"Across the Great Divide" | |
---|---|
Song by The Band | |
from the album The Band | |
Released | September 22, 1969 |
Genre | Roots rock |
Length | 2:53 |
Label | Capitol |
Songwriter(s) | Robbie Robertson |
Producer(s) | John Simon |
"Across the Great Divide" is a song written by Robbie Robertson. It was first released by The Band on their 1969 album The Band and was subsequently released on several live and compilation albums. According to music critic Barney Hoskyns, it was one of several songs that contributed to The Band being something of a concept album about the American South. [1]
The lyrics begin with the singer asking his wife Molly to put down the gun she is waving at him. [1] [2] The singer then recalls his earlier struggles when all he wanted was a home, and thinks that if Molly does not put the gun down he will have to leave that home. [2] According to Rolling Stone Magazine critic Greil Marcus, the fight ends when the song ends, although the singer still wants to know where Molly hid the gun. [2] According to Hoskyns, the song then achieves "a blithely good-humoured groove, with the unrepentant heel bragging tipsily over some Fats Domino-style piano triplets." [1] Similarly, Allmusic critic Thomas Ward describes the song as the singer asking Molly to put her gun down and "try to understand [her] man," and then portraying "an uplifting dream" to create a better life and achieve the American dream after traveling "across the great divide." [3] Music critic Nick DeRiso comments on the "witty irony" of the situation. [4] Band biographer Craig Harris agrees that it is an "optimistic" song, stating that it portrays "celebration and good times." [5]
Hoskyns states that the song appears to be set in a "one-horse town" common to Western movies, but that the "harvest moon" and riverside described in the lyrics place the song within the American South, like other songs from the album such as "The Night They Drove Old Dixie Down" and "King Harvest (Has Surely Come)." [1] The link with "The Night They Drove Old Dixie Down" was emphasized in many concerts in which "Across the Great Divide" was often played immediately following "The Night They Drove Old Dixie Down." [1] Hoskyns also sees a link with "Up on Cripple Creek," since "Cripple Creek" is also a "good ol' boy classic" narrated by a "devil-may-care drunkard." [1] The reference to a harvest moon provides a more direct link to the theme of harvest which runs through The Band and especially "King Harvest (Has Surely Come)," which is the last song on The Band and so helps bring thematic unity to the album. [1] To Harris, this link helps define the journey undertaken in The Band, from the "idealism" of "Across the Great Divide" to "stark reality" of "King Harvest." [5] Ward describes the song as sounding "old as the hills," and representing what The Band does best, creating a "rustic, down-home narrative coupled by organic, acoustic instrumentation." [3] Band organist Garth Hudson plays saxophone in addition to organ on the song. [6]
Marcus notes another aspect to the appropriateness of "Across the Great Divide" as the opening song of an album that uses America as a theme. He notes the symbolism of the Great Divide being the place where the two sides separate, but also meet. [2] According to Marcus, "Across the Great Divide" and the other songs on the album are meant to "cross the great divide between men and women, between the past and the present, between the country and the city, between the North and the South." [2] In turn, The New York Times critic Frank Rich comments on Marcus' analysis of the symbolism of "Across the Great Divide" and other songs by stating that Marcus "attempts to place such songs as Randy Newman's "Sail Away," The Band's "Across the Great Divide" and Elvis Presley's early efforts for Sam Phillips at Sun Records into the same broad cultural context. [7]
Ward described "Across the Great Divide" "a magnificent opening" to The Band, particularly praising the melody and the lead vocal by Richard Manuel. [3] According to The New Rolling Stone Album Guide critic Mark Kemp, "Across the Great Divide" is a "sweeping" opening to the album. [8] Pittsburgh Post-Gazette critic Tim Ziaukus also commented on the song's "epic sweep." [9] The Village Voice critic Robert Christgau contrasted "Across the Great Divide" with "Tears of Rage," the opening song of The Band's previous album Music from Big Pink by stating that "Across the Great Divide" is "as a storefront church on 127th Street is to Riverside Baptist." [10]
A live version of "Across the Great Divide" was included on the 1972 live album Rock of Ages . [3] It was also included on the box sets Across the Great Divide and A Musical History and on some versions of the compilation album The Best of The Band . [3]
The Band was a Canadian-American rock band formed in Toronto, Ontario, in 1967. It consisted of Canadians Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and American Levon Helm. The Band combined elements of Americana, folk, rock, jazz, country, and R&B, influencing musicians such as George Harrison, Elton John, the Grateful Dead, Eric Clapton and Wilco.
Music from Big Pink is the debut studio album by the Band. Released in 1968, it employs a distinctive blend of country, rock, folk, classical, R&B, blues, and soul. The music was composed partly in "Big Pink", a house shared by bassist/singer Rick Danko, pianist/singer Richard Manuel and organist Garth Hudson in West Saugerties, New York. The album itself was recorded in studios in New York and Los Angeles in 1968, and followed the band's backing of Bob Dylan on his 1966 tour and time spent together in upstate New York recording material that was officially released in 1975 as The Basement Tapes, also with Dylan. The cover artwork is a painting by Dylan.
The Band is the second studio album by the Canadian-American rock band the Band, released on September 22, 1969. It is also known as The Brown Album. According to Rob Bowman's liner notes for the 2000 reissue, The Band has been viewed as a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana. Thus, the songs on this album draw on historic themes for "The Night They Drove Old Dixie Down", "King Harvest " and "Jawbone".
"The Night They Drove Old Dixie Down" is a song written by Robbie Robertson and originally recorded by the Canadian-American roots rock group the Band in 1969 and released on their eponymous second album. Levon Helm provided the lead vocals. The song is a first-person narrative relating the economic and social distress experienced by the protagonist, a poor white Southerner, during the last year of the American Civil War, when George Stoneman was raiding southwest Virginia. The song appeared at number 245 on Rolling Stone magazine's list of the 500 greatest songs of all time.
The Basement Tapes is the sixteenth album by American singer-songwriter Bob Dylan and his second with the Band. It was released on June 26, 1975, by Columbia Records. Two-thirds of the album's 24 tracks feature Dylan on lead vocals backed by the Band, and were recorded in 1967, eight years before the album's release, in the lapse between the recording and subsequent release of Blonde on Blonde and John Wesley Harding, during sessions that began at Dylan's house in Woodstock, New York, then moved to the basement of Big Pink. While most of these had appeared on bootleg albums, The Basement Tapes marked their first official release. The remaining eight songs, all previously unavailable, feature the Band without Dylan and were recorded between 1967 and 1975.
"Acadian Driftwood" is a song by the Band. It was the fourth track on their sixth studio album Northern Lights – Southern Cross (1975), written by member Robbie Robertson. Richard Manuel, Levon Helm and Rick Danko trade off lead vocals and harmonize on the chorus.
"It Makes No Difference" is a song written by Robbie Robertson and sung by Rick Danko that was first released by The Band on their 1975 album Northern Lights – Southern Cross. It has also appeared on live and compilation albums, including the soundtrack to the film The Last Waltz. Among the artists that have covered the song are Solomon Burke, My Morning Jacket, Trey Anastasio and Over the Rhine.
"The Shape I'm In" is a song by The Band, first released on their 1970 album Stage Fright. It was written by Robbie Robertson, who did little to disguise the fact that the song's sense of dread and dissolution was about Richard Manuel, the song's principal singer. It became a regular feature in their concert repertoire, appearing on their live albums Rock of Ages, Before the Flood, and The Last Waltz. Author Neil Minturn described the song as "straightforward rock." Along with "The Weight," it is one of the Band's songs most performed by other artists. It has been recorded or performed by Bo Diddley, The Good Brothers, The Mekons, The Pointer Sisters, She & Him, Marty Stuart and Nathaniel Rateliff and the Night Sweats.
"Rag Mama Rag" is a song by The Band which was first released on their 1969 album The Band. It was also released as a single, reaching #16 on the UK Singles Chart, the highest position for any single by the group. The single was less successful in the US, reaching only #57 on the Billboard Hot 100.
"Sleeping" is a song by The Band, first released on their 1970 album Stage Fright. It was also released as the B-side to the "Stage Fright" single. It was co-written by Robbie Robertson and Richard Manuel. This and “Just Another Whistle Stop” are the only two songs Manuel receives credit for on the album. Music critic Barney Hoskyns rates it as "one of Richard [Manuel's] liveliest performances" and "one of The Band's most intricate arrangements." The Band never featured the song on a live album.
"Daniel and the Sacred Harp" is a song written by Robbie Robertson that was first released by The Band on their 1970 album Stage Fright. It has been covered by such artists as Barrence Whitfield.
"When You Awake" is a song written by Robbie Robertson and Richard Manuel that was first released on The Band's 1969 self-titled album The Band. A live performance was included on the Bob Dylan and The Band live album Before the Flood.
"Whispering Pines" is a song written by Richard Manuel and Robbie Robertson that was first released by The Band on their self-titled 1969 album The Band. It was released as a single in France, backed by "Lonesome Suzie".
"Ophelia" is a song written by Robbie Robertson that was first released by The Band on their 1975 album Northern Lights – Southern Cross. It was the lead single from the album. It has also appeared on several of the group's live and compilation albums, and has been covered by such artists as Vince Gill and My Morning Jacket.
"Time to Kill" is a song written by Robbie Robertson that was first released by the Band on their 1970 album Stage Fright. It was also released as a single off the album, backed with the more famous "The Shape I'm In" and, although it failed to reach the Top 40 in the United States, it peaked at #13 in the Netherlands. It has also been featured on several Band compilation and live albums.
"Jemima Surrender" is a song written by Levon Helm and Robbie Robertson. It was first released on the Band's self-titled album in 1969. Usual Band drummer Levon Helm played guitar and sang the lead vocal while usual Band pianist Richard Manuel played drums. The song's lasciviousness helped inspire Naomi Weisstein to form the Chicago Women's Liberation Rock Band.
"The W.S. Walcott Medicine Show" is a song written by Robbie Robertson that was first released on the Band's 1970 album Stage Fright. It was also frequently performed in the group's live sets and appeared on several of their live albums. Based on Levon Helm's memories of minstrel and medicine shows in Arkansas, the song has been interpreted as an allegory on the music business. Garth Hudson received particular praise for his tenor saxophone playing on the song.
"The Unfaithful Servant" or "Unfaithful Servant" is a song written by Robbie Robertson that was first released by The Band on their 1969 album The Band. It was also released as the B-side of the group's "Rag Mama Rag" single. It has also appeared on several of the Band's live and compilation albums.
"4% Pantomime" is a song written by Robbie Robertson and Van Morrison. It was first released on the Band's 1971 album Cahoots.
The Night They Drove Old Dixie Down: The Best of the Band Live in Concert is a 1990 compilation of live recordings from American roots rock group the Band released by CEMA Special Markets.