"Jump into the Fire" | ||||
---|---|---|---|---|
Single by Nilsson | ||||
from the album Nilsson Schmilsson | ||||
B-side | "The Moonbeam Song" | |||
Released | 1972 | |||
Genre | Hard rock | |||
Length | 3:32 (single edit) 6:54 (album version) | |||
Label | RCA Victor | |||
Songwriter(s) | Harry Nilsson | |||
Producer(s) | Richard Perry | |||
Nilsson singles chronology | ||||
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"Jump into the Fire" is a song by American singer-songwriter Harry Nilsson from his 1971 album Nilsson Schmilsson . It was also issued as the album's second single, after "Without You", and peaked at number 27 on America's Billboard Hot 100 chart and number 16 in Canada.
Written by Nilsson, the song is in the hard rock style and marked a departure from his previous work. The recording was produced by Richard Perry and includes a segment where the bass player, Herbie Flowers, audibly detunes his instrument. "Jump into the Fire" gained further recognition following its inclusion as the soundtrack to a pivotal scene in Martin Scorsese's 1990 gangster thriller Goodfellas . Nilsson performs the song in the 1974 Apple film Son of Dracula , which stars Nilsson in the lead as Count Downe. And it is featured in the 2015 film A Bigger Splash starring Ralph Fiennes and Tilda Swinton, and in episode 4 of the 2021 BBC/Netflix series The Serpent .
"Jump into the Fire" is a rock song written and performed in a style that music journalist Matthew Greenwald likens to the early-1970s sound of the Rolling Stones. He adds: "Lyrically, on the surface, it's a hot lovers plea; however, it could easily be taken as a plea to society as a whole. Like a lot of Nilsson's greatest songs, it works on many different levels." [1] Stephen Thomas Erlewine describes the track as "surging hard rock", [2] while James Parker of The Atlantic calls it "livid, dragon-bones funk". [3]
Nilsson recorded the song in London in 1971 for his album Nilsson Schmilsson . [4] As with much of the material on the album, it marked a departure from his previous work, as Nilsson was keen for commercial success after years of recognition as a quality artist and songwriter. [5] He later commented: "What do you say to a man who writes 'The Puppy Song' and then writes 'Jump into the Fire'? I really needed [to make that change], too; that was exactly what I was hoping would happen." [5] The sessions were produced by Richard Perry, whom Nilsson acknowledged as having been instrumental in his progression. [5]
The musicians on the basic track were Nilsson (piano), Chris Spedding (guitar), Herbie Flowers (bass) and Jim Gordon (drums). [6] Flowers recalls that Nilsson gave only vague instructions: "lots of tom-toms, a bass riff in D major." [6] The bass part includes a section where, following Gordon's drum solo, Flowers detunes as he plays. [5] [7] According to Flowers, he began loosening the bottom string "for a laugh", believing that by that point in the song, the performance would be faded out on the released recording. Overdubs on this master take included Nilsson's vocals, guitar solos by John Uribe and another rhythm guitar part by Klaus Voormann. [6]
"Jump into the Fire" received substantial airplay throughout the early 1970s. [1] After the international success of Nilsson's cover of the Badfinger ballad "Without You", the song was a surprising choice for the second single from Nilsson Schmilsson. [5] It was edited down from around seven minutes to three-and-a-half for this release. [6] The single peaked at number 27 on America's Billboard Hot 100 chart, [8] number 16 on the RPM singles chart in Canada, [9] number 26 on Australia's Go-Set National Top 40, [10] and number 34 in West Germany. [11] Later in 1972, Nilsson included "Jump into the Fire" in his musical horror film Count Downe. [12] [13] The film was produced by Ringo Starr and later retitled Son of Dracula for its limited cinema release in 1974. [14]
In 1990, the song was used by director Martin Scorsese as the soundtrack to a frenetic scene in his film Goodfellas , when Ray Liotta's character Henry Hill, a cocaine-addicted gangster, fears that the authorities are closing in on his illegal activities. [3] [15] Rolling Stone described the effect: "This is what paranoia sounds like ... the more the filmmaker fades those 'Oh oh ooohs' in and out, the more your own nerves start to fray." [15] Sean O'Neal of The A.V. Club writes: "I have to admit, even when I play 'Jump Into The Fire' today, I keep seeing that same helicopter." [16] Michael Gallucci of the website Ultimate Classic Rock lists "Jump into the Fire" at number 3 in his list of the ten best Nilsson songs, behind "Without You" and "Everybody's Talkin'". [17]
In his review for AllMusic, Greenwald highlights LaVern Baker's cover of the track for the Everybody Sings Nilsson tribute album as a "hot version". [1] The song was regularly performed as an encore by LCD Soundsystem. [18] The band's dance adaptation of the track appears in their 2012 documentary Shut Up and Play the Hits , as well as their 2014 live album The Long Goodbye . [19]
In 2015, "Jump into the Fire" was covered by Alice Cooper's supergroup Hollywood Vampires on their self-titled debut album. Cooper said: "Harry Nilsson was a ballad writer, so we found 'Jump into the Fire', which was actually a pretty good rock song. It was all based on drums, so we have Dave Grohl on drums." [20] A version by Robin Zander was included on his first solo album, titled Robin Zander .
The song was covered by Chris Cornell on his 2020 album No One Sings Like You Anymore, Vol. 1 . [21]
Jim Gordon's drum solo would later be used as one of the drum tracks for The Orb's single "Little Fluffy Clouds", slowed down from 45 to 33 rpm approximately.
According to the 1971 Nilsson Schmilsson LP credits: [22]
Harry Edward Nilsson III, sometimes credited as Nilsson, was an American singer-songwriter who reached the peak of his success in the early 1970s. His work is characterized by pioneering vocal overdub experiments, a return to the Great American Songbook, and fusions of Caribbean sounds. Nilsson was one of the few major pop-rock recording artists to achieve significant commercial success without performing major public concerts or touring regularly.
Klaus Otto Wilhelm Voormann is a German artist, musician, and record producer.
Son of Dracula is a 1974 British musical film directed by Freddie Francis and starring Harry Nilsson and Ringo Starr. It was produced by Starr and released in 1974 by Apple Films. It is also the title of a soundtrack released in conjunction with the film.
"Without You" is a song written by Pete Ham and Tom Evans of British rock group Badfinger, and first released on their 1970 album No Dice. The power ballad has been recorded by over 180 artists, and versions released as singles by Harry Nilsson (1971) and Mariah Carey (1994) became international number one hits. The Nilsson version was included in 2021's Rolling Stone's 500 Greatest Songs of All Time. Paul McCartney once described it as "the killer song of all time".
Brian Keith "Herbie" Flowers is an English musician specialising in electric bass, double bass and tuba. He is noted as a member of Blue Mink, T. Rex and Sky.
Nilsson Schmilsson is the seventh studio album by American singer Harry Nilsson, released by RCA Records on November 11, 1971. It was Nilsson's most commercially successful work, producing three of his best-known songs. Among these was the number 1 hit "Without You", written by Pete Ham and Tom Evans of the group Badfinger. The album was the first of two Nilsson albums recorded in London and produced by Richard Perry.
Son of Schmilsson is the eighth album by American singer Harry Nilsson.
A Little Touch of Schmilsson in the Night is a 1973 album of classic 20th-century standards sung by American singer Harry Nilsson. The album was arranged by Frank Sinatra's arranger Gordon Jenkins, and produced by Derek Taylor. This album is notable in being a standards album produced a decade before such works started to become popular again.
Pussy Cats is the tenth album by American singer Harry Nilsson, released by RCA Records in 1974. It was produced by John Lennon during his "Lost Weekend" period. The album title was inspired by the bad press Nilsson and Lennon were getting at the time for being drunk and rowdy in Los Angeles. They also included an inside joke on the cover – children's letter blocks "D" and "S" on either side of a rug under a table − to spell out "drugs under the table" as a rebus.
Duit on Mon Dei is the eleventh album by Harry Nilsson. The original title for this album was God's Greatest Hits but management at RCA Records didn't approve. The title is a punning spelling of "Do It On Monday," playing on the British Monarchy's motto Dieu et mon droit. The pun was originally used on the cover of Ringo Starr's 1973 album Ringo.
Sandman is the twelfth studio album by American singer-songwriter Harry Nilsson, released in January 1976 on RCA Victor.
...That's the Way It Is is the thirteenth album by American singer Harry Nilsson, released in 1976 on RCA Records. Aside from two original songs, the album consists of cover tunes.
"White Room" is a song by British rock band Cream, composed by bassist Jack Bruce with lyrics by poet Pete Brown. They recorded it for the studio half of the 1968 double album Wheels of Fire. In September, a shorter US single edit was released for AM radio stations, although album-oriented FM radio stations played the full album version. The subsequent UK single release in January 1969 used the full-length album version of the track.
Goodnight Vienna is the fourth studio album by Ringo Starr. It was recorded in the summer of 1974 in Los Angeles, and released later that year. Goodnight Vienna followed the commercially successful predecessor Ringo, and Starr used many of the same players, including Billy Preston, Klaus Voormann, Robbie Robertson, Harry Nilsson, and producer Richard Perry. The title is a slang phrase meaning "it's all over".
Two Sides of the Moon is the only solo studio album by the English rock musician Keith Moon, drummer for the Who. It peaked at No. 155 on the Billboard 200. The album title was credited to Ringo Starr. Rather than using the album as a chance to showcase his drumming skill, Moon sang lead vocals on all tracks, and played drums only on three of the tracks, although he played percussion on "Don't Worry Baby". The album features contributions from Ringo Starr, Harry Nilsson, Joe Walsh of the Eagles, Jim Keltner, Bobby Keys, Klaus Voormann, John Sebastian, Flo & Eddie, Spencer Davis, Dick Dale, Suzi Quatro's sister Patti Quatro, Patti's bandmates from Fanny Jean Millington and Nickey Barclay, and future actor Miguel Ferrer.
"Coconut" is a novelty song written and first recorded by American singer-songwriter Harry Nilsson, released as the third single from his 1971 album, Nilsson Schmilsson. It was on the U.S. Billboard charts for 14 weeks, reaching #8, and was ranked by Billboard as the #66 song for 1972. It charted in a minor way in the UK, reaching #42. "Coconut" did best in Canada, where it peaked at #5.
Solitaire is the thirty-first studio album by American pop singer Andy Williams, released in the fall of 1973 by Columbia Records and was an attempt to move away from his formulaic series of recent releases that relied heavily on songs that other artists had made popular.
"Spaceman" is a song written and recorded by the American singer-songwriter Harry Nilsson, released on his 1972 album Son of Schmilsson.
"You're Breakin' My Heart" is a song by American singer-songwriter Harry Nilsson, appearing on his 1972 album Son of Schmilsson. It is notorious for the opening line, "You're breakin' my heart / You're tearin' it apart / So fuck you".
"Gotta Get Up" is a song written by American singer-songwriter Harry Nilsson and the opening track from his 1971 album Nilsson Schmilsson. It was first released as the B-side to his single "Without You". "Gotta Get Up" is an upbeat pop song with a music hall feeling and lyrics about transitioning from carefree youth to adult responsibility. Nilsson based the lyrics on his experiences working at a bank and on his parents.
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