Shadow Kingdom: The Early Songs of Bob Dylan | |
---|---|
Directed by | Alma Har'el |
Produced by | Alma Har'el Christopher Leggett Raphael Marmor |
Starring | Bob Dylan |
Cinematography | Lol Crawley |
Edited by | Alma Har'el |
Music by | Bob Dylan |
Distributed by | Veeps, Apple TV+ |
Release date |
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Running time | 50 minutes |
Country | United States |
Language | English |
Shadow Kingdom is a 2021 concert film featuring American singer-songwriter Bob Dylan. Directed by Israeli-American filmmaker Alma Har'el, it was shot on a soundstage in Santa Monica, California over seven days in 2021 while Dylan was sidelined from his Never Ending Tour due to the COVID-19 pandemic. [1] The film features Dylan and a group of masked musicians performing 13 songs from the first half of Dylan's career in an intimate club-like setting. [2] [3] [4]
Shadow Kingdom premiered via the livestream platform Veeps.com with little information about its contents having been revealed in pre-release publicity. [5] Some viewers expected the event to be a live concert and were surprised when it turned out to be a stylized black-and-white art film featuring "pre-recorded set pieces" instead. [6] Shadow Kingdom nonetheless earned rave reviews from critics, many of whom praised Dylan's creative re-arrangements of his early songs as well as Har'el's imaginative staging of the performances. [7]
A soundtrack album, Shadow Kingdom , was released on June 2, 2023, [8] and the full-length film was released four days later as a rental and digital download. [9]
Shadow Kingdom showcases Bob Dylan in an intimate setting as he performs songs from his extensive body of work, created especially for this event. It marked his first concert performance since December 2019, and first performance since his universally acclaimed album Rough and Rowdy Ways . [10] In addition to Dylan, who plays guitar and harmonica and sings, most of the song arrangements consist of two additional guitars, a bass and an accordion. The performance of "Forever Young" also features a dolceola. [11]
All tracks are written by Bob Dylan
No. | Title | Length |
---|---|---|
1. | "When I Paint My Masterpiece" | 4:28 |
2. | "Most Likely You Go Your Way and I'll Go Mine" | 3:10 |
3. | "Queen Jane Approximately" | 5:16 |
4. | "I'll Be Your Baby Tonight" | 2:58 |
5. | "Just Like Tom Thumb's Blues" | 4:11 |
6. | "Tombstone Blues" | 4:54 |
7. | "To Be Alone with You" | 3:10 |
8. | "What Was It You Wanted" | 4:53 |
9. | "Forever Young" | 3:18 |
10. | "Pledging My Time" | 3:27 |
11. | "The Wicked Messenger" | 2:47 |
12. | "Watching the River Flow" | 3:15 |
13. | "It's All Over Now Baby Blue" | 2:35 |
14. | "Sierra's Theme" | 2:37 |
Sam Sodomsky, writing at Pitchfork, called Shadow Kingdom a "gorgeous...concert film" in which "the 80-year-old icon sings clearly, melodically, beautifully", and noted that "Dylan seems at times to want to burst through the screen, gesturing passionately". Sodomsky also discussed director Alma Har'el's "knack for visualizing the haunted barroom production that Dylan has favored on his modern studio albums: As he sings in dusky rooms filled with cigarette smoke and lamplight, mannequins and Western characters, the whole thing takes on a surreal, ghostlike quality". [14]
Variety's Chris Willman wrote that those who purchased advanced tickets to the Veeps livestream "did not really know much about what they were signing up for" but that "[w]hat they got, most would agree, was better — if shorter — than they imagined". Willman also praised Dylan's vocal performances ("he hasn’t sounded better in decades") and compared the "surreality" of the film's fictional setting (the non-existent "Bon Bon Club" in Marseille, France) to locations in David Lynch's Twin Peaks . [15]
Uncut's Damien Love also invoked the work of Lynch, describing Shadow Kingdom as "deeply-felt surrealist-noir-Americana", as well as the paintings in Dylan's own "Beaten Path" series ("a handmade place of lost highways and forgotten barrooms and city lights in smeary rain; of lonely drive-in movie lots and funky diners and juke joints that all seem to float in some unfixed time that could be anywhere from the early-1930s to early tomorrow morning") and the Depression-era boarding-house setting of Conor McPherson's musical play Girl from the North Country. [16]
Kitty Empire gave it a 5-out-of-5 star review in The Guardian , calling it "completely thrilling" and identifying the high point as Dylan's "poignant drawl on a sensational 'What Was It You Wanted', a series of accusatory questions that stress how slippery knowledge is". Empire also compared the Bon Bon club's atmosphere to "the vibe of the sleeve art of last year’s Rough and Rowdy Ways". [17]
The Last Waltz is the second live album by the Band, released on Warner Bros. Records in 1978, catalogue 3WS 3146. It is the soundtrack to the 1978 film of the same name, and the final album by the original configuration of the Band. It peaked at No. 16 on the Billboard 200.
Live 1966: The "Royal Albert Hall" Concert is a two-disc live album by Bob Dylan, released in 1998. It is the second installment in the ongoing Bob Dylan Bootleg Series on Legacy Recordings, and has been certified a gold record by the RIAA. It was recorded at the Manchester Free Trade Hall during Dylan's 1966 world tour, though early bootlegs attributed the recording to the Royal Albert Hall so it became known as the Royal Albert Hall Concert. Extensively bootlegged for decades, it is an important document in the development of popular music during the 1960s.
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"Tombstone Blues" is a song by American singer-songwriter Bob Dylan, which was released as the second track on his sixth studio album Highway 61 Revisited (1965). The song was written by Dylan, and produced by Bob Johnston. Critical interpretations of the song have suggested that the song references the Vietnam War and US President Lyndon Baines Johnson.
Bob Dylan is an American singer-songwriter. Generally regarded as one of the greatest songwriters ever, Dylan has been a major figure in popular culture over his 60-year career. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and "The Times They Are a-Changin'" (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture.
"Pledging My Time" is a blues song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song, written by Dylan and produced by Bob Johnston, was recorded on March 8, 1966 in Nashville, Tennessee. Dylan is featured on lead vocals, harmonica, and guitar, backed by guitarist Robbie Robertson and an ensemble of veteran Nashville session men.
"One of Us Must Know (Sooner or Later)" is a song by American singer-songwriter Bob Dylan, which was released as a single on February 14, 1966, and as the fourth track on his seventh studio album Blonde on Blonde in June of that year. The song was written by Dylan and produced by Bob Johnston. It is the narrator's account of a burned-out relationship. It was recorded at Columbia studio A in New York on January 25, 1966, with Dylan and other musicians developing the song through over twenty takes during the session.
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"When I Paint My Masterpiece" is a 1971 song written by Bob Dylan. It was first released by The Band, who recorded the song for their album Cahoots, released on September 15, 1971.
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Alma Har'el is an Israeli-American music video and film director. She is best known for her 2019 feature film debut Honey Boy, for which she won a Directors Guild of America Award.
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