"Sixteen Tons" | |
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Song by Merle Travis | |
from the album Folk Songs of the Hills | |
B-side | "Dark as a Dungeon" |
Released | July 1947 |
Recorded | August 8, 1946 |
Studio | Radio Recorders, Los Angeles |
Genre | Folk |
Length | 2:54 |
Label | Capitol Americana [1] |
Songwriter(s) | Merle Travis |
Producer(s) | Lee Gillette |
Official audio | |
"Sixteen Tons" on YouTube |
"Sixteen Tons" is a song written by Merle Travis about a coal miner, based on life in the mines of Muhlenberg County, Kentucky. [2] Travis first recorded the song at the Radio Recorders Studio B in Hollywood, California, on August 8, 1946. Cliffie Stone played bass on the recording. It was first released in July 1947 by Capitol on Travis's album Folk Songs of the Hills . [3] The song became a gold record.
This section needs additional citations for verification .(April 2023) |
The sole authorship of "Sixteen Tons" is attributed to Merle Travis on all recordings [4] beginning with Travis's own 1946 record and is registered with BMI as a Merle Travis composition. George S. Davis, a folk singer and songwriter who had been a Kentucky coal miner, claimed on a 1966 recording for Folkways Records to have written the song as "Nine-to-ten tons" in the 1930s; [5] he also at different times claimed to have written the song as "Twenty-One Tons". There is no supporting evidence for Davis's claim. Davis's 1966 recording of his version of the song (with some slightly different lyrics and tune, but titled "Sixteen Tons") appears on the albums George Davis: When Kentucky Had No Union Men [6] and Classic Mountain Songs from Smithsonian. [7]
The line "another day older and deeper in debt" from the chorus came from a letter written by Travis's brother John. [2] This and the line "I owe my soul to the company store" are a reference to the truck system and to debt bondage. Under this scrip system, workers were not paid cash; rather they were paid with non-transferable credit vouchers that could be exchanged only for goods sold at the company store. This made it impossible for workers to store up cash savings. Workers also usually lived in company-owned dormitories or houses, the rent for which was automatically deducted from their pay. In the United States the truck system and associated debt bondage persisted until the strikes of the newly formed United Mine Workers and affiliated unions forced an end to such practices.
The eponymous "sixteen tons" refers to a practice of initiating new miners. In the mid-1920s, a miner tended to haul eight to ten tons per day, whereas for new miners, other miners would slack off so the new miner could "'make sixteen' on his very first day." [8]
"Sixteen Tons" | ||||
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Single by Tennessee Ernie Ford | ||||
from the album Ford Favorites | ||||
A-side | "You Don't Have to Be a Baby to Cry" | |||
Released | October 1955 | |||
Recorded | September 20, 1955 | |||
Genre | Country, traditional pop | |||
Length | 2:34 | |||
Label | Capitol | |||
Songwriter(s) | Merle Travis | |||
Producer(s) | Jack Fascinato | |||
Tennessee Ernie Ford singles chronology | ||||
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Official audio | ||||
"Sixteen Tons" on YouTube |
Tennessee Ernie Ford recorded "Sixteen Tons" in 1955 as the B-side of his cover of the Moon Mullican standard "You Don't Have to Be a Baby to Cry". With Ford's snapping fingers and a unique clarinet-driven pop arrangement, it quickly became a million seller. [4] It hit Billboard 's country music chart in November and held the No. 1 position for ten weeks, then crossed over and held the number 1 position on the pop music chart for eight weeks, [9] besting the competing version by Johnny Desmond. In the United Kingdom, Ford's version competed with versions by Edmund Hockridge and Frankie Laine. Nevertheless, Ford's version was the most successful, spending four weeks at number 1 in the UK Singles Chart in January and February 1956. [10] [11] On March 25, 2015, Ford's version of the song was inducted into the Library of Congress's National Recording Registry. [12] It was featured in the 9th episode of Season 22 of South Park. In 2002, the song was played at the beginning of the Emmy-winning TV film Door to Door .[ citation needed ] In 2023, it was included on the soundtrack of the 2023 Wes Anderson film Asteroid City . [13]
Frankie Laine's version was not released in the United States but sold well in the UK. Ford's version was released on 17 October, and by 28 October had sold 400,000 copies. On 10 November, a million copies had been sold; two million were sold by 15 December. [14]
The song has been recorded or performed in concert by a wide variety of musicians:
Eric Burdon's version of "Sixteen Tons" is the opening song of the 1990 American film Joe Versus the Volcano .
Songwriter Rupert Holmes cited "Sixteen Tons" as an inspiration for his song "Timothy", about a pair of miners who are implied to have cannibalized their fellow miner when the three are trapped following a mine collapse.
The song remained popularly recognized through the 20th and early 21st centuries, used or referenced in a number of works.[ citation needed ] It is featured in the second season premiere of The Wire, where The Nighthawks perform a cover version of the song during a bar scene. In the season 22 South Park episode "Unfulfilled", Ford's version of "Sixteen Tons" plays in the background of a montage of an Amazon fulfillment center, and in The Simpsons episode "Bart Gets an Elephant", "Sixteen Tons" is being played on the radio as Bart is forced by Marge to do housework. In Fallout 76 , Ford's version of "Sixteen Tons" is one of the songs featured on the in-game Appalachia Radio. It is also part of the soundtrack for Season 5, Episode 3 of the TV show Fargo (TV series) . [35]
Ernest Jennings Ford, known professionally as Tennessee Ernie Ford, was an American singer and television host who enjoyed success in the country and western, pop, and gospel musical genres. Noted for his rich bass-baritone voice and down-home humor, he is remembered for his hit recordings of "The Shotgun Boogie" and "Sixteen Tons".
Merle Robert Travis was an American country and western singer, songwriter, and guitarist born in Rosewood, Kentucky, United States. His songs' lyrics were often about the lives and the economic exploitation of American coal miners. Among his many well-known songs and recordings are "Sixteen Tons", "Re-Enlistment Blues", "I am a Pilgrim" and "Dark as a Dungeon". However, it is his unique guitar style, still called Travis picking by guitarists, as well as his interpretations of the rich musical traditions of his native Muhlenberg County, Kentucky, for which he is best known today. Travis picking is a syncopated style of guitar fingerpicking rooted in ragtime music in which alternating chords and bass notes are plucked by the thumb while melodies are plucked by the index finger. He was inducted into the Nashville Songwriters Hall of Fame in 1970 and elected to the Country Music Hall of Fame in 1977.
Industrial folk music, industrial folk song, industrial work song or working song is a subgenre of folk or traditional music that developed from the 18th century, particularly in Britain and North America, with songs dealing with the lives and experiences of industrial workers. The origins of industrial folk song are in the British Industrial Revolution of the eighteenth century as workers tended to take the forms of music with which they were familiar, including ballads and agricultural work songs, and adapt them to their new experiences and circumstances. They also developed in France and the US as these countries began to industrialise.
"Mystery Train" is a song written and recorded by American blues musician Junior Parker in 1953. Originally performed in the style of a Memphis blues or rhythm and blues tune, it was inspired by earlier songs and later became a popular rockabilly song, as first covered by Elvis Presley, then numerous others.
"The Ballad of Davy Crockett" is a song with music by George Bruns and lyrics by Thomas W. Blackburn. It was introduced on ABC's television series Disneyland, in the premiere episode of October 27, 1954.
"Mule Train" is a popular song written by Johnny Lange, Hy Heath, Ramblin' Tommy Scott and Fred Glickman. It is a cowboy song, with the singer filling the role of an Old West wagon driver, spurring on his team of mules pulling a delivery wagon. As he goes about his work, the driver mentions the various mail-order goods he is delivering to far-flung customers. "Mule Train" was originally recorded by Ellis "Buz" Butler Jr. in 1947. Butler was the original writer of the song along with Fred Glickman. The original recording was released by Buz Butler on Decca Records.
Calypso is the third studio album by recording artist Harry Belafonte, released by RCA Victor (LPM-1248) in 1956. The album became his second consecutive number-one album on the Billboard Top Pop Albums chart, where it peaked for 31 weeks. Calypso was the first Long Play record album to sell over one million copies.
"Dark as a Dungeon" is a song written by singer-songwriter Merle Travis. It is a lament about the danger and drudgery of being a coal miner in a shaft mine. It has become a rallying song among miners seeking improved working conditions.
"I'll See You in My Dreams" is a popular song and jazz standard, composed by Isham Jones, with lyrics by Gus Kahn, and published in 1924. It was recorded on December 4 that year, by Isham Jones conducting Ray Miller's Orchestra. Released on Brunswick Records, it charted for 16 weeks during 1925, spending seven weeks at number 1 in the United States. Other popular versions in 1925 were by Marion Harris; Paul Whiteman; Ford & Glenn; and Lewis James; with three of these four reaching the Top 10.
Johnny Cash Is Coming to Town is the 73rd album by American country singer Johnny Cash, released in 1987, and his first for Mercury Records. It was re-released in 2003, paired with Boom Chicka Boom on a single CD. "Sixteen Tons" was previously a hit for Tennessee Ernie Ford, "The Big Light" is an Elvis Costello song from his album King of America, released the previous year and "Let Him Roll" is from Guy Clark's debut, Old No. 1. The album reached #36 on the country charts, while the only released single, "The Night Hank Williams Came to Town", peaked at #43.
"Sweet Dreams" or "Sweet Dreams (of You)" is a country ballad, which was written by Don Gibson. Gibson originally recorded the song in 1955; his version hit the top ten of Billboard's country chart, but was eclipsed by the success of a competing recording by Faron Young. In 1960, after Gibson had established himself as a country music superstar, he released a new take as a single. This version also charted in the top ten on the country chart and also crossed over to the Billboard Hot 100, where it peaked at No.93. The song has become a country standard, with other notable versions by Patsy Cline and Emmylou Harris.
"Bo Diddley" is a song by American rock and roll pioneer Bo Diddley. It introduced the rhythm that became known as the Bo Diddley beat and topped the Billboard R&B chart for two weeks in 1955. The song is included on many of Diddley's compilation albums including Bo Diddley (1958) and His Best (1997). Buddy Holly recorded a version that posthumously became his 2nd highest-charting single in the UK after "It Doesn't Matter Anymore".
George S. Davis, known as The Singing Miner, was an American folk singer and songwriter, who worked as a coal miner, and then as a disc jockey on local radio in Hazard, Kentucky from 1947 until 1969.
Folk Songs of the Hills is a 1947 album by American singer Merle Travis. It is a collection of traditional songs from his home of Muhlenberg County, Kentucky, including original compositions evoking working life on the railroads and in the coal mines. Each song, accompanied by Travis on his own acoustic guitar, is introduced by a short narrative. Because of these characteristics, the album can be considered an early example of the concept album in popular music, along with Woody Guthrie's Dust Bowl Ballads and Frank Sinatra's In the Wee Small Hours. First issued as a 78 rpm box set album in 1947, this collection has remained in print in LP and CD reissues up to the present, with additional tracks from the same period added in later editions.
"Walking the Floor Over You" is a country music song written by Ernest Tubb, recorded on April 26, 1941 in Fort Worth, Texas, and released in the United States that year.
"Pretty Thing" is a 1955 song written by Bo Diddley and Willie Dixon and performed by Bo Diddley. The song was Diddley's third single release through Checker Records after "Diddley Daddy". In 1963, the song was released in the United Kingdom where it became Diddley's first of only two songs appearing on the UK Singles Chart, the other single being "Hey Good Lookin'".
"Diddy Wah Diddy" is a song written by Willie Dixon and Ellas McDaniel, known as Bo Diddley, and recorded by the latter in 1956. The song shares only its title with Blind Blake's song "Diddie Wah Diddie" recorded in 1929. Over the years, the Bo Diddley song has been covered by many bands and artists, including the Astronauts, Captain Beefheart and his Magic Band, the Remains, the Twilights, Taj Mahal, the Sonics, the Fabulous Thunderbirds, Ty Segall Band, and the Blues Band among others.
"Sleep" is a song written by Earl Burtnett and Adam Geibel in 1923. The song's melody is based on a motif from "Visions of Sleep", a 1903 composition by Geibel. The song was released by Fred Waring's Pennsylvanians in 1923, becoming the band's first hit and their signature theme. The song was also the theme for the television musical variety show The Fred Waring Show. The lyrics for the song were written by Waring's brother, Tom, who sang on the recording as well.
"Chain Gang" is a 1955 song written by Sol Quasha and Herb Yakus. In 1956, a recording by American singer Bobby Scott reached number 13 on the US Billboard Hot 100, whilst a version by English singer Jimmy Young peaked at number 9 on the UK Singles Chart. A work song, its chart success followed that of the similarly themed "Sixteen Tons", a transatlantic number one for Tennessee Ernie Ford.
"Sixteen Tons" is a 1947 song by Merle Travis which was also recorded by Tennessee Ernie Ford.
Bibliography
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