The Temptations are an American vocal group from Detroit, Michigan, who released a series of successful singles and albums with Motown Records during the 1960s to mid 1970s. The group's work with producer Norman Whitfield, beginning with the Top 10 hit single "Cloud Nine" in October 1968, pioneered psychedelic soul, and was significant in the evolution of R&B and soul music. The band members are known for their choreography, distinct harmonies, and dress style. Having sold tens of millions of albums, the Temptations are among the most successful groups in popular music.
"Papa Was a Rollin' Stone" is a song originally performed by Motown recording act the Undisputed Truth in 1972, though it became much better known after a Grammy-award winning cover by the Temptations was issued later the same year. This latter version of the song became a number-one hit on the Billboard Hot 100.
"I Can't Get Next to You" is a 1969 No. 1 single recorded by the Temptations and written by Norman Whitfield and Barrett Strong for the Gordy (Motown) label. The song was a No. 1 single on the Billboard Top Pop Singles chart for two weeks in 1969, from October 18 to October 25, replacing "Sugar, Sugar" by the Archies and replaced by "Suspicious Minds" by Elvis Presley. The single was also a No. 1 hit on the Billboard Top R&B Singles for five weeks, from October 4 to November 1, replacing "Oh, What a Night" by the Dells, and replaced by another Motown song, "Baby I'm For Real" by the Originals.
"Psychedelic Shack" is a 1969 single for the Motown label performed by the Temptations and produced by Norman Whitfield. It became a hit single in 1970.
Psychedelic Shack is the twelfth studio album by The Temptations for the Gordy (Motown) label released in 1970. Completely written by Norman Whitfield and Barrett Strong and produced by Whitfield, Psychedelic Shack almost completely abandoned the "Motown Sound" formula, instead delving fully into psychedelia. Along with the hit title track, the album also features the group's original version of "War", which became a major hit for Edwin Starr later in 1970.
"Ball of Confusion (That's What the World Is Today)" is a 1970 hit single by the Temptations. It was released on the Gordy (Motown) label, and written by Norman Whitfield and Barrett Strong.
"Just My Imagination (Running Away with Me)" is a song by American soul group the Temptations, written by Norman Whitfield and Barrett Strong. Released on the Gordy (Motown) label, and produced by Norman Whitfield, it features on the group's 1971 album, Sky's the Limit. When released as a single, "Just My Imagination" became the third Temptations song to reach number one on the US Billboard Hot 100. The single held the number one position on the Billboard Pop Singles Chart for two weeks in 1971, from March 28 to April 10. "Just My Imagination" also held the number one spot on the Billboard R&B Singles chart for three weeks, from February 27 to March 20 of that year.
A Song for You is a 1975 album by the Temptations. It features two R&B #1 hits: "Happy People", and "Shakey Ground", one of the group's final R&B #1 songs.
"Too Busy Thinking About My Baby" is a Motown song written by Norman Whitfield, Barrett Strong, and Janie Bradford. The song was first recorded by The Temptations as a track on their 1966 album Gettin' Ready. Eddie Kendricks sings lead on the recording, which was produced by Whitfield. Jimmy Ruffin also recorded a version with The Temptations providing background vocals in 1966. It remained unreleased until 1997.
"That's the Way Love Is" is a 1967 Tamla (Motown) single recorded by The Isley Brothers and produced by Norman Whitfield.
"(I Know) I'm Losing You" is a 1966 hit single recorded by the Temptations for the Gordy (Motown) label, written by Cornelius Grant, Eddie Holland and Norman Whitfield, and produced by Norman Whitfield.
Sky's the Limit is the fourteenth studio album by The Temptations for the Gordy (Motown) label released in 1971. The album includes the #1 hit "Just My Imagination ", the Top 40 hit "Ungena Za Ulimwengu ", and the original version of "Smiling Faces Sometimes", later a Top 5 hit for The Undisputed Truth.
1990 is a 1973 album by The Temptations for the Gordy (Motown) label, their final LP written and produced by Norman Whitfield.
Masterpiece is a 1973 album by The Temptations for the Gordy (Motown) label, produced and written by Norman Whitfield.
All Directions is a 1972 album by The Temptations for the Gordy (Motown) label, produced by Norman Whitfield. It reached number two on the Billboard 200, making it the band's most successful non-collaborative album on the chart, and became their twelfth album to reach number one on the Top R&B Albums chart.
Solid Rock is a 1972 album by The Temptations for the Gordy (Motown) label, produced by Norman Whitfield. The LP was the first made primarily without founding members and original lead singers Eddie Kendricks and Paul Williams. Frustrated by conflicts and fights with Temptations Otis Williams and Melvin Franklin, and producer Whitfield's steadfast insistence on producing psychedelic soul for the group when they really wanted to sing ballads, Kendricks had quit the act and negotiated a solo deal with Motown's Tamla label.
Cloud Nine is the ninth studio album by American musical group The Temptations for the Gordy (Motown) label released in 1969.
The Temptations with a Lot o' Soul is the fifth studio album by The Temptations for the Gordy (Motown) label released in 1967. Featuring four hit singles, With a Lot o' Soul is the most successful Temptations album from their "classic 5" era, during which David Ruffin, Eddie Kendricks, Paul Williams, Melvin Franklin, and Otis Williams constituted the Temptations' lineup.
"Masterpiece" is a 1973 soul single written by Norman Whitfield and performed by American vocal group the Temptations.
"Gonna Give Her All the Love I've Got" is a 1967 Soul song, originally recorded and made a hit by Jimmy Ruffin on Motown's Soul Label imprint. Ruffin's 1967 original version, from his album Jimmy Ruffin Sings Top Ten, reached the Pop Top 30, peaking at #29, and was a Top 20 R&B Hit as well, peaking at #14. It was also a hit in Britain, reaching #26 on the UK Singles Chart. The song has a social context: it depicts a man anticipating his release from prison on the morrow, when he'll return home on a train to "the girl that I left behind," promising himself that he will reward her steadfast love for him by "giv[ing] her all the love [he's] got." The song was written by Norman Whitfield and Barrett Strong and produced by Whitfield.
