| "I Want a Love I Can See" | ||||
|---|---|---|---|---|
| Single by The Temptations | ||||
| from the album Meet the Temptations | ||||
| B-side | "The Further You Look, the Less You See" | |||
| Released | March 18, 1963 | |||
| Recorded | Hitsville USA (Studio A); January 31 and February 1, 1963 | |||
| Genre | Soul, R&B | |||
| Length | 2:30 | |||
| Label | Gordy G 7015 | |||
| Songwriter(s) | Smokey Robinson | |||
| Producer(s) | Smokey Robinson | |||
| The Temptations singles chronology | ||||
| ||||
"I Want a Love I Can See" is a 1963 single by The Temptations for the Gordy (Motown) label. The single was the group's first A-side to be written and produced by Miracles lead singer Smokey Robinson. [1] Robinson had previously written the B-side "Slow Down Heart", but for over the past year Berry Gordy, Jr. had been The Temptations' main producer.
Lead singer Paul Williams, in the role of the song’s narrator, talks about what he thinks is true love.
This single not only marked Williams return as lead on the A-side, but would also be the only one with him as the sole lead (although there are a few B-sides with him only as lead). During the previous year, fellow group member Eddie Kendricks was given the lead on the singles' A-sides with very little success. By early 1963, the Tempts was a regional R&B favorite with their most successful single being "Dream Come True", a Top 30 R&B hit, but they couldn’t make the Billboard Hot 100 charts. Because of this, the group was given the nickname "The Hitless Temptations", [2] while Motown continued to try to give them a top 20 hit on both the Pop and R&B charts. Robinson by this time had become one of Motown's top producers and songwriters, delivering hits such acts as Mary Wells and his own group The Miracles (and a few minor charters to sister group The Supremes), and when the Tempts were given this song they were sure this would be the hit they needed. According to some sources, including Otis Williams autobiography, bass singer Melvin Franklin did not record vocals on either side of this single, as he was visiting family in Alabama. However, this cannot be substantiated by official Motown studio records.
Although "I Want a Love I Can See" did not chart nationally, the song was a smash regional hit in some parts of the country and would continue to be used as part of the Temptations' on-stage repertoire. In fact, the single ended up becoming more successful financially than the group's previous singles, as it outsold even the two charters. On the group's live performance of the song on the "Motortown Revue Live Vol. 2", Paul Williams and Elbridge "Al" Bryant exchange leads at the end of the song (one of the few times Bryant appears as lead on a song) - the part taken over by his replacement, David Ruffin on " The Temptations Live! ". The group's 2001 lineup made a studio remake (renamed "A Love I Can See") for The Temptations album Awesome. Robinson would prove to have the best rapport with the group and eventually became the Tempts main producer. The song was covered by several different artists, including Jennifer Love Hewitt, Jackie Edwards, Creation Rebel, Dawn Penn, and Bitty McLean. John Holt also covered the song, which was retitled "(I Want) A Love I Can Feel".
The melody and chord progression of this song appear to have been highly influential upon the structure of Rocky Burnette's 1980 hit single "Tired Of Toein' The Line".[ according to whom? ]
Cash Box described it as an "inviting mashed potatoes-styled romancer" with a "strong musical backdrop" and said that it is "right up the teeners alley." [3]
The Temptations are an American vocal group from Detroit, Michigan, who released a series of successful singles and albums with Motown Records during the 1960s and 1970s. The group's work with producer Norman Whitfield, beginning with the Top 10 hit single "Cloud Nine" in October 1968, pioneered psychedelic soul, and was significant in the evolution of R&B and soul music. The band members are known for their choreography, distinct harmonies, and dress style. Having sold tens of millions of albums, the Temptations are among the most successful groups in popular music.
"My Baby" is a 1965 hit single recorded by The Temptations for the Gordy (Motown) label. Written by Miracles members Smokey Robinson, Bobby Rogers, and Pete Moore and produced by Robinson, the song was a top 20 pop hit in the United States, and a top 5 hit on the R&B charts.
Meet the Temptations is the debut studio album by the Temptations for the Gordy (Motown) label released in 1964. It includes most of the group's early singles, excluding only the first, "Oh Mother of Mine", and its b-side, "Romance Without Finance" ; as well as the single "Mind Over Matter", in which the group is credited as The Pirates. The album consists entirely of previously released singles, including the group's first hit single, "The Way You Do the Things You Do".
Gettin' Ready is the fourth studio album by The Temptations for the Gordy (Motown) label released in 1966. It marks the transition of the group from having Smokey Robinson as its main producer, with new producer Norman Whitfield taking over Robinson's position. Two #1 R&B hit singles, one from each producer, are included: "Get Ready" from Robinson with Eddie Kendricks on lead, and "Ain't Too Proud to Beg" from Whitfield with David Ruffin on lead. Also included is the original version of "Too Busy Thinking About My Baby", which would be rerecorded as a hit for Marvin Gaye in 1969. The album was also one of the last albums to contain tracks co-authored by members of the group until the release of The Temptations Do The Temptations (1976). As with previous Temptations albums, several songs are written by members of The Miracles: Smokey Robinson, Bobby Rogers, Pete Moore, Ronnie White, and Marv Tarplin.
Cloud Nine is the ninth studio album by American musical group The Temptations for the Gordy (Motown) label released in 1969.
The Temptations with a Lot o' Soul is the fifth studio album by The Temptations for the Gordy (Motown) label released in 1967. Featuring four hit singles, With a Lot o' Soul is the most successful Temptations album from their "classic 5" era, during which David Ruffin, Eddie Kendricks, Paul Williams, Melvin Franklin, and Otis Williams constituted the Temptations' lineup.
Together, released by Motown in 1969, was the second and final duets studio album combining Diana Ross & the Supremes and The Temptations into an eight-person Motown act. Like the first duets LP, Diana Ross & the Supremes Join The Temptations, it is composed almost entirely of covers, including versions of The Band's "The Weight", Sly & the Family Stone's "Sing a Simple Song", Frankie Valli's "Can't Take My Eyes Off You" and Motown songs like "Ain't Nothing Like the Real Thing" and "Uptight ". "The Weight" was the only single in the US, and failed to make it into the American Top 40. "Why ", a UK exclusive single, was a Top 40 hit on the UK singles charts.
The Temptin' Temptations is the third studio album by The Temptations for the Gordy (Motown) label released in 1965. The album includes several of the group's hits from 1965, and also includes a handful of singles that were not included on the Temptations' first 1965 album, The Temptations Sing Smokey. Among these are the 1964 singles "Girl " and "I'll Be in Trouble"; and the 1965 singles "Since I Lost My Baby", and "My Baby". Seven of the album's 12 tracks had previously been released as singles and their B-sides, though "My Baby" preceded the album only by a month.
The Temptations Sing Smokey is the second studio album by The Temptations for the Motown label, released on the Gordy Records subsidiary in 1965. As its name implies, it is composed entirely of songs written and produced by Smokey Robinson, and several other members of the Miracles as well.
"Cloud Nine" is a 1968 hit single recorded by The Temptations for the Motown label. It was the first of their singles to feature Dennis Edwards instead of David Ruffin in the lineup, was the first of producer Norman Whitfield's psychedelic soul tracks, and won Motown its first Grammy Award. The song was written by Whitfield and former Motown artist Barrett Strong.
"(You're My) Dream Come True" is a 1962 single by The Temptations. The single is notable for being both The Temptations' first nationally charting single and the first release on Motown Records' Gordy Records imprint. The Temptations' future recordings for Motown would be issued on Gordy until the label was deactivated in the 1988 merger. Previous Temptations recordings had been issued on Motown's Miracle Records imprint, which was deactivated and reorganized as Gordy Records to avoid confusion with Motown's Miracles singing group.
"I'll Be in Trouble" is a 1964 hit single by The Temptations for the Gordy (Motown) label and written by Miracles lead singer Smokey Robinson.
"Girl " is a 1964 hit single by The Temptations for the Gordy (Motown) label. It was the group's first A-side release to be produced by Norman Whitfield, who co-wrote the song with Edward Holland, Jr. of the Holland-Dozier-Holland songwriting team. With Eddie Kendricks singing lead for the third single in a row, it peaked on the Billboard Hot 100 Pop charts in the top 30 at number 26.
"Isn't She Pretty" is a 1961 song recorded by The Temptations, and written by group members Eddie Kendricks and Otis Williams, as well as Motown's founder Berry Gordy. It was Gordy's first production with the group, and intended for released on the Miracle label, but it was shelved due to the label closing, as well as the fact that the Motown execs thought the song sounded a little too dated. It was finally released as the B-side for the group's 1962 single "Dream Come True", their first on the Gordy label imprint.
"Please Return Your Love to Me" is a 1968 hit single by The Temptations for the Gordy (Motown) label. Produced by Norman Whitfield, who co-wrote the song with Barrett Strong and Barbara Neely, it is the last single to feature David Ruffin in the lineup. With Eddie Kendricks singing lead, it peaked on the Billboard Hot 100 Pop charts in the Top 30 at number 26, and number 4 on the Billboard R&B Singles charts. Billboard described the single as a "strong easy beat ballad loaded with sales appeal." Cash Box said that it is "in a slow vein that carries new shades of power in the group’s familiar style" and is "backed by the solid Motown rhythm section."
"It's Growing" is a 1965 hit single by The Temptations for the Gordy (Motown) label. Written by Miracles members Smokey Robinson and Pete Moore and produced by Robinson, the song was a top 20 pop single on the Billboard Hot 100 in the United States, on which it peaked at number 18. On Billboard's R&B singles chart, "It's Growing" peaked at number 3.
"Check Yourself" is a 1961 song that was released as a Miracle label single by Motown singing group The Temptations; and written by Motown president Berry Gordy, and group members Otis Williams, Melvin Franklin and Elbridge Bryant, and produced by Gordy. It was the group's second single, as well as their second and last single for the Miracle label, which was deactivated immediately after this release. Starting with the next single release, the group's future recordings for Motown would be issued under the Gordy label until it was deactivated in 1988.
"Paradise" is a 1962 single by The Temptations for the Gordy label. The single is notable for being The Temptations' first charting single on the Billboard Pop charts. However, it was not their first on the Hot 100, instead it charted at 22 on the Billboard Bubbling Under Hot 100 charts.
"Baby, Baby I Need You" is a 1963 song recorded by The Temptations for the Gordy (Motown) label. It was written by Smokey Robinson, and was later used as the B-side to their Top 40 1964 hit "Girl ".
"Farewell My Love" is a 1963 single by The Temptations for the Gordy (Motown) label. It was the last single that was written and produced by Motown president Berry Gordy for well over a decade, and the last released during the period of the "Original 5" lineup. It is also noted as the group's last single to miss the Billboard pop chart's Top 40 until 1971's "It's Summer". Up until now the group was jokingly referred to at this time as the "Hitless Temptations" by the Motown staff, much like their "sister" group, The Supremes, were called the "no-hit Supremes". However, their next single, the Smokey Robinson-produced "The Way You Do the Things You Do", would reach the Top 20 of the U.S. pop chart, breaking the group's streak of being "hitless".
