| "Run Away Child, Running Wild" | ||||
|---|---|---|---|---|
| Single by The Temptations | ||||
| from the album Cloud Nine | ||||
| B-side | "I Need Your Lovin'" | |||
| Released | January 30, 1969 | |||
| Recorded | Hitsville U.S.A. (Studio A); Detroit, Michigan October 31 and December 16, 1968 | |||
| Genre | Psychedelic soul | |||
| Length | 4:53 (Single edit) 9:36 (Album version) | |||
| Label | Gordy G 7084 | |||
| Songwriter(s) | Norman Whitfield Barrett Strong | |||
| Producer(s) | Norman Whitfield | |||
| The Temptations singles chronology | ||||
| ||||
"Runaway Child, Running Wild" (shown as "Run Away Child, Running Wild" on the label of the original single) is a 1969 hit single for the Gordy (Motown) label, performed by The Temptations and produced by Norman Whitfield. The single was both the second from their landmark Cloud Nine LP, and the second of their "psychedelic soul" tracks penned by Whitfield and former Motown artist Barrett Strong.
Featuring all five Temptations - Dennis Edwards, Eddie Kendricks, Paul Williams, Melvin Franklin, and Otis Williams - trading verses and harmony lines, "Runaway Child, Running Wild" paints a tale of a young boy (presumably a preteen) who runs away from home after being punished for playing hooky i.e. absence from school without permission. The boy wanders the dark streets alone, eventually realizing he cannot survive on his own, but cannot find his way home, and ends up lost, frightened by strangers, unfamiliar landmarks, and his own thoughts. "Runaway child runnin' wild," the Temptations tell the boy during the chorus, "you better go back home/where you belong".
The Temptations alternately express and depict his fears, with the tension of the record building to a climax over the first five minutes of the record. At this point, the vocals fade out, and the record briefly gives voice to its young protagonist, who cries desperately for his mother before fading into the mix. "Runaway Child" then segues into an extended instrumental passage, during which Earl Van Dyke's Hammond organ, Joe Messina's electric guitar, and Dennis Coffey's distorted wah-wah pedal guitar take center stage for four minutes. After the instrumental builds the song up to a second climax, the track is stripped to the bassline and repeating hi-hat figure, and The Temptations return to the mix to issue one final admonition to the runaway: "Listen to your heart beat/it's beating much too fast/go back home/where you belong".
The single version of "Runaway Child" only features the first five minutes of the song, fading out before the instrumental section begins. Cash Box described the single as "a pulsing track with excellent and non-objectionable teen-related lyrics that should have the approval of parents through its 'drop back in' message." [1]
"Runaway Child, Running Wild" is often cited as one of the best songs on the subject of runaways, and Temptation Otis Williams often hears from fans that the record's terrifying depiction of running away kept them from doing so as children. [2] The single peaked at number one on the Billboard Hot Rhythm & Blues Singles, and reached #6 on the Billboard Pop Singles chart. [3] Earl Van Dyke, who performs the prominent organ solo during the instrumental section of the record, recorded his own instrumental version of "Runaway Child, Running Wild", which was released as a single the same year.
The Temptations are an American vocal group from Detroit, Michigan, who released a series of successful singles and albums with Motown Records during the 1960s to mid 1970s. The group's work with producer Norman Whitfield, beginning with the Top 10 hit single "Cloud Nine" in October 1968, pioneered psychedelic soul, and was significant in the evolution of R&B and soul music. The band members are known for their choreography, distinct harmonies, and dress style. Having sold tens of millions of albums, the Temptations are among the most successful groups in popular music.
The Funk Brothers were a group of Detroit-based session musicians who performed the backing to most Motown recordings from 1959 until the company moved to Los Angeles in 1972.
"Papa Was a Rollin' Stone" is a song originally performed by Motown recording act the Undisputed Truth in 1972, though it became much better known after a Grammy-award winning cover by the Temptations was issued later the same year. This latter version of the song became a number-one hit on the Billboard Hot 100.
"I Can't Get Next to You" is a 1969 No. 1 single recorded by the Temptations and written by Norman Whitfield and Barrett Strong for the Gordy (Motown) label. The song was a No. 1 single on the Billboard Top Pop Singles chart for two weeks in 1969, from October 18 to October 25, replacing "Sugar, Sugar" by the Archies and replaced by "Suspicious Minds" by Elvis Presley. The single was also a No. 1 hit on the Billboard Top R&B Singles for five weeks, from October 4 to November 1, replacing "Oh, What a Night" by the Dells, and replaced by another Motown song, "Baby I'm For Real" by the Originals.
"Psychedelic Shack" is a 1969 single for the Motown label performed by the Temptations and produced by Norman Whitfield. It became a hit single in 1970.
Psychedelic Shack is the twelfth studio album by The Temptations for the Gordy (Motown) label released in 1970. Completely written by Norman Whitfield and Barrett Strong and produced by Whitfield, Psychedelic Shack almost completely abandoned the "Motown Sound" formula, instead delving fully into psychedelia. Along with the hit title track, the album also features the group's original version of "War", which became a major hit for Edwin Starr later in 1970.
"Just My Imagination (Running Away with Me)" is a song by American soul group the Temptations, written by Norman Whitfield and Barrett Strong. Released on the Gordy (Motown) label, and produced by Norman Whitfield, it features on the group's 1971 album, Sky's the Limit. When released as a single, "Just My Imagination" became the third Temptations song to reach number one on the US Billboard Hot 100. The single held the number one position on the Billboard Pop Singles Chart for two weeks in 1971, from March 28 to April 10. "Just My Imagination" also held the number one spot on the Billboard R&B Singles chart for three weeks, from February 27 to March 20 of that year.
"Hum Along and Dance" is a soul song written for the Motown label by Norman Whitfield and Barrett Strong. Originally recorded by the Temptations, the song was later covered by Motown acts Rare Earth and the Jackson 5. The song is essentially an instrumental piece and a vehicle for scatting and improvisational vocals, since, as the chorus states, "ain't no words to this song/you just dance and hum along". All three versions of the song were produced by Whitfield.
Sky's the Limit is the fourteenth studio album by the Temptations, released in 1971 through Gordy Records. The album includes the #1 hit "Just My Imagination ", the Top 40 hit "Ungena Za Ulimwengu ", and the original version of "Smiling Faces Sometimes", later a Top 5 hit for The Undisputed Truth.
All Directions is a 1972 album by The Temptations for the Gordy (Motown) label, produced by Norman Whitfield. It reached number two on the Billboard 200, making it the band's most successful non-collaborative album on the chart, and became their twelfth album to reach number one on the Top R&B Albums chart.
Solid Rock is a 1972 album by The Temptations for the Gordy (Motown) label, produced by Norman Whitfield. The LP was the first made primarily without founding members and original lead singers Eddie Kendricks and Paul Williams. Frustrated by conflicts and fights with Temptations Otis Williams and Melvin Franklin, and producer Whitfield's steadfast insistence on producing psychedelic soul for the group when they really wanted to sing ballads, Kendricks had quit the act and negotiated a solo deal with Motown's Tamla label.
"Superstar (Remember How You Got Where You Are)" is a 1971 hit single for the Gordy (Motown) label, recorded by The Temptations and produced by Norman Whitfield. Something of an early ancestor to the "diss songs" prevalent in hip hop music towards the end of the 20th century, "Superstar" is an attack at two former Temptations members, David Ruffin (who had been fired back in 1968) and Eddie Kendricks (who quit the act in early 1971 and negotiated a Motown solo deal). The song appears on the 1972 album Solid Rock.
Meet the Temptations is the debut studio album by the Temptations for the Gordy (Motown) label released in 1964. It includes most of the group's early singles, excluding only the first, "Oh Mother of Mine", and its b-side, "Romance Without Finance" ; as well as the single "Mind Over Matter", in which the group is credited as The Pirates. The album consists entirely of previously released singles, including the group's first hit single, "The Way You Do the Things You Do".
Greatest Hits II is a 1970 greatest hits album for The Temptations, released by the Gordy (Motown) label. The sequel to the first Temptations greatest hits LP from 1966, Greatest Hits II collects several of the late-1960s hits that followed the release of the first compilation. Included here are the final collection of David Ruffin-led singles, including "(I Know) I'm Losing You", "I Wish It Would Rain" and "I Could Never Love Another ", and the first of the Dennis Edwards-led psychedelic soul records, including "Cloud Nine" and "Psychedelic Shack". A new non-album single, the #3 hit "Ball of Confusion ", is also included.
Cloud Nine is the ninth studio album by American musical group The Temptations for the Gordy (Motown) label released in 1969.
The Temptations with a Lot o' Soul is the fifth studio album by The Temptations for the Gordy (Motown) label released in 1967. Featuring four hit singles, With a Lot o' Soul is the most successful Temptations album from their "classic 5" era, during which David Ruffin, Eddie Kendricks, Paul Williams, Melvin Franklin, and Otis Williams constituted the Temptations' lineup.
Live at London's Talk of The Town is a 1970 live album recorded by The Temptations at the Talk of the Town nightclub in London, England. It was the final live album released by the group for over thirty years, until The Temptations in Japan, recorded in 1973, was released in 2004. The album reached No. 21 on the Billboard 200 Pop Album Chart, and No. 5 on its R&B album chart.
Emperors of Soul is a 1994 box set compilation for The Temptations, released by Motown Records. The five-disc collection covers the Temptations' entire four-decade history, from the first recording of The Distants in 1959 to four new recordings by the then-current Temptations lineup of Ali-Ollie Woodson, Theo Peoples, Ron Tyson, and stalwart members Otis Williams and Melvin Franklin.
"Cloud Nine" is a 1968 hit single recorded by The Temptations for the Motown label. It was the first of their singles to feature Dennis Edwards instead of David Ruffin in the lineup, was the first of producer Norman Whitfield's psychedelic soul tracks, and won Motown its first Grammy Award. The song was written by Whitfield and former Motown artist Barrett Strong.
"All I Need" is a 1967 hit single recorded by The Temptations for the Gordy (Motown) label. It is the group's first single to be produced by Norman Whitfield's protégé Frank Wilson. Written by Wilson, Eddie Holland and R. Dean Taylor, the single was a Top 10 hit on the Billboard Hot 100, peaking at number 8; it was also a number-two hit on the Billboard R&B singles chart.
