Little Fluffy Clouds

Last updated

"Little Fluffy Clouds"
Little Fluffy Clouds (The Orb album) coverart.jpg
Single by the Orb
from the album The Orb's Adventures Beyond the Ultraworld
B-side "Into the Fourth Dimension"
Released16 November 1990
Genre Ambient house
Length4:27 (album version)
Label Big Life
Songwriter(s)
Producer(s) The Orb
The Orb singles chronology
"A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld"
(1989)
"Little Fluffy Clouds"
(1990)
"Perpetual Dawn"
(1991)

"Little Fluffy Clouds" is a single released by the British ambient house group the Orb. It was originally released in November 1990 on the record label Big Life and peaked at number 87 on the UK Singles Chart. The Orb also included it on their 1991 double album The Orb's Adventures Beyond the Ultraworld . "Little Fluffy Clouds" was re-released several times with different B-sides, with its 1993 re-release reaching number 10 in the UK.

Contents

It ranked number 275 in NME's list of The 500 Greatest Songs of All Time. [1] Pitchfork Media ranked it at number 40 on their list of the Top 200 Tracks of the 1990s. [2]

Production

Alex Paterson had previously worked with Jimmy Cauty as the Orb. Upon Cauty's departure from the Orb, Paterson began work on "Little Fluffy Clouds" with ex-Killing Joke member Martin "Youth" Glover. [3] However, because of other production obligations, Glover did not become a permanent member of the Orb. Kris "Thrash" Weston joined the Orb soon after. Weston mixed and engineered several versions of "Little Fluffy Clouds", including the version on The Orb's Adventures Beyond the Ultraworld . [4]

Samples

"Little Fluffy Clouds" makes extensive use of clips from an interview with American singer Rickie Lee Jones [5] in which she recalls picturesque images of her childhood. The samples are widely believed to have come from a conversation between Jones and LeVar Burton on the children's television program Reading Rainbow , [3] but in fact originated from an interview disc that was issued with some promotional boxed copies of her album Flying Cowboys . The interview was not conducted by Burton. [6] The interviewer is not identified on the recording or in the boxed set's liner notes, though a 1993 profile in The Independent identifies him as "an American DJ" with a "syrupy, Simon Bates-style tone." [7]

Interviewer: "What were the skies like when you were young?"
Jones: "They went on forever – They - When I w- We lived in Arizona, and the skies always had little fluffy clouds in 'em, and, uh... they were long... and clear and... there were lots of stars at night. And, uh, when it would rain, it would all turn - it- They were beautiful, the most beautiful skies as a matter of fact. Um, the sunsets were purple and red and yellow and on fire, and the clouds would catch the colours everywhere. That's uh, neat 'cause I used to look at them all the time, when I was little. You don't see that. You might still see them in the desert."

Jones' record company initially sued Big Life over the unauthorized use of her voice. [3] Eventually, a settlement was reached out of court for an undisclosed sum of money for use of her voice on the Orb's recording. In 2016, Paterson said the record company paid $5,000 to use the sample. [8] Asked about the sample in an interview years later, Jones referred to the Orb as "those fuckers." [9]

The song also uses a harmonica sample from Ennio Morricone's The Man With The Harmonica (from the film Once Upon a Time in the West ) and parts of Electric Counterpoint , a piece for multi-tracked guitars composed by Steve Reich and recorded by Pat Metheny. According to Glover, the inspiration for the track came when an Orb fan who worked in a Birmingham record shop sent him a tape with Electric Counterpoint on one side and the Rickie Lee Jones interview on the other. [8] Reich was "genuinely flattered" [10] by the Orb's use of his work and instructed his record company not to sue. [11] Despite this, the Orb did receive a letter from Reich's lawyers several years later, but Paterson described Reich as "a proper gentleman: he wanted 20% from then on and asked us to do a remix of one of his tunes, which we did". [8] Alex Paterson also suggested that the drum track is sampled: "If anyone actually knew where the drums on 'Little Fluffy Clouds' came from, they'd all just die, but I'm not at liberty to tell. Record companies have always warned me, 'Don't tell anyone where you got your samples until we get them cleared!'". [12] He later said that the drum track was sampled from Harry Nilsson's album Nilsson Schmilsson , [13] and others have specifically identified this as a sample of Jim Gordon's drum solo from "Jump Into the Fire", slowed down approximately from 45 to 33 rpm. [14] The use of a slowed-down "Jump Into the Fire" was acknowledged by Paterson in a 2016 interview with The Guardian, in which he also said the track included a Lee "Scratch" Perry sample. [8]

In 2006 a previously uncredited sample from "Little Fluffy Clouds" was recognised by MTV label director Dan Waite, who identified the first voice heard on the song as that of his cousin John Waite. A 1990 John Waite BBC Radio 4 broadcast for the programme You and Yours was sampled and features at the beginning of the track. John Waite can clearly be heard saying, "Over the past few years, to the traditional sounds of an English summer, the drone of lawnmowers, the smack of leather on willow, has been added a new noise...". In 2013, the Orb's management asked John Waite to join them on their 25th Anniversary tour to read the classic line live on stage.

Commercial reception

"Little Fluffy Clouds" reached number 87 on the UK Singles Chart and was a dancefloor success. [3] After the popularity of following Orb albums, "Little Fluffy Clouds" was re-released several times, including a 1993 edition which peaked at number 10 on the UK chart.

Track listings

Charts

Chart (1990)Peak
position
UK Singles (OCC) [15] 87
Chart (1993)Peak
position
Europe (Eurochart Hot 100) [16] 30
UK Singles (OCC) [15] 10

Related Research Articles

<span class="mw-page-title-main">Steve Reich</span> American composer (born 1936)

Stephen Michael Reich is an American composer who is known for his contribution to the development of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, "Music as a Gradual Process", by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." For example, his early works experiment with phase shifting, in which one or more repeated phrases plays slower or faster than the others, causing it to go "out of phase." This creates new musical patterns in a perceptible flow.

James Francis Cauty, also known as Rockman Rock, is an English artist and musician, best known as one-half of the duo the KLF, co-founder of the Orb and as the man who burnt £1 million.

Ambient house is a downtempo subgenre of house music that first emerged in the late 1980s, combining elements of acid house and ambient music. The genre developed in chill-out rooms and specialist clubs as part of the UK's dance music scene. It was most prominently pioneered by the Orb and the KLF, along with artists such as Global Communication, Irresistible Force, Youth, and 808 State. The term was used vaguely, and eventually fell out of favor as more specific subgenres were recognized.

<i>Chill Out</i> (KLF album) 1990 studio album by The KLF

Chill Out is the third studio album by British electronic music group The KLF, released on 5 February 1990. It is an ambient-styled concept album featuring an extensive selection of samples, portraying a mythical night-time journey throughout the U.S. Gulf Coast states, beginning in Texas and ending in Louisiana. Chill Out was conceived as a continuous piece of music, with original KLF music interwoven with samples from songs by Elvis Presley, Fleetwood Mac, Acker Bilk, Van Halen, 808 State and field recordings of Tuvan throat singers.

<i>Space</i> (Jimmy Cauty album) 1990 studio album by Jimmy Cauty as Space

Space is a 1990 ambient house concept album by Jimmy Cauty under the alias Space. Originally intended to be The Orb's debut album, Space was refactored for release as a solo album following Cauty's departure from that group. Space was independently released on KLF Communications, the record label formed to distribute the work of Cauty's other project, The KLF.

Kristian "Kris" Weston is a British electronic musician, record producer and remixer best known for his work as a member of The Orb. Around the beginning of his career, he worked with Andrew Weatherall on remixes of Meat Beat Manifesto, remixed for Primal Scream, Saint Etienne, U2 and others. He was still a teen when working on the first few albums by The Orb.

<i>U.F.Orb</i> 1992 studio album by The Orb

U.F.Orb is the second studio album by English electronic music group The Orb. It was released on 6 July 1992 as their last work with record label Big Life. Upon its release, the album reached No. 1 on the UK Albums Chart. The music database AllMusic described it as "the commercial and artistic peak of the ambient-house movement."

<i>The Orbs Adventures Beyond the Ultraworld</i> 1991 studio album by The Orb

The Orb's Adventures Beyond the Ultraworld is the debut studio album by English electronic music group The Orb, released as a double album on 2 April 1991 by Big Life. It is a segued, progressive and psychedelic trip which draws from various genres and incorporates a huge number of samples and sound effects. Much of the album was recorded after founding member Jimmy Cauty left the group, leaving Alex Paterson as the central member, with additional contributions by Kris Weston, Andy Falconer and several others.

<i>Live 93</i> 1993 live album by The Orb

Live 93 is a live album by English electronic music group The Orb, released in November 1993 through Island Records. Live 93 is a collection of highlights from The Orb's 1993 performances in Europe and Asia. It features The Orb's live performance crew of Alex Paterson, Kris Weston, producers Nick Burton and Simon Phillips, as well as audio engineer Andy Hughes, who had stepped in when Weston decided to stop touring. The album cover of a sheep over a power station is a parody of the cover of Pink Floyd's Animals, an album cover they had previously parodied on the cover of Aubrey Mixes: The Ultraworld Excursions. The album reached #23 on the UK Album Chart.

<i>Flying Cowboys</i> 1989 studio album by Rickie Lee Jones

Flying Cowboys is fourth full-length studio album by Rickie Lee Jones. It was released in September 1989 and produced by Walter Becker of Steely Dan.

Electric Counterpoint is a minimalist composition by the American composer Steve Reich. The piece consists of three movements, "Fast," "Slow", and "Fast". Reich has offered two versions of the piece: one for electric guitar and tape, the other for an ensemble of guitars. The work shares similarities with Reich's New York Counterpoint.

<i>Pomme Fritz</i> 1994 EP by The Orb

Pomme Fritz is a mini-album by English electronic music group The Orb, released on 13 June 1994 by Island Records. Produced to sustain the group during a period of mismanagement, it was their first album with German producer Thomas Fehlmann, as well as their last with input from Kris Weston, who appears in a much diminished role as engineer.

<i>U.F.Off: The Best of The Orb</i> 1998 greatest hits album / Remix album/ Studio / Compilation by The Orb

U.F.Off: The Best of the Orb is a greatest hits album by The Orb released in 1998 by Island Records. There is both a double disc and single disc version, the latter being the first disc of the former. The second disc contains alternate mixes of many of the tracks on the first. Unlike many "greatest hits" releases that include the tracks as individual, stand-alone pieces, the tracks included here are seamlessly continuously-mixed like other DJ mixes.

<span class="mw-page-title-main">A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld</span> 1989 single by The Orb

"A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld" is the debut single by the ambient house group The Orb. It was originally released in October 1989 and made the UK Singles Chart in 1990, peaking at #78. The 'Peel Session' version was also voted into #10 place in John Peel's 1990 Festive Fifty. In April 1991, it was released on the debut album The Orb's Adventures Beyond the Ultraworld. The title is taken from a sound effects track from Blake's 7 on BBC Sound Effects No. 26 - Sci-Fi Sound Effects titled "The Core, A Huge Evergrowing Pulsating Brain which Rules from the Centre of Ultraworld".

<span class="mw-page-title-main">The Orb</span> European electronic music group

The Orb are an English electronic music group founded in 1988 by Alex Paterson and Jimmy Cauty. Known for their psychedelic sound, the Orb developed a cult following among clubbers "coming down" from drug-induced highs. Their influential 1991 debut album The Orb's Adventures Beyond the Ultraworld pioneered the UK's nascent ambient house movement, while its UK chart-topping follow-up U.F.Orb represented the group's commercial peak.

<i>The Orbs Adventures Beyond the Ultraworld: Patterns and Textures</i> 1992 video by The Orb

The Orb's Adventures Beyond the Ultraworld: Patterns and Textures is a 1992 video by the UK electronic music collective The Orb. It was filmed and recorded at a live performance at Brixton Fridge, London, 12 May 1991.

<span class="mw-page-title-main">The Orb discography</span>

The discography of European electronic music group The Orb includes seventeen studio albums, one live album, six compilation albums, four remix albums, four mix albums, two video albums, ten extended plays, fifteen singles and twenty-two music videos. Founded by Alex Paterson and Jimmy Cauty in 1988, the group's first release was the extended play Kiss EP, issued in May 1989. The single "A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld", which marked the group's first foray into the ambient house genre, was released in October 1989 on Adam Morris and Martin Glover's record label WAU! Mr. Modo Recordings. It was later re-issued by Big Life and peaked at number 78 in the United Kingdom despite sample clearance issues. Following Cauty's departure from the group, The Orb signed a long-term recording contract with Big Life and released their debut studio album The Orb's Adventures Beyond the Ultraworld in April 1991. It peaked at number 29 in the United Kingdom and has since been recognized as a seminal album of the ambient house genre. "Little Fluffy Clouds" and "Perpetual Dawn" were released as singles from the album.

<i>Moonbuilding 2703 AD</i> 2015 studio album by The Orb

Moonbuilding 2703 AD is the thirteenth studio album from ambient house duo The Orb. It is the first album they released through the Kompakt label since the 2005 release of Okie Dokie It's The Orb on Kompakt. It was released on 22 June 2015.

<span class="mw-page-title-main">Rickie Lee Jones discography</span>

The discography of Rickie Lee Jones, an American singer, songwriter, and author, consists of 15 studio albums, two live albums, two compilation albums, one extended play, one video album, and 22 singles, on Warner Bros. Records, Geffen Records, Reprise Records, Artemis Records, V2 Records, New West Records, Fantasy Records, Rhino Entertainment, and the Other Side of Desire Records.

References

  1. NME staff and writers (8 February 2014). "NME 500 Greatest Songs Of All Time".
  2. "The Top 200 Tracks of the 1990s: 50-21". pitchfork.com. Condé Nast. 2 September 2010.
  3. 1 2 3 4 Bush, John. "The Orb Biography". Allmusic . Retrieved 9 October 2006.
  4. Kris Weston. "rant". Archived from the original on 23 July 2014.
  5. "The Orb's Samples". Melody Maker . October 1993. Retrieved 28 August 2008.
  6. Goodes, Grant (16 February 1999). "Rickie Lee Jones Sample in LFC Confirmed". KLF Online. Archived from the original on 17 July 2011.
  7. "POP MUSIC / Every little fluffy cloud has a silver lining: The sky's". The Independent. 11 November 1993. Retrieved 15 November 2020.
  8. 1 2 3 4 Simpson, Dave (7 June 2016). "How we made the Orb's Little Fluffy Clouds". theguardian.com . Retrieved 7 June 2016.
  9. "Joy and Defiance: A Conversation with Rickie Lee Jones". Aquarium Drunkard. 10 May 2019. Retrieved 15 November 2020.
  10. "Steve Reich". The Wire . 1 November 1996.
  11. Martin Johnson. "Classical Composer Steve Reich Gets Remixed and Loves It". Barnes & Noble. Archived from the original on 26 September 2007. Retrieved 11 October 2006.
  12. Silva, Joe (1 February 2001). "Living in Orblivion". Remix Magazine . Archived from the original on 7 May 2006.
  13. Thomas, Rich. "In About Four Seconds A Teacher Will Begin To Speak—Dr. Alex Paterson Of The Orb". Interview.
  14. "The Orb's 'Little Fluffy Clouds' sample of Harry Nilsson's 'Jump Into the Fire'". www.whosampled.com. Retrieved 16 May 2015.
  15. 1 2 "Orb: Artist Chart History". Official Charts Company. Retrieved 7 August 2017.
  16. "Eurochart Hot 100" (PDF). Music & Media . Vol. 10, no. 48. 27 November 1993. p. 17. Retrieved 24 March 2024.