"Masterpiece" | ||||
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Single by the Temptations | ||||
from the album Masterpiece | ||||
B-side | "Masterpiece (instrumental)" | |||
Released | February 1973 | |||
Genre | ||||
Length | 4:22 (single version) 13:49 (album version) | |||
Label | Motown Records | |||
Songwriter(s) | Norman Whitfield | |||
Producer(s) | Norman Whitfield | |||
The Temptations singles chronology | ||||
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"Masterpiece" is a 1973 soul single written by Norman Whitfield and performed by American vocal group the Temptations.
Whitfield, who also produced the track, entitled it "Masterpiece" because he felt it was a perfect blending of strings, horns, rhythm players, voices, studio tricks, and sweetening elements. [2] However, the word 'masterpiece' does not appear in the song's lyrics, which do not point to anything obvious from which to draw a title. As with their Whitfield-produced hit from the previous year, "Papa Was a Rollin' Stone", the Temptations do not make their first appearance until after a long instrumental section. This added to already building tension between the group and Whitfield and led some music writers to start referring to the Temps as "the Norman Whitfield Choral Singers".
Released from the album of the same title, the title track reached number seven on the Billboard Hot 100 singles chart and spent two weeks at number one on the Hot Soul Singles chart. [3] It was their last Top Ten pop hit with Motown Records, and perhaps the last such hit in their career, not counting "The Motown Song," their collaboration with Rod Stewart in 1991.
Charts | Peak position |
---|---|
U.S. Billboard Hot 100 | 7 |
U.S. Billboard Best Selling Soul Singles | 1 |
The Temptations are an American vocal group from Detroit, Michigan, who released a series of successful singles and albums with Motown Records during the 1960s and 1970s. The group's work with producer Norman Whitfield, beginning with the Top 10 hit single "Cloud Nine" in October 1968, pioneered psychedelic soul, and was significant in the evolution of R&B and soul music. The band members are known for their choreography, distinct harmonies, and dress style. Having sold tens of millions of albums, the Temptations are among the most successful groups in popular music.
"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the Billboard R&B Singles chart and number two on the Billboard Pop Singles chart and shortly became the biggest selling Motown single up to that time.
"Papa Was a Rollin' Stone" is a song originally performed by Motown recording act the Undisputed Truth in 1972, though it became much better known after a Grammy-award winning cover by the Temptations was issued later the same year. This latter version of the song became a number-one hit on the Billboard Hot 100.
"Get Ready" is a Motown song written by Smokey Robinson, which resulted in two hit records for the label: a U.S. No. 29 version by The Temptations in 1966, and a U.S. No. 4 version by Rare Earth in 1970. It is significant for being the last song Robinson wrote and produced for the Temptations, due to a deal Berry Gordy made with Norman Whitfield, that if "Get Ready" did not meet with the expected degree of success, then Whitfield's song, "Ain't Too Proud to Beg", would get the next release, which resulted in Whitfield more or less replacing Robinson as the group's producer.
"Ain't Too Proud to Beg" is a 1966 song and hit single by The Temptations for Motown Records' Gordy label, produced by Norman Whitfield and written by Whitfield and Edward Holland Jr. The song peaked at number 13 on the Billboard Pop Chart, and was a number-one hit on the Billboard R&B charts for eight non-consecutive weeks. The song's success, in the wake of the relative underperformance of the previous Temptations' single, "Get Ready", resulted in Norman Whitfield replacing Smokey Robinson, producer of "Get Ready", as The Temptations' main producer. In 2004 it finished number 94 in AFI's 100 Years...100 Songs poll thanks to its inclusion in The Big Chill soundtrack.
"I Can't Get Next to You" is a 1969 No. 1 single recorded by the Temptations and written by Norman Whitfield and Barrett Strong for the Gordy (Motown) label. The song was a No. 1 single on the Billboard Top Pop Singles chart for two weeks in 1969, from October 18 to October 25, replacing "Sugar, Sugar" by the Archies and replaced by "Suspicious Minds" by Elvis Presley. The single was also a No. 1 hit on the Billboard Top R&B Singles for five weeks, from October 4 to November 1, replacing "Oh, What a Night" by the Dells, and replaced by another Motown song, "Baby I'm For Real" by the Originals.
The Undisputed Truth was an American Motown recording act, assembled by record producer Norman Whitfield as a means for being able to experiment with his psychedelic soul production techniques. Joe "Pep" Harris served as main lead singer, with Billie Rae Calvin and Brenda Joyce Evans on additional leads and background vocals.
"Just My Imagination (Running Away with Me)" is a song by American soul group the Temptations, written by Norman Whitfield and Barrett Strong. Released on the Gordy (Motown) label, and produced by Norman Whitfield, it features on the group's 1971 album, Sky's the Limit. When released as a single, "Just My Imagination" became the third Temptations song to reach number one on the US Billboard Hot 100. The single held the number one position on the Billboard Pop Singles Chart for two weeks in 1971, from March 28 to April 10. "Just My Imagination" also held the number one spot on the Billboard R&B Singles chart for three weeks, from February 27 to March 20 of that year.
"Too Busy Thinking About My Baby" is a Motown song written by Norman Whitfield, Barrett Strong, and Janie Bradford. The song was first recorded by The Temptations as a track on their 1966 album Gettin' Ready. Eddie Kendricks sings lead on the recording, which was produced by Whitfield. Jimmy Ruffin also recorded a version with The Temptations providing background vocals in 1966. It remained unreleased until 1997.
"(I Know) I'm Losing You" is a 1966 hit single recorded by the Temptations for the Gordy (Motown) label, written by Cornelius Grant, Eddie Holland and Norman Whitfield, and produced by Norman Whitfield.
"Smiling Faces Sometimes" is a soul song written by Norman Whitfield and Barrett Strong for the Motown label. It was originally recorded by the Temptations in 1971. Producer Norman Whitfield had the song re-recorded by the Undisputed Truth the same year, resulting in a number-three Billboard Hot 100 position for the group. "Smiling Faces" was the only Top 40 single released by the Undisputed Truth, and was included on their debut album The Undisputed Truth.
"I Wish It Would Rain" is a 1967 song recorded by the Temptations for the Motown label and produced by Norman Whitfield.
Masterpiece is a 1973 album by The Temptations for the Gordy (Motown) label, produced and written by Norman Whitfield.
Solid Rock is a 1972 album by The Temptations for the Gordy (Motown) label, produced by Norman Whitfield. The LP was the first made primarily without founding members and original lead singers Eddie Kendricks and Paul Williams. Frustrated by conflicts and fights with Temptations Otis Williams and Melvin Franklin, and producer Whitfield's steadfast insistence on producing psychedelic soul for the group when they really wanted to sing ballads, Kendricks had quit the act and negotiated a solo deal with Motown's Tamla label.
The Temptations with a Lot o' Soul is the fifth studio album by The Temptations for the Gordy (Motown) label released in 1967. Featuring four hit singles, With a Lot o' Soul is the most successful Temptations album from their "classic 5" era, during which David Ruffin, Eddie Kendricks, Paul Williams, Melvin Franklin, and Otis Williams constituted the Temptations' lineup.
In the Groove is the eighth studio album by soul musician Marvin Gaye, released on August 26, 1968 on the Motown-subsidiary label Tamla Records. It was the first solo studio album Gaye released in two years, in which during that interim, the singer had emerged as a successful duet partner with female R&B singers such as Kim Weston and Tammi Terrell. In the Groove was reissued and retitled as I Heard It Through the Grapevine after the unexpected success of Gaye's recording of the same name, which had been released as a single from the original album.
"All I Need" is a 1967 hit single recorded by The Temptations for the Gordy (Motown) label. It is the group's first single to be produced by Norman Whitfield's protégé Frank Wilson. Written by Wilson, Eddie Holland and R. Dean Taylor, the single was a Top 10 hit on the Billboard Hot 100, peaking at number 8; it was also a number-two hit on the Billboard R&B singles chart.
"(Loneliness Made Me Realize) It's You That I Need" is a 1963 song that became a 1967 hit single recorded by the Temptations for the Gordy (Motown) label, produced and co-written by Norman Whitfield. Billboard described the single as a "groovy rocker" that "is loaded with excitement and another top vocal workout."
"Gonna Give Her All the Love I've Got" is a 1967 Soul song, originally recorded and made a hit by Jimmy Ruffin on Motown's Soul Label imprint. Ruffin's 1967 original version, from his album Jimmy Ruffin Sings Top Ten, reached the Pop Top 30, peaking at #29, and was a Top 20 R&B Hit as well, peaking at #14. It was also a hit in Britain, reaching #26 on the UK Singles Chart. The song has a social context: it depicts a man anticipating his release from prison on the morrow, when he'll return home on a train to "the girl that I left behind," promising himself that he will reward her steadfast love for him by "giv[ing] her all the love [he's] got." The song was written by Norman Whitfield and Barrett Strong and produced by Whitfield.
"How Can I Forget" was originally recorded as a love ballad by Motown group The Temptations in 1968 and was re-recorded in a psychedelic soul/funk styling by fellow Motown artist, Marvin Gaye in 1969. His version, released on Motown's first subsidiary, Tamla, became a modest hit that almost reached the Top 40 of the pop charts while peaking at number-eighteen on the Hot Selling Soul Singles chart in 1970. Marvin's recording was featured on his That's the Way Love Is album. The song is also notable for being one of the shortest recordings for both The Tempts and for Gaye; recorded when most songs are over three minutes, its length is just under two.