"St. James Infirmary" is an American blues and jazz standard that emerged, like many others, from folk traditions. Louis Armstrong brought the song to lasting fame through his 1928 recording, on which Don Redman is named as composer; later releases credit "Joe Primrose," a pseudonym used by musician manager, music promoter and publisher Irving Mills. The melody is eight bars long, unlike songs in the classic blues genre, where there are 12 bars. It is in a minor key, and has a 4
4 time signature, but has also been played in 3
4.
Ernest Jennings Ford, known professionally as Tennessee Ernie Ford, was an American singer and television host who enjoyed success in the country and western, pop, and gospel musical genres. Noted for his rich bass-baritone voice and down-home humor, he is remembered for his hit recordings of "The Shotgun Boogie" and "Sixteen Tons".
Guy Hughes Carawan Jr. was an American folk musician and musicologist. He served as music director and song leader for the Highlander Research and Education Center in New Market, Tennessee.
Hazel Jane Dickens was an American bluegrass singer, songwriter, double bassist and guitarist. Her music was characterized not only by her high, lonesome singing style, but also by her provocative pro-union, feminist songs. Cultural blogger John Pietaro noted that "Dickens didn’t just sing the anthems of labor, she lived them and her place on many a picket line, staring down gunfire and goon squads, embedded her into the cause." The New York Times extolled her as "a clarion-voiced advocate for coal miners and working people and a pioneer among women in bluegrass music." With Alice Gerrard, Dickens was one of the first women to record a bluegrass album. She was posthumously inducted into the International Bluegrass Music Hall of Fame alongside Gerrard in 2017.
Merle Robert Travis was an American country and western singer, songwriter, and guitarist born in Rosewood, Kentucky, United States. His songs' lyrics often discussed both the lives and the economic exploitation of American coal miners. Among his many well-known songs and recordings are "Sixteen Tons", "Re-Enlistment Blues", "I am a Pilgrim" and "Dark as a Dungeon". However, it is his unique guitar style, still called "Travis picking" by guitarists, as well as his interpretations of the rich musical traditions of his native Muhlenberg County, Kentucky, for which he is best known today. Travis picking is a syncopated style of guitar fingerpicking rooted in ragtime music in which alternating chords and bass notes are plucked by the thumb while melodies are simultaneously plucked by the index finger. He was inducted into the Nashville Songwriters Hall of Fame in 1970 and elected to the Country Music Hall of Fame in 1977.
Industrial folk music, industrial folk song, industrial work song or working song is a subgenre of folk or traditional music that developed from the 18th century, particularly in Britain and North America, with songs dealing with the lives and experiences of industrial workers. The origins of industrial folk song are in the British industrial revolution of the eighteenth century as workers tended to take the forms of music with which they were familiar, including ballads and agricultural work songs, and adapt them to their new experiences and circumstances. They also developed in France and the US as these countries began to industrialise.
"Only You (And You Alone)" (often shortened to "Only You") is a pop song composed by Buck Ram. It was originally recorded by The Platters with lead vocals by Tony Williams in 1955.
"Mystery Train" is a song written and recorded by American blues musician Junior Parker in 1953. Originally performed in the style of a Memphis blues or rhythm and blues tune, it was inspired by earlier songs and later became a popular rockabilly song, as first covered by Elvis Presley, then numerous others.
Appalachian music is the music of the region of Appalachia in the Eastern United States. Traditional Appalachian music is derived from various influences, including the ballads, hymns and fiddle music of the British Isles, and to a lesser extent the music of Continental Europe.
"Sinner Man" or "Sinnerman" is an African American traditional spiritual song that has been recorded by a number of performers and has been incorporated in many other media and arts. The lyrics describe a sinner attempting to hide from divine justice on Judgment Day. It was recorded in the 1950s by Les Baxter, the Swan Silvertones, the Weavers and others, before Nina Simone recorded an extended version in 1965.
"Coal Miner's Daughter" is a song written and recorded by American singer-songwriter Loretta Lynn. Considered Lynn's signature song, it was originally released as a single in 1970 and became a number one hit on the Billboard country chart. It was later released on an album of the same name. Produced by Owen Bradley, the song tells the story of Lynn's coal-mining father in rural Kentucky during the Great Depression. Lynn, who was born in 1932 and experienced the Great Depression as a child, also describes her childhood and the circumstances she was raised in during those years.
"Dark as a Dungeon" is a song written by singer-songwriter Merle Travis. It is a lament about the danger and drudgery of being a coal miner in a shaft mine. It has become a rallying song among miners seeking improved working conditions.
Johnny Cash Is Coming to Town is the 73rd album by American country singer Johnny Cash, released in 1987, and his first for Mercury Records. It was re-released in 2003, paired with Boom Chicka Boom on a single CD. "Sixteen Tons" was previously a hit for Tennessee Ernie Ford, "The Big Light" is an Elvis Costello song from his album King of America, released the previous year and "Let Him Roll" is from Guy Clark's debut, Old No. 1. The album reached #36 on the country charts, while the only released single, "The Night Hank Williams Came to Town", peaked at #43.
"Rock Island Line" is an American folk song. Ostensibly about the Chicago, Rock Island and Pacific Railroad, it appeared as a folk song as early as 1929. The first recorded performance of "Rock Island Line" was by inmates of the Arkansas Cummins State Farm prison in 1934.
"That Lucky Old Sun (Just Rolls Around Heaven All Day)" is a 1949 popular song with music by Beasley Smith and words by Haven Gillespie.
"Worried Man Blues" is a folk song in the roots music repertoire. It is catalogued as Roud Folk Song Index No. 4753. Like many folk songs passed by oral tradition, the lyrics vary from version to version, but generally all contain the chorus "It takes a worried man to sing a worried song/It takes a worried man to sing a worried song/I'm worried now, but I won't be worried long." The verses tell the story of a man imprisoned for unknown reasons "I went across the river, and I lay down to sleep/When I woke up, had shackles on my feet", who pines for his lost love, who is "on the train and gone."
George S. Davis, known as The Singing Miner, was an American folk singer and songwriter, who worked as a coal miner, and then as a disc jockey on local radio in Hazard, Kentucky from 1947 until 1969.
Folk Songs of the Hills is a 1947 album by American singer Merle Travis. It is a collection of traditional songs from his home of Muhlenberg County, Kentucky, including original compositions evoking working life on the railroads and in the coal mines. Each song, accompanied by Travis on his own acoustic guitar, is introduced by a short narrative. Because of these characteristics, the album can be considered an early example of the concept album in popular music, along with Woody Guthrie's Dust Bowl Ballads and Frank Sinatra's In the Wee Small Hours. First issued as a 78 rpm box set album in 1947, this collection has remained in print in LP and CD reissues up to the present, with additional tracks from the same period added in later editions.
"The Bells of Rhymney" is a song by folk singer Pete Seeger, which consists of Seeger's own music accompanying words written by Welsh poet Idris Davies. Seeger first released a recording of the song on a live album in 1958, but it is the American folk rock band the Byrds' 1965 recording that is the best known version of the song.
"The House of the Rising Sun" is a traditional folk song, sometimes called "Rising Sun Blues". It tells of a person's life gone wrong in the city of New Orleans. Many versions also urge a sibling or parents and children to avoid the same fate. The most successful commercial version, recorded in 1964 by the British rock band The Animals, was a number one hit on the UK Singles Chart and in the US and Canada. As a traditional folk song recorded by an electric rock band, it has been described as the "first folk rock hit".
