Blood on the Tracks is the fifteenth studio album by American singer-songwriter Bob Dylan, released on January 20, 1975, by Columbia Records. The album marked Dylan's return to Columbia Records after a two-album stint with Asylum Records. Dylan began recording the album in New York City in September 1974. In December, shortly before Columbia was due to release the album, Dylan abruptly re-recorded much of the material in a studio in Minneapolis. The final album contains five tracks recorded in New York and five from Minneapolis.
Dont Look Back is a 1967 American documentary film directed by D. A. Pennebaker that covers Bob Dylan's 1965 concert tour in England.
Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America. Author Michael Gray has argued that, in an important sense, the 1960s "started" with this album.
Bringing It All Back Home is the fifth studio album by American singer-songwriter Bob Dylan. It was released on March 22, 1965, by Columbia Records.
"Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages, and has been used or referenced in television shows, films, and books.
"Tangled Up in Blue" is a song by American singer-songwriter Bob Dylan, which was released as the opening track on his 15th studio album Blood on the Tracks (1975). The song was written by Dylan and produced by David Zimmerman, Dylan's brother. Released as a single, it reached No. 31 on the Billboard Hot 100. The song concerns relationships and contains different narrative perspectives. Dylan has altered the lyrics in subsequent performances, changing the point of view and details in the song.
Peter Morris Green is a British classical scholar and novelist noted for his works on the Greco-Persian Wars, Alexander the Great and the Hellenistic Age of ancient history, generally regarded as spanning the era from the death of Alexander in 323 BC up to either the date of the Battle of Actium or the death of Augustus in 14 AD. Green's most famous books are Alexander of Macedon, a historical biography first issued in 1970, then in a revised and expanded edition in 1974, which was first published in the United States in 1991; his Alexander to Actium, a general account of the Hellenistic Age, and other works. He is the author of a translation of the Satires of the Roman poet Juvenal, now in its third edition. He has also contributed poems to many journals, including to Arion and the Southern Humanities Review.
"Idiot Wind" is a song by Bob Dylan, which appeared on his 1975 album Blood on the Tracks. He began writing it in the summer of 1974, after his comeback tour with The Band. Dylan recorded the song in September 1974 and re-recorded it in December 1974 along with other songs on his album Blood on the Tracks. Between the recordings, he often reworked the lyrics. A live version of the song was released on Dylan's 1976 album Hard Rain, and all of the studio outtakes from the September sessions were released on the deluxe edition of The Bootleg Series Vol. 14: More Blood, More Tracks in 2018.
Robert Dylan is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning more than 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and "The Times They Are a-Changin'" (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture.
"High Water " is a song written and performed by the American singer-songwriter Bob Dylan, released as the seventh track on his 31st studio album "Love and Theft" in 2001 and anthologized on the compilation album Dylan in 2007. Like much of Dylan's 21st century output, he produced the track himself under the pseudonym Jack Frost.
Martin Bronstein is a British-Canadian actor, writer, columnist, broadcaster and journalist.
Robert Hilburn is an American pop music critic, author, and radio host. As critic and music editor at the Los Angeles Times from 1970 to 2005, his reviews, essays and profiles appeared in publications around the world. Hilburn has since written a memoir and best-selling biographies of Johnny Cash and Paul Simon. He was a member of the nominating committee of the Rock and Roll Hall of Fame for more than 20 years and lives in Los Angeles.
Clinton Heylin is an English author who has written extensively about popular music and the work of Bob Dylan.
"Damaged Goods" is a song by English post-punk band Gang of Four. Acting as their debut single, it was released on 13 October 1978 through independent record label Fast Product. Produced by Fast Product owner Bob Last under the alias "Fast Product", the single received critical acclaim, prompting the band to sign to major label EMI. The title track and "Love Like Anthrax" were re-recorded for Gang of Four's debut album Entertainment! in 1979 and the whole EP was included in the Fast Product compilation Mutant Pop in 1980.
This is a list of books published by and about Bob Dylan.
"Lord Protect My Child" is a song written by Bob Dylan, who recorded it at New York City's The Power Station in ten takes on May 2, 1983. The song is an outtake from Dylan's album Infidels that was later included in The Bootleg Series Volumes 1–3 1961–1991 on Volume 3. It is not known why Dylan decided not to include "Lord Protect My Child" on Infidels. It is a Christian song, the lyrics of which express concern for Dylan's child. Reviewer Jonathan Lethem called the song "an achingly candid blues-plea which [provides] a rare glimpse of Bob Dylan-the-parent". Susan Tedeschi, Derek Trucks, and Dave Brubeck performed a cover version of "Lord Protect My Child", which was produced by Chris Brubeck and used as the theme song for the human trafficking documentary film Not My Life.
"Sweetheart Like You" is a song by Bob Dylan that appeared as the second track of his 1983 album Infidels. The song was recorded on April 18, 1983 and released as a single in December 1983, with "Union Sundown" as its B-Side.
Life Down Here on Earth is the third studio album by Kevin Welch. This album marks his debut on the artist-owned-and-operated Dead Reckoning Records, which he co-founded in 1994 with fellow musicians Kieran Kane, Mike Henderson, Tammy Rogers, and Harry Stinson.
"Murder Most Foul" is a song by American singer-songwriter Bob Dylan, the 10th and final track on his 39th studio album, Rough and Rowdy Ways (2020). It was released as the album's lead single on March 27, 2020, through Columbia Records. The song addresses the assassination of John F. Kennedy in the context of the greater American political and cultural history. It was Dylan's first original music released since 2012 and generated an enormous amount of commentary. Lasting 16 minutes, 56 seconds, it is the longest song he has released, eclipsing 1997's "Highlands" which runs for 16 minutes, 31 seconds.
"Where Are You Tonight? " is a song by American singer-songwriter Bob Dylan, which was released as the closing track on his 18th studio album Street-Legal (1978). The song was written by Dylan, and produced by Don DeVito. Dylan has said that the song is about the individual's "enemy within." Critical interpretations of the song have suggested that it references Dylan's divorce as well as foreshadowing or announcing his conversion to Christianity, which became evident in the religiously-focused projects that followed the album. Commentators have also opined that there are allusions in the lyrics to the work of Robert Johnson.
