The Band was a Canadian-American rock band formed in Toronto, Ontario, in 1967. It consisted of four Canadians and one American: Rick Danko, Garth Hudson, Richard Manuel, Robbie Robertson, and Levon Helm. The Band combined elements of Americana, folk, rock, jazz, country, and R&B, influencing subsequent and contemporary musicians such as George Harrison, Elton John, the Grateful Dead, Eric Clapton and Wilco.
Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know ". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.
Jaime Royal "Robbie" Robertson, OC, is a Canadian musician. He is best known for his work as lead guitarist and songwriter for the Band, and for his career as a solo recording artist. With the deaths of Richard Manuel in 1986, Rick Danko in 1999, and Levon Helm in 2012, Robertson is one of only two living original members of the Band, with the other being Garth Hudson.
Desire is the seventeenth studio album by American singer-songwriter Bob Dylan, released on January 5, 1976, through Columbia Records. It is one of Dylan's most collaborative efforts, featuring the same caravan of musicians as the acclaimed Rolling Thunder Revue tours the previous year. Many of the songs also featured backing vocals by Emmylou Harris and Ronee Blakley. Most of the album was co-written by Jacques Levy, and is composed of lengthy story-songs, two of which quickly generated controversy: the 11-minute-long "Joey", which is seen as glorifying the violent gangster "Crazy Joey" Gallo, and "Hurricane", the opening track that tells a passionate account of the murder case against boxer Rubin Carter, who the song asserts was framed. Carter was released in 1985, after a judge overturned his conviction on appeal.
American singer-songwriter Bob Dylan has released 39 studio albums, 95 singles, 18 notable extended plays, 54 music videos, 15 live albums, 16 volumes comprising The Bootleg Series, 29 compilation albums, 22 box sets, seven soundtracks as main contributor, thirteen music home videos and two non-music home videos. Dylan has been the subject of seven documentaries, starred in three theatrical films, appeared in an additional eight films and 10 home videos, and is the subject of the semi-biographical tribute film I'm Not There. He has written and published lyrics, artwork and memoirs in 11 books and three of his songs have been made into children's books. He has done numerous collaborations, appearances and tribute albums. The albums Planet Waves and Before the Flood were initially released on Asylum Records; reissues of those two and all others were on Columbia Records.
Street-Legal is the 18th studio album by American singer-songwriter Bob Dylan, released on June 15, 1978, by Columbia Records. The album was a departure for Dylan, who assembled a large pop-rock band with female backing vocalists for its recording.
Bob Dylan at Budokan is a live album by American singer-songwriter Bob Dylan, released August 1978 on Columbia Records in Japan only, followed by a worldwide release in April 1979. It was recorded during his 1978 world tour and is composed mostly of the artist's "greatest hits". The performances in the album are radically altered from the originals, using the same musicians that backed Street-Legal, but relying on a much larger band and stronger use of brass and backing singers. In some respects the arrangements are more conventional than the original arrangements, for which the album was criticized. For a few critics, such as Janet Maslin of Rolling Stone, the differences between the older and newer arrangements had become less important.
Live 1966: The "Royal Albert Hall" Concert is a two-disc live album by Bob Dylan, released in 1998. It is the second installment in the ongoing Bob Dylan Bootleg Series on Legacy Recordings, and has been certified a gold record by the RIAA. It was recorded at the Manchester Free Trade Hall during Dylan's world tour in 1966, though early bootlegs attributed the recording to the Royal Albert Hall so it became known as the Royal Albert Hall Concert. Extensively bootlegged for decades, it is an important document in the development of popular music during the 1960s.
Bob Dylan is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning more than 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and "The Times They Are a-Changin'" (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture.
"Just Like a Woman" is a song by American singer-songwriter Bob Dylan first released on his seventh studio album, Blonde on Blonde on June 20, 1966. It was written by Dylan and produced by Bob Johnston. A shorter edit was released as a single in the United States during August 1966 and peaked at number 33 on the Billboard Hot 100. The song has been criticized for supposed sexism or misogyny in its lyrics, and has received a mixed critical reaction; some critics have suggested that the song was inspired by Edie Sedgwick, while other consider that it refers to Dylan's relationship with fellow folk singer Joan Baez.
"Rainy Day Women #12 & 35" is a song by American singer-songwriter Bob Dylan. The song was written by Dylan, and produced by Bob Johnston. It was initially released in edited form as a single in March 1966, reaching No. 7 in the UK and No. 2 in the US chart. A longer version of "Rainy Day Women #12 & 35" is the opening track of his seventh studio album, Blonde on Blonde (1966), and has appeared on several compilation albums.
"I Want You" is a song recorded by Bob Dylan in 1966. Recorded in the early morning hours of March 10, 1966, the song was the last one recorded for Dylan's double-album Blonde on Blonde. It was issued as a single that June, shortly before the release of the album.
"Love Minus Zero/No Limit" is a song written by Bob Dylan for his fifth studio album Bringing It All Back Home, released in 1965. Its main musical hook is a series of three descending chords, while its lyrics articulate Dylan's feelings for his lover, and have been interpreted as describing how she brings a needed zen-like calm to his chaotic world. The song uses surreal imagery, which some authors and critics have suggested recalls Edgar Allan Poe's "The Raven" and the biblical Book of Daniel. Critics have also remarked that the style of the lyrics is reminiscent of William Blake's poem "The Sick Rose".
"Can You Please Crawl Out Your Window?" is a folk rock song written by American musician Bob Dylan. In 1965, Columbia Records released it as a single, which reached number 58 on the US Billboard Hot 100 chart, and number 17 on the UK chart in January 1966. While Dylan never included the song on any of his studio albums, it appears on compilations, such as Biograph and Side Tracks.
"Most Likely You Go Your Way and I'll Go Mine" is a song written and recorded by Bob Dylan for his 1966 album Blonde on Blonde. The song was released as a single twice during his career, once in 1974, which reached number 66 on the US chart, and again in 2007, appearing at number 51 on the UK chart.
"When I Paint My Masterpiece" is a 1971 song written by Bob Dylan. It was first released by The Band, who recorded the song for their album Cahoots, released on September 15, 1971.
"Watching the River Flow" is a blues rock song by American singer Bob Dylan. Produced by Leon Russell, it was written and recorded during a session in March 1971 at the Blue Rock Studio in New York City. The collaboration with Russell formed in part through Dylan's desire for a new sound—after a period of immersion in country rock music—and for a change from his previous producer. The song was praised by critics for its energy and distinctive vocals, guitar, and piano. It has been interpreted as Dylan's account of his writer's block in the early 1970s, and his wish to deliver less politically engaged material and find a new balance between public and private life.
"George Jackson" is a song by Bob Dylan, written in 1971, in tribute to the Black Panther leader George Jackson, who had been shot and killed by guards at San Quentin Prison during an attempted escape on August 21, 1971. The event indirectly provoked the Attica Prison riot.
The Bob Dylan World Tour 1978 was a concert tour by American singer-songwriter Bob Dylan. In 1978, Dylan embarked on a year-long world tour, performing 114 shows in Asia, Oceania, North America and Europe, to a total audience of two million people.
Rough and Rowdy Ways World Wide Tour is the current ongoing tour by American singer-songwriter Bob Dylan in support of his 39th studio album Rough and Rowdy Ways (2020). The tour began in Milwaukee, Wisconsin on November 2, 2021 and is scheduled to continue through to 2024.
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