The Band | ||||
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Studio album by | ||||
Released | September 22, 1969 | |||
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Genre | ||||
Length | 43:50 | |||
Label | Capitol | |||
Producer | John Simon | |||
The Band chronology | ||||
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Singles from The Band | ||||
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The Band, also known as The Brown Album, is the second studio album by the Canadian-American rock band the Band, released on September 22, 1969, by Capitol Records. According to Rob Bowman's liner notes for the 2000 reissue, The Band has been viewed as a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana. [2] Thus, the songs on this album draw on historic themes for "The Night They Drove Old Dixie Down", "King Harvest (Has Surely Come)" and "Jawbone" (which was composed in the unusual 6/4 time signature).
After unsuccessfully attempting sessions at a studio in New York, the Band set up shop in the pool house of a home rented by the group in the Hollywood Hills located at 8850 Evanview Drive in Los Angeles, California. The home was then owned by Sammy Davis Jr. [3] and was previously owned by Judy Garland and Wally Cox. According to Robbie Robertson, the location was chosen to give the songs a Basement Tapes –like feel in what was termed "a clubhouse concept". [4] The last song to be recorded at the pool house was "King Harvest (Has Surely Come)," as The Band had to leave to perform for three nights at Winterland in San Francisco. Afterwards, they recorded the final three songs to finish the album ("Up on Cripple Creek", "Whispering Pines" and "Jemima Surrender") at The Hit Factory in New York City, at the time operated by Jerry Ragavoy. Joe Zagarino would also take over most of the engineering for the final three tracks they would record, untrusting of Robertson and Simon's engineering skills. The outtake "Get Up Jake" was also recorded during these sessions in New York. [5]
According to co-producer John Simon, Robbie Robertson took over most of the engineering for the record, "hungry for knowledge ... I showed him how to make an album from a technical point of view." [6]
The album was originally released on September 22, 1969. [7] A 1980 "Capitol 16000 Series" budget vinyl reissue of the album omitted "When You Awake" and "King Harvest (Has Surely Come)".
After several reissues on vinyl, cassette tape, and compact disc, the album was remastered and re-released with bonus tracks in 2000, in a process overseen by Robertson.
The Band was reissued in 2009 by Audio Fidelity as a limited edition gold CD. The reissue included a single B-side, "Get Up Jake", as a bonus track. "Get Up Jake", which also appears on the 2000 reissue, was slated for inclusion on the original album but was dropped from the lineup at the last minute, either because the band felt it was too similar to another track on the album or because there physically was not enough room on the album. [8] [9] It also was suggested that the underdeveloped status of the song made them decide against inclusion in the album. A reworked version of "Get Up Jake" was later included in many of the Band's live performances in the early 1970s and also on the 1972 live album Rock of Ages .
In 2019, a 50th Anniversary Edition was released, with an entirely new stereo mix of the album by Bob Clearmountain, mastered by Bob Ludwig, as well as several outtake tracks and the Band's entire live set from the Woodstock festival.
The original LP back cover quotes the opening lines from Shelton Brooks's 1917 composition "Darktown Strutters' Ball".
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
DownBeat | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
Entertainment Weekly | A [13] |
MusicHound Rock | ![]() ![]() ![]() ![]() ![]() |
Pitchfork | 10/10 [15] |
Q | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
The Village Voice | A+ [19] |
The album includes many of the Band's best-known and critically acclaimed songs, including "The Night They Drove Old Dixie Down", which Rolling Stone named the 245th-greatest song of all time in 2004 [20] and the 249th-greatest song of all time in 2010. [21] In 2003, the album was ranked No. 45 on Rolling Stone's list of the 500 greatest albums of all time, maintaining the rating in a 2012 revised list. [22] In the 2020 update of that list, it was ranked No. 57. [23] In 1998, Q readers voted The Band the 76th greatest album of all time. Time included it in their unranked 2006 list of the 100 greatest albums. Robert Christgau, having been disappointed with the Band's debut, had expected to dislike the record and even planned a column for The Village Voice to "castigate" their follow-up. Upon hearing the record, however, he declared it better than Abbey Road , which had been released four days following, writing that the Band's LP is an "A-plus record if I've ever rated one". [19] He ranked it as the fourth-best album of the year in his ballot for Jazz & Pop magazine's annual critics poll. [24] The album was later included in his "Basic Record Library" of 1950s and 1960s recordings, published in Christgau's Record Guide: Rock Albums of the Seventies (1981). [25] It was voted No. 45 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000). [26]
The Band peaked at No. 9 on Billboard 's Pop Albums chart. In 2000, it charted on Billboard's Internet Albums chart, peaking at No. 10. The singles "Rag Mama Rag" and "Up on Cripple Creek" peaked on the Pop Singles chart at Nos. 57 and 25 respectively. The "Rag Mama Rag" single performed better in the UK, where it reached No. 16. [27] It was the band's highest-charting album in their native Canada, peaking at number two on the Canadian Albums Chart.
On Metacritic, the expanded 50th anniversary edition of the album has an aggregate score of 96 out of 100, based on six reviews, a rating that the website defines as indicating "universal acclaim". [28]
PopMatters critic David Pike rated "Rockin' Chair" as one of the "41 essential pop/rock songs with accordion." [29]
Album - Billboard (United States)
Year | Chart | Position |
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1970 | Pop Albums | 9 |
2000 | Top Internet Albums | 10 |
Singles - Billboard (United States)
Year | Single | Chart | Position |
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1970 | "Rag Mama Rag" | Pop Singles | 57 |
1970 | "Up on Cripple Creek" | Pop Singles | 25 |
In 2009, The Band was preserved into the National Recording Registry for being "culturally, historically, or aesthetically significant, and/or informs or reflects life in the United States". It was also included in the book 1001 Albums You Must Hear Before You Die . [30] At the 2017 Polaris Music Prize, the album won the jury vote for the Heritage Prize in the 1960-1975 category. [31]
All tracks written by Robbie Robertson, except where noted.
Side one
No. | Title | Writer(s) | Lead vocals | Length |
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1. | "Across the Great Divide" | Manuel | 2:53 | |
2. | "Rag Mama Rag" | Helm | 3:04 | |
3. | "The Night They Drove Old Dixie Down" | Helm | 3:33 | |
4. | "When You Awake" | Robertson, Richard Manuel | Danko | 3:13 |
5. | "Up on Cripple Creek" | Helm | 4:34 | |
6. | "Whispering Pines" | Robertson, Manuel | Manuel with Helm | 3:58 |
Side two
No. | Title | Writer(s) | Lead vocals | Length |
---|---|---|---|---|
1. | "Jemima Surrender" | Robertson, Levon Helm | Helm | 3:31 |
2. | "Rockin' Chair" | Manuel | 3:43 | |
3. | "Look Out Cleveland" | Danko | 3:09 | |
4. | "Jawbone" | Robertson, Manuel | Manuel | 4:20 |
5. | "The Unfaithful Servant" | Danko | 4:17 | |
6. | "King Harvest (Has Surely Come)" | Manuel | 3:39 |
No. | Title | Writer(s) | Lead vocals | Length |
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13. | "Get Up Jake" (Stereo mix) | Helm and Danko | 2:17 | |
14. | "Rag Mama Rag" (Alternate vocal take; rough mix) | Helm | 3:05 | |
15. | "The Night They Drove Old Dixie Down" (Alternate mix) | Helm | 4:16 | |
16. | "Up on Cripple Creek" (Alternate take) | Helm | 4:51 | |
17. | "Whispering Pines" (Alternate take) | Robertson, Manuel | Manuel | 5:09 |
18. | "Jemima Surrender" (Alternate take) | Robertson, Helm | Helm | 3:49 |
19. | "King Harvest (Has Surely Come)" (Alternate performance) | Manuel and Helm | 4:28 |
The Band
Additional personnel
The Band was a Canadian-American rock band formed in Toronto, Ontario, in 1957. It consisted of the Canadians Rick Danko, Garth Hudson, Richard Manuel and Robbie Robertson and the American Levon Helm. The Band's music combined elements of Americana, folk, rock, jazz and country, which influenced artists such as George Harrison, Elton John, the Grateful Dead, Eric Clapton, and Wilco.
Music from Big Pink is the debut studio album by the Canadian-American rock band the Band. Released on July 1, 1968, by Capitol Records, it employs a distinctive blend of country, rock, folk, classical, R&B, blues, and soul. The album's title refers to a house in West Saugerties, New York called "Big Pink", which was shared by bassist/singer Rick Danko, pianist/singer Richard Manuel and organist Garth Hudson and in which the album's music was partly composed. The album itself was recorded in studios in New York and Los Angeles in 1968, and followed the band's stint backing of Bob Dylan on his 1966 tour and time spent together in upstate New York recording material that was officially released in 1975 as The Basement Tapes, also with Dylan. The cover artwork is a painting by Dylan.
Jaime Royal Robertson was a Canadian musician of Indigenous ancestry. He was lead guitarist for Bob Dylan in the mid-late 1960s and early-mid 1970s, guitarist and primary songwriter of The Band from their inception until 1978, and a solo artist.
"The Night They Drove Old Dixie Down" is a song written by Robbie Robertson. It was originally recorded by his Canadian-American roots rock group The Band in 1969 and released on their eponymous second album. Levon Helm provided the lead vocals. The song is a first-person narrative relating the economic and social distress experienced by the protagonist, a poor white Southerner, during the last year of the American Civil War, when George Stoneman was raiding southwest Virginia.
Mark Lavon "Levon" Helm was an American musician who achieved fame as the drummer and one of the three lead vocalists for The Band, for which he was inducted into the Rock and Roll Hall of Fame in 1994. Helm was known for his deeply soulful, country-accented voice, multi-instrumental ability, and creative drumming style, highlighted on many of the Band's recordings, such as "The Weight", "Up on Cripple Creek", and "The Night They Drove Old Dixie Down".
The Last Waltz was a concert by the Canadian-American rock group The Band, held on American Thanksgiving Day, November 25, 1976, at Winterland Ballroom in San Francisco. The Last Waltz was advertised as the Band's "farewell concert appearance", and the concert had the Band joined by more than a dozen special guests, including their previous employers Ronnie Hawkins and Bob Dylan, as well as Paul Butterfield, Bobby Charles, Eric Clapton, Neil Diamond, Emmylou Harris, Dr. John, Joni Mitchell, Van Morrison, The Staple Singers, Ringo Starr, Muddy Waters, Ronnie Wood, and Neil Young. The musical director for the concert was the Band's original record producer, John Simon.
Before the Flood is a live album by American singer-songwriter Bob Dylan and The Band, released on June 20, 1974, on Asylum Records in the United States and Island Records in the United Kingdom. It was Dylan's first live album, although live recordings of earlier performances would later be released. It is the 15th album by Dylan and the seventh by the Band, and documents their joint 1974 American tour. It peaked at No. 3 on the Billboard 200, reached No. 8 on the popular album chart in the UK, and has been certified Platinum by the Recording Industry Association of America.
Stage Fright is the third studio album by the Canadian-American rock band the Band, released on August 17, 1970, by Capitol Records. It featured two of the group's best known songs, "The Shape I'm In" and "Stage Fright", both of which showcased inspired lead vocal performances and became staples in the group's live shows.
Cahoots is the fourth studio album by Canadian-American rock band the Band. It was released on September 15, 1971 to mixed reviews, and was their last album of original material for four years. The album's front cover was painted by New York artist/illustrator Gilbert Stone, while the back cover features a photograph portrait of the group by Richard Avedon. The album features guest vocals from Van Morrison. Libby Titus, the partner of drummer Levon Helm and mother of their daughter Amy Helm, also contributed uncredited backing vocals to "The River Hymn", the first time a woman appeared on a Band album.
Rock of Ages: The Band in Concert is a live album by the Band, released in 1972. It was compiled from recordings made during their series of shows at the Academy of Music in New York City, from December 28 through December 31, 1971. It peaked at No. 6 on the Billboard 200 chart, and was certified a gold record by the RIAA. An expanded release of recordings taken from the same series of shows, called Live at the Academy of Music 1971, was released in 2013.
Moondog Matinee is the fifth studio album by Canadian/American rock group the Band, released in 1973. It consists entirely of cover material reflecting the group's love of R&B and blues music, with one exception in their interpretation of the theme from the film The Third Man.
Northern Lights – Southern Cross is the sixth studio album by Canadian-American rock band the Band, released in November 1975. It was the first album to be recorded at their new California studio, Shangri-La, and the first album of all new material since 1971's Cahoots. It was recorded using a 24-track tape recorder, which allowed Garth Hudson to include multiple layers of keyboards on several tracks, and it is the only Band album where all songs are credited as compositions of guitarist Robbie Robertson.
The Last Waltz is the second live album by the Band, released on Warner Bros. Records in 1978, catalogue 3WS 3146. It is the soundtrack to the 1978 film of the same name, and the final album by the original configuration of the Band. It peaked at No. 16 on the Billboard 200.
"The Weight" is a song by the Canadian-American group the Band that was released as a single in 1968 and on the group's debut album Music from Big Pink. It was their first release under this name, after their previous releases as Canadian Squires and Levon and the Hawks. Written by Band member Robbie Robertson, the song is about a visitor's experiences in a town mentioned in the lyric's first line as Nazareth. "The Weight" has significantly influenced American popular music, having been listed as No. 41 on Rolling Stone's 500 Greatest Songs of All Time published in 2004. Pitchfork Media named it the 13th best song of the 1960s, and the Rock and Roll Hall of Fame named it one of the 500 Songs that Shaped Rock and Roll. PBS, which broadcast performances of the song on Ramble at the Ryman (2011), Austin City Limits (2012), and Quick Hits (2012), describes it as "a masterpiece of Biblical allusions, enigmatic lines and iconic characters" and notes its enduring popularity as "an essential part of the American songbook."
A Musical History is the second box set to anthologize Canadian-American rock group the Band. Released by Capitol Records on September 27, 2005, it features 111 tracks spread over five compact discs and one DVD. Roughly spanning the group's journey from 1961 to 1977, from their days behind Ronnie Hawkins and Bob Dylan through the departure of Robbie Robertson and the first disbanding of the group. The set includes highlights from each of the group's first seven studio albums and both major live recordings and nearly forty rare or previously unreleased performances.
The Basement Tapes is the sixteenth album by the American singer-songwriter Bob Dylan and his second with the Band. It was released on June 26, 1975, by Columbia Records. Two-thirds of the album's 24 tracks feature Dylan on lead vocals backed by the Band, and were recorded in 1967, eight years before the album's release, in the lapse between the release of Blonde on Blonde and the subsequent recording and release of John Wesley Harding, during sessions that began at Dylan's house in Woodstock, New York, then moved to the basement of Big Pink. While most of these had appeared on bootleg albums, The Basement Tapes marked their first official release. The remaining eight songs, all previously unavailable, feature the Band without Dylan and were recorded between 1967 and 1975.
"Acadian Driftwood" is a song by the Band. It was the fourth track on their sixth studio album Northern Lights – Southern Cross (1975), written by member Robbie Robertson. Richard Manuel, Levon Helm and Rick Danko trade off lead vocals and harmonize on the chorus.
"Rag Mama Rag" is a song by The Band which was first released on their 1969 album The Band. It was also released as a single, reaching number 16 on the UK Singles Chart, the highest position for any single by the group. The single was less successful in the US, reaching only number 57 on the Billboard Hot 100.
"The Unfaithful Servant" or "Unfaithful Servant" is a song written by Robbie Robertson that was first released by The Band on their 1969 album The Band. It was also released as the B-side of the group's "Rag Mama Rag" single. It has also appeared on several of the Band's live and compilation albums.
The Night They Drove Old Dixie Down: The Best of the Band Live in Concert is a 1990 compilation of live recordings from American roots rock group the Band released by CEMA Special Markets.
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