"Try a Little Tenderness" | |
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Song by Ray Noble Orchestra | |
Published | November 4, 1932 Campbell, Connelly & Co., Ltd. [1] |
Recorded | December 8, 1932 |
Songwriter(s) | Jimmy Campbell, Reg Connelly, Henry Woods |
"Try a Little Tenderness" is a song written by Jimmy Campbell, Reg Connelly, and Harry M. Woods.
It was first recorded on December 8, 1932, by the Ray Noble Orchestra, with vocals by Val Rosing. Another version, also recorded in 1932, was made by Charlie Palloy & his Orchestra. [2] Ted Lewis (Columbia 2748 D) and Ruth Etting (Melotone 12625) had hits with it in 1933. [3] Bing Crosby also recorded it on January 9, 1933, for Brunswick Records. [4] A version by Bob and Alf Pearson was also released in 1933. The song appeared on Frank Sinatra's debut album, The Voice of Frank Sinatra , in 1946. [5]
"Try a Little Tenderness" | ||||
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Single by Otis Redding | ||||
from the album Complete & Unbelievable: The Otis Redding Dictionary of Soul | ||||
B-side | "I'm Sick Y'all" | |||
Released | November 14, 1966 | |||
Recorded | 1966 | |||
Studio | Stax, Memphis, Tennessee | |||
Genre | Soul [6] | |||
Length | 3:51 (Album version) 3:20 (Single version) | |||
Label | Volt/Atco V-141 | |||
Producer(s) | Jim Stewart, Isaac Hayes, Booker T. & the M.G.'s | |||
Otis Redding singles chronology | ||||
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A popular version in an entirely new form was recorded by soul artist Otis Redding in 1966. Redding was backed on his version by Booker T. & the M.G.'s, and Stax staff producer Isaac Hayes worked on the arrangement. [7] Redding's recording features a slow, soulful opening that eventually builds into a frenetic R&B conclusion, incorporating elements from the Duke Ellington–Lee Gaines song "Just Squeeze Me (But Please Don't Tease Me)" as well as the words "sock it to me." In early 1967, it peaked at number 25 on the Billboard Hot 100. [8] It has been named on a number of "best songs of all time" lists, including those from the Rock and Roll Hall of Fame. It is in the 136th position on Rolling Stone's list of the 500 greatest songs of all time as of the list's 2021 update. [9] A live version performed in 1967 at the Monterey International Pop Festival was also recorded.[ citation needed ]
In the 1991 Irish film, The Commitments, the band performs the song in the style of Otis Redding. The version by The Commitments reached No. 13 in the Irish chart. [10]
In 2015, the song was inducted into the Grammy Hall of Fame. [11]
Chart (1967) | Peak position |
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Canada Top Singles ( RPM ) [12] | 23 |
UK Singles (OCC) [13] | 46 |
US Hot R&B/Hip-Hop Songs ( Billboard ) [14] | 4 |
US Billboard Hot 100 [15] | 25 |
Region | Certification | Certified units/sales |
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New Zealand (RMNZ) [16] | Gold | 15,000‡ |
United Kingdom (BPI) [17] | Silver | 200,000‡ |
United States (RIAA) [18] | Gold | 500,000‡ |
‡ Sales+streaming figures based on certification alone. |
Three Dog Night released a version of the song, which peaked at number 29 on the US Billboard Top 100 in 1969, and number 19 in Canada. [19] It borrows stylistically from Redding's interpretation of the song, including the coda that was added in Redding's version.
An instrumental version of the song is played during the opening credits of the 1964 film Dr. Strangelove over authentic footage of in-flight refueling of a U.S. Air Force B-52 bomber.
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"Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster. A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971.
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"White Christmas" is a song reminiscing about an old-fashioned Christmas setting. Written by Irving Berlin for the 1942 musical film Holiday Inn, the song won the Academy Award for Best Original Song at the 15th Academy Awards. Originally sung by Bing Crosby, it topped the Billboard chart for 11 weeks and returned to the number one position again in December 1943 and 1944. His version would return to the top 40 a dozen times in subsequent years.
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"Smoke Gets in Your Eyes" is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical comedy Roberta. The song was sung in the Broadway show by Tamara Drasin. It was first recorded by Gertrude Niesen, with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin, on October 13, 1933. Niesen's recording of the song was released by Victor, with in the B-side "Jealousy", a song featuring Isham Jones and his Orchestra. The line "When your heart's on fire, smoke gets in your eyes" apparently comes from a Russian proverb.
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"Theme from Shaft", written and recorded by Isaac Hayes in 1971, is the soul and funk-styled theme song to the Metro-Goldwyn-Mayer film Shaft. The theme was released as a single two months after the movie's soundtrack by Stax Records' Enterprise label. "Theme from Shaft" went to number two on the Billboard Soul Singles chart and to number one on the Billboard Hot 100 in the United States in November 1971, and number one in Canada in December. The song was also well received by adult audiences, reaching number six on Billboard's Easy Listening chart and number four in Canada. The song is considered by some to be one of the first disco songs.
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Complete & Unbelievable: The Otis Redding Dictionary of Soul, or simply Dictionary of Soul, is the fifth studio album by American soul singer-songwriter Otis Redding and his last solo studio album released before his death. The successful Otis Blue and the following performance at Whisky a Go Go led to his rising fame across the United States. The first side of the album mainly contains cover versions, and the second songs mainly written by Redding.
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