"When I Paint My Masterpiece" | |
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Song by The Band | |
from the album Cahoots | |
Released | September 15, 1971 |
Genre | Folk rock |
Length | 4:21 |
Label | Capitol |
Songwriter(s) | Bob Dylan |
Producer(s) | The Band |
"When I Paint My Masterpiece" | |
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Song by Bob Dylan | |
from the album Bob Dylan's Greatest Hits Vol. II | |
Released | November 17, 1971 |
Recorded | 16–19 March 1971 [1] |
Studio | Blue Rock, New York City |
Genre | Folk rock |
Length | 3:22 |
Label | Columbia |
Songwriter(s) | Bob Dylan |
Producer(s) | Leon Russell |
"When I Paint My Masterpiece" is a 1971 song written by Bob Dylan. It was first released by The Band, who recorded the song for their album Cahoots , released on September 15, 1971.
Dylan himself first recorded the song at New York's Blue Rock Studio when he was backed by Leon Russell and session musicians, including Jesse Ed Davis on lead guitar. [1] The recording sessions lasted from March 16 to 19, 1971, and also saw the recording of the 45 RPM single "Watching the River Flow", [1] released by CBS Records on June 3, 1971. Both songs appeared on Bob Dylan's Greatest Hits Vol. II , released November 17, 1971, with Russell credited as the producer of the two songs.
During the March 1971 sessions at Blue Rock Studio, Dylan also recorded a solo version with slightly different lyrics, accompanying himself on piano. This version was released in 2013 on The Bootleg Series Vol. 10: Another Self Portrait (1969–1971) . [1]
Dylan and The Band performed the song together live, in the early hours of January 1, 1972, at a New Year's Eve concert by The Band; a recording was released as a bonus track on the 2001 CD reissue of The Band's live album Rock of Ages .
Douglas Brinkley, while interviewing Dylan for the New York Times in 2020, noted that "When I Paint My Masterpiece" was a song that had grown on him over the years and asked Dylan why he had brought it "back to the forefront of recent concerts". Dylan replied, "It’s grown on me as well. I think this song has something to do with the classical world, something that’s out of reach. Someplace you’d like to be beyond your experience. Something that is so supreme and first rate that you could never come back down from the mountain. That you’ve achieved the unthinkable. That’s what the song tries to say, and you’d have to put it in that context. In saying that though, even if you do paint your masterpiece, what will you do then? Well, obviously you have to paint another masterpiece". [2]
Los Lobos' Steve Berlin cited it as his favorite Dylan song in a 2021 Stereogum article, writing, "I love the way he creates such a vivid world in a three-minute song, and as a former constant traveler myself he captures the often delightful feeling of disconnection in a new unfamiliar place, and then the line about the land of Coca-Cola brings it all back home". [3]
Dylan performs the song live (as a duet with Bob Neuwirth) during the opening credits of his 1978 film Renaldo and Clara . Dylan also performed a version of the song, with substantially re-written lyrics, to open his 2021 concert film Shadow Kingdom: The Early Songs of Bob Dylan .
For the closing credits of the 2013 documentary film Tim's Vermeer , Dylan sings an alternate take of the song.
According to his official website, Dylan played the song live 182 times between 1975 and 2019. [4] Five live performances of the song from Dylan's 1975 Rolling Thunder Revue tour were released on the box set The Rolling Thunder Revue: The 1975 Live Recordings in 2019. The live debut occurred at the War Memorial Auditorium in Plymouth, Massachusetts on October 30, 1975 and became a mainstay of the Rough and Rowdy Ways World Wide Tour, appearing on the setlist in more than 340 consecutive nights between 2021 and 2024. [5]
"When I Paint My Masterpiece" was frequently performed by the Grateful Dead in concerts starting in 1987; the song was sometimes played alongside several other Dylan songs. Though Grateful Dead vocalist Bob Weir sang lead on the song when it was played by the band, lead singer Jerry Garcia had played the song as early as 1972 with Merl Saunders and John Kahn, both of whom would become members of the Jerry Garcia Band.
The Band (without Robbie Robertson or Richard Manuel) performed the song at a 1992 Bob Dylan tribute concert. The recording was released on the CD of the event.
Chris Whitley recorded a blues version of the song for his last album, Dislocation Blues , which was released with Jeff Lang in 2005.
Elliott Brood performed "When I Paint My Masterpiece" on CBC Radio 2's Up Close program, [6] and include it in some of their concerts.
The bluegrass band Greensky Bluegrass included a live version of the song on their 2010 live album All Access: Volume 1 recorded at The Riviera Theatre in Three Rivers, MI on Nov. 27, 2009. The song has a regular rotation in their live performances.
Blake Mills performed a live solo version of "When I Paint My Masterpiece" on Dylan's iconic Stratocaster guitar to celebrate the 50th anniversary of Dylan's performance at the 1965 Newport Folk Festival.
Steve Harley included a version of “When I Paint My Masterpiece” as the closing track on his 2020 album “Uncovered”… this became, upon his death in March 2024, notable as the last song on his last solo recording.
Sturgill Simpson covered it at Massey Hall in Toronto, Ontario on November 21, 2024, telling the audience "here's a Canadian song for you". It was the first time he had played it in concert.
"Blind Willie McTell" is a song written and performed by American singer-songwriter Bob Dylan. Named for the blues singer of the same name, the song was recorded in the spring of 1983, during the sessions for Dylan's album Infidels; however, it was ultimately left off the album and did not receive an official release until 1991, when it appeared on The Bootleg Series Volumes 1–3 1961–1991. It was also later anthologized on Dylan (2007).
"Tangled Up in Blue" is a song by American singer-songwriter Bob Dylan, which was released as the opening track of his 15th studio album Blood on the Tracks (1975). The song was written by Dylan and produced by David Zimmerman, Dylan's brother. Released as a single, it reached No. 31 on the Billboard Hot 100. The song concerns relationships and contains different narrative perspectives. Dylan has altered the lyrics in subsequent performances, changing the point of view and details in the song.
Bob Dylan's Greatest Hits Vol. II, also known as More Bob Dylan Greatest Hits, is the second compilation album by American singer-songwriter Bob Dylan, released on November 17, 1971 by Columbia Records. With Dylan not expected to release any new material for an extended period of time, CBS Records president Clive Davis proposed issuing a double LP compilation of older material. Dylan agreed, compiling it himself and suggesting that the package include a full side of unreleased tracks from his archives. After submitting a set of excerpts from The Basement Tapes that Davis found unsatisfactory, Dylan returned to the studio in September 1971 to recut several Basement songs, with Happy Traum providing backup.
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"Things Have Changed" is a song from the film Wonder Boys, written and performed by Bob Dylan and released as a single on May 1, 2000, that won both the Academy Award for Best Original Song and the Golden Globe Award for Best Original Song. It was also anthologized on the compilation albums The Essential Bob Dylan in 2000, The Best of Bob Dylan in 2005 and Dylan in 2007.
"You're a Big Girl Now" is a song by Bob Dylan, released on his 15th studio album, Blood on the Tracks, in 1975. It is one of five songs on the album that Dylan initially recorded in New York City in September 1974 and then re-recorded in Minneapolis in December that year. The latter recording, made on December 27, 1974, became the album track.
"I'll Keep It with Mine" is a song written by Bob Dylan in 1964, first released by folk singer Judy Collins as a single in 1965. Dylan attempted to record the song for his 1966 album Blonde on Blonde.
"Watching the River Flow" is a song by American singer Bob Dylan. Produced by Leon Russell, it was written and recorded during a session in March 1971 at the Blue Rock Studio in New York City. The collaboration with Russell formed in part through Dylan's desire for a new sound—after a period of immersion in country rock music—and for a change from his previous producer.
The Bob Dylan World Tour 1966 was a concert tour undertaken by the American musician Bob Dylan, from February to May 1966. Dylan's 1966 World Tour was notable as the first tour where Dylan employed an electric band backing him, following him "going electric" at the 1965 Newport Folk Festival. The musicians Dylan employed as his backing band were known as the Hawks, who later became famous as the Band.
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