Meet the Temptations | ||||
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Studio album by | ||||
Released | April 13, 1964 [1] | |||
Recorded | Spring 1961 – January 1964 | |||
Genre | Soul, doo-wop | |||
Length | 31:33 | |||
Label | Gordy GS 911 | |||
Producer | Berry Gordy, Andre Williams, William "Mickey" Stevenson, Smokey Robinson, and Norman Whitfield | |||
The Temptations chronology | ||||
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Singles from Meet the Temptations | ||||
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Review scores | |
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Source | Rating |
Allmusic | [2] |
Record Mirror | [3] |
Meet the Temptations is the debut studio album by the Temptations for the Gordy (Motown) label released in 1964. It includes most of the group's early singles, excluding only the first, "Oh Mother of Mine", and its b-side, "Romance Without Finance" (later included on a CD reissue of the LP); as well as the single "Mind Over Matter" (and its b-side "I'll Love You Till I Die"), in which the group is credited as The Pirates. The album consists entirely of previously released singles, including the group's first hit single, "The Way You Do the Things You Do".
The lineup on the cover features Eddie Kendricks, Melvin Franklin, Paul Williams, Otis Williams, and newest Temptation Davis (later David) Ruffin. Ruffin had just joined the act three months before this album was released, and actually only appears on "The Way You Do The Things You Do". The other tracks all feature original Temptation Elbridge "Al" Bryant, who was fired from the group in December 1963.
Again, excepting the hit single, these tracks all date from the Temptations' slow-selling starting period (during which some Motown staffers referred to them as the "hitless Temptations"). Despite local success in Detroit and the midwest, the Temptations released six singles that missed the Top 100 Pop & R&B charts, and one, "Dream Come True", which made it to #22 on the R&B singles chart. Most of these songs feature Paul Williams as (main) lead, while Kendricks, Bryant, Franklin, and Otis Williams were given plenty of lead lines, ad-libs and harmony vocals heard throughout the album. Kendricks was also given a small handful of songs to lead as well, including the two charting singles.
The album was originally issued only in monaural sound. A stereo remix of the album was issued along with the original mono version in 1966. The bonus tracks were added to the album in 1999.
Eddie Kendricks and Paul Williams started singing together in church as children in Birmingham, Alabama. By their teenage years, they formed a doo-wop quartet in 1955 with Kell Osborne and Wiley Waller, naming themselves the Cavaliers.
After Waller left the group in 1957 to move to cleaveland, the remaining trio left Birmingham to break into the music business. The group settled in Detroit where they changed their name to the Primes under the direction of Milton Jenkins. The Primes soon became well known around the Detroit area for their meticulous performances. Jenkins later created a sister group, the Primettes, later known as the Supremes. Kendricks was already seen as a "matinee idol" in the Detroit area, while Williams was well received for his baritone vocals.
Meanwhile, concurrently, Texas & Thomasville tweens Otis Williams & Elbridge "Al" Bryant both moved to Detroit as youngsters & meet each other in the early 1950s at The Cadilacs that was held at the famous Detroit Venue the Fox Theater. By 1955, Williams & Bryant formed a group called The Siberians. The group also included their high school buddies James "Pee-Wee" Crawford, Vernard Plain and Arthur Walton. The group recorded a song, "Pecos Kid" for a label run by radio deejay Senator Bristol Bryant and they also meettheir future manager Milton Jenkins. Shortly after its release, the group changed its name to The El Domingoes. After the release of Pecos Kid Arthur Walton and Vernard Plain quit the group to finnish high school. Montgomery native Melvin Franklin was recruited to the group as a bass vocalist and Detroit-born Richard Street (claimed by Melvin Franklin to be his cousin) to be their lead singer. Signing with Johnnie Mae Matthews' Northern Records, the group had their name changed again to the Distants.
The group recorded two Northern singles including "Come On" (1958) and "Alright" (1959). Between these releases, "Come On" became a local hit, and the Warwick Records label picked the record up for national distribution.Following the release of "Alright", Matthews appointed Williams the group leader, and the group's name was changed to Otis Williams & The Distants.During this period, both the Primes and Distants were influenced by other vocal groups including the Miracles., Other inspirations included The Cadillacs, Frankie Lymon & the Teenagers, the Drifters, and the Isley Brothers. Though "Come On" was a local hit in the Detroit area, the Distants never saw much record sales, and "Alright" was not as successful. After receiving an offer from Berry Gordy to sign with Motown Records, the Distants got out of their contract with Northern Records. However,James "Pee-Wee" Crawford and Richard Street shortly departed from the group and the remaining members lost use of the Distants name due to being dropped from Johnnie Mae Matthews Label Nothern Records. Richard Street later formed another Distants group who recorded for the Thelma label in the early 1960s. Members of the Distants were acquainted with the Primes, as both groups participated in the same talent shows and performed at the same public venues due to the fact they both had the same manager Milton Jenkins. Friendly rivals, the Primes were considered to be the more polished and vocally stronger group of the two. However, the Primes disbanded in 1960 after Kell Osborne moved to California. Eddie Kendricks and Paul Williams returned to Alabama following the band's dissolution. While visiting relatives in Detroit, Kendricks called Otis Williams, who desperately needed two more members for an audition for Gordy's label and offered Kendricks a lead singer place in his new group, which would also include fellow former Distants members Franklin and Bryant. Kendricks agreed on the condition he bring Paul Williams with him. Otis Williams happily agreed, and Kendricks and Paul Williams moved back to Detroit to join the new group.
The original name for the new lineup of Otis Williams, Melvin Franklin, Elbridge "Al" Bryant, Eddie Kendricks, and Paul Williams was the Elgins. Under that name, the group auditioned for Motown in March 1961. Already impressed with some of the members after hearing session work, Berry Gordy agreed to sign the group to the Motown imprint, Miracle. However, before signing, Gordy discovered another group was using the name of Elgins. The group began tossing about ideas for a new name on the steps of the Hitsville U.S.A. studio. On a suggestion from Miracle Records employee Billy Mitchell, songwriter Mickey Stevenson, and group members Otis Williams and Paul Williams, the Temptations became the group's new moniker.
The Temptations' first two singles, "Oh Mother of Mine" and "Check Yourself", with Paul Williams on lead, were released on Miracle before Gordy closed the label down and reassigned the band to his latest imprint, Gordy Records. On the Gordy imprint, Eddie Kendricks sang lead on and Elbridge Al Bryant sang Co Lead on the Temptations' first charted single, "(You're My) Dream Come True", which peaked at number 22 on the R&B chart in 1962. Later that year, the Temptations began touring as part of the Motortown Revue. The group issued eight recordings between 1961 and 1963 without much success.
Paul Williams and Eddie Kendricks split the leads during this early period, with Al Bryant, Otis Williams, and Melvin Franklin occasionally singing lead, as they did on a song titled "Isn't She Pretty", " Check Yourself" , May I Have This Dance, & Farewell MyLove. For a brief time, the group almost had their name changed to the Pirates, and recorded the songs "Mind Over Matter" and "I'll Love You Till I Die" under that name. Eventually the label and the group decided against it. One hit song, "Do You Love Me", was originally to be recorded by the Temptations. When he couldn't get in contact with the group, Gordy produced a version for the Contours. In 1963, the Temptations began working with Smokey Robinson as producer and writer. Robinson's first work with the group was the Paul Williams-led "I Want a Love I Can See". While the song failed to chart, it did eventually become a popular live performances spot for the group and particularly for Paul Williams in general. The song also became a regional hit being a hit in places like Harlem , Las Vegas, and California. Some called the group "the Hitless Temptations" due to their lack of hits. During this time, David Ruffin began following the group around as he aspired to join them. During a local Detroit performance, Ruffin joined the group onstage and impressed the group with his vocal talent and dancing skills. Following that same time, Al Bryant had grown frustrated with the group's lack of success and became restless and uncooperative, preferring the mundane routine of his day job as a milkman over the rigors of rehearsal and performing. After a second altercation onstage at a Christmas performance, following an incident where he struck Paul with a beer bottle during a heated quarrel at an earlier gig in the middle of the year, Bryant was summarily fired from the group. As a result, David Ruffin was brought in as his replacement in January 1964.
Technically there wasn't a recording session for this album as it was basically a collection of the group's singles and B-sides up to that point. Other tracks that were recorded along the same timeline that could have been included on the album were:
with:
The main lead vocalists on each track are identified by superscripts: (a) Paul Williams, (b) Eddie Kendricks, (c) Al Bryant, (d) Otis Williams, (e) Melvin Franklin.
(*) Elbridge "Al" Bryant was originally credited as the lead on "May I Have This Dance". In fact the first tenor lead on this song was actually performed by Eddie Kendricks singing in his natural tenor, as well as his falsetto on the end. Other songs with Kendricks’ natural singing voice include "My Pillow", "Camouflage [Version 1]", and "Way Over There" (from The Temptations Sing Smokey ).
Name | Chart (1962–1964) | Peak position |
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Meet the Temptations | U.S. Billboard Pop Albums | 95 |
Meet the Temptations | U.S. R&B Albums | - |
"(You're My) Dream Come True" | U.S. Billboard Pop Singles | - |
"(You're My) Dream Come True" | U.S. Billboard R&B Singles | 22 |
"Paradise" | U.S. Billboard Pop Singles | 122 |
"The Way You Do the Things You Do" | U.S. Billboard Pop Singles | 11 |
"The Way You Do the Things You Do" | U.S. Cashbox R&B Singles | 1 |
"Just Let Me Know" | U.S. Cashbox R&B Singles | ? |
The Temptations is an American vocal group formed in Detroit, Michigan in 1960 as the Elgins, known for their string of successful singles and albums with Motown from the 1960s to the mid-1970s. The group's work with producer Norman Whitfield, beginning with the Top 10 hit single "Cloud Nine" in October 1968, pioneered psychedelic soul, and was significant in the evolution of R&B and soul music. The group members were known for their choreography, distinct harmonies, and dress style. Having sold tens of millions of albums, the Temptations are among the most successful groups in popular music.
Otis Williams is an American second tenor/baritone singer. He is occasionally also a songwriter and a record producer. Williams is the founder and last surviving original member of the Motown vocal group The Temptations, a group in which he continues to perform; he also owns the rights to the Temptations name.
The Temptations is a four-hour television miniseries broadcast in two-hour halves on NBC, based upon the history of one of Motown's longest-lived acts, The Temptations. Executive produced by former Motown executive Suzanne de Passe, produced by Otis Williams and Temptations manager Shelley Berger, and based upon Williams’ Temptations autobiography, the miniseries was originally broadcast on November 1 and November 2, 1998. It was filmed on location in Pittsburgh, Pennsylvania, in the spring of 1998. Allan Arkush directed the miniseries.
Sky's the Limit is the fourteenth studio album by the Temptations, released in 1971 through Gordy Records. The album includes the #1 hit "Just My Imagination ", the Top 40 hit "Ungena Za Ulimwengu ", and the original version of "Smiling Faces Sometimes", later a Top 5 hit for The Undisputed Truth.
Solid Rock is the fifteenth studio album by The Temptations for the Gordy (Motown) label, produced by Norman Whitfield. The LP was the first made primarily without founding members and original lead singers Eddie Kendricks and Paul Williams. Frustrated by conflicts and fights with Temptations Otis Williams and Melvin Franklin, and producer Whitfield's steadfast insistence on producing psychedelic soul for the group when they really wanted to sing ballads, Kendricks had quit the act and negotiated a solo deal with Motown's Tamla label.
Gettin' Ready is the fourth studio album by The Temptations for the Gordy (Motown) label released in 1966. It marks the transition of the group from having Smokey Robinson as its main producer, with new producer Norman Whitfield taking over Robinson's position. Two #1 R&B hit singles, one from each producer, are included: "Get Ready" from Robinson with Eddie Kendricks on lead, and "Ain't Too Proud to Beg" from Whitfield with David Ruffin on lead. Also included is the original version of "Too Busy Thinking About My Baby," which would be rerecorded as a hit for Marvin Gaye in 1969. The album was also one of the last albums to contain tracks co-authored by members of the group until the release of The Temptations Do The Temptations (1976). As with previous Temptations albums, several songs are written by members of The Miracles: Smokey Robinson, Bobby Rogers, Pete Moore, Ronnie White, and Marv Tarplin.
The Temptations in a Mellow Mood is the sixth studio album by the Temptations, released in 1967 by Gordy Records. Composed primarily of pop standards such as "Ol' Man River" and "For Once in My Life", and similar songs written by Holland-Dozier-Holland and other Motown staff songwriters, the Mellow Mood album was part of Motown chief Berry Gordy's crossover plans for the group. Gordy wanted the Temptations, already the most popular male group among black audiences, to attract a large white fanbase and be able to secure playdates at supper clubs like the Copacabana, where the group had first performed in the summer of 1967.
Greatest Hits II is a 1970 greatest hits album for The Temptations, released by the Gordy (Motown) label. The sequel to the first Temptations greatest hits LP from 1966, Greatest Hits II collects several of the late-1960s hits that followed the release of the first compilation. Included here are the final collection of David Ruffin-led singles, including "(I Know) I'm Losing You", "I Wish It Would Rain" and "I Could Never Love Another ", and the first of the Dennis Edwards-led psychedelic soul records, including "Cloud Nine" and "Psychedelic Shack". A new non-album single, the #3 hit "Ball of Confusion ", is also included.
The Temptations with a Lot o' Soul is the fifth studio album by The Temptations for the Gordy (Motown) label released in 1967. Featuring four hit singles, With a Lot o' Soul is the most successful Temptations album from their "classic 5" era, during which David Ruffin, Eddie Kendricks, Paul Williams, Melvin Franklin, and Otis Williams constituted the Temptations' lineup.
Temptations Live! is the first live album to be released by The Temptations. The album was recorded on October 3, 1966, at the Roostertail in Detroit, Michigan. The album cover photograph was taken in March 1966 at The 20 Grand, 14th and Warren in Detroit, Michigan, and the album was released on Gordy (Motown) Records in 1967. The album features David Ruffin, Paul Williams, Eddie Kendricks, Melvin Franklin, and Otis Williams performing their regular live repertoire for a highly receptive crowd mostly consisting of young women. Included in the set are Temptations hits such as "My Girl", "My Baby", "Get Ready", "Ain't Too Proud to Beg", "Don't Look Back", and the group's then-current single, "Beauty Is Only Skin Deep". Out of the several live albums the group recorded during their career, this is the only one to feature David Ruffin. The album remained on the Billboard pop albums chart for 51 weeks, peaking at number 10.
The Temptations Wish It Would Rain is the seventh studio album by the Temptations, released in 1968 via Gordy Records. It was the final release from the group's "Classic-5" era, during which David Ruffin, Eddie Kendricks, Paul Williams, Melvin Franklin, and Otis Williams constituted the Temptations' lineup.
The Temptin' Temptations is the third studio album by The Temptations for the Gordy (Motown) label released in 1965. The album includes several of the group's hits from 1965, and also includes a handful of singles that were not included on the Temptations' first 1965 album, The Temptations Sing Smokey. Among these are the 1964 singles "Girl " and "I'll Be in Trouble"; and the 1965 singles "Since I Lost My Baby", and "My Baby". Seven of the album's 12 tracks had previously been released as singles and their B-sides, though "My Baby" preceded the album only by a month.
The Temptations Sing Smokey is the second studio album by the Temptations for the Motown label, released on the Gordy Records subsidiary in 1965. As its name implies, it is composed entirely of songs written and produced by Smokey Robinson, and several other members of the Miracles as well.
Emperors of Soul is a 1994 box set compilation for The Temptations, released by Motown Records. The five-disc collection covers the Temptations' entire four-decade history, from the first recording of The Distants in 1959 to four new recordings by the then-current Temptations lineup of Ali-Ollie Woodson, Theo Peoples, Ron Tyson, and stalwart members Otis Williams and Melvin Franklin.
Lost and Found: You've Got To Earn It (1962–1968) is a compilation album by The Temptations. Released by Motown Records in 1999, it includes twenty previously unreleased Temptations records alongside previously unreleased mixes of "Ain't Too Proud to Beg" and "You've Got to Earn It". Most of the songs were recorded during the group's "Classic 5" era with David Ruffin and Eddie Kendricks as lead singers, although there are some tracks present which were recorded with Ruffin's predecessor, Elbridge Bryant, in the lineup. There's also one track that was recorded with Ruffin's successor, Dennis Edwards.
"I Want a Love I Can See" is a 1963 single by The Temptations for the Gordy (Motown) label. The single was the group's first A-side to be written and produced by Miracles lead singer Smokey Robinson. Robinson had previously written the B-side "Slow Down Heart", but for over the past year Berry Gordy, Jr. had been The Temptations' main producer.
"Girl (Why You Wanna Make Me Blue)" is a 1964 hit single by The Temptations for the Gordy (Motown) label. It was the group's first A-side release to be produced by Norman Whitfield, who co-wrote the song with Edward Holland, Jr. of the Holland-Dozier-Holland songwriting team. With Eddie Kendricks singing lead for the third single in a row, it peaked on the Billboard Hot 100 Pop charts in the top 30 at number 26.
"Check Yourself" is a 1961 song that was released as a Miracle label single by Motown singing group The Temptations; and written by Motown president Berry Gordy, and group members Otis Williams, Melvin Franklin and Elbridge Bryant, and produced by Gordy. It was the group's second single, as well as their second and last single for the Miracle label, which was deactivated immediately after this release. Starting with the next single release, the group's future recordings for Motown would be issued under the Gordy label until it was deactivated in 1988.
"Baby, Baby I Need You" is a 1963 song recorded by The Temptations for the Gordy (Motown) label. It was written by Smokey Robinson, and was later used as the B-side to their Top 40 1964 hit "Girl ".
"Farewell My Love" is a 1963 single by The Temptations for the Gordy (Motown) label. It was the last single that was written and produced by Motown president Berry Gordy for well over a decade, and the last released during the period of the "Original 5" lineup. It is also noted as the group's last single to miss the Billboard pop chart's Top 40 until 1971's "It's Summer". Up until now the group was jokingly referred to at this time as the "Hitless Temptations" by the Motown staff, much like their "sister" group, The Supremes, were called the "no-hit Supremes". However, their next single, the Smokey Robinson-produced "The Way You Do the Things You Do", would reach the Top 20 of the U.S. pop chart, breaking the group's streak of being "hitless".