"As Time Goes By" | |
---|---|
Song | |
Written | 1931 |
Published | 1931 by Harms, Inc. |
Songwriter(s) | Herman Hupfeld |
"As Time Goes By" is a jazz song written by Herman Hupfeld in 1931. It became famous when it featured in the 1942 film Casablanca , performed by Dooley Wilson as Sam. The song was voted No. 2 on the AFI's 100 Years...100 Songs special, commemorating the best songs in film [1] (surpassed only by "Over the Rainbow" by Judy Garland).
The song was covered among others by Rudy Vallee, Billie Holiday, Jimmy Durante, Louis Armstrong, Frank Sinatra, Nancy Sinatra, Natalie Cole, Harry Nilsson, Carly Simon, Vera Lynn, Bob Dylan, Pat Suzuki and Bryan Ferry. It was also the title and theme song of the 1990s British romantic comedy series As Time Goes By . National Public Radio included it in its "NPR 100", a 1999 list of the most important American musical works of the 20th century as compiled by NPR's music editors. [2] The song is a popular reflection of nostalgia and often used in films and series reflecting this feeling. [3] [4] Since 1999, an instrumental version of the song's closing bars has accompanied the studio logo of many Warner Bros. Pictures and Warner Bros. Television productions, in reference to the studio's production of Casablanca. [5]
Herman Hupfeld wrote "As Time Goes By" for the Broadway musical Everybody's Welcome which opened on October 31, 1931. In the original show, it was sung by Frances Williams. It was first recorded by Rudy Vallée on July 25, 1931, for Victor Records, then also by Jacques Renard and his Orchestra on Brunswick Records and Fred Rich. In 1932, Binnie Hale recorded the song. Elisabeth Welch included the song in her cabaret act soon after it was released. In terms of popularity at the time, it was a modest hit.
The song was re-introduced in the 1942 film Casablanca where it was sung by Sam, portrayed by Dooley Wilson. Sam's piano accompaniment was played by a studio pianist, Jean Vincent Plummer; Wilson was a drummer. [6] [7] [8] The melody is heard throughout the film as a leitmotif. [9] Wilson was unable to make a commercial recording of the song at the time due to the 1942–44 musicians' strike. Unable to record new versions of the song, RCA Victor reissued the 1931 recording by Rudy Vallée, which became a number one hit eleven years after it was originally released. Brunswick also reissued the 1931 Jacques Renard recording. [10] [11]
Hupfeld lived his whole life in Montclair, New Jersey, and was a regular customer at the Robin Hood Inn (now the Valley Regency), a tavern built in 1922 on Valley Road, then part of Upper Montclair. He spent many hours at the piano and wrote several of his songs in this tavern. A plaque on the second floor of the Valley Regency Catering Facility in Clifton, New Jersey, commemorates the song. He wrote over one hundred songs, including "Let's Put Out the Lights and Go to Sleep", and the popular Great Depression song "Are You Making Any Money?" [12]
The song was originally published in the key of E-flat major. In the film, as sung and played by "Sam", it was recorded in D-flat major. It has since been played in several keys, commonly C major, but also B-flat major, as in Frank Sinatra's recording, and other keys including A major and E-flat major.
Like many later singers, Wilson in Casablanca starts with "You must remember this, a kiss is still a kiss...", singing only the verses and refrain ("As time goes by"). He entirely omits the intro that put those "fundamental things" into context: "This day and age we're living in/Gives cause for apprehension[...] Yet we get a trifle weary/With Mr Einstein's theory/So we must get down to earth at times [...] The simple facts of life [...] cannot be removed". [13] [14] [15] At least one version moves the intro into the middle of the song. [16]
Wilson's version was re-released in parts of the world in late 1977, including the UK where it reached number 15 in January 1978, and Australia where it peaked at number 86 in March 1978.
Chart (1978) | Peak position |
---|---|
Australia (Kent Music Report) [17] | 86 |
Hubert Prior Vallée, known professionally as Rudy Vallée, was an American singer, saxophonist, bandleader, actor, and entertainer. He was the first male singer to rise from local radio broadcasts in New York City to national popularity as a "crooner".
"Mack the Knife" or "The Ballad of Mack the Knife" is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama The Threepenny Opera. The song tells of a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title.
"California Dreamin'" is a song written by John Phillips and Michelle Phillips in 1963 and first recorded by Barry McGuire. The best-known version is by the Mamas & the Papas, who sang backup on the original version and released it as a single in December 1965. The lyrics express the narrator's longing for the warmth of Los Angeles during a cold winter in New York City. It is recorded in the key of C-sharp minor.
Herman Hupfeld was an American songwriter whose most notable composition was "As Time Goes By". He wrote both the lyrics and music.
Arthur "Dooley" Wilson was an American actor, singer and musician who is best remembered for his portrayal of Sam in the 1942 film Casablanca. In that romantic drama, he performs its theme song "As Time Goes By".
A crooner is a singer that performs with a smooth, intimate style that originated in the 1920s. The style was made possible by better microphones that picked up quieter sounds and a wider range of frequencies, allowing the singer to access a more dynamic range. This suggestion of intimacy was supposedly wildly attractive to women, especially younger ones such as teenage girls, known at the time as "bobby soxers". The crooning style developed out of singers who performed with big bands, and reached its height in the 1940s to late 1960s.
"Body and Soul" is a popular song and jazz standard written in 1930 with music by Johnny Green and lyrics by Edward Heyman, Robert Sour and Frank Eyton. It was also used as the musical theme and underscoring in the American film noir boxing drama Body and Soul.
"Prisoner of Love" is a 1931 popular song, with music by Russ Columbo and Clarence Gaskill and lyrics by Leo Robin.
Shine is a popular song with lyrics by Cecil Mack and Tin Pan Alley songwriter Lew Brown and music by Ford Dabney. It was published in 1910 by the Gotham-Attucks Music Publishing Company and used by Aida Overton Walker in His Honor the Barber, an African-American road show. According to Perry Bradford, himself a songster and publisher, the song was written about an actual man named Shine who was with George Walker when they were badly beaten during the New York City race riot of 1900.
"The Way You Look To-night" is a song from the film Swing Time that was performed by Fred Astaire and composed by Jerome Kern with lyrics written by Dorothy Fields. It won the Academy Award for Best Original Song in 1936. Fields remarked, "The first time Jerry played that melody for me I went out and started to cry. The release absolutely killed me. I couldn't stop, it was so beautiful."
The bouncing ball is a virtual device used in motion picture films and video recordings to visually indicate the rhythm of a song, helping audiences to sing along with live or prerecorded music. As the song's lyrics are displayed on the screen in a lower third of projected or character-generated text, an animated ball bounces across the top of the words, landing on each syllable when it is to be sung.
"Life Is Just a Bowl of Cherries" is a popular song with music by Ray Henderson and lyrics by Lew Brown, published in 1931. Ethel Merman introduced this song in George White's Scandals of 1931. A Rudy Vallée version, recorded in 1931, spent five weeks in the top-10 pop music charts. The song was revived in 1953 by singer Jaye P. Morgan.
"All of Me" is a popular song and jazz standard written by Gerald Marks and Seymour Simons in 1931.
"Winchester Cathedral" is a song by the New Vaudeville Band, a British novelty group established by the song's composer, Geoff Stephens, and was released in late 1966 by Fontana Records.
Abner Silberman as pen name Abner Silver, was an American songwriter who worked primarily during the Tin Pan Alley era of the craft.
"You’re Driving Me Crazy" is an American popular song composed by Walter Donaldson in 1930 and recorded the same year by Lee Morse, Rudy Vallée & His Connecticut Yankees and Guy Lombardo & His Royal Canadians.
Vote for Love is a 1996 album by Kenny Rogers released exclusively for sale on QVC. It was later made available in retail stores under the title Always & Forever.
"Tears" is a song written by lyricist Frank Capano and composer Billy Uhr, which was popularised by Rudy Vallée in 1930. It was later made famous in a version recorded by Ken Dodd, released as a 45 rpm single in 1965, which became a bestselling No. 1 hit in the UK Singles Chart.
The Vagabond Lover is a 1929 American pre-Code black-and-white musical comedy-drama film about a small-town boy who finds fame and romance when he joins a dance band. The film was directed by Marshall Neilan and is based on the novel of the same name written by James Ashmore Creelman, who also wrote the screenplay. It stars Rudy Vallee, in his first feature film, along with Sally Blane, Marie Dressler and Charles Sellon.
"Should I?" is a song with music by Nacio Herb Brown and lyrics by Arthur Freed, first published in 1929. It was originally written for the Metro-Goldwyn-Mayer film Lord Byron of Broadway (1930), where it was introduced by singer and actor Charles Kaley. The song became a major hit, charting at number 3 on Billboard for 11 weeks in 1930.