Ernest Jennings Ford, known professionally as Tennessee Ernie Ford, was an American singer and television host who enjoyed success in the country and western, pop, and gospel musical genres. Noted for his rich bass-baritone voice and down-home humor, he is remembered for his hit recordings of "The Shotgun Boogie" and "Sixteen Tons".
"Mack the Knife" or "The Ballad of Mack the Knife" is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama The Threepenny Opera. The song tells of a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title.
Guy Hughes Carawan Jr. was an American folk musician and musicologist. He served as music director and song leader for the Highlander Research and Education Center in New Market, Tennessee.
Hazel Jane Dickens was an American bluegrass singer, songwriter, double bassist and guitarist. Her music was characterized not only by her high, lonesome singing style, but also by her provocative pro-union, feminist songs. Cultural blogger John Pietaro noted that "Dickens didn’t just sing the anthems of labor, she lived them and her place on many a picket line, staring down gunfire and goon squads, embedded her into the cause." The New York Times extolled her as "a clarion-voiced advocate for coal miners and working people and a pioneer among women in bluegrass music." With Alice Gerrard, Dickens was one of the first women to record a bluegrass album. She was posthumously inducted into the International Bluegrass Music Hall of Fame alongside Gerrard in 2017.
Merle Robert Travis was an American country and western singer, songwriter, and guitarist born in Rosewood, Kentucky, United States. His songs' lyrics often discussed both the lives and the economic exploitation of American coal miners. Among his many well-known songs and recordings are "Sixteen Tons", "Re-Enlistment Blues", "I am a Pilgrim" and "Dark as a Dungeon". However, it is his unique guitar style, still called "Travis picking" by guitarists, as well as his interpretations of the rich musical traditions of his native Muhlenberg County, Kentucky, for which he is best known today. Travis picking is a syncopated style of guitar fingerpicking rooted in ragtime music in which alternating chords and bass notes are plucked by the thumb while melodies are simultaneously plucked by the index finger. He was inducted into the Nashville Songwriters Hall of Fame in 1970 and elected to the Country Music Hall of Fame in 1977.
Industrial folk music, industrial folk song, industrial work song or working song is a subgenre of folk or traditional music that developed from the 18th century, particularly in Britain and North America, with songs dealing with the lives and experiences of industrial workers. The origins of industrial folk song are in the British Industrial Revolution of the eighteenth century as workers tended to take the forms of music with which they were familiar, including ballads and agricultural work songs, and adapt them to their new experiences and circumstances. They also developed in France and the US as these countries began to industrialise.
"Mystery Train" is a song written and recorded by American blues musician Junior Parker in 1953. Originally performed in the style of a Memphis blues or rhythm and blues tune, it was inspired by earlier songs and later became a popular rockabilly song, as first covered by Elvis Presley, then numerous others.
"See You Later, Alligator" is a 1950s rock and roll song written and first recorded by American singer-songwriter Bobby Charles. The song was a Top Ten hit for Bill Haley and His Comets in 1956 in the United States, reaching no. 6 on Billboard and CashBox. In the UK, the single peaked at no. 7.
"Dark as a Dungeon" is a song written by singer-songwriter Merle Travis. It is a lament about the danger and drudgery of being a coal miner in a shaft mine. It has become a rallying song among miners seeking improved working conditions.
"I'll See You in My Dreams" is a popular song and jazz standard, composed by Isham Jones, with lyrics by Gus Kahn, and published in 1924. It was recorded on December 4 that year, by Isham Jones conducting Ray Miller's Orchestra. Released on Brunswick Records, it charted for 16 weeks during 1925, spending seven weeks at number 1 in the United States. Other popular versions in 1925 were by Marion Harris; Paul Whiteman; Ford & Glenn; and Lewis James; with three of these four reaching the Top 10.
Johnny Cash Is Coming to Town is the 73rd album by American country singer Johnny Cash, released in 1987, and his first for Mercury Records. It was re-released in 2003, paired with Boom Chicka Boom on a single CD. "Sixteen Tons" was previously a hit for Tennessee Ernie Ford, "The Big Light" is an Elvis Costello song from his album King of America, released the previous year and "Let Him Roll" is from Guy Clark's debut, Old No. 1. The album reached #36 on the country charts, while the only released single, "The Night Hank Williams Came to Town", peaked at #43.
"Rock Island Line" is an American folk song. Ostensibly about the Chicago, Rock Island and Pacific Railroad, it appeared as a folk song as early as 1929. The first recorded performance of "Rock Island Line" was by inmates of the Arkansas Cummins State Farm prison in 1934.
"That Lucky Old Sun (Just Rolls Around Heaven All Day)" is a 1949 popular song with music by Beasley Smith and words by Haven Gillespie.
George S. Davis, known as The Singing Miner, was an American folk singer and songwriter, who worked as a coal miner, and then as a disc jockey on local radio in Hazard, Kentucky from 1947 until 1969.
"Take This Hammer" is a prison, logging, and railroad work song, which has the same Roud number as another song, "Nine Pound Hammer", with which it shares verses. "Swannanoa Tunnel" and "Asheville Junction" are similar. Together, this group of songs are referred to as "hammer songs" or "roll songs". Numerous bluegrass bands and singers like Scott McGill and Mississippi John Hurt also recorded commercial versions of this song, nearly all of them containing verses about the legendary railroad worker, John Henry; and even when they do not, writes folklorist Kip Lornell, "one feels his strong and valorous presence in the song".
Folk Songs of the Hills is a 1947 album by American singer Merle Travis. It is a collection of traditional songs from his home of Muhlenberg County, Kentucky, including original compositions evoking working life on the railroads and in the coal mines. Each song, accompanied by Travis on his own acoustic guitar, is introduced by a short narrative. Because of these characteristics, the album can be considered an early example of the concept album in popular music, along with Woody Guthrie's Dust Bowl Ballads and Frank Sinatra's In the Wee Small Hours. First issued as a 78 rpm box set album in 1947, this collection has remained in print in LP and CD reissues up to the present, with additional tracks from the same period added in later editions.
Coal is an album by American country artist Kathy Mattea. It was released on April 1, 2008 via Captain Potato Records and Thirty Tigers. The album consisted of 11 tracks, all of which were stemmed from themes of coal mining in the Appalachian region of the United States. A majority of the album's material were covers of songs previously recorded by other singer-songwriters such as Hazel Dickens and Jean Ritchie. Coal received several positive reviews from critics at the time of its release. It was also Mattea's first album to top the American bluegrass chart and was nominated by the Grammy Awards.
"Sleep" is a song written by Earl Burtnett and Adam Geibel in 1923. The song's melody is based on a motif from "Visions of Sleep", a 1903 composition by Geibel. The song was released by Fred Waring's Pennsylvanians in 1923, becoming the band's first hit and their signature theme. The song was also the theme for the television musical variety show The Fred Waring Show. The lyrics for the song were written by Waring's brother, Tom, who sang on the recording as well.
"Cincinnati Lou" is a country music song recorded by Merle Travis and released on the Capitol label. It was co-written by Travis and Shug Fisher.
"Chain Gang" is a 1955 song written by Sol Quasha and Herb Yakus. In 1956, a recording by American singer Bobby Scott reached number 13 on the US Billboard Hot 100, whilst a version by English singer Jimmy Young peaked at number 9 on the UK Singles Chart. A work song, its chart success followed that of the similarly themed "Sixteen Tons", a transatlantic number one for Tennessee Ernie Ford.
