Music from Big Pink is the debut studio album by Canadian-American rock band the Band. Released on July 1, 1968, by Capitol Records, it employs a distinctive blend of country, rock, folk, classical, R&B, blues, and soul. The album's title refers to a house in West Saugerties, New York called "Big Pink", which was shared by bassist/singer Rick Danko, pianist/singer Richard Manuel and organist Garth Hudson and in which the album's music was partly composed. The album itself was recorded in studios in New York and Los Angeles in 1968, and followed the band's stint backing of Bob Dylan on his 1966 tour and time spent together in upstate New York recording material that was officially released in 1975 as The Basement Tapes, also with Dylan. The cover artwork is a painting by Dylan.
The Band, also known as The Brown Album, is the second studio album by the Canadian-American rock band the Band, released on September 22, 1969, by Capitol Records. According to Rob Bowman's liner notes for the 2000 reissue, The Band has been viewed as a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana. Thus, the songs on this album draw on historic themes for "The Night They Drove Old Dixie Down", "King Harvest " and "Jawbone".
I Just Can't Stop It is the debut studio album by British ska band the Beat, released on 23 May 1980 by Go-Feet Records in the United Kingdom. It was released the same year in the United States on Sire Records under the band name The English Beat". In Australia, it was released on Go-Feet under the band name The British Beat.
Panorama is the third studio album by American new wave band the Cars, released on August 15, 1980, by Elektra Records. Like its predecessors, it was produced by Roy Thomas Baker and released on Elektra Records.
Pendulum is the sixth studio album by the American rock band Creedence Clearwater Revival, released by Fantasy Records on December 9, 1970. It was the second studio album the band released that year, arriving five months after Cosmo's Factory.
Beautiful Loser is the eighth studio album by American rock artist Bob Seger, released in 1975. This album marked Seger's return to Capitol Records after a four-year split. His previous record with Capitol was Brand New Morning in 1971.
Stage Fright is the third studio album by Canadian-American rock band the Band, released on August 17, 1970, by Capitol Records. It featured two of the group's best known songs, "The Shape I'm In" and "Stage Fright", both of which showcased inspired lead vocal performances and became staples in the group's live shows.
Cahoots is the fourth studio album by Canadian-American rock band the Band. It was released on September 15, 1971 to mixed reviews, and was their last album of original material for four years. The album's front cover was painted by New York artist/illustrator Gilbert Stone, while the back cover features a photograph portrait of the group by Richard Avedon. The album features guest vocals from Van Morrison. Libby Titus, the partner of drummer Levon Helm and mother of their daughter Amy Helm, also contributed uncredited backing vocals to "The River Hymn", the first time a woman appeared on a Band album.
Rock of Ages: The Band in Concert is a live album by the Band, released in 1972. It was compiled from recordings made during their series of shows at the Academy of Music in New York City, from December 28 through December 31, 1971. It peaked at No. 6 on the Billboard 200 chart, and was certified a gold record by the RIAA. An expanded release of recordings taken from the same series of shows, called Live at the Academy of Music 1971, was released in 2013.
Moondog Matinee is the fifth studio album by Canadian/American rock group the Band, released in 1973. It consists entirely of cover material reflecting the group's love of R&B and blues music, with one exception in their interpretation of the theme from the film The Third Man.
Northern Lights – Southern Cross is the sixth studio album by Canadian-American rock band the Band, released in November 1975. It was the first album to be recorded at their new California studio, Shangri-La, and the first album of all new material since 1971's Cahoots. It was recorded using a 24-track tape recorder, which allowed Garth Hudson to include multiple layers of keyboards on several tracks, and it is the only Band album where all songs are credited as compositions of guitarist Robbie Robertson.
The Last Waltz is the second live album by the Band, released on Warner Bros. Records in 1978, catalogue 3WS 3146. It is the soundtrack to the 1978 film of the same name, and the final album by the original configuration of the Band. It peaked at No. 16 on the Billboard 200.
154 is the third album by the English post-punk band Wire, released in 1979 on EMI imprint Harvest Records in the UK and Europe and Warner Bros. Records in America.
Go 2 is the second studio album by the English band XTC, released 6 October 1978 on Virgin Records. The United Kingdom version contained no singles, but the American and Canadian versions included the single "Are You Receiving Me?" released on 27 October 1978 along with a music video produced for the song.
Roxy Music is the debut studio album by English rock band Roxy Music, released on 16 June 1972 by Island Records.
Garvey's Ghost is the fourth album by the reggae artist Burning Spear, released in 1976 on Island Records, ILPS 9382. Each track is a dub version of its correspondent song on his third album, Marcus Garvey.
Dog & Butterfly is the fourth studio album by American rock band Heart, released in September 1978, by Portrait Records, following a legal dispute with Mushroom Records over the release of the band's second studio album, Magazine, in April 1978. Dog & Butterfly peaked at number 17 on the US Billboard 200 and has been certified double platinum by the Recording Industry Association of America (RIAA). The album spawned the singles "Straight On" and "Dog & Butterfly".
Slow Dazzle is the fifth solo studio album by the Welsh rock musician John Cale, released on 25 March 1975, his second album for record label Island.
This Girl's in Love with You is the sixteenth studio album by American singer Aretha Franklin, released on January 15, 1970 by Atlantic Records. It reached Billboard's Top 20 and was reissued on compact disc through Rhino Records in 1993. Her version of The Beatles' "Let It Be" was the first recording of the song to be commercially issued. Songwriter Paul McCartney sent Franklin and Atlantic Records a demo of the song as a guide.
Heads is the third album by British Afro rock band Osibisa released in 1972.
