"Stage Fright" | |
---|---|
Single by The Band | |
from the album Stage Fright | |
B-side | "Sleeping" |
Released | 1971 (Denmark) |
Recorded | May–June 1970 |
Studio | Woodstock Playhouse, Woodstock, New York |
Genre | Roots rock |
Length | 3:40 |
Label | Capitol Records |
Songwriter(s) | Robbie Robertson |
Producer(s) | The Band, Todd Rundgren |
"Stage Fright" | |
---|---|
Single by The Band | |
from the album Before the Flood | |
A-side | |
Released | 1974 |
Recorded | February 1974 |
Genre | Roots rock |
Length | 4:22 |
Label | Asylum Records |
Songwriter(s) | Robbie Robertson |
"Stage Fright" is the title track of the Band's third album, Stage Fright . It features Rick Danko on lead vocals and was written by Robbie Robertson. [1] According to author Barney Hoskyns, Robertson originally intended it to be sung by Richard Manuel but it became clear that the song was better suited to Danko's "nervous, tremulous voice." [2]
Live performances of the song appear on Rock of Ages , released in 1972, and on Before the Flood , a live album of The Band's 1974 tour with Bob Dylan. It was also performed at The Last Waltz . [3] The studio version was released as a single in Denmark. The live version from Before the Flood was released as the B-side of Dylan's "Most Likely You Go Your Way (And I'll Go Mine)" single in 1974.
According to AllMusic critic William Ruhlmann, the lyrics are about "the pitfalls of fortune and fame." [4] Author Neil Minturn regards the subject of the lyrics to be "the history of The Band itself." [1] The Band drummer Levon Helm has written that the song is about "the terror of performing." [5] Others believe that the lyrics refer to Bob Dylan, who had stopped touring live during the late 1960s. [6] [7] Author David Yaffe suggests that "Stage Fright" could have been written about Dylan or about Robbie Robertson himself. [7] Author Barney Hoskyns acknowledges speculation that the song is about Dylan, but states that it is actually about Robertson's experience of his own stage fright at the Band's first live show the prior year. [2] Time Magazine praised the song's image of a plowboy, who in the opening of the song received "his fortune and fame" but "since that day he ain't been the same." [5]
The song begins in the key of C major and that key is also prominent at the end. [1] The keys of E minor and G major are also emphasized throughout the song. [1] Since these keys are related to C major, they help reinforce the prominence of C major in the song. [1] G major is also emphasized through the use of these keys and the related key of B minor. [1] Tense lyrics about paying a price to be able to "sing like a bird" and a surprising shift to the unrelated key of F sharp major increase the tension of the bridge, which leads into Garth Hudson's organ solo. [1] Minturn praises Hudson's sixteen bar solo for using rhythm, pace, rest and pitch to "work together to hold back, to balance or to tip forward at just the right time." [1] Helm regarded the song as a "showpiece" for lead singer and bassist Rick Danko particularly in the use of a fretless bass, which according to Helm "gave the rhythm section a different feel." [5]
Music critic Ralph J. Gleason considered "Stage Fright" to be "the best song ever written about performing." [2] Music critic Paul Evans praised the "penetrating psychological acuity" of its writing. [8] Rolling Stone critic Dave Marsh called it one of the most notably fine moments of the Stage Fright album. [9] Critic Mark Kemp called it a "highlight" of the album, further noting that it reveals "a growing sense of anxiety and cynicism" by the band." [10]
Credits are adapted from the liner notes of A Musical History . [11]
The Band was a Canadian-American rock band formed in Toronto, Ontario, in 1967. It consisted of four Canadians and one American: Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm. The Band combined elements of Americana, folk, rock, jazz, country, and R&B, influencing subsequent musicians such as Elton John, the Grateful Dead, Eric Clapton and Wilco.
Music from Big Pink is the debut studio album by the Band. Released in 1968, it employs a distinctive blend of country, rock, folk, classical, R&B, blues, and soul. The music was composed partly in "Big Pink", a house shared by bassist/singer Rick Danko, pianist/singer Richard Manuel and organist Garth Hudson in West Saugerties, New York. The album itself was recorded in studios in New York and Los Angeles in 1968, and followed the band's backing of Bob Dylan on his 1966 tour and time spent together in upstate New York recording material that was officially released in 1975 as The Basement Tapes, also with Dylan. The cover artwork is a painting by Dylan.
Jaime Royal "Robbie" Robertson, OC, is a Canadian musician. He is best known for his work as lead guitarist and songwriter for the Band, and for his career as a solo recording artist. With the deaths of Richard Manuel in 1986, Rick Danko in 1999, and Levon Helm in 2012, Robertson is one of only two living original members of the Band, with the other being Garth Hudson.
Richard Clare Danko was a Canadian musician, bassist, songwriter, and singer, best known as a founding member of the Band, for which he was inducted into the Rock and Roll Hall of Fame in 1994.
Stage Fright is the third studio album by Canadian–American group the Band, released in 1970. It featured two of the group's best known songs, "The Shape I'm In" and "Stage Fright", both of which showcased inspired lead vocal performances and became staples in the group's live shows.
A Musical History is the second box set to anthologize Canadian-American rock group The Band. Released by Capitol Records on September 27, 2005, it features 111 tracks spread over five compact discs and one DVD. Roughly spanning the group's journey from 1961 to 1977, from their days behind Ronnie Hawkins and Bob Dylan through the departure of Robbie Robertson and the first disbanding of the group. The set includes highlights from each of the group's first seven studio albums and both major live recordings and nearly forty rare or previously unreleased performances.
"I Shall Be Released" is a 1967 song written by Bob Dylan.
The Basement Tapes is the sixteenth album by American singer-songwriter Bob Dylan and his second with the Band. It was released on June 26, 1975, by Columbia Records. Two-thirds of the album's 24 tracks feature Dylan on lead vocals backed by the Band, and were recorded in 1967, eight years before the album's release, in the lapse between the recording and subsequent release of Blonde on Blonde and John Wesley Harding, during sessions that began at Dylan's house in Woodstock, New York, then moved to the basement of Big Pink. While most of these had appeared on bootleg albums, The Basement Tapes marked their first official release. The remaining eight songs, all previously unavailable, feature the Band without Dylan and were recorded between 1967 and 1975.
"Acadian Driftwood" is a song by the Band. It was the fourth track on their sixth studio album Northern Lights – Southern Cross (1975), written by member Robbie Robertson. Richard Manuel, Levon Helm and Rick Danko trade off lead vocals and harmonize on the chorus.
"Going, Going, Gone" is a song by Bob Dylan. It was released in 1974 on the album Planet Waves, and also appeared on the 1979 live album Bob Dylan at Budokan. The song is in the key of F major. Dylan is accompanied by The Band.
"It Makes No Difference" is a song written by Robbie Robertson and sung by Rick Danko that was first released by The Band on their 1975 album Northern Lights – Southern Cross. It has also appeared on live and compilation albums, including the soundtrack to the film The Last Waltz. Among the artists that have covered the song are Solomon Burke, My Morning Jacket and Over the Rhine.
"The Shape I'm In" is a song by The Band, first released on their 1970 album Stage Fright. It was written by Robbie Robertson, who did little to disguise the fact that the song's sense of dread and dissolution was about Richard Manuel, the song's principal singer. It became a regular feature in their concert repertoire, appearing on their live albums Rock of Ages, Before the Flood, and The Last Waltz. Author Neil Minturn described the song as "straightforward rock." Along with "The Weight," it is one of the Band's songs most performed by other artists. It has been recorded or performed by Bo Diddley, The Good Brothers, The Mekons, The Pointer Sisters, She & Him, Marty Stuart and Nathaniel Rateliff and the Night Sweats.
"Rag Mama Rag" is a song by The Band which was first released on their 1969 album The Band. It was also released as a single, reaching #16 on the UK Singles Chart, the highest position for any single by the group. The single was less successful in the US, reaching only #57 on the Billboard Hot 100.
"Sleeping" is a song by The Band, first released on their 1970 album Stage Fright. It was also released as the B-side to the "Stage Fright" single. It was co-written by Robbie Robertson and Richard Manuel. This and “Just Another Whistle Stop” are the only two songs Manuel receives credit for on the album. Music critic Barney Hoskyns rates it as "one of Richard [Manuel's] liveliest performances" and "one of The Band's most intricate arrangements." The Band never featured the song on a live album.
"Daniel and the Sacred Harp" is a song written by Robbie Robertson that was first released by The Band on their 1970 album Stage Fright. It has been covered by such artists as Barrence Whitfield.
"When You Awake" is a song written by Robbie Robertson and Richard Manuel that was first released on The Band's 1969 self-titled album The Band. A live performance was included on the Bob Dylan and The Band live album Before the Flood.
"Ophelia" is a song written by Robbie Robertson that was first released by The Band on their 1975 album Northern Lights – Southern Cross. It was the lead single from the album. It has also appeared on several of the group's live and compilation albums, and has been covered by such artists as Vince Gill and My Morning Jacket.
"Time to Kill" is a song written by Robbie Robertson that was first released by the Band on their 1970 album Stage Fright. It was also released as a single off the album, backed with the more famous "The Shape I'm In" and, although it failed to reach the Top 40 in the United States, it peaked at #13 in the Netherlands. It has also been featured on several Band compilation and live albums.
"The W.S. Walcott Medicine Show" is a song written by Robbie Robertson that was first released on the Band's 1970 album Stage Fright. It was also frequently performed in the group's live sets and appeared on several of their live albums. Based on Levon Helm's memories of minstrel and medicine shows in Arkansas, the song has been interpreted as an allegory on the music business. Garth Hudson received particular praise for his tenor saxophone playing on the song.
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