"The Weight" | ||||
---|---|---|---|---|
Single by the Band | ||||
from the album Music from Big Pink | ||||
B-side | "I Shall Be Released" | |||
Released | August 8, 1968 | |||
Recorded | January 1968 | |||
Studio | A&R Recorders (studio A), New York City | |||
Genre | ||||
Length | 4:34 | |||
Label | Capitol | |||
Songwriter(s) | Robbie Robertson | |||
Producer(s) | John Simon | |||
The Band singles chronology | ||||
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Audio | ||||
"The Weight" by the Band on YouTube |
"The Weight" is a song by the Canadian-American group the Band that was released as a single in 1968 and on the group's debut album Music from Big Pink . It was their first release under this name, after their previous releases as Canadian Squires and Levon and the Hawks. Written by Band member Robbie Robertson, the song is about a visitor's experiences in a town mentioned in the lyric's first line as Nazareth. "The Weight" has significantly influenced American popular music, having been listed as No. 41 on Rolling Stone's 500 Greatest Songs of All Time published in 2004. [4] Pitchfork Media named it the 13th best song of the 1960s, [5] and the Rock and Roll Hall of Fame named it one of the 500 Songs that Shaped Rock and Roll. [6] PBS, which broadcast performances of the song on Ramble at the Ryman (2011), Austin City Limits (2012), [7] and Quick Hits (2012), describes it as "a masterpiece of Biblical allusions, enigmatic lines and iconic characters" and notes its enduring popularity as "an essential part of the American songbook." [8]
"The Weight" is one of the Band's best known songs, gaining considerable album-oriented rock airplay even though it was not a significant hit single for the group in the US, peaking at only No. 63. [9] After it was released, the record debuted just six days later on KHJ's "'Boss 30' records" [10] and peaked at No. 3 there three weeks later. The Band's recording also fared well in Canada and the UK, peaking at No. 35 in Canada and No. 21 in the UK in 1968. Cash Box called it a "powerhouse performance." [11] American Songwriter and Stereogum both ranked the song number three on their lists of the Band's greatest songs. [12] [13] In 1968 and 1969, three cover versions were released; their arrangements appealed to a wide diversity of music audiences.
"The Weight" was written by Robbie Robertson, who found the tune by strumming idly on his guitar, a 1951 Martin D-28, when he noticed that the interior included a stamp noting that it was manufactured in Nazareth, Pennsylvania (C. F. Martin & Company is situated there), and he started crafting the lyrics as he played. [14] [15] The inspiration for and influences affecting the composition of "The Weight" came from the music of the American South, the life experiences of band members, particularly Levon Helm, and movies of filmmakers Ingmar Bergman and Luis Buñuel. [15] The original members of the Band performed "The Weight" as an American Southern folk song with country music (vocals, guitars and drums) and gospel music (piano and organ) elements.
The lyrics, written in the first person, are about a traveler's arrival, visit, and departure from a town called Nazareth, in which the traveler's friend, Fanny, has asked him to look up some of her friends and send them her regards, though with each encounter, he comes away with more favors he must do, and those favors become more favors, until the weight of doing so many unexpected tasks causes him to pick up his bag and leave town altogether and return to Fanny. The singers, led by Helm, vocalize the traveler's encounters with people in the town from the perspective of a Bible Belt American Southerner, like Helm himself, a native of rural Arkansas. [16]
The characters in "The Weight" were based on real people that members of the Band knew, according to Robertson, Fanny is based on Frances "Fanny" Steloff, the founder of a New York City bookstore where he explored scripts by Buñuel. [17] Helm explained in his autobiography, This Wheel's on Fire that "Carmen" was from Helm's hometown, Turkey Scratch, Arkansas, [18] "young Anna Lee" mentioned in the third verse is Helm's longtime friend Anna Lee Amsden, [19] and, according to her, "Crazy Chester" was an eccentric resident of Fayetteville, Arkansas, who carried a cap gun. Ronnie Hawkins would tell him to "keep the peace" at his Rockwood Club when Chester arrived.
According to Robertson, "The Weight" was inspired by the surreal imagery of Buñuel's films, specifically their criticism of organized religion, particularly Catholicism. The song's lyrics and music invoke vivid imagery, the main character's perspective is influenced by the Bible, and the episodic story was inspired by the predicaments Buñuel's film characters faced that undermined their goals for maintaining or improving their moral character. Of this, Robertson once stated:
(Buñuel) did so many films on the impossibility of sainthood. People trying to be good in Viridiana and Nazarín , people trying to do their thing. In "The Weight" it's the same thing. People like Buñuel would make films that had these religious connotations to them but it wasn't necessarily a religious meaning. In Buñuel there were these people trying to be good and it's impossible to be good. In "The Weight" it was this very simple thing. Someone says, "Listen, would you do me this favour? When you get there will you say 'hello' to somebody or will you give somebody this or will you pick up one of these for me? Oh? You're going to Nazareth, that's where the Martin guitar factory is. Do me a favour when you're there." This is what it's all about. So the guy goes and one thing leads to another and it's like "Holy shit, what's this turned into? I've only come here to say 'hello' for somebody and I've got myself in this incredible predicament." It was very Buñuelish to me at the time. [20]
The road movie Easy Rider (1969) used the song as recorded by the Band, but it was not licensed for the soundtrack album. To deal with this, ABC-Dunhill commissioned Smith, who recorded for the label at the time, to record a cover version of the song for the soundtrack album. [21] [22]
Several commercials have featured the song, including one by Cingular Wireless in 2004 that led to a lawsuit from Helm against advertising agency BBDO, claiming that he did not permit them the rights to use the song. [23] Helm would lose the lawsuit in 2012, after the court rules that BBDO said that Helm signed a contract in 1968 allowing the record label to license it at their discretion. [24] The song was featured in the films Girl, Interrupted (1999), Starsky and Hutch (2004), Dawn of the Planet of the Apes (2014), [25] and The King of Staten Island (2020). [26]
Credits are adapted from the liner notes of A Musical History . [27]
The songwriting credit to Robbie Robertson for "The Weight", like credit for many of the songs performed by the Band, was disputed years later by Levon Helm. Helm insisted that the composition of the lyrics and the music was collaborative, declaring that each band member made a substantial contribution. In an interview, Helm credited Robertson with 60 percent of the lyrics, Danko and Manuel with 20 percent each of the lyrics, much of the music credit to Garth Hudson, and a small credit to himself for lyrics. [28]
The Band was a Canadian-American rock band formed in Toronto, Ontario, in 1957. It consisted of the Canadians Rick Danko, Garth Hudson, Richard Manuel and Robbie Robertson and the American Levon Helm. The Band's music combined elements of Americana, folk, rock, jazz and country, which influenced artists such as George Harrison, Elton John, the Grateful Dead, Eric Clapton, and Wilco.
Music from Big Pink is the debut studio album by the Canadian-American rock band the Band. Released on July 1, 1968, by Capitol Records, it employs a distinctive blend of country, rock, folk, classical, R&B, blues, and soul. The album's title refers to a house in West Saugerties, New York called "Big Pink", which was shared by bassist/singer Rick Danko, pianist/singer Richard Manuel and organist Garth Hudson and in which the album's music was partly composed. The album itself was recorded in studios in New York and Los Angeles in 1968, and followed the band's stint backing of Bob Dylan on his 1966 tour and time spent together in upstate New York recording material that was officially released in 1975 as The Basement Tapes, also with Dylan. The cover artwork is a painting by Dylan.
The Band, also known as The Brown Album, is the second studio album by the Canadian-American rock band the Band, released on September 22, 1969, by Capitol Records. According to Rob Bowman's liner notes for the 2000 reissue, The Band has been viewed as a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana. Thus, the songs on this album draw on historic themes for "The Night They Drove Old Dixie Down", "King Harvest " and "Jawbone".
Jaime Royal Robertson was a Canadian musician of Indigenous ancestry. He was lead guitarist for Bob Dylan in the mid-late 1960s and early-mid 1970s, guitarist and primary songwriter of The Band from their inception until 1978, and a solo artist.
"The Night They Drove Old Dixie Down" is a song written by Robbie Robertson. It was originally recorded by his Canadian-American roots rock group The Band in 1969 and released on their eponymous second album. Levon Helm provided the lead vocals. The song is a first-person narrative relating the economic and social distress experienced by the protagonist, a poor white Southerner, during the last year of the American Civil War, when George Stoneman was raiding southwest Virginia.
Mark Lavon "Levon" Helm was an American musician who achieved fame as the drummer and one of the three lead vocalists for The Band, for which he was inducted into the Rock and Roll Hall of Fame in 1994. Helm was known for his deeply soulful, country-accented voice, multi-instrumental ability, and creative drumming style, highlighted on many of the Band's recordings, such as "The Weight", "Up on Cripple Creek", and "The Night They Drove Old Dixie Down".
Stage Fright is the third studio album by the Canadian-American rock band the Band, released on August 17, 1970, by Capitol Records. It featured two of the group's best known songs, "The Shape I'm In" and "Stage Fright", both of which showcased inspired lead vocal performances and became staples in the group's live shows.
Northern Lights – Southern Cross is the sixth studio album by Canadian-American rock band the Band, released in November 1975. It was the first album to be recorded at their new California studio, Shangri-La, and the first album of all new material since 1971's Cahoots. It was recorded using a 24-track tape recorder, which allowed Garth Hudson to include multiple layers of keyboards on several tracks, and it is the only Band album where all songs are credited as compositions of guitarist Robbie Robertson.
Across the Great Divide is a box set by Canadian-American rock group The Band. Released in 1994, it consists of two discs of songs from the Band's first seven albums, and a third disc of rarities taken from various studio sessions and live performances. The set is now out of print, having been replaced by the five-CD/one-DVD box set A Musical History which was released in September 2005.
A Musical History is the second box set to anthologize Canadian-American rock group the Band. Released by Capitol Records on September 27, 2005, it features 111 tracks spread over five compact discs and one DVD. Roughly spanning the group's journey from 1961 to 1977, from their days behind Ronnie Hawkins and Bob Dylan through the departure of Robbie Robertson and the first disbanding of the group. The set includes highlights from each of the group's first seven studio albums and both major live recordings and nearly forty rare or previously unreleased performances.
"Levon" is a song written by English musician Elton John and songwriter Bernie Taupin, and performed by John. It was recorded on 27 February 1971, and was released on John's 1971 album, Madman Across the Water. Backing vocals are provided by Tony Burrows. Paul Buckmaster wrote the orchestral arrangements and conducted the orchestra.
"This Wheel's on Fire" is a song written by Bob Dylan and Rick Danko. It was originally recorded by Dylan and the Band during their 1967 sessions, portions of which comprised the 1975 album, The Basement Tapes. The Band's own version appeared on their 1968 album, Music from Big Pink. A version by Julie Driscoll with Brian Auger and the Trinity became a hit in 1968, peaking at number 5 on the UK Singles Chart and at number 13 in Canada. Live versions by the Band appear on their 1972 live double album Rock of Ages, as well as the more complete four-CD-DVD version of that concert, Live at the Academy of Music 1971, and the 2002 Box Set of The Last Waltz.
"Who Do You Love?" is a song written by American rock and roll pioneer Bo Diddley. Recorded in 1956, it is one of his most popular and enduring works. The song represents one of Bo Diddley's strongest lyrical efforts and uses a combination of hoodoo-type imagery and boasting. It is an upbeat rocker, but the original did not use the signature Bo Diddley beat rhythm.
"Chest Fever" is a song recorded by the Band on its 1968 debut, Music from Big Pink. It is, according to Peter Viney, a historian of the group, the album track that has appeared on the most subsequent live albums and compilations, second only to "The Weight".
"The Shape I'm In" is a song by The Band, first released on their 1970 album Stage Fright. It was written by Robbie Robertson, who did little to disguise the fact that the song's sense of dread and dissolution was about Richard Manuel, the song's principal singer. It became a regular feature in their concert repertoire, appearing on their live albums Rock of Ages, Before the Flood, and The Last Waltz. Author Neil Minturn described the song as "straightforward rock." Along with "The Weight," it is one of the Band's songs most performed by other artists. It has been recorded or performed by Bo Diddley, The Good Brothers, The Mekons, The Pointer Sisters, She & Him, Marty Stuart and Nathaniel Rateliff and the Night Sweats.
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Carry Me Home is a 2022 collaborative album between Americans roots rock drummer Levon Helm and soul singer Mavis Staples, released on Anti-. Made from sessions recorded at Helm's studio in 2011, shortly before his death, the album has received praise from critics.
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