |
5. | "So Long Dad" | 2:35 |
No. | Title | Length |
---|---|---|
1. | "Snow" | 2:29 |
2. | "Love Story" (alternate take) | 3:24 |
3. | "Cowboy" (alternate take) | 2:22 |
4. | "I'll Be Home" (alternate take) | 2:41 |
5. | "Living Without You" (alternate take) | 2:40 |
The credits give "special thanks to George Tipton and Lenny Waronker".
Harry Edward Nilsson III, sometimes credited as Nilsson, was an American singer-songwriter who reached the peak of his success in the early 1970s. His work is characterized by pioneering vocal overdub experiments, a return to the Great American Songbook, and fusions of Caribbean sounds. Nilsson was one of the few major pop-rock recording artists to achieve significant commercial success without performing major public concerts or touring regularly.
Randall Stuart Newman is an American singer, songwriter, arranger, pianist, composer and conductor known for his non-rhotic Southern-accented, if not African-American-accented, singing style, early Americana-influenced songs, and various film scores. His hits as a recording artist include "Short People" (1977), "I Love L.A." (1983), and "You've Got a Friend in Me" (1995) with Lyle Lovett, while other artists have enjoyed success with cover versions of his "Mama Told Me Not to Come" (1966), "I Think It's Going to Rain Today" (1968) and "You Can Leave Your Hat On" (1972).
12 Songs is the second studio album by American singer-songwriter Randy Newman, released in April 1970 by Reprise Records. It features a swampy style of roots music with introspective, satirical songwriting. "Have You Seen My Baby?", the album's only single, was released in May.
Harry is the fourth studio album by Harry Nilsson, released August 1969 on RCA. It was his first album to get onto Billboard Magazine's Billboard 200 chart, remaining there for 15 weeks and reaching #120.
Nilsson Schmilsson is the seventh studio album by American singer Harry Nilsson, released by RCA Records on November 11, 1971. It was Nilsson's most commercially successful work, producing three of his best-known songs. Among these was the number 1 hit "Without You", written by Pete Ham and Tom Evans of the group Badfinger. The album was the first of two Nilsson albums recorded in London and produced by Richard Perry.
A Little Touch of Schmilsson in the Night is a 1973 album of classic 20th-century standards sung by American singer Harry Nilsson. The album was arranged by Frank Sinatra's arranger Gordon Jenkins, and produced by Derek Taylor. This album is notable in being a standards album produced a decade before such works started to become popular again.
Pussy Cats is the tenth album by American singer Harry Nilsson, released by RCA Records in 1974. It was produced by John Lennon during his "Lost Weekend" period. The album title was inspired by the bad press Nilsson and Lennon were getting at the time for being drunk and rowdy in Los Angeles. They also included an inside joke on the cover – children's letter blocks "D" and "S" on either side of a rug under a table − to spell out "drugs under the table" as a rebus.
Sail Away is the third studio album by Randy Newman, released on May 23, 1972. It was produced by Lenny Waronker and Russ Titelman and issued on Reprise Records. While all of its songs were written and composed by Newman, several had already been recorded by other artists.
Randy Newman's Faust is the ninth studio album and a 1995 musical by American musician and songwriter Randy Newman, who based the work on the classic story of Faust, borrowing elements from the version by Goethe, as well as Milton's Paradise Lost, but updating the story to the modern day, and infusing it with humorous cynicism.
Little Criminals is the fifth studio album by American singer-songwriter Randy Newman. Like most of Newman's work, the album eschews traditional pop-music themes in favor of musical story-telling, often featuring quirky characters and cynical views. The first song on the album – "Short People" – became a hit single in its own right. The album itself peaked at #9 on the US Billboard 200 chart, Newman's highest-charting album to date.
Two Sides of the Moon is the only solo studio album by the English rock musician Keith Moon, drummer for the Who. It peaked at No. 155 on the Billboard 200. The album title was credited to Ringo Starr. Rather than using the album as a chance to showcase his drumming skill, Moon sang lead vocals on all tracks, and played drums only on three of the tracks, although he played percussion on "Don't Worry Baby". The album features contributions from Ringo Starr, Harry Nilsson, Joe Walsh of the Eagles, Jim Keltner, Bobby Keys, Klaus Voormann, John Sebastian, Flo & Eddie, Spencer Davis, Dick Dale, Suzi Quatro's sister Patti Quatro, Patti's bandmates from Fanny Jean Millington and Nickey Barclay, and future actor Miguel Ferrer.
"Sail Away" is a song by Randy Newman, the title track to his 1972 album. In a 1972 review in Rolling Stone, Stephen Holden describes "Sail Away" as presenting "the American dream of a promised land as it might have been presented to black Africa in slave running days."
"I Love L.A." is a song by Randy Newman. It was originally released on his 1983 album Trouble in Paradise. The song is about Los Angeles, California, and its hook is its title, repeated, each time followed by an enthusiastic crowd cheering, "We love it!"
Randy Newman Live is a live album by American singer Randy Newman. It is one of only two official live recordings he has released The album was recorded over three evenings between September 17 and 19, 1970 at the Bitter End, New York.
Baltimore is the fourteenth studio album by American singer-songwriter and pianist Nina Simone, released in January 1978 by CTI Records. Due to a lack of promotion, and Simone's dissatisfaction with the record, It became a commercial failure, failed to chart, and also received mixed reviews from critics. It would also become her first and only album released under her contract with CTI Records. The title track was originally written and recorded by Randy Newman in 1977.
"Memo from Turner" is a solo single by Mick Jagger, featuring slide guitar by Ry Cooder, from the soundtrack of Performance, in which Jagger played the role of Turner, a reclusive rock star. It was re-released in October 2007 on a 17-song retrospective compilation album The Very Best of Mick Jagger, making a re-appearance as a Jagger solo effort. After its original release in 1970, it was included on Rolling Stones compilations, such as Singles Collection: The London Years as a track credited to the Jagger/Richards songwriting partnership. "Memo from Turner" was ranked No. 92 in the 100 Greatest Guitar Songs list of Rolling Stone.
"Simon Smith and the Amazing Dancing Bear" is a song written by Randy Newman, about a young man of modest means who entertains affluent diners with his dancing bear. A recording by the Alan Price Set reached number four on the UK Singles Chart in April 1967. The success brought Newman to public attention as a songwriter; he recorded the song himself for his 1972 album Sail Away.
"The Puppy Song" is a Harry Nilsson song that appeared on his album Harry released in August 1969. Nilsson originally wrote this song at Paul McCartney's request for Mary Hopkin, an 18-year-old singer that McCartney had signed to Apple Records and whose first album, Post Card would feature her version of Nilsson's song. David Cassidy released his version as a double A-side single with "Daydreamer", which reached No. 1 on the UK Singles Chart in 1973.
"This Could Be the Night" is a song recorded by the American band Modern Folk Quartet (MFQ) in 1965. The lyrics describe a couple on the verge of conquering their inhibitions. Written in tribute to the Beach Boys' leader Brian Wilson, the song is one of three that are credited jointly to Harry Nilsson and Phil Spector, although Nilsson submitted that he was the sole writer on a 1966 copyright form.
Perspective is the eighteenth studio album by American singer Ricky Nelson, and his eleventh for Decca Records.