"King Harvest (Has Surely Come)" | |
---|---|
Song by The Band | |
from the album The Band | |
Released | September 22, 1969 |
Genre | Roots rock |
Length | 3:39 |
Label | Capitol |
Songwriter(s) | Robbie Robertson |
Producer(s) | John Simon |
"King Harvest (Has Surely Come)" is a song by The Band, which originally appeared as the final track on their second album, The Band .
The song is credited solely to guitarist Robbie Robertson, although drummer/singer Levon Helm claimed that "King Harvest" was a group effort. [1] It is sung in the first person from the point of view of a poverty-stricken farmer who, with increasing desperation, details the misfortune which has befallen him: there was no rain and his crops died, his barn burned down, he has ended up on skid row. A labor union organizer appears, promising to improve things, and the narrator tells his new associates, "I'm a union man, now, all the way", but, perhaps ashamed of his homelessness begs them to "just don't judge me by my shoes." Some sources speculate the events depicted in the song are a reference to the organizing drives of the communist-affiliated Trade Union Unity League, which created share-cropper unions from 1928 to 1935, throughout the U.S. South. [2]
The rock critic Greil Marcus called it "The Band's song of blasted country hopes" and suggested that "King Harvest" might be Robertson's finest song and the best example of the group's approach to songwriting and performing. [3] Author Neil Minturn praised its "dark, eerie earnestness." [4]
The song's structure is unusual: the verses, sung by pianist Richard Manuel, are energetic, while the choruses (sung by Manuel and Levon Helm) are more subdued, in contrast to typical song structure. This change possibly reflects the desperate if unsure hope the protagonist holds in the union. [5] The song is also known as the inspiration for the rock band King Harvest who achieved success with their single "Dancing in the Moonlight"
The Band was a Canadian-American rock band formed in Toronto, Ontario, in 1967. It consisted of Canadians Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and American Levon Helm. The Band combined elements of Americana, folk, rock, jazz, country, and R&B, influencing musicians such as George Harrison, Elton John, the Grateful Dead, Eric Clapton and Wilco.
"The Night They Drove Old Dixie Down" is a song written by Robbie Robertson and originally recorded by the Canadian-American roots rock group The Band in 1969 and released on their eponymous second album. Levon Helm provided the lead vocals. The song is a first-person narrative relating the economic and social distress experienced by the protagonist, a poor white Southerner, during the last year of the American Civil War, when George Stoneman was raiding southwest Virginia.
Richard George Manuel was a Canadian musician, singer, and songwriter, best known as a pianist and one of three lead singers in the Band, for which he was posthumously inducted into the Rock and Roll Hall of Fame in 1994.
Stage Fright is the third studio album by Canadian–American group the Band, released in 1970. It featured two of the group's best known songs, "The Shape I'm In" and "Stage Fright", both of which showcased inspired lead vocal performances and became staples in the group's live shows.
"Go Go Liza Jane" is a single by Levon and the Hawks, released in 1968 by Atco Records in order to capitalize on the growing success of the Band, who had recorded the track along with two others in 1965 as Levon and the Hawks. The song, an upbeat version of the traditional "Little Liza Jane", demonstrated, three years before their debut LP, the way in which the voices of the singers in the Band, Rick Danko, Richard Manuel and Levon Helm, meshed brilliantly. Each also took turns singing lead.
"Uh-Uh-Uh" is the first single by the Canadian Squires, written by guitarist Jaime Robbie Robertson, and produced by independent producer Henry Glover. It was released in 1964 on Ware Records. The song was a standard R&B number akin to what the group, who more frequently used the moniker "Levon and the Hawks", was performing in clubs across Canada and the United States. Sung by pianist Richard Manuel, with backing vocals by drummer Levon Helm, it was backed by "Leave Me Alone", also penned by Robertson.
A Musical History is the second box set to anthologize Canadian-American rock group the Band. Released by Capitol Records on September 27, 2005, it features 111 tracks spread over five compact discs and one DVD. Roughly spanning the group's journey from 1961 to 1977, from their days behind Ronnie Hawkins and Bob Dylan through the departure of Robbie Robertson and the first disbanding of the group. The set includes highlights from each of the group's first seven studio albums and both major live recordings and nearly forty rare or previously unreleased performances.
"Too Much of Nothing" is a song written by Bob Dylan in 1967, first released by him on the album The Basement Tapes (1975).
"Stage Fright" is the title track of the Band's third album, Stage Fright. It features Rick Danko on lead vocals and was written by Robbie Robertson. According to author Barney Hoskyns, Robertson originally intended it to be sung by Richard Manuel but it became clear that the song was better suited to Danko's "nervous, tremulous voice."
"It Makes No Difference" is a song written by Robbie Robertson and sung by Rick Danko that was first released by The Band on their 1975 album Northern Lights – Southern Cross. It has also appeared on live and compilation albums, including the soundtrack to the film The Last Waltz. Among the artists that have covered the song are Solomon Burke, My Morning Jacket, The Icicle Works, Trey Anastasio, Over the Rhine and Eric Clapton.
"The Shape I'm In" is a song by The Band, first released on their 1970 album Stage Fright. It was written by Robbie Robertson, who did little to disguise the fact that the song's sense of dread and dissolution was about Richard Manuel, the song's principal singer. It became a regular feature in their concert repertoire, appearing on their live albums Rock of Ages, Before the Flood, and The Last Waltz. Author Neil Minturn described the song as "straightforward rock." Along with "The Weight," it is one of the Band's songs most performed by other artists. It has been recorded or performed by Bo Diddley, The Good Brothers, The Mekons, The Pointer Sisters, She & Him, Marty Stuart and Nathaniel Rateliff and the Night Sweats.
Lonesome Suzie is a 1968 song by The Band written and sung by Richard Manuel originally appearing on their influential debut album Music From Big Pink It was also released on Across The Great Divide, a compilation box set from 1994. Drummer Levon Helm has said that "...Lonesome Suzie was Richard's failed attempt to write a hit record." It never charted and is one of the few songs on which Manuel contributed writing, but is also recognized as one of Manuel's signature pieces. In 1970 it was released as the B-side of the French single release of "Whispering Pines".
"Sleeping" is a song by The Band, first released on their 1970 album Stage Fright. It was also released as the B-side to the "Stage Fright" single. It was co-written by Robbie Robertson and Richard Manuel. This and “Just Another Whistle Stop” are the only two songs Manuel receives credit for on the album. Music critic Barney Hoskyns rates it as "one of Richard [Manuel's] liveliest performances" and "one of The Band's most intricate arrangements." The Band never featured the song on a live album.
"Daniel and the Sacred Harp" is a song written by Robbie Robertson that was first released by The Band on their 1970 album Stage Fright. It has been covered by such artists as Barrence Whitfield.
"Whispering Pines" is a song written by Richard Manuel and Robbie Robertson that was first released by The Band on their self-titled 1969 album The Band. It was released as a single in France, backed by "Lonesome Suzie".
"Jemima Surrender" is a song written by Levon Helm and Robbie Robertson. It was first released on the Band's self-titled album in 1969. Usual Band drummer Levon Helm played guitar and sang the lead vocal while usual Band pianist Richard Manuel played drums. The song's lasciviousness helped inspire Naomi Weisstein to form the Chicago Women's Liberation Rock Band.
"The Unfaithful Servant" or "Unfaithful Servant" is a song written by Robbie Robertson that was first released by The Band on their 1969 album The Band. It was also released as the B-side of the group's "Rag Mama Rag" single. It has also appeared on several of the Band's live and compilation albums.
So Many Roads is a 1965 studio album by John P. Hammond, backed by several musicians who would go on to form The Band.
The Night They Drove Old Dixie Down: The Best of the Band Live in Concert is a 1990 compilation of live recordings from American roots rock group the Band released by CEMA Special Markets.